"We still have that spirit of exploration, but we've definitely found our groove and we can't wait to show the world"
Immoralis are a Symphonic Metalcore / 'Orchestral DETHcore' sextet arising from the dark and dampened streets of Minneapolis, Minnesota. Having already unleashed their ferociously powerful effort 'The Great Collapse' and just dropped their latest single 'Burden', it was clearly overtime in respect to giving these four lads and two lasses a proper interrogation. We recommend the track 'The Great Collapse' from their album of the same name as a starter point to get into what is poised as the newer Bleeding Through. Let the fireworks begin, we spoke to the band as a whole and also addressed two questions to them individually, surprised to see the UK was not mentioned in this interview....
Hey guys, first of all how did Immoralis come about, how did you meet and what does the name mean?
As far as our lineup we all met through Craigslist ads, YouTube, mutual friends and being in the right place at the right time. As far the name Immoralis goes it actually has no real meaning but was thought up and it just happened to stick.
You call yourselves Orchestral DETHcore Metal, what influences make up your sound?
Between each individual member we have such a varied difference on what we each listen to personally that we all bring something unique to the table and are able to come up with our sound.
Who would you say was the party pooper of the band, who is the leader or daddy / mummy of the band? (That is who makes sure everyone is happy)
Each of us have been the party pooper at one point or another, Jens and Adam would be the leaders / father figures and Matt would be the comforting mother of the band. As far as everyone else in the band Jesse is our networker, Tori is our swing vote whenever our democracy is at a tie, and Jace is our social butterfly / wild child.
You released your debut album 'The Great Collapse' last year, did you all come up with the songs or was some songs thought up individually?
Jens and Adam pretty much had the foundation of the songs written and as each of the rest of the members joined they were able to add their instruments to the songs to create "The Great Collapse".
What plans have you got for the year? Please explain the meaning behind your new single 'Burden'?
We will hopefully be working on a new EP as well as doing some touring. "Burden" was inspired by the TV show "Dexter". The song can be viewed as a stepping stone towards the direction we're going.
Finally are there any hello's, thank you's, etc you wish to send out to friends, fans, etc?
We'd like to give a collective shout out to everyone that has supported us so far. It means the MULTIVERSE to all of us and we're excited for what's to come!
The rest of the questions were directed at each member with two questions each.
So Jens, how long have you been playing guitar and what do you currently play with?
I've been playing guitar for 17 years now... wow, how time flies having fun! Currently, I have 3 guitars that I use live, my two mains are a Tobacco Sunburst Gibson Slash Signature Les Paul and a Black Dean ML Custom Run. My backup guitar is a Gibson '67 re-issue Flying V. All of the guitars are down tuned to Drop-B. I use DR DDT .12-.60 strings. My amp is a Peavy 5150 EVH signature Blockletter run through a Carvin 4x12. My pedal board consists of a Morley Bad Horsie 2 wah wah, Boss TU-2 Tuner that run in front of my amp, with a TC Electronics Flashback Delay, TC Electronics Hall of Fame Reverb, and a ISP Decimator in my FX Loop to clear up all the nasty unwanted noises that come from a cranked 5150... I also have a Sure Wireless system that I use depending on the day and venue.
What is your favorite Immoralis riff and why?
My favorite Immoralis riff? Well, that would probably have to be in 'The Value of Nothing', specifically at 1:49. It's a pretty basic riff that only happens for a few short measures, but it just brings me back to the old (Master of Puppets / And Justice for All) Metallica shred days, so you better believe I down pick that shit for full Hetfield authenticity.
Jace, as backing vocalist and bassist, who do you take influence from?
Influences for me have come from all around considering singing and playing. My parents are huge influences on me, being musicians themselves they've always been able to help, teach and inspire me with anything I do music related. Vocally I would have to reach out to Robert Plant from Led Zeppelin, Pat Benatar and Amy Lee of Evanescence. I love the feeling they all release in their singing and all their different styles. Bass wise, I really enjoy playing fast, so Geddy Lee of Rush and Ryan Martini of Mudvayne were two of my first influences that really reached out to me on that instrument for two reasons, they weren't your average 'root-note bassist' and I never got bored listening to them play. Then I got into Tal Wilkenfeld, and she is definitely a top inspiration for me along with John Myung from Dream Theater. Flawlessness meets tastefulness. I don't care what anybody says, there is nothing like a good, solid, funky fresh bass solo.
If you could sing a duet with any musician from any time in history, who would it be and why?
If I had the chance to sing a duet with any musician in history, it would definitely be a tie between Sharon from Within Temptation and Amy Lee from Evanescence. Their impressive range, feeling and over-all talent is just flawless! I have been listening to both groups from each ones beginning and I definitely believe that the passion, drive and talent we all would share could definitely be combined into one of the most breath taking musical pieces yet. It would be such an amazing honor.
Matt, how did you train to become a drummer, was it natural or did it take time?
I've never had a formal lesson before so I guess you could say I took to the instrument pretty naturally. I was inspired to learn by watching other drummers before I had even touched a pair of sticks, I just knew I wanted to play the drums instinctively in a sense. But as far as getting to where I am today it's come from years of listening to music and learning other drummers parts as a way of figuring out how certain things are done. Very trial and error then figuring out what works best for me and our songs.
If you could take Immoralis to only 3 countries (except USA), where would you take them and why?
Definitely Australia, Germany and Canada. Those music scenes as of late are pumping out some sick bands and just seeing how shows go down from seeing other bands in those locations the appreciation for our genre over there is just insane and I would love nothing more than a first hand experience of that.
Adam, did you and Jens share guitar playing tips in the early Immoralis days or was it very easy to do?
We were both semi experienced at guitar and writing music when we met. Jens has always been an exceptional guitarist with his formal training, schooling, and how he constantly pushes his skills and in the time of knowing him and playing with him I've grown tremendously by learning from him. When we first started writing together it was difficult. We were both trying to pull the music in a certain direction which is strange because we actually share many of the same influences that got us into music like Pantera, Metallica, Etc. Where the magic began was when we both let go of control and just let the music flow. We gave everyone a chance to finish an idea before criticizing or changing it. We also adopted early on that no idea or direction is off limits. We don't have to be strictly brutal or melodic. We love the duality of both. We never know where the next song will go.
What would you say makes Immoralis who they are?
I think our secret sauce is our diversity and that everyone contributes. If you put four guys who all love Death Metal together then they'll make a Death Metal band or Thrash, etc. The truth about us is that there are bands we all love but there's such a range of influences between everyone and we really encourage every members input. When we first started writing we didn't really know what kind of band we were gonna be so we were really experimental and just figuring out what we wanted to be. Our first record "The Great Collapse" is in my opinion a good example of us exploring what sound we want. Since then we've definitely honed in on what we think will make Immoralis the best band we can make it. We still have that spirit of exploration but we've definitely found our groove and we can't wait to show the world.
Tori, how long have you been playing keyboards and do you feel that more bands need to explore this instrument further? (As in does it create atmosphere so that the whole song sound changes?)
I've been playing piano for probably around 16 years, keyboards for 10. While I love the extra layer that keyboards add, I wouldn't equate that to saying more bands need to incorporate them. I wouldn't be opposed to such a movement, but there are tons of amazing bands out there already that utilize keys, and in vastly different directions! However, I will fully admit that if more bands want me to listen to them, keyboards are an easy way to do so. That's where I get my giggities.
Who would you liken yourself to playing wise? Who influences you?
My biggest influence is easily Tuomas Holopainen of Nightwish. The sincerity, talent, and imagination behind his songwriting are what first inspired me to attempt fitting my classical background in the metal scene. If it hadn't been for a good friend of mine showing me the "Once" album and coercing me to form a metal band, I certainly wouldn't be where I am now.
Jesse, what made you become a vocalist, was it a childhood passion?
I actually grew up playing the guitar and playing in a garage band with my older brother Pat. I was 14-15 years old covering Smashing Pumpkins, Nine Inch Nails, Korn, etc. Then I started writing my own music and lyrics so our band began writing original music. That's when I started singing. I would always sing along to songs when I was little. But growing up my main focus was the guitar. When I turned 17 I started writing music that was to technical for me to play and sing at the same time. I found a guitar player that I could teach the songs to so I could mainly concentrate on vocals. I really got into the screaming side of music after hearing the "Deftones", my favorite band ever ha. Then America Head Charge, Dry Kill Logic, Chimaira, etc. I took a break from vocals and got back into the guitar for a few years. I then took a break from music all together to pursue other interests. I stumbled upon Immoralis, heard some songs that were just instrumental and after hearing them I had so many sick vocal ideas running through my head. That's when I decided to get back into the music scene. I think my passion is music in general, whether it be vocals, guitar, bass, anything that helps get the ideas out of my head and into a written song. That is my passion.
What advice could you give to those learning this type of vocals?
As far as advice for anyone trying to learn screaming / singing vocals. I would say nothing happens overnight, it takes years and years of learning, practicing and making mistakes to learn how to scream properly. Nothing of worth comes easy. If your voice is gone and your running out of breath then your doing it all wrong. Control your breathing! Also be open minded, just because you're into metal doesn't mean that other genres can't help you become a better musician or vocalist. I practice singing to anything from Bruno Mars, City In Colour, Periphery, then screaming to Veil Of Maya, After The Burial, Elitist, Whitechapel, etc. It all helps me become a better vocalist and I'm always learning new things. Last but not least, be yourself. It's good to practice to other music and learn from it but be original. Which means let everything you scream and sing come out naturally. Don't try to sound like someone else and most of all don't over-think things.\m/
As DevilDriver sharpen up their axes and brush off their gold-coated selves after their well-received Bloodstock appearance, I caught up with Dez Fefara (Vocals) and spoke to him about the plans they have for the year, their time watching a marriage proposal take place in the Bloodstock Signing Tent, past events and how he believes work ethic is a key to success.
We have selected a number of questions from the interview for your reading pleasure, but please also find the audio version above.
Hi there Dez, so at Bloodstock you witnessed a marriage proposal take place, what was that like for you?
That was a good time man, I mean any time people will go to a gig and coming together as a couple and enjoying music when, they were tying the knot at a Metal concert and I mean that is a damn good time. You know what I mean? (laughs).
Was that the first time you saw something like this happen?
No, actually that has happened quite a few times with DevilDriver, it happened after playing in Berlin and Australia and it is a wonderful thing to see people come to a gig and tie the knot, basically it's a cool thing. [Then refers to the Bloodstock occasion and reflects on his thoughts]: I was thinking this could go one way or the other (laughs), nah like I said it could be a beautiful thing or it could be turned down, but I always wish everyone the very best and I've been married for a long time so I know what a beautiful day it could be but I've also been a part of scenario's which were not so good. But I wish the best to people.
Now you released "Winter Kills" back in 2013, have you got any plans for a new release this year?
No, I mean if I had my way we would put a record out about every year and a half, it's just impossible so we're pretty much on a two and a half year cycle right now and we can very much keep up with that, that being said later on in the Fall (Autumn) of this year we will be recording and then sometime next year I will be recording vocals. But just the way we learn to write together is what made "Winter Kills", "Winter Kills", it's what made the six records perform well on the road, we're glad we're using this new writing style and by starting now we want to get ahead of the game to make sure we have a real quality product to go in and record.
Of course you're coming over to the UK in April and are touring with Sylosis and Bleed From Within, is it the first time you've played alongside these bands?
No, playing alongside Sylosis they were on tour with us and they got into a little horrible accident in America, I'm not sure if you know about that so they were in an RV and they got wrecked pretty bad and were pretty lucky to be alive, but I mean they had to redirect their tour so it was kind of like 'hey guys lets get together and kick shit up, we're glad your alive', they've got their own and sound and brought a lot to the table.
I always like coming to the UK, there are certain places as a musician you can make it or break it, in that stage we were looking at Los Angeles and the UK. We're very loud over there, it's a great time and I have a lot of friends and I know the shows are going to be off the hook, and that is going to be important for me, when you know the shows you're going to perform at are going to be crazy, it makes it all the better and we got to make sure that we will be ready to do it.
In regards to your song 'Not All Who Wander Are Lost', there's a section where the band-members are subject to x-rays, was that your idea or another band-members?
No no, that was an idea I had and when I tried it out the director was like oh this can easily be done this way and that way and so we ended up putting that in the video. I've worked alongside some really cool people so.... [listen to the audio at the top for a more in depth answer to this]
Thinking back to when you were a child, did you foresee yourself with DevilDriver as big as you are now?
Oh no I don't think it's the matter of being big or small, it's about being a musician. So now it's kind of a different scenario in relation to listening to a record collection because now you would ask 'hey mum, dad, let me borrow your iPod for the day', which is not going to happen because they're going to need it for work, or to go to the gym or whatever. In my house, all those kinds of records I got into them early on so now I have 60's stuff like The Doors, Steppenwolf's 'Born To Be Wild and other stuff like that I got into when I was really young, so I saw myself being a musician but didn't want to think in terms of being big or small and instead just getting up on stage and being a musician and that is really worked out for me.
Regarding "Winter Kills" which debuted #32 on the Billboard, could you perhaps shed light on why Metal music does or does not tend to get high positions on the Billboard?
Well metal tends not to get in to Billboard top #40 and it is extremely hard to get into, especially when you're against someone like Justin Timberlake and just not getting into it, but this is starting to change and I'm really proud to say that we made #32 and that's with no clean singing or no clean vocals, nothing good on the radio and as a result making it onto the radio means that it shoots onto the Billboard chart, that with requests for airplay pushes you further up the chart. But the chart is mainly a lot of pop music, a lot of pop punk and to see this shift with metal now making the chart's, it's something rather special, as metal is seen as the disproportionate and I don't know why it is happening, but it's happening.
Out of all the albums you own, what album would most people be shocked at in knowing that you own a copy?
(laughs), well I listen to a wide range of music so from everything including blues to punk rock, to Black Metal, to psychobilly and I love it all man, as far as being shocked I think you would have to take a look at my record collection and see that I have some Frank Sinatra and Dean Martin to Black Sabbath, Emperor, Dio, Sepultura, Black Flag, etc. and crazy opera stuff, you know I collect music as I am a music musician, not a metal musician and I'm very far from the purest in that anyone who knows me knows that I love Bauhaus and Sisters of Mercy as much as I love Black Sabbath and Black Flag. So, I wouldn't say they would be shocked, more so I would say they would be like 'Oh that's a Sinatra CD, didn't know you like that music and I'd say yeah been listening to it a lot'.
What would you say to those unsigned bands who don't quite understand yet what being in a metal band is about, in respect to investing time and money? What of those bands who think promoters should bow down to them and give them gigs instead of working for them?
If you're getting into an underground art, and I mean anything that's an underground art like painting, sculpting, playing the Blues, Punk Rock, Heavy Metal, don't get into it for the money, and basically you will always have to put something into life in order to get something out and so that means you would have to pay for gas, food, hotel accommodation or you'll probably have to go one or two weeks without a shower and so there's always going to be different kinds of scenario's on the way up, but if you stick with it, you know you keep your day job and you keep yourself sane, you stay away from the problems that will kill your band and stay away from hard drugs and all of the things that are going to destroy your future, then you might have a future. Don't go following a scene, you should be making your own style of music and do it for your heart and yourself, and those who like your band. Believe in yourself man, that's all you got to do just believe in yourself and those kinds of people who have done that have started all kinds of bands, if you believe in yourself you will be able to do things.
People who believed in me helped me out and those that didn't, I am no longer friends with and most of them are no longer in the industry any more so it is also not only important to believe in yourself, but others too as they are the ones who you will want to spread the positivity around.
Those bands (laughs) who think that people should bow down to them are stupid, you know you're just a f**king musician. You're not a world leader or whatever, you're a musician. Here's the thing right, I come from what you would call a working-class background, ok I was on a construction site for years and I know what it's like to work my ass off. With my dad, I would go down there around 5 in the morning (a.m.) and still be working when before the sun goes down and you're so tired. I've never lost that work ethic because I believed in becoming a man, and not through buying houses, or cars or having a beautiful wife. So no, no one should ever have to bow down to you even if you're a musician.
Finally are there any hello's, thank you's, etc you wish to send out to friends, family, fans, etc?
Yeah well, for anyone who has supported me from the beginning of my career up till now, in any number of my bands thank you very much and I'll never ever let you down, not through my music nor through the live shows, so come on out to the shows, get in the pit and have a good time with DevilDriver and throw away the chairs for a night with us.
DevilDriver are on tour in the UK from the 3rd to the 10th April and are hitting these following cities (in order): CARDIFF, LONDON, WOLVERHAMPTON, GLASGOW, DUBLIN, MANCHESTER and SOUTHAMPTON.
Tickets are on general sale now and you can pick them up at www.kililive.com and www.seetickets.com (Cardiff, London, Manchester, Southampton), www.ticketmaster.ie (Dublin), www.triplegmusic.com (Glasgow) and www.wolvescivic.co.uk (Wolverhampton).
By GMA's Bangladesh correspondent Nabil Abaddon
In the search for Extreme Metal bands from the most exotic corners of the world, we shine the light on a small South-East Asian country called Nepal, a country that has burst out as an emerging Metal scene in the last few years with a bunch of talented local bands and the consecutive arrivals of Metal acts like Vader, Napalm Death, Decapitated, Behemoth, etc. We searched a bit more and stumbled upon a band called Dying Out Flame.
Dying Out Flame is a five piece ‘Vedic Death Metal’ band, a particular sub-genre that originated with Rudra from Singapore. The name Dying Out Flame comes from the Hindu tradition of cremation. It is the last phase of the burning of a corpse. As the band moniker suggests, Dying Out Flame plays a unique brand of Extreme Music that incorporates Death Metal with ancient Vedic / Hindu philosophies and mythologies through the use of Eastern Classical chants, complex time changes, Death growls mixed with clean vocals and what not. They have played many local gigs and festivals and are now busy with the recording of their debut album.
I managed to talk with the band leader, vocalist and bassist Aabeg Gautam over the net. An excerpt from the chat follows below.
GMA: Greetings Aabeg! Welcome to GMA Interrogations. Hows it going with your band?
Aabeg: Thanks, we are doing great. A lot of things are going on at the moment. We are recording our debut full length album which will be released sometime in early / mid 2014. We are also performing live on regular basis. So stay tuned for massive 'Vedicization'. We have also been through some line-up changes on guitars because Saurav khanal was kicked out few weeks ago due to his false respect and attitude towards the band and music. We have however found a good replacement and we will come more powerful in upcoming days. Altogether we are really busy and exicted about everything going on right now.
Watch their song “Annihilation of Jallandhara” here
GMA: Dying Out Flame is a “Vedic Death Metal” Band. So tell us how do you define the term 'Vedic Death Metal'? How do you write your lyrics and compose the songs keeping that in mind?
Aabeg: If you'd make a 30 second study of our work you'd soon realize what is Vedic Death Metal. It is Death Metal music totally based on Hindu themes and Vedic literatures. it's the mixture of words and music derived from Sanskrit Vedic mythology / philosophy incorporating with ancient shlokas and fusing traditional Hindu classical music into Death Metal. To answer your second question, when I compose music and lyrics, there is no set formula. It all depends on time and place. I might have a riff in my head, a drumbeat or a mythological / philosophical theme that the song would be based on. I take those things and build an entire concept for the song around that. It just evolves and evolves from there, and there is always an emotion that works whilst making every song. It just comes to me from my inner feelings, thoughts and eternal love and dedication for Death Metal, art and religion..
GMA: As far as I know, you guys started as a Technical Death Metal outfit. What made you change your genre?
Aabeg: These days, Death Metal has become a bit too glamorized and popular. I rarely see anything new these days. I see nothing but bastardization of artistry and style only and it sickens me. We don't want to play the same thing again and again which has become a trend these days. So to keep the music interesting, fresh and away from the trend, we had to make some changes to our sound.
As we had some concepts of Hindu mythologies, literature's and traditional classical music, we all decided to evolve into a Vedic Death Metal band for creating religious / spiritual awareness and closeness to the world. Most people in Nepal understood what Metal is in the last few years with the big success of Cradle Of Filth, Slipknot, Lamb Of God etc. Metal is violence, evil, Satanic, nihilism only for pseudo Metalheads and brainless kids here who don’t have any direction in life. But personally, I am spiritually aware, I do not have the need to flaunt it, because this is not how I want my art to be.
I look only at myself and focus on myself. It's my law, I'm my own law and my own God before anything else. The rest is less important, we just play in a way that reflects and expresses deep underlying truth and reality of existence and it seems that Vedic Death Metal is the only proper medium to express our feelings of religion, spiritualism and Death Metal aggression at the same time. It is a big part of our lives. There is no false faces behind it.
GMA: Is the band working on any EP or album at the moment?
Aabeg: We are in the middle of our recording of first full length album, which is much more extensive as far as the arrangements and overall music are concerned. One year of dedication and hardwork is what lies responsible for it's enormous patterns, and hopefully the final outcome will be what we have prayed for. I think this album will appeal and come as a fresh breeze to anyone whose heart pounds for Vedic Death Metal glory. We are enjoying the work and I think this is my life’s best work till date.
Album Teaser can be seen here
GMA: As far as I know all four members of DOF are studying at Nepal Music Center, am I right? How much does that help in the music you do with DOF?
Aabeg: Yes, except our new guitarist Bikalpa, who joined the band few weeks earlier, we all are students of Nepal Music Center. Studying music theories in music school has helped me a lot in composing music and keeping it interesting and to flow with everything really well. It has helped me a lot as a musician and a composer but if you have good listening power you don't need to worry about theories, it is simply the study of why certain sounds go together. Listening to some of the bands / artists that influence you, can help you to get a lot of the ideas. It's all about the feel and how it affects you..
GMA: Who inspired you to become musicians and who do you idolize as a band?
Aabeg: Music comes from the Gods and is not the gift of any one man or race. I can safely say that I'm inspired by my surroundings, inner feelings, thoughts and love for extreme sonic musical notes since my childhood and it lit a fire in me to create the music. These things are more influential than music itself I believe.I like the enormity of music, not only limiting to Death Metal, a lot of other genres too.
I like Indian Carnatic classical music, Jazz, Funk, Blues too.. but when it comes to metal, I am always into old school Death / Black / Thrash / Grind. I am the great worshipper of bands like Morbid Angel, Vomitory, Immolation, Unleashed, Dissenter, Bolt Thrower, Malevolent Creation, Vader, Sinister, Entombed, Nile, Lock Up, Terrorizer, Hate Eternal, Hate, Grave, God Macabre, Dismember, Emtombed, Carcass and many many more...
GMA: Do you think it is possible in Nepal to make a living solely on music?
Aabeg: It is impossible thing to make a living here solely on music. We all must have some other ways to have a roof above our heads and a meal on the table. Except for that, I can't say money has any value to me. But once you choose music as your basic occupation, you have to be satisfied and happy with what you get. The small amount of money we make occassionally are invested in one way or another, equipments, practise room charges etc.. But I am also pleased with the part of composing music. As long as my basic needs are being fulfilled, I am satisfied.
GMA: Tell us a bit about the Nepalese scene! What are the good bands and good gigs?
Aabeg: Sincerely, I don’t know if I can still call it scene or not. Metal is very disjointed here. Some bands are envious of other bands who are set on the longer road. It's a shame! It was good in the earlier days and could have went on to become something brilliant if there was not any jealousy and malice that exists nowadays.
Some stupid, shallow bunch of idiots ruined the scene who only wanted to promote themselves. Especially, the undervalued lot from the so called "true" big metal bands and "true" underground promoters whose only purpose is to gain a fan-base, profit , impress girls etc. They have erased the pure spirit and devotion of the early days. I know that it might look strange in your eyes that I have such negative attitude about the metal scene here, but this is the truth.
The internet made it much easier to wipe the underground. Internet serves it's purpose as well, people just have to realize that it is not behind the computer screen that the true foundation of metal scene lies. Whats comforting though is that there are still some bands who are honest and serious. Some of the hordes I highly respect and recommend are Ugra Karma - they planted the germ for the Death Metal to grow in Nepal. They instilled a spirit of what Death Metal actually meant, both in raw form and as an ideology.
Other bands who are honest and true to their conviction are Aakrosh, Binaash, Bidroha, Wakk Thuu, Broken Hymen, Narsamhaar, Undefined Human etc. So, they deserve to be supported as much as possible. If people do something sincerely and it makes sense, then everyone should respect them.
GMA: So Dying Out Flame will be playing in the inaugural Nepal Death Fest this year along with some of the most promising bands from the sub-continent. How excited is the band for that? Have you guys played in any other fests before ?
Aabeg: That's definitely number one on our list of things we're looking forward to. This is a first proper DIY Death Metal festival in Nepal that is going to be held on 11th January. So, we are really exicted for that and those who want to lose your breath momentarily, you all must have to attend the festival. And yeah, we have played numerous festivals before..
Watch their performance at Summer Fest (Nepal) here:
GMA: Nepal has been visited by many Death Metal bands like Vader, Decapitated, Napalm Death, Behemoth.Eeven Micheal Angelo Batio toured Nepal few months back. How many of these concerts have you been to?
Aabeg: I've had the privilege of watching and meeting all of them live except Michael Angelo Batio because that's not something for what my heart beats. All those bands were the beginning of the road for us, the foundation, inspiration to us as younger musicians and all of them have left their marks on us as fans and musicians. In fact, Vader was the first international Death Metal band I ever saw live, and it was something I will always remember as a fan.
GMA: So whats DOF's plan for the next year?
Aabeg: My plans concerning Dying Out Flame are to release our debut full length album and a music video for "Eternal Mother Of Great Time" firstly. From the other hand, my ultimate plan is to create the means for uplifting of religious / spiritual spirits and transcendence in the listeners that occur when listening to the great art. We will continue expressing our thoughts, attitudes and feelings through our Vedic Death Metal music with endless passion which is a big part of our lives and pictures of our souls and we will spontaneously continue Vedicizing new plagues with the holy storm of Vedic Metal. I want to create something more different and obscure that you wouldn't just call a good Vedic Death Metal band but it's Dying Out Flame alright and we will accomplish that. Also, we have thought of some lives, there is already invitations of tours from our brothers from Bangladesh and India. When the right time will come, we will play there.
GMA: Thanks for your time and patience. It was great talking with you. Any last words for the fans you would like to say?
Aabeg: It's been a good time answering to your questions and spread some propaganda. We're glad that there is an interest in what we're doing. Thanks for your support and great interview. The studio version of my personal favourite track "Shiva Rudrastakam" will be released after few days as an album promo. So stay tuned and salute to the brothers of Metal and yeah never forget "ahimsha parmo dharma"!!
By GMA's Bangladesh Correspondent Nabil Abaddon
In recent years Bangladesh has produced some really promising bands from the likes of Orator, Severe Dementia, Abominable Carnivore, Homicide, Nafarmaan etc in the international arena. Creature Of Judgement is another promising Death Metal outfit who are up next to make their mark in the Asian Metal scene. Creature Of Judgement is a four piece Death Metal band from Bangladesh. Founded in 2006, the band released their full length self titled album ‘Creature Of Judgement’ last year. The band is just about to make their international debut at the inaugural Nepal Death Fest on 11th January, 2014. I caught up with Oni Ruddha, one of the guitarists from the band, here is how the conversation went….
Apocalyptic hails brother! Congratulation on making it to the Nepal Death Fest 2014. For those who don’t know your band, can you briefly tell us as to how Creature Of Judgement came to existence?
Greetings. Creature Of Judgement is a Death Metal band hailing from Dhaka, the Metal heart of Bangladesh. Creature Of Judgement was formed back in 2006 as we had the desire to produce some dark extreme music.
How did you decide on the moniker “Creature Of Judgement”? What do you try to preach through the name and your lyrics?
In this land as a creature we are human beings. We believe that every mortal has to undergo his karma Which creates a grotesque entity inside him, we call that new born entity as the Creature Of Judgement. For instance, at first Satan was an angel but as a Creature of Judgement he became Satan.
As Creature of Judgement, the band we think ourselves as messengers to this world. As messengers we offer our music which adheres to the dark, discrepant shore of this world and we interpret the above through our music and lyrical content.
Creature of Judgement came up with the debut self-titled album in 2013. How has the response been so far? How was the experience of recording the album?
January 19th 2013 was the day we released our album at the Dhaka Art Center. The response was good at the launching. Albums were being sold rapidly. Honestly we didn't expect this much overwhelming response from the fans and followers of Creature Of Judgement.
The experience of recording the album was just unforgettable. We faced minor problems in the process but we did have some pretty good times. It took a long time to record the album and we had to wait a lot for the pre & post production of the album.
How often does the band perform in local shows?
We are very selective about the local shows. We did some successful gigs. But the biggest gig we did last year was Eastern Darkfest which was held at the National Library Auditorium in Dhaka. There was Abandoned World (Sweden), Chronic Xorn (India) and few other local bands in the lineup. We were the headlining act of the gig.
For those who don’t know Creature of Judgement, which song would you like to suggest to them and why?
You can never judge a band with just one track. But if we really have to pick one then it would be "WAR". This track highly represents the sound of Creature of Judgement. This particular track contains devastating drum blasts, ruthless vocal growls, extreme technical yet groovy guitar work.
You can listen to the song here: http://www.reverbnation.com/creatureofjudgement777/song/15946847-war
What do you make of the studio facilities in Bangladesh in terms of recording a Death Metal album?
In a third world country like Bangladesh we tried to utilise the most out of the studios that we have. Death metal has been in Bangladesh for a long time. So it wasn't that tough to record the album.
Nepal Deathfest is going to be Creature of Judgement’s international Debut. All of you must be really excited and preparing yourselves accordingly. Tell us how did this come about? How did you hook up with the folks from Nepal Deathfest?
Yes, it will be our first international debut gig and yeah, all of us are very excited. It's almost like a dream come true for us. Our regular jams are going pretty good. Nepal will get a few surprises from us. Some of us have already visited Nepal. We made few good friends over there and hooked up with some local metalheads. They are really good and friendly people. So I guess it wasn't that tough.
Do you have any ideas about the Metal scene in Nepal?
Nothing to say about Nepalese Metal scene. They do have some class bands. Metal fans there are totally crazy. They really know how to slam and bang their heads.
You will be touring Nepal along with your countrymen Homicide. What do you think of that band?
Yes, Homicide are a very promising Death Metal band from our country. They are like our brothers. We have already shared the same stage once. I guess they are as excited as we are about Deathfest. I know we will destroy and conquer the stage.
Well gratitude's for your time comrade. Best wishes to the band. Do you have any thank you’s or greetings to your supporters?
We would like to thank the fans and followers of Creature Of Judgement from the cores of our hearts. You guys give us the strength to keep on going. Keep supporting us. Keep supporting metal.
Creature Of Judgement
Hasnat Choudhury Ripon : Vocal and Guitars.
Oni Ruddha : Guitars
Tanvir Ahmed : Bass
Ahmed Bappy : Drums.
Putrid Ascendancy bears the torch of the true Metal underground movement, promoting the foulest sounds and meanest endeavors with a mission to unleash and spread the vicious seeds of extreme metal across the country.
As the name suggests, these guys are a dedicated bunch with the focus of being able to bring up a quality Extreme Metal scene in India and promote the scene abroad. Putrid Ascendancy was formed in January 2011.
Ritual Ascension Festival upholds the torch of the True Metal Oath and establishes the Kolkata (Calcutta) scene as one of the prominent epicenters of Metal in India, all through live shows from which some of the punishing acts of our times demonstrate their talent! Having being a constant face in the Kolkata scene for sometime now and going through organizing pure extreme occult local metal gigs, Putrid Ascendancy takes the next step, that is to bring in international bands in the form of Nafarmaan from Bangladesh to perform as the headliner for Ritual Ascension Fest II: War.Cult.Supremacy
On this occasion GMA's India correspondent Farzand Bawa had the opportunity to talk to D from Putrid Ascendancy on the upcoming storm that Kolkata is about to face, and what else is in store.
Welcome, Putrid Ascendancy. How is it going on in the camp with Ritual Ascension Fest II just around the corner?
It has been pretty hectic so far. The preparation for decimation is rigid and almost requires ritualistic attention to every detail.
What is the motto that Putrid Ascendancy abides by?
From the days of inception, it has been the same:
[Necrodeity live at Ritual Ascension Fest I]
Putrid Ascendancy is the first band to pull off an old school metal gig in Kolkata. How does that feel and to what extent have you seen the scene grown since Ritual Ascension Fest I was held on 4th August 2012?
It was just last year, 2012. Our journey just has started. And yes it was one of the most important shock-waves ever to hit Kolkata, the rest is history. Kolkata, just after Bangalore, has now maximum numbers of high quality bands and most importantly fans, who are loyal, dedicated, sincere and knowledgeable. And this I hope would keep on ascending and it has to.
Bangalore is considered to be the old school metal capital of India. Where do you all see the Kolkata scene on a more national level?
Bangalore is indeed the metal capital for many reasons, one of them would be their professionalism which is the building block for any industry for that matter art-houses. Kolkata, it’s still a new scene but is growing and developing at sensational speed. Today we have very good quality upcoming bands with genres ranging from Death Metal to Thrash Metal, Death / Thrash to Black Metal, Black / Death Metal to War Metal, Hard Rock to Hardcore Punk, Grindcore to Doom / Death Metal and even Classic Heavy Metal. Times are changing, fans are not going to be force-fed with bullshit. They will not tolerate mediocre festivals that are coming from famous and popular 'been there done that, yet still here' bands / musicians, since they know their metal from its basic fiber and DNA! You know what I mean, right?
Coming back to Ritual Ascension Fest II, it has been delayed by almost 4-5 months due to the blessings of the Government and its great visa rules. Your thoughts on this.
Yes, Oath is an oath, Promise is a promise. We chose to wait because we are metal brothers to begin with and not promoters with monetary intentions. War.Cult.Supremacy was meant to be for all of us so it is, sadly Enmachined told us they could not see any possibilities getting the visas done so we had to give up on them, keeping it clear that we are there to organize another gig next time they get a visa and invited the young band named Deadbolt instead who debuted with full gusto at KOSMA's Hard and Heavy, they received positive accolades for a very strong debut performance. Regarding the Government and visa difficulties, we cannot do anything about it and we are not first ones to be effected by it, remember the Nile gig in Bangalore?
The earthquake in the form of Nafarmaan is going to strike Kolkata on the 11th of January, 2014. What does Putrid Ascendancy expect out of this occult occurrence?
We have seen them live already at the Banish the Posers Fest and trust me you can expect blasting bestial madness from the deepest regions of the crawling chaotic sea, swallowing you in it's apocalyptic void. 666% Guaranteed.
Being a pure Extreme Metal organizer, how difficult is it to make such an event possible in Kolkata?
People expect a free gig or don’t want to pay much which looks very cheap and ridiculous indeed. If you want good gigs with quality metal acts, start paying for it or be a keyboard krieg machine. Just pay for it or die. Hahahaha. They are forever pauper hahaha. The good side is that there are a new breed of educated and passionate metalheads who love to pay for quality fests / gigs and buy merch with full passion. To the new breed / generation of Kolkata Metalheads, we give our salutations to them!
If Putrid Ascendancy was to make a list of the most influential and essential albums, which ones would it feature?
Divus De Mortuus – Necrovore.
Seven Churches – Possessed.
Fallen Angel of Doom – Blasphemy.
INRI – Sarcofago.
Altars of Madness - Morbid Angel.
Under the Sign of the Black mark – Bathory.
Morbid Tales - Celtic Frost.
Worship Him – Samael.
Black Metal – Venom.
World Downfall – Terrorizer.
Severed Survival – Autopsy.
Show No Mercy – Slayer.
The Return – Bathory.
The Awakening – Merciless.
Horrified – Repulsion.
Triumph of Death – Hellhammer.
In the Sign of Evil – Sodom.
Malleus Maleficarum – Pestilence.
Exterminate – Angelcorpse.
Slowly we rot – Obituary.
Deathcrush – Mayhem.
The list goes on forever!
To a complete outsider tell us how much the underground Extreme Metal scene has grown in South Asia?
With the growth of old school entities, that are mainly Putrid Ascendancy and the Kolkata Old School Metal Association, we have only seen progress that was never there before. Stagnation and stereotypical understanding existed and most people who were in bands or were organizing gigs were highly unaware of the Heavy Metal membranes and aesthetics. So from the artwork to the sound everything sounded and looked everything metal is not all around. Still we have metal gig posters looking like DJ party invitation cards and bands sounding very repulsive and ridiculous, but you can witness the growth in the past two years. From bands being signed on for an EP in a matter of 1 year of formation (Mortar) to bands getting signed to big labels from the USA (Purgation) and successfully releasing them and getting them sold out completely (both of these bands) to being invited to play at international and national festivals:
Purgation (Undergrind Fest 2012, Death Skull Ritual 2013, Bangladesh, Banish the posers fest 2013, Bangladesh), Armament and Dead Veneration (Disorganized II, Bangalore), Mortar (Doom Over Bangalore, 2013), Necrodeity (Trendslaughter Fest III & IV) and Deadbolt (Thrashfest in Mumbai). All of these bands are highly professional, educated and talented musicians who are knowledgeable of the fibers of Heavy <etal so they can never forget their roots. Hence they are successful in their own fields / genres. All of them are working on their upcoming releases, to be released by a good label and they will carry on spreading the good name of Kolkata outside their home state for sure.
Name some of the old school bands from kolkata?
Inhuman(Inactive), Purgation, Mortar, Necrodeity, Armament, Dead Veneration, Strangulate, Kapalin, Deadbolt, Zahhak, Chhinnamasta, Mortis Divinum, Steelbird, Gypsy, Blakhole, Neon Rooster, Cryptocasm and the ever increasing madness of old school aesthetics.
[Armament live at Ritual Ascension Fest I]
Will there be a dedicated merch stall and if yes than what are the essentials which Putrid Ascendancy recommends the audience to pick up?
You can get hold Nafarmaan's T-shirt. Purgation's EP and shirt too will be available.
Along with Putrid Ascendancy we have another great bunch of guys in the form of Kolkata Old School Metal Association promoting the old school metal sound in its entirety. What does Putrid Ascendancy have to say about the efforts of Kolkata Old School Metal Association and how does it see the partnership with them to decimate the ever declining false core scene over here?
We acknowledge and appreciate their effort and its great to see Kolkata having two strong forces nurturing and looking after the Metal scene and its future, you can say the future is in safe hands! Partnership and legionship will be welcome in right time to decimate impurities and restore anarchy and chaos of true f**king metal!
It’s a quite known fact that of the biggest issues one faces as an organizer is the proper sound and monetary part. How does Putrid Ascendancy deal with these being such an active organizer of gigs?
Money is an issue but will and passion takes over when it comes to music. We are a small underground cult dedicated to passion for Extreme Metal. So definitely we won’t expect big sponsors, but we are lucky to get help in different forms like Sid Sharma doing the artwork to our friend and renowned tattoo artist Mr. Kaivalya decision to help us, also promotion is well carried out by you with much vengeance! Money is an issue! Yes it is. But it can never tame or defeat us hahahaha, till we have strength in our bones!
[Purgation live at Ritual Ascension Fest I]
A lot of people on social media sites like Facebook show support for the scene as if they would risk their lives for it, but in reality all they do is click the attending button on the event link but never turn up. What does Putrid Ascendancy have to say about such people?
Well such examples are there in every scene and every underground festival, so we better deal with the fact Facebook is just a medium and it comes with faulty data often so do your predictions. You got to know well who are the true fans and know how many to expect in your gig rather than blindly relying on the RSVP.
The lineup of Ritual Ascension Fest II is very diverse, covering all the Extreme Metal genres that can be. It must have been a consorted effort by you guys. How does Putrid Ascendancy feel about achieving such diversity?
Yes from Thrash Metal to Death Metal and Black / Death Metal! We are looking for some chaotic Black Metal bands to fill out the spectrum completely, this may happen in the next edition. There are two very talented pure Black Metal bands in Kolkata right now, Chhinnamasta and Zahhak, but both of them don’t play live for their ideological manifestations which we understand and respect. I've heard of two new bands playing Black Metal but are yet to go through their material.
There is this ever going battle as to which bands laid the foundation for Black Metal and Death Metal genres. What is Putrid Ascendancy’s take on who should be the fore fathers of these two essential extreme metal genres?
It’s an age old debate. Let me give you the right answer.
Possessed - Death Metal.
Hellhammer / Bathory - Black Metal.
As simple as that.
[Contact these numbers for passes of Ritual Ascension Fest II]
What does Putrid Ascendancy have in mind to make the coming future an even better one for the Kolkata scene?
We will start planning future after Ritual Ascension Fest II: War.Cult.Supremacy is over.
Finally a few words that Putrid Ascendancy would like to say to the people who support extreme metal with their heart and soul?
Do attend Ritual Ascension Fest II: War.Cult.Supremacy, watch it till the very end and do leave us feedback.
Ritual Ascension Fest II - War.Cult.Supremacy: https://www.facebook.com/events/154565728083266/
Final Teaser: https://www.youtube.com/watch?v=HrYY05NVBwQ
Genre - Bestial Black / Death Metal
Country - Bangladesh
Facebook - https://www.facebook.com/nafarmaan.horde
"Bloodsoaked Revelation" Live at BTPF 2013: https://www.youtube.com/watch?v=7763uSnD8rw
"Quayamat Lullaby" Live at BTPF 2013: https://www.youtube.com/watch?v=2zq0u6hfieI
Genre - Bestial Death Metal
Country - India
Bandcamp - http://necrodeity.bandcamp.com/
Genre - Brutal Death Metal
Country - India
Facebook - https://www.facebook.com/PURGATION
"Communal Carnage": https://www.youtube.com/watch?v=RQt49BuEzEg
Genre - Old School Thrash Metal
Country - India
Facebook - https://www.facebook.com/armament666
"Hammer of God" - https://www.youtube.com/watch?v=948R2NNlHyw
Genre - Black / Death Metal
Country - India
Facebook - https://www.facebook.com/Kapalin666
"Forgotten" - https://www.youtube.com/watch?v=J04NyfHuWdQ
Genre - Thrash / Death Metal
Country - India
Facebook - https://www.facebook.com/Deadbolt.India
"City of Rot" - https://www.youtube.com/watch?v=XVWQW9QQmFw
Official Inking Partner - Dragonfly Tattoo - https://www.facebook.com/dragonflyta2
Official Artwork Partner - Sid Artworks - https://www.facebook.com/SidArtworks
F**k the False!!
Worship the true!!
Hail the cult!!
BAND: Descent From Aten
LOCATION: Clacton-On-Sea, Essex (England)
GENRE: Technical Progressive / Deathcore
During the night of brutality, GMA's Rhys Stevenson slipped outside to have a natter with fellow county-men Descent From Aten. A five-piece Progressive Technical / Deathcore group who are progressing currently with the re-mastering of their EP and are also cementing the foundations for their new album. So this is what happened (you can hear the whole interview above, below are 6 questions we hand picked that we liked most):
Hey guys, so how long has the band been going and what does the band name mean?
Artis and I were researching conspiracy theories about Ancient Egypt and aliens, things like that and so we had written down a few names to do with the conspiracies and (another member takes over), the main meaning behind the band name is basically aliens ruling over Egypt at the time of
Akhenaten, when head binding began and all of that paraphernalia. The songs we do are about aliens ruling over Egypt so we try to get Egyptology in there as much as possible, I would say 'The Apostasy' kind of follows this because this means to lose faith in something. But basically the alien god Akhenaten told everyone to stop worshiping the other gods, so basically they are apostatizing because they are losing faith in all of the other gods.
Would you consider yourselves the harder or softer version of Nile?
(all moan), well they're Death Metal and we're more Technical Metal I'd say, (like Born of Osiris?), yeah that sort of Born of Osiris style really, we're more drifting towards that area of music, even Veil of Maya. Theme wise, well Nile for sure as the lyrics are near enough the same topic.
What non-music influences do you take on-board into your music and general life?
Perry King: I take a lot of influences from philosophers, I like philosophy a lot and like the Dalai Lama has a lot of things you can learn from.
Member 2: I'm sort of an agnostic at the moment, I don't really care to be honest, I don't have any religious views apart from the band and games (laughs), I'm a bit of a nerd and guitar is my life so I don't really, I guess I'm just a guitar nerd and I don't differ out so I just play guitar, that's all I do basically. I play a lot of war games so I would liken myself to a chaotic guy, I just like to kill everyone... kill everyone... (laughs), as a guy I'm just a f**king joker, life is a big joke, that's me
Member 3: Well for me I'm not into much religious stuff either, I don't take many public figures really (another member interjects with 'Justin Bieber, another quips afterwards 'who doesn't?').
Patrick Barker: I agree with Perry and the whole philosophy thing because well I sort of appreciate people who can say things that mean something, that's just outside metal but with me I'm mostly just into music and stuff, playing bass and gaming as well, we're all nerds basically (all agree), I actually game quite a lot surprisingly, too much. (So you would have your own avatar in Skyrim if you could?): pretty much haha. (another member quips 'That's where I wish I was Trevor Phillips from GTA, he just gets away with everything, he probably wants to kill you just doesn't want to!'). Yeah again I'm not really religious, I can appreciate why people believe in religion but it won't make me believe in it, but honestly if someone said to me 'I believe in God because this random thing happened to me and since then my life has been great', I'd be like well fair enough, other things could have caused that (all laughs) but yeah I play a lot of games still, I'm just like a massive gamer like I'd also say slightly political at mind, sometimes maybe, but especially if it's to do with UK politics and American, so like what's going on in America, the whole Government shut down thing I thought that was ridiculous, that's given me an idea for a song (bus screeches). but yeah with the whole NSA case (libel remark made), they are going to know what you are looking at on the internet. (Perry interjects with: 'this is what happens every time Pat and I sit down, we'll always talk about one thing and then he'll divert and go onto something else like the surveillance, Xbox one, camera spying, etc, he's like this all the time').
Member 5: As for religion I don't really believe in anything, I was born as a Christian and was baptized and everything, but as I grew up I don't really follow it by heart, I'd definitely stay with the gaming as I play Skyrim, Battlefield and GTA quite a lot, (another member interjects with 'I'm not a gamer and that's because I can't afford a console', another replies with 'you're missing out white herbert, oh and if anyone's listening into this audio Perry looks a lot like Wade from GTA 5 (see below), if anyone plays GTA 5 and sees Wade he does look like him a lot, he just needs the clown paint and that's it, he'll be Wade').
^ Perry vs Wade, yup we see a resemblance
So as a group does it matter where a band comes from, so you have bands coming out from Africa, Asia, etc people say 'yeah its music that's all that matters', does it really matter where they come from?
I wouldn't say so, if you make music you make music man. Music is for everyone, I wouldn't say it was for someone who was from a specific country or area, do what you want to do, music makes you feel good about life so f**king crack on with it. (Even when you got countries with political regimes who state if you play metal you're dead?). Really? Oh, I wasn't actually aware of that, but my view on that personally is that's ridiculous, (members interject: 'to be honest if that's the case I would want to do it more', 'I think the whole point is it's about people rising up against the Government', 'I think music is everyone's right, it brings everyone together but yeah there's not many people in our home town, but when you play at a metal gig loads of metal people come from all over, you know it should be everyone's right', 'its like we've just summoned them', 'If you enjoy music in any form, then just do it, I don't understand why people are like 'urgh metal, going to kill that person now' (laughs); 'well no because everytime you walk down the street, you hear someone playing rap on their phone loudly, you know you don't just get the urge to stab them' (laughs).
So you know 2014 is practically upon us, what plans have you got next year?
New album. In the start of December (the 6th) we're going to be sorting out the drums for the album so yeah we're going into the studio to record our full length album, which should be out around Spring-Summer time really, but that's sort of a rough estimate of when it's coming out. I mean we've written it all out, but the thing is we have to line it all and perfect it basically, it's all written out theoretically and so we have to practise and learn it, some of the stuff we end up writing it takes time and so it could end up taking longer because of how technical the album might be. Compared to the EP the album is a lot more different, it blows it out the water and so we feel people will rate us more than they did with the EP.
Finally have you got any hello's, thank you's, greetings you wish to issue to your friends, fans, family, maybe your boss at work?
I just want to thank the metal community in general, I've had a lot of random metalheads add me on Facebook because they've heard our music and thought that we were good.
I'd like to thank people like Lewis cause he 'naked Lewis', because he knows who he is, all the fans who come to our local gigs, the main ones that got us going really so I would like to say thank you to them.
I want to say thank you to some of my band-members as well because they never really like my music but they're there to support the band the whole way through, I'd also like to thank my mum as well for giving me the courage to go on.
I'd thank my family, my nan and my grandad for just being supportive and I know they think the music is a load of s**t but there's no way to sugercoat that, I know they're always supportive and I'd probably thank my mum whose probably looking down at me like 'learn to sing normally', but also the guys in Acrania for putting a word in about us to get us on Night of Brutality, the fans for sure, all our supportive friends and basically the general metal community for being such awesome people.
I'd like to thank my friends for supporting me, with the band and everything and also the bands we gig with because all of the guys we meet are cool to get along with and we enjoy their music as well.
Cheers guys and stay metal \m/
By GMA's Bangladesh correspondent Nabil Abaddon
If you follow our interviews regularly or keep track of what goes on around the South-East Asian Extreme Metal scene, then you should know about the uprising Bangladeshi Black / Death Metal force called Nafarmaan! Nafarmaan, which means 'the detested', 'the disobedient', 'the blasphemer' in Arabic / Urdu, was founded back in 2008 by the drumming virtuoso Nohttzver, who is also known as the co-founder of the legendary band Weapon.
Of course, one has to know that Weapon was initially founded in Bangladesh, released an EP called “Violated Hejab” and then shifted to Canada. Nafarmaan unleashed their diabolic rage against all the false paradigms on stage for the first time on 16th of November at the Banish The Posers Fest, which was put up by the local cult organization Primitive Invocation and featured bands from Thailand, Malaysia, India and Bangladesh. A full gig review will be coming your way soon.
I spoke with Nohttzver just a few days before the show and talked about Nafarmaan’s upcoming debut EP, future plans and also tried to throw a glance at his story of getting into the devil’s music and much much more.
Welcome to GMA once again brother Nohttzver. Well firstly let me tell you that Nafarmaan looks awesome in the rehearsal video (Bloodsoaked Revelations); which has been uploaded on Youtube a few days back! So when is the EP “Quayamat Lullaby” coming out?
Great talking to you guys as always. Yeah the rehearsal video was captured by a close brother of ours Sajid [Roadkill Tilt], the response of which has been outstanding so far. The EP is due for release in two formats; Tape (200 Copies) via Graceless Recordings (USA) and CDR (Limited to 66 Copies) via Asian label MTD Productions. If everything goes accordingly, both formats will be available within Dec 2013 / Jan 2014. There are also plans for a re-release and also a special release only for the sub-continent with a bonus track. Fans can view the rehearsal video here
As you know, three bands from Bangladesh: Nafarmaan, Enmachined and Abominable Carnivore were supposed to headline at two different Metal fests in Kolkata and Mumbai in September, but could not go to India due to Visa complications. How do you see this issue? If I am not mistaken, the organizers from Kolkata, Putrid Ascendancy has postponed their event Ritual Ascension Fest to December. Any updates on that?
Yeah it is just ridiculously f***ed up. The Embassy people involved with these Visa formalities are lame and uneducated Motherfu*kers. I’m sure that the guys from the other bands who were involved with the fests in India will surely agree with me on this as well. You’re right about Ritual Ascension Fest getting postponed to December. However, it seems that it might get postponed further until we all resolve our visa glitches. If we fail, then the show must go on and in that case we’ve already officially told Putrid Ascendancy to do the fest without Nafarmaan headlining. Our brothers from Putrid Ascendancy especially Carnage Desecrator have been more than supportive and their cooperation on the matter deserves sheer respect.
So BTPF is going to be Nafarmaan’s debut gig. What awaits the Metalheads? What should they expect from the band at the event?
Yes it will be. What awaits...don’t want to say much on that since one needs to witness Nafarmaan live when they are their most lethal.
Tell us a bit about yourself Nohttzver, how did it all start for you? As in discovering Metal music, playing drums and everything. Who are your inspirations in drumming?
(laughs) that will take quite a while to sum up. It started at the very early age of ten; 1989 to be exact. I’ve said this in another interview and probably will say this always. None of this would’ve ever happened If I hadn’t watched Legendary Bangladeshi Metal / Rock band ‘Rock- Strata’ Live in 1988. Watching them live with Legendary Bangladeshi drummer Mahbubur Rashid on drums did it for me. I also owe much to my elder brother who was a bassist himself and was responsible for introducing me to Metal. In 1992 I formed ‘Phantom Lord’ along with Ex-Rock Brigade members, a lineup that specialized in Heavy Metal and Thrash, and later ‘Metal Warriors’ was formed with the same lineup but with the exception of the former vocalist. I’ve also worked in a popular mainstream act of the country called ‘Ark’ from 1993 to 1996, which actually f**ed me up rather than help me with music. Then around 2004, Weapon came along which I co-founded along with longtime friend Vetis Monarch. I guess you know the rest.There are quite a few drumming inspiration ranges from John Bonham, Igor Cavelera, Dave Lombardo, Neil Peart to Ustad Allah Rakkha Khan.
The “Violated Hejab” line up: from left to right Kapalyq (now known as Skullbearer), Vetis Monarch and Nohttzver.
Would you like to take us through your war-gears?
Well at the present I don’t have much of it, except my Eight and half inch Pearl Snare (Steel), a pair of Good Sabian High-Hats, a worn out Zildjian China and a pair of Axis Longboards XL2 pedals.I guess I’ve only kept the stuffs that best represent my signature. I’ve also got a quiet big and rare collection of drumsticks which is also one of my hobbies.I miss my old kit and I hope I get to build one once again.
You are also known for designing the legendary logo of Weapon as well as the logo of Nafarmaan afterwards. Recently, I have noticed some pictures of you making the design of Enmachined’s merch on Facebook. How did that come about? Have you ever thought of doing this professionally?
Weapon’s logo is something I will always be proud of! Firstly, I don’t draw professionally. It is more like a hobby and a passion kinda thing for me. Well, the Enmachined kids were stuck with what to come up with or who to approach for their debut shirt. It was actually Abir (the vocalist of Enmachined) who shared the problem with me and our talks progressed and I asked him as a brother if they needed my help with their artwork. I asked for a day to come up with a draft but ended up doing the final one instead. I think I called him after half an hour later and handed it over to him.
You were the co-founder of Weapon and now you have founded Nafarmaan. Whats that particular thing in Black / Death Metal that made you choose this path and has kept you in it for this many years? How do you define this sub-genre of Metal?
Black / Death Metal is not everyone’s cup of tea. I mean one just does not like this form of extreme metal. Personally, it always had a huge impact and significance in my life and I felt the most comforting in expressing myself through this extreme art form. I have always led life in a rebelliously turbulent and hostile way and always sought the most pleasure exploiting and indulging in the extreme; may it be perception, religion, war whatever. Black / Death Metal is a vile form of art and it’s the last thing for soothing ears and timid cupid hearts.The relation and the connection has to come from within. This is what best defines me.
I would like to ask you a question that I have asked in my earlier interview with brother Skullbearer. What do you make of the decision that Vetis Monarch has taken to let go of the Metal musician’s life for good?
Well it is his life, so it is his Decision. But I am proud of the fact that he took Weapon where it is today.
During the Weapon era in Bangladesh; Vetis Monarch and Nohttzver during their practice sessions!
What are the future plans for Nafarmaan?
As you already know we have also recorded two extra tracks apart from the four tracks in the EP, so the obvious judgment for those unreleased tracks would be either be a Compilation or a Split. I can vouch for the band and say that Nafarmaan is productive and active than ever. The songwriting is going simply great. Five songs have already been written for the Full-length, three amongst them are good for recording. Apart from that and as you already know, Nafarmaan is live ready and we are keen on impaling our flag of Nafarmaany on foreign territories as well as participate in worthy domestic onslaughts from now onwards.
Gratitudes for your time Brother! Eagerly waiting for the EP and looking forward to the debut performance. Ave! Would you like to say anything to your fans?
Gratitude to you and GMA, your support have been much appreciated. The wait for the EP will soon be over and I can also assure you that Nafarmaan will have some great news for you in 2014. As for the fans ...Stay true, if not to metal at least to yourself !! Check out the EP teaser here.
“In metal there are a handful of successors. Most of them fail to reach out to the listeners. This isn’t because they are fated to do so, but because they took the wrong turn!”
By GMA's Bangladesh Correspondent Nabil Abaddon
Morbidity is one of the vilest Death Metal bands existing in Bangladesh who are keeping the ancient torch of OSDM still alive and held high in this region. As they like to call themselves ‘Skull Crushing Death Metal’, Morbidity surely got that flair in their sound and attitude to match up-to their promise of bringing forward pure Old School Death Metal massacre!
Formed in 2011, Morbidity earned accolades at home and abroad in 2012 with their demo ‘Pits of Eternal Torment’ and are going to release their debut full length album next year via Me Saco Un Ojo Records! If that’s not all for OSDM fans, then they should know that Morbidity are going to perform at the Banish The Posers Fest on 16th November after their short hiatus, which is going to be the country’s first international Extreme Metal show featuring bands from Bangladesh, India, Thailand and Malaysia. I managed to catch up with Azerate, the guitarist of Morbidity and had a chat about the band and their music.
Apocalyptic hails to you Azerate! How is the band preparing for the upcoming event Banish The Posers Fest? How excited is the band for the gig? Also tell our readers what you exactly mean by the moniker ‘Morbidity’.
Greetings, brother Abaddon. We are content for the gig and the rehearsals are going well. I think you know the actual meaning of Morbidity, that it is the state of being Morbid and that’s what we follow.
I have noticed that Morbidity always maintains a very low profile and only performs in gigs put up by Primitive Invocation. What are the reasons behind these?
Yes, we do maintain a very low profile; we like to keep things this way. Primitive Invocation is the only organizer who puts the kind of show that we like to perform. If there was some other organizer who would put some good lineup, we would definitely give it a try.
So Morbidity’s full length album is coming out soon. The teaser on YouTube sounds quite promising. Please tell us more about the album. Is it going to be a conceptual one? What do the lyrical themes deal with?
Yes, it’s coming out via Me Saco Un Ojo Records (UK) in LP format. Though it was fixed to be released this year but due to some unavoidable circumstances it will be releasing the year after. The album has that Scandinavian, especially Swedish and Finnish Death Metal sound that is rare to hear in these parts of the globe along with distinctive morbid flavors of our own, in one word it will be “CRUSHING”. The lyrical theme deals with Death, Darkness and Occultism.
Readers can view the morbidity album teaser here: http://www.youtube.com/watch?v=KTmaTvsuBDc&feature=youtu.be
Being an Old School Death Metal band in 2013, with all the modern technology available now, do you think releasing demo tapes with muddy production is still necessary? Or is it just to make the ‘Old School’ statement?
Haha! The term “old school” obliterates the moment the production and sound quality is polished and glossy. The mission statement of OSDM is to create the sound as our forefathers shaped which is raw, dark and evil. For me a demo should be created as raw and filthy that it can be.
Well tell us a bit about yourself Azerate! What gears do you use for live and recording? Also tell us about your influences in music.
My prized possessions are Dean Razorback 255 and Pod XT Live which I procured back in 2010. I have used them ever since both in live and for studio sessions. If you ask me as a guitarist then Yngwie J. Malmsteen, Jason Becker, Buckethead, Gary Holt and the list goes on and on. As for bands, one name - Iron Maiden.
What are your five most favorite albums that you’ll never stop listening to?
Azerate: Tough answer indeed.
Iron Maiden – Seventh Son of a Seventh Son
Sodom – Persecution Mania
Asphyx – Last One on Earth
Crypt Of Kerberos – World of Myths
Gammacide – Victims of Science
You joined Morbidity in 2011. What are the changes that you have noticed in the local scene since then? How difficult is it to find Metal musicians of the same taste in Bangladesh?
Well, to begin with I was about to join Morbidity back in 2010 but due to working with two other bands I couldn’t do so. Though, the concept and the music always allured me. After joining them what I realized was how little knowledge I possessed about death metal especially OSDM and how far, out-reached its realm was, which made me astounded. Yes, the scene changed drastically during 2012. Every other band was doing old school metal and people’s taste was reaching to newer limits. They finally realized which was true and which was not. And I’m glad to be a part of it. And about finding musicians with similar tastes, It isn’t difficult to find them if u look in the right places haha. Yes, I do believe 2-3 years back it was hard to locate them but now every other guy I know does good music and I always support music which is good.
You also have an Old School Thrash Metal Band called Nuclear Winter right? Would you like to tell us a bit about that band? What’s that particular thing in Old School era that attracts you so much and made you be parts of two different outlets of Old School Metal?
Nuclear Winter is a straight out Thrash Metal project which aims to deliver fast paced nuclear thrash attack, distinctive in nature. The band is busy with the rehearsal tape which would be out soon from Hellhouse666 Productions.
Old school music has that raspy, gruesome, evil sound about it that allures me the most. The fact is that, in metal there are a handful of successors. Most of them fail to reach out to the listeners. This isn’t because they are fated to do so, but because they took the wrong turn. Reasons are obvious, I think you know that too. As a rule, they have no actual artistic drive and they try to imitate other superior acts. Sadly, they won’t be getting any of it and would wind up somewhere else. Old school music defines my ideas and creates an atmosphere, a platform for me to pass it to the listeners. Both of the bands know what they preach and will triumph evidently.
What are your future plans for Morbidity apart from the full length album? Any chances of performing overseas?
All will be unveiled pretty soon. We ask our supporters to hold onto their sits. As for the shows, we are already taking arrangements for performing overseas.
Thanks for your time brother! Much appreciated. The last words are yours….
Thanks to you too for the immense support and the interview. Only death is real.
By GMA's Bangladeshi correspondent Nabil Abaddon
Purgation is a five piece metal band that hails from the vibrant city of rich cultural background, Kolkata (Calcutta)! Within a very short history of existence, they have created quite a buzz around their hometown and all around India alike with their appearance at Bangalore-based yearly fest ‘Undergrind’ (shared the stage with Singaporean Grind legends Wormrot) and their Death Metal cover of ‘Terminal Show’ at a Motorhead tribute album from India. Purgation is all set to unleash their debut EP “Exterminated Malfeasance” via Slaughterhouse Records and is preparing themselves for their second invasion in Bangladesh for the upcoming Banish The Posers Fest. I caught up with Subhajit, the vocalist of the band over the net to talk about the band, their debut EP and what not! Here is how the conversation was like!
If you live in Bangladesh, you should surely check these young guns out at Banish The Posers Fest 2013.
Ave brother! How is the band doing currently?
Hey man, we are doing great. Our drummer is slowly recovering from a fatal accident. Although Debanjan is in Germany now, we are all set to kick some candy ass in Bangladesh.
So This is going to be Purgation’s second tour to the East Bengal. You guys played here in Death Skull Ritual II just 7 months back. How excited are you guys to come back for more at Banish The Posers Fest 2013? What is going to be the slaying strategy this time?
First of all we are very thankful to all our brothers from Bangladesh. They have been supporting us all throughout. Death Skull Ritual II was absolutely kickass. We were looking forward to more gigs in Bangladesh. Banish The Posers Fest is honestly one gig every band would have loved to play in. The lineup is insane and we had a killer crowd support back in DSR 2. We are really looking forward to this gig and of course we do have few surprises as well.
Did you try any local delicacy or street food in Dhaka last time?
Of course we did. We had a special dish from Dhaka (Don’t remember the name) but it was top notch.
Alright! Now let’s talk a bit about the band. Please elaborate on how the band initially started. What were the directions and motivational factors to start Purgation?
We were basically known to people as Flesh Protocol. Debanjan and I had formed the band and the sound we planned was already different from the ones we had out here. After a few months we went for a couple of changes in our line up with a second guitarist in our band.The line up at the beginning of new year, 2011 was Debanjan bro on guitars, Denzil on guitars, Ayushman on bass, Abhinava on drums and I on Vocals. Arijit replaced Abhinava on drums who left the band around mid August'12 due to some unavoidable circumstances. Actually the name of the band is Purgation and not Purgation Inc. We added the "Inc." word to our Facebook page just to identify it separately from our group. Now that Abhinava is back again we are all set to kick some serious ass.
How did the band name come about and what do you want to convey through it?
It was a random name just like we used to call it Flesh Protocol. Since the lineup was brand new, we decided to give a one word name to it. Purgation means "cleansing" to be very precise.
Purgation has been signed by Slaughterhouse Records for the upcoming EP ”Exterminated Malfeasance”. Purgation have also hooked up with Jeff Fischer from USA for the mixing and mastering duties. How did that come about?
We were more than delighted to know that JR Torina bro from Slaughterhouse Records was interested to get us signed to his record label. Ayushman was busy sending our demo tracks to few renowned record labels in the world. We had a few responses but JR bro was in with full support. The idea of an EP cropped up almost a year ago but we lacked enough resources to make it happen. Jeff Bro has been there for us all throughout. We mixed and mastered our Motorhead Tribute track from him. Somehow we got hold of Tushar Da (of Pentatonic Studio) who helped us a lot in recording, mixing and mastering our tracks.
Purgation was also featured in a Motorhead tribute album from India and you guys covered the track ‘Terminal Show’ which is one of the heavier Motorhead tracks. Purgation covered it quite decently with turned down guitars and growled vocals. Please tell us about the experience. What were the responses that you have received from the fans?
It was one hell of an experience. We are thankful to the whole crew that gave us this opportunity to be on board with some of the best bands from our country. I approached Srikanth Bro from Bevar Sea and he was really interested in giving us this opportunity. It was basically a home recording with drums programmed because our drummer was out of town. We really regret on that part, however Jeff bro tried his best to make it sound professional. We had mixed responses to be honest but the major part of the crowd appreciated the fact that we did not budge away from our area of comfort, Death Metal.
For those who don’t know Purgation, which song would you like to suggest to them and why?
"Communal Carnage"! This song reflects our sound perfectly. The lyrical aspect gets portrayed beautifully. Check Communal Carnage on YouTube.
How is the metal scene like in Kolkata in terms of musicians, bands, venues and gigs? I have heard that Kolkata used to be full of Metalcore bands and pretentious pseudo metalheads once upon a time. Then dedicated organizations like Putrid Ascendancy, KOSMA emerged strongly out of the fog and a new era started in Kolkata since then. How much has the scene changed or evolved you think? would you like to suggest us some bands from there?
The metal scene in Kolkata was more like bollywood. Fortunately the trend followers have all died with the inception of Putrid Ascendancy. It all started with Metalcore, Deathcore and finally it had come to a halt with the likes of Djent and other ass foolery genres we have nowadays. KOSMA is new and they are oozing with confidence and talent. We really have promising bands like Armament, Gypsy and of course Necrodeity who have already set an example for young lads trying to follow the right path.
Coming to a personal question, how did you get into Death Metal and who do you take your inspirations from?
From being naïve listeners to getting better day by day, we decided to choose the best and create the sound that helps us to deliver the message to the people more elegantly. Death metal had always been our first priority. We have our influences from the likes of early Suffocation, early Deeds Of Flesh, Immolation, early Morbid Angel, early Cannibal Corpse, early Cryptopsy, the list never ends.
Our primary inspiration is drawn from mighty acts like Autopsy, Grave, Benediction, Obituary, and Unleashed and of course Acts like Dying Embrace, Kryptos, Bevar Sea from our country and Orator, Morbidity, Nafarmaan from Bangladesh.
Most of the Metal bands these days portray atheistic or nihilist ideologies through their music. Whats your take on this? Also tell us what are Purgation’s lyrical themes based on?
There is no problem in portraying nihilist or atheistic ideologies in the form of music. The main concern is about the way you put it. It is very important to amalgamate the ideologies with the band’s sound. Our lyrical theme is totally based on anti-socialism, against the system, corruption and I use a bit of occultism as well.
What do you think of the Extreme Metal scene in Bangladesh? Do you listen to any bands from ‘Opar Bangla’?
The extreme metal scene in Bangladesh is f**king A. With bands like Morbidity, Orator and Nafarmaan one becomes anything but skeptical about the extreme metal scene out there. Then we have bands like Warhound, Enmachined, Nuclear Winter as well. Bunch of talented people who are really true to their music. The crowd is insane.
What do you have to say about the folks from Primitive Invocation?
The brothers from Primitive Invocation are doing a great job. Organizing such huge gigs requires lot of responsibilities. They are setting examples and helping people in other countries take similar initiatives as well.
What holds for the band in the future? Any sneak peak?
Well, we do have our EP on its way from USA. We are planning to release our EP on the gig day itself making it a grand occasion.
Alright mates. Thanks a ton for giving us your time! Really looking forward to see you guys perform in BTPF 2013. Hails! Anything you want to say to your fans? The space is all yours.
This is for our brothers in Bangladesh who are fighting against the political turmoil in their country. F**K THE SYSTEM!!
"Asia has given birth to so many great bands in the past and present which are very hard to be overlooked"
Interview by GMA's Bangladesh correspondent Nabil Abaddon
Orator perhaps needs no introduction to those who keep track of what's brewing up around the South-East Asian Extreme Metal scene. Orator, the Deathrashing horde of Tantric occultism rising strong from the lands of East Bengal, bears the fire of true primitive Metal in their hearts. Inspired by the unorthodox left hand Tantric doctrines, extremism and similar aspects from the Qlipoth tree of death worship, Orator preaches about cosmic destruction and burning paths of self-becoming through their barbaric primitive style of music. Born from the demiurgic womb of Barzak in 2008, Orator came out burning like a phoenix, stronger than ever before, decimating at home and abroad alike. Having played strength to strenght alongside Manzer (France), Infernal Execrator (Malaysia), Dying Embrace (India), Abigail (Japan), Infernal Curse (Argentina) at different Metal fests.
Orator has released an EP “Dominion of Avaktyam” (2010), a live tape “Live Cremetoration” (2011) and their first full length album “Kapalgnosis” earlier this year via Armee De La Mort Records (France). Followed by that, Orator inked a deal with the Singaporean label Pulverised Records this year, which elevates them to the next level.
The interview undertaken was done with the frontman, guitarist and lyricist of Orator, Amit Skullbearer. We spoke about the upcoming “Banish The Posers Fest”, his approach to music and much more.
Apocalyptic hails Skullbearer! Firstly, congratulations on the amazing worldwide response to Orator’s latest album “Kapalgnosis” and also on the sign up with Pulverised Records (Singapore)! So how do you define the genre “Deathrash” yourself?
Thanks for the support brother. Death / Thrash to me is the unification of two very archaic forms of Metal music into one that would represent elements from both the genres, distinctively but supporting each others.
Check out their song ‘Satanachesh Grimore’ here from their album “Kapalgnosis” :
How is the band doing now? Orator has not hit the stage for quite some time now. Are you guys upto writing some new songs?
Yup we are presently writing new materials. And we are also gearing up for Banish the Posers Fest in November.
Orator has played in many countries around Asia and with a lot of the big names around this region. What kind of response do you get from the audience and fellow bands every time you play a gig in the overseas? Which is your favourite country to play gigs in apart from Bangladesh?
Undoubtedly it is Thailand, to answer your second question. We have played there twice. Killer gigs with great bands, great brothers, good times and what not. We always have good response from the audiences wherever we play, surrounded by comrades who headbang to our originals and cover songs alike.
Orator started in 2008 from the ashes of “Barzak”, which was a Black / Death Metal band. Although being the brain-children of the same person which is you, these bands are totally different in terms of genres and ideologies. Why did this transition take place?
Well to be honest, I kind of had enough with this “Black / Death” notion, Barzak turned out to be like that on the full length “Qabiluhu”. But I have always preferred the “Opocheshta” demo tape sound which was purely of Death Metal. And, in 2008 it was only me and Vritra who were left with a broken band, so we decided to change the band name and genre along with it.
Recently you have posted a practice video of a Barzak song called ‘Shiraj’ on Facebook. Would you like to tell us more about it?
One of my earliest compositions, revived just for the coming gig in November. I jammed it for the first time after 8 years. Mephistopheles has added a totally different aura to the drumming compared to the original, so we’re really excited to go live with this track for the first time. I am sure a lot of Barzak enthusiasts are looking forward to this too. Orator’s rehearsal footage of “Shiraj” can be viewed here.
Orator is known for the distinctive primitive, barbaric yet Eastern essence and also for using ethnic instruments and chants in some of the songs. How important are these aspects to Orator’s music?
Keeping both the thrashy and Death metal elements is very important for us while composing. But the ethnic instruments, they have no importance whatsoever. We used some ethnic instruments only on few of the songs that demanded it, there are no obligations tied to the use of them. And, instead of ripping off Eastern classical scales what we do is blend in one / two notes within our own riffs to make the difference.
Do you care much about the sites which have reviewed Orator’s releases so far? Do you give them a read?
No not really, unless someone gives me the link to it or tells me about it. I have ignored many people who sent me emails asking for CD's in exchange for an album review.
Do you agree that Asian Bands are overlooked by much of the Metal world?
I agree, and then I also claim that Asia has given birth to so many great bands in the past and present which are very hard to be overlooked. They have proven that “your music speaks for your band”. Let’s see what the future brings.
2013 has been quite an interesting year for Bangladeshi Metal scene, specially for Orator. First, the release of “Kapalgnosis”, then the big news from Pulverised Records. How did this deal come about?
It was simple yet extreme. I wrote to brother Calvin, sent him few of our songs as sample. Both him and brother Roy Yeo were impressed and we got the record deal. Frankly this is the biggest thing that has happened to Orator so far.
What do you think of the overall Bangladeshi Metal scene right now? What are the goods and bads? Any new band(s) you would like to suggest to watch out for?
The scene is much better than it used to be. Bands with guts are showing up in the scene. They not only have good influences, but Warhound, Morbidity, Nafarmaan are some of the bands to look out for. And some promising Thrash Metal bands like Nuclear Winter, Enmachined, Thrash etc are building up a Thrash Metal scene which was previously totally absent.
Orator deals with Tantric occultism as far as the lyrical themes are concerned. Why and how did this mystical topic catch your interest to work on? What does Orator orate through the left hand Tantric ideologies?
Throughout the history Vama margh has proven to be one of the most unorthodox and extreme paths of self becoming, becoming into nothing. And this notion has drawn my interest very much. I personally use this tradition as a form to uphold the ultimate reality of nothingness, the unending vast void of ‘avyakta prakriti’ that every being or thing is destined to embrace. Orator is just the agent of the undifferentiated primordial chaos that is forever there and consuming.
You were a part of the legendary band “Weapon” before Vetis Monarch (founder of Weapon) moved to Canada. Earlier this year Vetis Monarch officially disbanded the band just when things were getting even bigger for them. He also stated in his “last” interview that he has untied himself from the isolation's of being a Black / Death metal musician’s life for good. What do you have to say about it?
It’s his life and I am sure his actions speak for himself.
What do you make of the studio facilities in Bangladesh in terms of recording Extreme Metal music?
We have many studios here to record the instruments and vocals. It gets frustrating when it comes to mixing and mastering. Most of the sound “engineers” here are into commercial mainstream pop rock shits to whom you cannot explain the type of output you want. Luckily we had Maamar Huq, of Sonic Occult Studio who himself is into metal music, so we did not have much trouble to deal with.
What holds for Orator in the future? When can the fans expect a new album under Pulverised Records?
Hopefully by mid 2015. There might be some demo tape releases in between this time, maybe in 2014.
Lastly, whats going to be Orator’s killing strategy for Banish The Posers Fest 2013?
Get up on stage, perform, and get off the stage.
Gratitudes for your time brother Skullbearer! Really appreciate it! The last words are going to be yours…
Deathrashing madness prevails! Keep up your apocalyptic support. Hail.
Orator is :
Skullbearer - Vocals, Guitar and lyrical concepts
Vritra Ahi - Bass
Mephistopeles Warmonger - Drums