CENTURIES OF TORMENT
'Centuries Of Torment'

Even for Indonesia's standards, this is near appalling, first off the vocals are hardly recognisable and the music itself is very basic and standard of the Death / Thrash Metal combo, sure the solo's are fairly unique but the overall production is disappointing. So for Centuries Of Torment's debut album, it can be perceived as a decent album but with no real unique value on it. However, having said that, the album itself will please fans of Thrash Metal in the Slayer style, whilst appealing to fans of Death Metal in the Suffocation style, sadly it's just a case of sounding like every other band in their own sub-genre.

[5] RHYS STEVENSON
SANGUINE GLACIALIS
'Dancing With A Hanged Man'

Finally god forbid a band that has a unique sound and is sure to stir some attention in the global media and music industry, this is Sanguine Glacialis and their emphatic-sounding debut album 'Dancing With A Hanged Man', built upon a solid foundation of classic Melodic Death Metal whilst covering it with Gothic Metal vocals, visualisation and atmosphere, the sort of album that has The Birthday Massacre mixed with Silent Descent - basically combining two worlds together result in this lust-laden album, a beauty and the beast translated into music. 'Dancing With A Hanged Man' is one of those albums that is dubbed a gem and why? Because you cannot place a valuation on their emphatic music, simply put.

[8] RHYS STEVENSON
DICTATOR
'Stay Brutal Baby'
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Purging out the dark side of the Russian Federation and exploiting the crevasses amongst the Siberian tundra is trio Dictator with their god-smiting third album 'Stay Brutal Baby', conventionally playing old-school Black Metal with Industrial and gothic influences, this is perhaps the darker version of Aborym or even so a whole unique sound on it's own. Commanding vocals are the main weapon in this catalogue of dark musical mass and are supported by rhythmetic riffs and precise percussion, both mixing together to produce a spectacular creation of experimental metal. Call it what you like, the truth remains it's godly music and it is this sort of band that wallows in the Russian underground yet does not get considerable exposure, what we think is that their message to every band is to 'Stay Brutal Baby'.

[10] RHYS STEVENSON
BLACK SHADOW
'…Сквозь Чёрное Пламя Молоха…'
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It's always special when a band sings in their native language and Black Shadow are no exception, mixing raw Black Metal with their Russian language to concoct something so destructive, it took four bottles of vodka just to wake the listener up from the audio onslaught they have just been through. Sure the band uses a drum machine, but who is going to know (oops)? '…Сквозь Чёрное Пламя Молоха…' marks their eighth Satanic ritual and it never gets any tiring, not even after thirty-six minutes of total chaos, so for the record '…Сквозь Чёрное Пламя Молоха…' is for fans of Black Metal, the Russian language and Satanic music, oh and by the way Satan, whose your daddy? Black Shadow of course.

[7] RHYS STEVENSON
SLAUGHTER BRUTE
'Systematic Transmutations'
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Just when Brutal Death Metal wasn't tricky enough, Slaughter Brute have added more technical possibilities to the already complex genre, as proven with their sophomore face-punching piece of musical architecture, the Ukrainians deliver 'Systematic Transmutations' in a simple way, mixing traditional Suffocation with the modern Vader and enveloping the sound into something that is beyond this world, chaotic and yet ironically brutal. 'Systematic Transmutations' is by far the greatest Brutal Death Metal album from the Ukraine to date and as for Slaughter Brute, well their time has come to storm around Europe and deliver a taste of Eastern Europe.

[8.5] RHYS STEVENSON
SOLARWARD
'How To Survive A Rainout'
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Making their welcomed return is Belarus' own Solarward and their second album 'How To Survive A Rainout', bringing back with them their unique dark natural sound of Melodic Black Metal and this time a sort of concept album, only sort of because the songs are loosely related to the album's title and so with that bring a sentimental military feel to the atmosphere, which something for the quintet maybe a revelation, but what is certain is that they have delivered another noteworthy slice of music that befits the lack of different bands in the Eastern European bloc. Nonetheless this is perhaps the album to change the course direction of the band forever, emphatic riffs, shrieking vocals and heavenly melodies in the style of Cradle Of Filth, are the threat here and will never be eradicated.

[7.5] RHYS STEVENSON
ENTHYMION
'Arcana Of Apocalypse'
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The endless similar-sounding bands of the Black Metal genre never end and here is another example, Enthymion. Playing drums at over 1000bpm (exaggeration), shrieking like a god damn banshee and playing riffs that are far too familiar for Black Metal diehards and yet when the Polish five-piece make their awaited debut with 'Arcana Of Apocalypse', it can't be helped but to notice how similar they sound to bands like Infernal War, yet even so the fact the band is no longer existing perhaps stopped their embarassment from escalating, ultimately it is not the most unique of Black Metal albums but it cannot be shunned as a nothing.

[5] RHYS STEVENSON
MLEKRA
'0105'
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Unconventional and too basic it would seem when talking about the debut album by Ukrainian Black metal duo Mlekra, their first outing '0105' demonstrates you have to go as fast as you can and shriek as loud as you can just to prove your brutal, well what can be said, what 'cant' be said. For a band signed to a prolific Russian label, one was expecting much more than what has been delivered, sure it cannot be passed off as a 'you suck so get lost' album because ironically it keeps the old traditions of the blastbeat and dark atmosphere alive, just not on a great level of presence, it will be interesting to see where the duo go on from here.

[4] RHYS STEVENSON
Темноврат
'Грань Бесконечности'
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Somewhat of a mini-album this can be called, five tracks equating to 50 minutes of solid Russian Pagan Black Metal. Spewing out the duo's debut album 'Грань Бесконечности' is Темноврат, for those non-Russian speakers best use Google translation or hire a personal translator, but for those who enjoy experiencing a new culture, the aforementioned becomes an option, anyhow the ambience is there and there seems to be little vocals, all the more for making the album darker, or so it would seem. the album in question does not really excite or depress the listener so much that they cannot walk without crying, in fact the album for it is actually becomes one of those easily 'overdone' albums, but still a good album debut.

[5] RHYS STEVENSON
_
GRACE DISGRACED
'Enthrallment Traced'
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Smashing through the barriers of the Russian Federation fortress is Technical Death Metallers Grace Disgraced and their emphatic debut album 'Enthrallment Traced', featuring vocals so harsh that it makes raw vodka seem like purified water and the music provided a sense of brutal power. Beat after beat, the quartet immerse the listener in tight time signatures and complex drummers whilst the vocals deliver guttural sounds so immense it's contagious. If this were to be an army, Europe is f*cked, the immense power delivered on this album is far more explosive than any atomic explosion and is sure to leave the album in the position to finish of the listener, who will be left for dead, simply slaughter music.

[7] RHYS STEVENSON
 
 
EMERALD NIGHT
'Зеркало Троллей'
GRAILIGHT

Emblazoned on the Russian Metal scene like a light-bearer is Emerald Night with their third album 'Зеркало Троллей', the Symphonic Melodic Black Metal quartet deliver a sonic blast of Russian language-infused tracks that are so powerful, the nuclear weaponry that is present in today's world is now considered obsolete. Whilst the general listener may fall short of understanding the lyrics, the music does well in supplying a backdrop to keep the listener occupied, with a massacre of tricky riffs to savour the insane drumming and ear-smashing vocals, Emerald Night are a truly underground band waiting to give the all-out assault.

[7.5] RHYS STEVENSON
IZMOROZ (Изморозь)
'Отморозь'
GRAILIGHT

It just seems apparent that most Eastern European Black Metal bands will use Paganism for their lyric topics and include Slavonic style music, easily Pagan Black Metal, but for Russia's Izmoroz it is more than that. Mixing their native Russian language with the sounds of Paganism and Slavonic folklore, this is perhaps the most influential album for Russian Pagan Metal bands to follow as an example, with vocals evil enough to make yourself soil your pants and music fast and brutal enough to send all the bodybuilders running in tutu's, Izmoroz is leading the Russian Pagan Metal scene to newer dimensions.

[8] RHYS STEVENSON
TWILIGHT
'Awaiting The Sunrise'
GRAILIGHT

The debut album from Russian Symphonic Black / Melodic Death Metal quintet Twilight is now a reality, sounding similar to that of fellow countrymen Arcane Grail. The Vologda-based five-piece mould together the blistering pace of Black Metal with the melodic symphonies found within metal and the sister Metal genre of Death Metal to produce an album worthy of a Grammy award. Thunderous double-bass drumming is only the foundation for a harmonic yet mentally brutal production and is only the signal for an eight-track onslaught, 'Awaiting The Sunrise' is perhaps the most heaviest album released in Russian Metal history; a true work of honour.

[9] RHYS STEVENSON
DISCONNECTED BRAIN
'Descent Into Hell'

Slaying their way into the limelight and into newcomers corner is French Thrashers Disconnected Brain with their debut album 'Descent Into Hell', sounding similar to that of Slayer and Metallica, the riffs are romping around the release like no tomorrow whilst the solo's are clean and crisp, somewhat bringing classic styles to the modern sound of European Thrash Metal. 'Descent Into Hell' is a 'thrashin' good album and with a taste for Pantera clearly detectable, this is without a doubt French Metal album of the year and with this effort, Disconnected Brain is only going to get better.

[7] RHYS STEVENSON
_ CORPSE FAUNA
'Gore Gallery'

Arising from the pits of Essex is Death Metal / Grindcore quintet Corpse Fauna, this five-piece simmer out the gravel from the grit and repeatedly smash the listener into brick walls with their debut demo 'Gore Gallery'. Whilst the production isn’t the most wonderful and at times sounds completely non-existent, the demo is a fair attempt at kick-starting the band's career, of course all bands don’t sound their best on their first demo, but Corpse Fauna are sure to make an impression as time goes on, with the double bass and guitars adding a raw atmosphere to it, the only way is forward, the only way is Essex.

[6.5] RHYS STEVENSON