ASCENDED DEAD
'Ascended Dead (Demo I)'

You cannot help but to think that the debut demo by Californian Death Metallers Ascended Dead was intended for raw publication only, even though released on a tape and at large deliver so-low produced music that it would take the 2020 version of the Dolby Digital System to even register the output at level 2 on the dial. Sure the release is not a total silent production, but as for its overall perception there is much more to be done before the band embark on trying to deliver their music to the masses. After all this is a sound that's meant to be depressive, occult-loaded and darkening, instead it may as well be dubbed 'bizarre'

[3] RHYS STEVENSON

MARTYRD
'The Mortal Coil'

As bright as that classic New York sunrise, Thrash maniacs Martyrd make their welcomed return to deliver 'The Mortal Coil', a futile collection of modernised Thrash Metal tracks, designed to outwit the preconceived ideas the artwork delivers. Capturing influential essences from the likes of Dream Theater, Symphony X, Testament and Metallica, Martyrd are setting themselves up to become the next band to emerge from the metropolis of American Thrash Metal. With their infectious riffs shredding through the human senses like a pack of wolves on their midnight hunt and the drums providing a solid base whilst the vocals power the album forward into a sense of total destruction, the next stop is going to be an interesting one, 'The Mortal Coil' could very well be the album that see's them get a record deal.

[8.5] RHYS STEVENSON

WANTED INC.
'Demons We Created'

Teutonic Thrash Metal quartet make their second album sound sweet, they forget to put the cherry on the cake, that said 'Demons We Created' qualifies as a break-neck release. From start to finish, the five-piece blast holes in the silence around with the echoing sounds of the guitars, riffing up like a chainsaw about to desecrate the Bavarian forests whilst the vocals and drums deliver a sound only a V12 could equate to. This is an album full of everything, full of angst, breakdowns, quirky riffs and pure German engineering; sure it's nothing on the scale of Holy Moses, but it will please fans of Evile, Blood Tsunami and Testament. As for Wanted Inc. they could be the band Germany has been waiting for, a breath of fresh air.

[8] RHYS STEVENSON

BLACK HAMMER
'Darker Days Will Come'
FORGOTTEN WISDOM PRODS.

2012 sees the premier EP release of French one-man project Black Hammer, 'Darker Days Will Come' explodes and ignites with the infinite dark sound of classic Blackened Thrash Metal produced by the musical magician known as The Iron Messiah. The music itself is raw and gruesome, just the way its meant to be, the vocals however are raspy and chilling, thus bringing into the affray an abysmal outburst of blackened horror, so evil it would make the French revolution look like a tea party. 'Darker Days Will Come' is designed for fans of Dissimulation, Aura Noir and Toxic Holocaust, even so 'Darker Days Will Come' and that's a fact.

[7] RHYS STEVENSON

DEUS IGNOTUS
'Christmation'
FORGOTTEN WISDOM PRODS.

Well apparently it seems that due to the financial situation in Greece that the metal scene is getting darker, as seen by the recent release by Black Metal duo Deus Ignotus, their debut album 'Christmation' has what Black Metal already is, fast drumming, sensational blastbeats and evil vocals, so there is really nothing new here at all, still it cannot be knocked as not a good release, it is brimming with technical playing at every minute and is sure to please many amongst the Black Metal subgenre, as for the band this is the beginning of something epic, something more epic than Mayhem.

[8] RHYS STEVENSON

ANWYNN
'Forbidden Songs'
M & O MUSIC

Now this is the sort of band to uplift the Belgian Metal scene, mixing together a myriad of metal styles to construct what we perceive as 'Angelic Heavy Metal', their debut album 'Forbidden Songs' takes pinches from Death Metal, Melodic and Symphonic Metal, Progressive Metal and Gothic Metal, so there is something for everyone, but don't let the soft genres fool you, the Death Metal vocals are as brutal as a warm pint of Leffe. 'Forbidden Songs' delivers an onslaught of majestic music, brilliantly executed vocals and delinquent melodies, this is the album to set this lot off on a storm across Europe, the time has come, Anwynn are set to take the Belgian Metal scene to new heights. 'Forbidden Songs' is an album which fans of Izegrim, Arcane Grail and Diabulus In Musica will like.

[10] RHYS STEVENSON

ACYL
'Algebra'
M & O Music

Mixing traditional Algerian and North African / Arabian sounds with the Progressive Metal sounds of the French metal scene is dual-nationality quartet Acyl with their genius debut album 'Algebra'. Authentic in every way, 'Algebra' provides listeners with a taste for original Arabian sounds and brings the atmosphere of being in the sands to life. With a percussive beat giving a dance feel and the vocals delivering that harsh and ambient feel to the music, all in all resulting in a release that has enough originality in it to be called innovative. 'Algebra' is a release that will please fans of Myrath, Orphaned Land and Anagesia.

[9] RHYS STEVENSON

FENRIR
'Echoes Of The Wolf'

From time to time you can be assured of specialist metal bands to arise from the depths of the abyss, so when Fenrir appear on the radar with their debut album 'Echoes Of The Wolf', you get the instantaneous pre-conceived idea its going to be a Folk Metal album, quite the contrary, in fact to be specific with the violin driving the melodies, the vocals providing heavenly choruses and the basic foundation of a metal band providing a solid backbone to the band, this is clearly the best Celtic Metal band France has ever produced. Laden with joy, adventures and sensational musicianship, the sextet from Nancy conduct a formula that any ancient druid would be baffled by, dragging the listener into the ancient times of Gaul and enriching their senses with what can be claimed as French Metal album of the year.

[9] RHYS STEVENSON

NAHUM
'The Gates Are Open'

It has to be said that Nahum's debut album 'The Gates Are Open' lacks any real vibrancy, sure the Melodic Death Metal / Thrash Metal combo plays well, but the overall feeling is that the vocals don't change level and so thus leave it with a set method of performance, however the music does offer some unique sound shifts especially on 'Equal', but for the Czech quartet the album in question is not a be all end all, for it does have mind-blowing drumming and heart-breaking riffs, so there are at times good and bad points, but the overall reception is a fairly positive one. It has sounds for every sort of metal fan, 'The Gates Are Open' and Nahum is 'nearly' ready to slaughter Europe.

[6] RHYS STEVENSON

CURSED BY THE FALLEN
'When The Sun Turns Red'

Once in a while you come across a band that crosses two subgenres together and matches them with perfection, such is the band Cursed By The Fallen, the Austrian four-piece criss-cross Melodic Death Metal with the pummelling of Metalcore to devise an explosive sound of insane proportions. In the same musical veins as The Dead Lay Waiting and Sacred Mother Tongue, this Austrian quartet are by far very promising and are sure to end up with a record label, European-wide recognition and a fistful of greater sounds. 'When The Sun Turns Red' is in fact their debut EP.... what a corker, brutal enough to cause unexpected avalanches in the Alps.

[8.5] RHYS STEVENSON

THEUDHO
'When Ice Crowns The Earth'
AURORA AUSTRALIS RECORDS

In the band's 10th anniversary year, the fourth album from Theudho is released. 'When Ice Crowns The Earth' see's Belgian Pagan Black Metal take full flight and deliver an evil and eerie Norse sound. Within this record is the sounds of an almighty battle, fought on the plains of East Flanders with swords high and axes low, riffing out a majestic production and composing the marching tune to the tune of a darkened atmosphere. Taking a pinch of influence from bands such as Arkona, Ancient Rites and Rabenwolf, Theudho will remain as an underground Belgian legend, even 'When Ice Crowns The Earth'.

[8] RHYS STEVENSON

HARVESTA
'Harvesta'
TERRORZONE RECORDS

Hailing from Austria, comes a storm that was undetectable by satellites, well, it's actually a blizzard called Harvesta, who snow the listener in with an avalanche of hailstorm-like-Heavy Thrash Metal. The self-titled debut album by the quartet is quite simply sensational, with clear influences from bands like The Morning After, Metallica and Iron Maiden all mixed into one musical cooking pot, the outcome is a buffet of speed, heaviness and 100% face-melting riffs. With each song a health warning should be issued, because before long listener's will get hooked, guaranteed. Want some advice? Buy this album, 'cause this is going straight to the Emmy's.

[10] RHYS STEVENSON

STRANGE FACTS IN THE SCALPEL CASE
'Unearthed'

Not conventionally like the over-produced Death Metal bands of today, well the debut EP from Belgian Death Metal merchants Strange Facts In a Scalpel Case go back to the original sounds of Death Metal. Immersed in a raw at'mosh'phere and darkened bleak production, the raw death metal sound is inevitably revitalising. The West Flanders duo coalesce to deliver a gloomy stance on music and with this EP in their roster, it can only get darker. Whilst not fast like Unleashed or thick like Morbid Angel, SFITSC is not like Napalm Death. 'Unearthed' is for those fans of 80's Death Metal and not for the modern day metal fan who thinks 'core music' is godly.

[7] RHYS STEVENSON

LELAHELL
'Al Inithar'

The debut EP 'Al Inithar' from Algerian Death Metallers Lelahell comes without mercy, strapping together the vocalist of Litham and two talented musicians from Black Metal band Barbaros, this is the moment the Algerian Metal scene has been waiting for, the total onslaught of true North African Metal. Singing in both Arabic and English, the trio from Algiers summon up from the desert the darkest and most gruesome ever presented in this part of the world, a collection of six tracks spewing out guttural vocals so rotten, your body starts to decompose. The riffs and drum patterns only add more anguish and so fans of bands like Suffocation, Unleashed and Death/grind may find this to their liking. Lelahell has spoken, the torch is lit, Lelahell are flying the flag for Algeria.

[8] RHYS STEVENSON

BLODWEN
'Black Symphony'
RED RIVET

Indonesian Symphonic / Neo-Classical Power Metal quintet come out of the darkness with their debut album 'Black Symphony' released last year, crossing between Amberian Dawn and Nightwish, this is one of Indonesia's hidden treasures, with heavenly vocals equating the beautiful sound of a waterfall and music to complement the vocals in extraordinary style, Blodwen are a band to watch out for, bringing the best of Modern style Metal with the eccentric Oriental culture.

[9] RHYS STEVENSON

MY FORGOTTEN GOD
'My Forgotten God'
SATANARSA

Ukrainian Gothic Doomsters My Forgotten God caused a depressive stir-up amongst the Ukrainian Metal scene with their 2009 self-titled demo, essentially because it is more so better as an instrumental than a music album, simply put the vocals arent the greatest but they arent naff, overall the general composition of this album is well earned and essentially it is a good album to have for those Doom Metal fans.

[7] RHYS STEVENSON

DREAD
'Cerebral Mutilation'

Italian Gorecore (Death Metal/Metalcore) quartet Dread sound off the zombies and guns with their debut full-length album 'Cerebral Mutilation' released last year, mixing the deep vocals found in Goregrind bands with Metalcore to savour any hearing going around, this is one of those albums that when hits the CD drive, clicks into iTunes without no problems, with a bitch-load of riffs and erotic breakdowns, this is Italian Metal at its best and heaviest.

[8] RHYS STEVENSON

MY LAMENT
'Broken Leaf'
SOLITUDE PRODS.

Belgian Doom / Death Metal newbies released their debut album way back in 2009 and with it came a warning of depression riding this album, they do however make both genre's work together in tune and at the same time come to a just conclusion that is one of Belgium's darkest albums, one full of mystery, ever-changing atmospheres and eccentricity, the album 'Broken Leaf' is all about sitting back and relaxing to some Doom Metal with the Death Metal on the side, a work of excellence.

[7] RHYS STEVENSON

NIERTY
'Acolytes Of The Descent'
MISANTROF ANTIRECORDS

Hailing from the mountains of Wales is Nierty who have travelled through the winding valleys to deliver their third onslaught of Black/Death Metal in the form of their latest album 'Acolytes Of The Descent' released last year along with two other albums before this one in the same year, armed with a sinister display of riffs and extreme vocals, both supplemented with harsh drumming, Nierty is the beacon of Wales for exhibiting the darkest music from the land of the dragons, five years and they do not look likely to give up any minute.

[9] RHYS STEVENSON