On a sunny day in mid-June, an army of metalheads congregated in London for one special evening of celebration, music and recognition of idols, newcomers and fallen brothers. Most notably Sir Christopher Lee CBE, CStJ, who sadly passed away at the age of 93 and of whom received the 'Spirit of Metal' award at the 2010 edition of the Golden God Awards.
Having worked alongside the likes of Fabio Lione (ex-Rhapsody of Fire) and Manowar, Christopher turned his attention to releasing his debut album entitled "Charlemagne: By the Sword and the Cross", proving to be popular amongst metalheads and film buffs alike, this was soon followed up by his second album "Charlemagne: The Omens of Death" - thus making him the oldest heavy metal musician in history, a feat that is almost certainly unlikely to be broken.
Upon the announcement of his name during the 2015 awards, a short video showing him receiving his award was shown to the audience (which can be later viewed on Scuzz and probably YouTube), resulting in rapturous applause, whistling and clapping, as the night remembers a truly remarkable, awe-inspiring and dignified legend in his own right.
"I associate heavy metal with fantasy because of the tremendous power that the music delivers"
Sir Christopher Lee CBE, CStJ (1922-2015)
So whilst the queue began to align themselves outside of the Indig02 arena, HMS Hammer was chugging her way along the River Thames with the first lot of awards-attenders waiting to disembark and make their way to metal's most coveted award ceremony of the calender year.
On the boat, the likes of Butcher Babies and Napalm Death tore the riverbed up and gave performances that were described as 'sensational' and 'heavy as f*ck' by passengers disembarking. Now it was the time for the rest of the attendees to enter and as people took their places, both down in the pits and up in the balcony area, the first band of the evening was rearing up, readying themselves to slay the crowd with their 80's Thrash Metal, it had to be Suicidal Tendencies.
Now whilst their performance was decent by anyone's standards, they had to ensure that the atmosphere built up because the band following them was going to be a hit or miss. So whilst Suicidal Tendencies unleashed a barrage of songs and Mike Muir jumping down to sing with the crowd, some discerning metalheads were questioning the next band to grace the stage. We Are Harlot, fronted by ex-Asking Alexandria vocalist Danny Worsnop, was waiting in the wings whilst ST signed off in style with a cymbal decking the floor, and then the time had come for We Are Harlot to show off their Hard Rock style.
Danny Worsnop and Jeff George appeared to share a beauty and the beast moment with their musical flirtations on-stage; this is a new step in Danny's career due to the shift in music style (from Metalcore to Hard Rock). We are Harlot certainly proved themselves to be the real deal and could become one of the most talked about rock bands in the next few years, ultimately this resonated in them receiving the award for "Best New Band". So here's hoping that they have a successful future as they earned this one thumbs up. As soon as We Are Harlot finished an electric set and made way for Metal Hammer's resident awards presenter to come back on stage to announce that the first batch of awards were to be announced, he invited the guest speaker for the night to take the reins, the one and only Scott Ian of Anthrax.
Bring Me The Horizon despite seeing their latest album "Sempiternal" become certified Silver in the UK and Gold in Australia, seemed to forget their manners upon receiving the "Best UK band" award, with Oli Sykes throwing his crisps into the crowd to the disapproval of those in the vicinity, perhaps he wanted Pringles and instead got Walkers. Sure the band deserved the award through their sold-out Wembley Arena concert, their lack of respect however was met by some muted cheering and shakes of the head by some metalheads.
With only a few words expressed by two of the members, one being Oli, it could be said that the band appeared disinterested about being awarded with such an honor. But for all of their negatives on the night, they cannot be robbed of their award as it was deserved.
As the band disembarked and left a divided audience in total disarray, Scott Ian was once again preparing to announce the winners for the "Best International band" and the "Breakthrough band" awards.
Slipknot who could not be at the awards ceremony to collect their award for "Best International band" sent a recorded video after their performance at Download Festival expressing how honored they are to be awarded this by the fans and Metal Hammer readers. Scott Ian even quipped "oh look a black clown", the quip took time to sink in but when it did chuckles could be heard across the venue, before dying down and the winner of "Breakthrough band" being announced.
Now this group deserved this award by far, there was just no way they could not be awarded it - it was the inevitable, Scott however before announcing the award remarked that the winners are shorter than him (and how big a hint that was!), they may be short but Babymetal have got a fantastic career ahead of them and we feel that they could become Japan's answer to England's Iron Maiden, USA's Slipknot, Germany's Rammstein, you get the idea. Coupled with their performance later on in the night, the whole feeling that Babymetal are some sort of a gimmick sadly did not wash away from some metalheads. But if they are a supposed gimmick, what do you call Slipknot with their masks? Rammstein with their pyrotechnics?, so what they are different? They are epic, period. All aforementioned bands are.
Diverting attention away from the handing out of the awards and to Babymetal's performance, it was simply electric. Backed by London's own beloved Power Metal horde Dragonforce, who linked up with the Japanese trio to write the song "Road To Resistance", this duel-band performance kicked off with a short introductory video regarding the 'Road To Resistance' (music video can be watched here) that mimicked and created a story-backdrop to the band's establishment and thus laid the path down for the song to be belted out, with Herman Li as always unleashing seismic riffs and solo's that he was practically born to do.
As soon as the new single had finished, Babymetal then followed this up with their unmistakable "Gimme Chocolate!" which utilizes a wide range of influences from Power Metal, J-pop, Melodic Metal and Japan's home-grown 'Visual Kei'. As the song bellowed out from the speakers, fans were enjoying themselves by moshing and headbanging, people up in the balcony area were standing up to watch this sensational group tear the Indig02 stage apart. Clearly they had justified their bestowed title of "Breakthrough artist / band" with such vigor that they parted the stage after their displaying of the devil's horns and appreciation shown towards the fox god.
Sadly Of Mice & Men could not be there to collect their "Best Live band" award and thus sent a representative to collect it on their behalf, however "Defender of the Faith" went to Tommy Thayer of Kiss and he duly went up to accept his award, this title is given to those who have achieved wonderful things whilst being in the metal music industry, this could be in or outside the world of music and for Tommy Thayer this was in recognition of his philanthropic work, particularly his work with sick and injured children, his support of America's armed forces and to raise funds for the Pacific University's athletics programs.
The next awards were announced by a legend in the rock music world, not only as one of the finest rock musicians the UK has produced, but also a well respected figure in the astrological sciences, one Dr. Brian May. The first award to be announced by Queen's guitarist was the "Spirit of Hammer" award, this award is given to an individual or group who Metal Hammer see as a true spirit within the metal music world and this year it was awarded to a fellow doctorate of Brian May, one Matt Taylor.
Matt Taylor was solely responsible for landing the Rosetta spacecraft on the 67P/Churyumov–Gerasimenko comet, he is also a huge Death Metal fan but it is his achievement that was hugely acknowledged through being awarded the "Spirit of Hammer" award. Then came another surprise, not only was Brian May announcing an award, he received an award of which was announced by Matt. Brian had been awarded the title of "Riff Lord". Both walking off to the sound of 'We Are The Champions'.
Having performed on the night is one honor, but like the other bands playing on the night, Suicidal Tendencies front man Mike Muir picked up a gong, simply the "Icon" award - which evidently stands for those becoming icons within the metal music industry. He invited the entire band on stage and this meant it felt like the entire band belonged to this award, long and behold after they had left the stage it was the turn of Gene Simmons to enjoy the celebrations and deliver some antics.
Gene certainly thought Scott looked dapper wearing his sunglasses and I have to agree, so Scott next time Anthrax play Bloodstock, please wear those sunglasses, please? Of course tonight was about being dapper, smart and celebrating metal, so it was time to celebrate Gene Simmons being awarded the "Legend" award. Let's face it, here is a guy who lead Kiss to international stardom alongside his brothers and it is Gene who also like his band mate Tommy Theyer followed the philanthropic route having done work in Africa and reflected back on his Israeli heritage, specifically his childhood.
As the first part of the awards drew to a close, as mentioned earlier Babymetal and Dragonforce electrified the venue with their insanely-tight J-pop / Power Metal combination. Here's hoping these two bands do a tour together some day.
Sadly At The Gates, despite all their might and excellent career could not find the right note to carry on the exciting evening, no matter what they tried they simply were not convincing during their performance and seemingly left a fair swathe of the audience disappointed, let's hope they find their feet next time round. Soon it was time for the second award batch to be announced, and Scott Ian decided to retire for this next one.
Announcing the winner of the "Best Underground" band was done by Cradle Of Filth & Devilment front-man Dani Filth. Sporting his new look, Dani cracked a few jokes here and there but ultimately was pleased to award the "Best Underground" band category to fellow British metal compatriots Winterfylleth, of whose meteoric rise saw them release 4 albums, perform at numerous festivals including Bloodstock and Wacken amongst others. Sadly this year Mark Wood left the band after 6 years service, but still the band was met with rapturous applause and quite rightly so as they look and are set to carry on leading the British Black Metal scene to new-found glory.
Scott Ian returned as Dani Filth left the stage and carried on announcing some more winners, the "Dimebag Darrell 'Shredder' " award was given to Richie Faulkner of Judas Priest. This was soon followed by the "King/Queen of the internet" award, this award goes to anyone who creates a video of themselves doing something clever, insane or downright whacky and ends up with their video(s) going viral, sadly the DIY demolition guy did not win although Scott Ian wanted to see the video once again, saying that he felt the video was "insane" and added "try building your house like that", from which the quote was met with prolonged laughter. But the award went to the '10 second song guy' and was presented by Duff McKagan.
The next category, the "Best Album" award was awarded to Faith No More and their album "Sol Invictus", this was soon followed by....
the award for "Best Independent Label" and this went to Epitaph Records, which was collected by Parkway Drive's Winston McCall on the label's behalf.
Now the next award is one we are truly proud of ourselves, given that we were the first to acknowledge this band's existence and have been lauding them since the start. The fact being that District Unknown has won the "Global Metal" award has not only made me very happy, but also it's excellent for the Afghani Metal scene. Not only does this mean the scene has been recognized, but given it's locality only Yo Khalifa could attend (as he is actually studying in the UK) alongside film director Travis Beard of whom originates from Australia but lives in Kabul, Afghanistan.
In fact it was down to Travis, that this band now exists. (Global Metal Apocalypse will be interviewing both Yo Khalifa and Travis Beard in the next few weeks). Last year the band released their debut album "Anatomy of a 24 Hour Lifetime" and this year they are subject to a metal documentary called "Martyrs Of Metal". We expect more from this group in the years ahead.
Fresh from their performance on HMS Hammer, both ladies from the Californian band Butcher Babies were excited to present the next award. The fabled "Inspiration" award was given by both Heidi Shepherd and Carla Harvey to At The Gates, this marks a milestone in their broken 25 year career (marred by hiatus').
The final award of the evening was perhaps the most exciting of the evening, simply put the "Golden God" award is the crème de la crème of the evening and is the most coveted award. This year the Metal Hammer Golden God award went to Dave Mustaine of Megadeth, having blitzed last year at Bloodstock and celebrating a phenomenal career, this award was coming, it was meant to be. The question is, who will it be next year? Our top 3 bets are Ozzy Osborne, Alice Cooper or Trent Reznor. We shall see, as soon as the awards finished it was time for one last band, the infamous Killing Joke.
Jaz Coleman still has the vocals of a god and whether you like Killing Joke or not, they are truly a monumental band none the less. Killing Joke certainly closed up what was a night full of excitement, drama and jokes. From Scott Ian donning Gene Simmons' sunglasses, to a bitch fight in the crowd below and from the likes of Ash Costello of New Years Day and Jasz Vegas making an appearance to Alexander Milas the editor-in-chief and 'Dark Lord' opening the evening celebrations, the Metal Hammer Golden Gods once again have proven themselves to be THE metal awards ceremony of the calendar year. (Sorry Kerrang)
Well that's it, all that's left to say is congratulations to all the winners and nominees, thanks to the hosts for a wonderful evening and of course the Indig02 arena for staging this wonderful event.
Who will the winners of the 2016 edition be? Who will be performing? Only time will tell.
Metal Hammer Golden Gods 2015 winners:
Cancer Bats has released a brand new video for "Beelzebub" from their "Searching For Zero" full-length. View the video now here. The video comes as a precursor to the band's North American dates set to commence next week including a run with Danzig and Pennywise.
Vocalist Liam Cormier admits that the band are "excited to be heading out with Danzig and Pennywise", declaring their love for both bands upon getting "into punk and metal" music and that to "tour with both is like a dream come true! We'll be ripping the pit and headbanging until we puke every night!".
6/17/2015 Cobra Lounge - Chicago, IL
6/18/2015 Turf Club - St. Paul, MN
6/19/2015 Park Theatre - Winnipeg, MT
6/20/2015 MoSo Rock Bottom - Saskatoon, SA
6/21/2015 International Beer Haus & Stage - Red Deer, AB
6/24/2015 Flashbacks - Kelowna, BC
6/25/2015 Garibaldi Lift Company - Whistler, BC
6/27/2015 Better Than Fred's - Grande Prairie, AB
7/06/2015 The New Direction - Fargo, ND
7/07/2015 Slowdown - Omaha, NE
7/09/2015 The Flycatcher - Tucson, AZ
w/ Danzig, Pennywise:
7/11/2015 Fox Theater Pomona - Pomona, CA *no Pennywise
7/12/2015 Pepsi Amphitheater at Fort Tuthill Park - Flagstaff, AZ
7/13/2015 Friendz Bar & Zombie Burger - Amarillo, TX *CANCER BATS only
7/14/2015 Bayou Music Center - Houston, TX
7/15/2015 Aztec Theatre - San Antonio, TX
7/17/2015 South Side Ballroom - Dallas, TX
7/18/2015 Club Brady - Tulsa, OK
7/19/2015 Arvest Bank Theatre at The Midland - Kansas City, MO
7/21/2015 The Fillmore Auditorium - Denver, CO
7/24/2015 MacEwan Hall - Calgary, AB
7/25/2015 Shaw Conference Centre - Edmonton, AB
7/27/2015 Queen Elizabeth Theatre - Vancouver, BC
7/28/2015 Showbox SODO - Seattle, WA
7/30/2015 The Warfield - San Francisco, CA
7/31/2015 Brooklyn Bowl - Las Vegas, NV
8/15/2015 Gwar BQ @ Hadad's Lake - Richmond VA
After the European tour in May with Melechesh, Keep Of Kalessin and Tribulation, and the Metal Open Air Fest in Plzeň (Czech Republic) on June 7th, Italian death metallers Embryo continue the promotion of their last self-titled album, released on February 10th, 2015 via logic(il)logic Records, through another European tour: the band will share the stage with Nile and Suffocation during the gigs in Spain, Portugal, France, Switzerland, Italy, Slovenia, Hungary, Austria and Slovakia. The dates are:
15.09.2015 Bilbao, SP Santana 27
16.09.2015 Porto, POR Hard Club
17.09.2015 Lisbon, POR RCA Club
18.09.2015 Madrid, SP Caracol
19.09.2015 Barcelona, SP Razzmatazz 2
20.09.2015 Marseille, FR Moulin
21.09.2015 La Chaux-de-Fonds, CH Bikini Test
22.09.2015 Florence, ITA Cycle Club
23.09.2015 Brescia, ITA Circolo Colony
24.09.2015 Ljubljana, SLO Kino Siska
25.09.2015 Budapest, HUN A38
26.09.2015 Wien, AU Szene
27.09.2015 Kosice, SK Collosseum
Californian metal bruisers Butcher Babies have returned with their most abrasive and aggressive offering yet and while unrelenting, it also delivers crushing grooves backed with extremely catchy hooks. The much-anticipated new offering, "Take It Like a Man" (Century Media Records) was recorded in the Hollywood Hills with renowned producer Logan Mader (Five Finger Death Punch, Gojira) and it is set for an 21st August release.
Butcher Babies kick off a massive European touring run at Download Fest in the UK this weekend and then will join Gwar and Battlecross across North America from August 25th to September 18th.
A new track called “Monsters Ball” can be heard here: http://smarturl.it/monstersball
“We all come from different places and backgrounds, but every member of this band had to fight to be the person he or she is today,” affirms co-vocalist Carla Harvey. “That’s the whole basis for the record. It’s not a gender thing. It’s the inner strength you have to find in order to pull your boots up and keep moving forward, whatever the situation may be.”
While penning lyrics, Shepherd and Harvey also opened up like never before. Blatant, brutal, and (sometimes) belligerent honesty was the only rule.
“You have to dig to get that emotion out,” sighs Harvey. “Metal heads can sense authenticity. They know when you’re real. Everything we write comes straight from the heart and our own experiences. It’s not cookie cutter bullshit.”
That openness has already turned countless fans into believers. "Take It Like a Man" espouses an inspiring final word.“We want to coerce feeling,” Shepherd leaves off. “If you’re a musician who does that, you’ve succeeded. We just want to inspire anyone who listens to us—and melt their faces off.”
BUTCHER BABIES live:
Jun 14 @ Download Festival in Castle Donington, United Kingdom
Jun 17 @ Rock Cafe St. Pauli in Hamburg, Germany
Jun 18 @ Copenhell in Copenhagen, Denmark
Jun 19 @ Graspop Metal Meeting 2015 in Dessel, Belgium
Jun 20 @ Hellfest in Clisson, France
Jul 07 @ Le Splendid in Lille, France – supporting FEAR FACTORY
Jul 08 @ La Rodia in Besancon, France – supporting FEAR FACTORY
Jul 09 @ Hirsh in Nuremberg, Germany
Jul 10 @ Colos-Saal in Aschaffenburg, Germany
Jul 11 @ Barrak in Ostrava, Czech Republic – supporting FEAR FACTORY
Jul 12 @ EXIT-US in Prague, Czech Republic
Jul 13 @ Randall in Bratislava, Slovakia – supporting FEAR FACTORY
Jul 15 @ Conrad Sohm in Dornbirn, Austria – supporting FEAR FACTORY
Jul 16 @ Substage in Karlsruhe, Germany – supporting FEAR FACTORY
Jul 18 @ Divan Du Monde in Paris, France
Jul 20 @ Metaldays 2015 in Tolmin, Slovenia
Jul 22 @ Z7 KONZERTFABRIK in Pratteln, Switzerland – supporting TERROR
Jul 23 @ Le Grillen in Colmar, France
Jul 24 @ Fuorionda in Pavia, Italy
Jul 25 @ Festa in Tenda in Mortegliano, Italy
Jul 26 @ Bluesiana in Velden, Austria
Jul 28 @ Alte Seilerei in Mannheim, Germany
Jul 29 @ Free & Easy Festival in Munich, Germany – FREE ENTRY!
Jul 30 @ The Jack in Eindhoven, Netherlands
Jul 31 @ Wacken 2015 in Wacken, Germany
Aug 25 @ Mr. Smalls Theatre in Millvale, PA
Aug 26 @ Cheers Pub in South Bend, IN
Aug 27 @ Wooly's in Des Moines, IA
Aug 28 @ Bourbon Theatre in Lincoln, NE
Aug 30 @ Granada @ Lawrence, KS
Aug 31 @ Cain's Ballroom in Tulsa, OK
Sep 01 @ Alamo City Music Hall in San Antonio, TX
Sep 02 @ Varsity Theatre in Baton Rouge, LA
Sep 03 @ Soul Kitchen in Mobile, AL
Sep 04 @ Iron City in Birmingham, AL
Sep 06 @ Ziggy's in Winston Salem, NC
Sep 08 @ Ziggy's By The Sea in Wilmington, NC
Sep 09 @ Freebird Live in Jacksonville, FL
Sep 10 @ Track 29 in Chattanooga, TN
Sep 11 @ Pop's in Sauget, IL
Sep 14 @ The Chance in Poughkeepsie, NY
Sep 15 @ Higher Ground in South Burlington, VT
Sep 16 @ Reverb in Reading, PA
Sep 17 @ The Paramount in Huntington, NY
Sep 18 @ Water Street Music Hall in Rochester, NY
Death/slam/core metallers The Juliet Massacre will release their new album “Human Abuse” on May 26th. In anticipation, the band is streaming the entire album a week ahead of its release. Listen the new songs at this link.
Vocalist Antomega shares the following about the new album: “Its long gestation period has meant that the successor to ‘Pray for an Afterlife’ appears to be faster, more brutal, more intense, but also more deep. We have written about how much the mankind likes to abuse and destroy everything, even itself, and how all this is leading us to an inevitable collapse. These are all tangible things that each of us savor every day and against which ordinary people can do little or nothing. ‘Human Abuse’ can be considered as an anthem to what actually the mankind should never be. We are totally convinced that this new work will satisfy all fans of the genre and, in some way, will satisfy even the most discerning ears”.
Recorded and mixed at Underroom Studios, 3 international guests (Julien Truchan from Benighted, Radim from Spasm and Alessandro Falà from Sawthis) and the precious collaboration of Gozer Vision on the artwork, “Human Abuse” is probably one of the most interesting extreme album of the year.
Pre-order available on the official merchstore.
“Human Abuse” tracklisting:
01. Human Abuse 02. Earth Annihilation
03. Chocking the Last Breath - feat. Alessandro Falà
04. Drown in the Dust 05. Suffering in a Lake of Solitude
06. The Tragedy of the Guns - feat. Julien Truchan
07. Beaten & Killed
08. Her Violated Body
09. Freedom of Speech
10. Slam Against the Injustice - feat. Radim
11. Gli anni di piombo
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Sleep Inertia drummer takes on 24 hour drumming session for Comic Relief, before dropping debut release at London show on 14th March
Wiltshire's Sleep Inertia have something to cheer about, well two things really. Drummer Tom Shrimpton is set to undertake a 24-hour drum session from midnight GMT 12th March - Midnight 13th March in aid of Comic Relief, taking a break every hour for 5 minutes. Anybody who wishes to make a contribution can do so at www.facebook.com/TomShrimpDrums or TomShrimpDrums.com
This feat awaits an official confirmation but it's most likely to be at an emergency services center, Tom admits that he is "not too sure at the moment, it's proving difficult to finalize", but anyone can come visit him anytime on that Friday. For a drummer who has time and time again challenged and improved his skills, he certainly has taken this challenge in his stride and is excited about the whole thing, "I always enjoy raising money for charity and this way I get to do something I love but yet pushing myself to the limit".
Naturally Tom will be pummeling away at the Sleep Inertia material as well as some Antoinette (his other band) songs, in addition to swift solo's and technical complex grooves, Tom admits to Global Metal Apocalypse that he has the gig in mind as well, " I don't want to push myself too hard too early haha", moreover because Tom is considering breaking the world record drumming session (which currently stands at 122 hours, 25 minutes and is held by Kunto Hartono from Indonesia) sometime late 2016 or sometime in 2017, but for now cautiously admits that he wants to see how this 24 hour marathon goes.
Now as if that is not good enough news, well in addition to the challenge, Sleep Inertia will be performing 14th March at the The Underworld in Camden, London. The show will be used as a platform to release their debut EP “Growth, Decay, Transformation” through. The EP itself has a scheduled release date of 20th March.
Sleep Inertia arose out of the ashes of The Dead Lay Waiting, featuring ex-members Ben Connett (lead guitar), Steve Franklin (rhythm guitar), Sam Sara (bass guitar) and Tom Shrimpton (drums) plus new front-man Jamie Harrison.
Sleep Inertia are quickly earning themselves a reputation within the music scene. “Growth, Decay, Transformation” is exactly what you would expect from a band of this genre; a progressive-edged sound with complex and fresh riffs.
Ukrainian black metal pioneers Drudkh have revealed the title of their next full-length, which will march under the flag of 'A Furrow Cut Short'. The album has been scheduled for release on the 20th April 2015. Pre-sale will commence in late February, which will also mark the revealing of the album's cover art and track-list.
Drudkh maintain their strict policy of no interviews, no pictures, no live performance, and no statements. Yet everybody following the career and art of the band's mastermind Roman Sayenko will be aware that 'A Furrow Cut Short' cannot have been conceived without the dire situation of his Ukrainian homeland under military attack of a nuclear power playing a role in its inspiration.
With 'A Furrow Cut Short', Drudkh follow-up on their latest album 'Eternal Turn of the Wheel', which witnessed the band returning to their black roots. In an ever evolving metamorphosis the Ukrainians took several steps back with their previous effort from the sound of their previous release 'Handful of Stars' (2010), which advanced in a more progressive and lighter direction. 'Eternal Turn of the Wheel' owed deeply to their early legacy from the Nordic Black Metal inspired debut 'Forgotten Legends' (2003) via the cinematic soundscapes of 'Autumn Aurora' (2004) to the traditional influences rising on 'The Swan Road' (2005).
Instead of re-discovering Ukrainian poets, mastermind Roman Sayenko relied on self-penned lyrics again with each song representing a season. To their dedicated following this turn did not come as a surprise as Drudkh took many turns in their career since their inception in 2002. On “Blood in Our Wells” (2006), progressive elements surfaced, while after the instrumental and partly acoustic 'Songs of Grief and Solitude' (2006) a sharp contrast was delivered by the harshly black 'Estrangement' (2007). Their 2009 masterpiece 'Microcosmos' seemed to tie up the different strands of Drudkh previous works, before embarking on a quest to more outlying realms with 'Handful of Stars' that led to the founding of OLD SILVER KEY joined by vocalist Neige (ALCEST). 'Eternal Turn of the Wheel' returned to the dark melancholy that permeates all of Drudkh's music, which is often dubbed Slavonic Heathen Metal as a perfect soundtrack for a harsh winter will.
Texan metal group Shattered Sin have inked a deal with Victory Records, this follows the bands attraction of Breaking Bands LLC management (owned by PR CEO Maria Ferrero, Jon Zazula and Testament front-man Chuck Billy).This means that Shattered Sin will be releasing their highly-anticipated new album "Hope Within Hatred" on April 21st, 2015.
For those who do not know who this sextet are, you can check out the lyric video for the title track “Hope Within Hatred” by clicking the red writing.
As for vocalist Marcos Leal, he admits that it was a childhood dream for the band to be signed to Victory Records, a label of whose bands are some of the band members favorites. For Shattered Sun, they collectively feel that "it's truly an honor to be a part of this family". Building up this news, the six-piece are conformed to perofm at the 17th annual New England Metal & Hardcore Festival, taking place in Worcester, MA at The Palladium, on Saturday, April 18th.
In context with the festival, Marco feels that the band are ready to unleash a barrage of Texan brutality upon the New England crowd.
For more information on the New England Metal & Hardcore Festival and details on how to purchase tickets, please visit www.metalandhardcorefestival.com.
Shattered Sun at Victory Records
Shattered Sun on Facebook
"Suffering is the Seed", the sophomore album from Colombian Death / Black Metallers Nepente will get the vinyl treatment from Cimmerian Shade Recordings. The RingMaster Review called the album "a savage and sonically scurrilous violation, a torment of intensity and unbridled devastation". Targeted for later this year, Suffering is the Seed will be the first vinyl release for the U.S. label.
In the meantime fans can look forward to new Nepente EP "I Will Get Your Soul", which will be released through Cimmerian Shade Recordings on March 31. And this time the temperature is raised to "face-melt!" "I Will Get Your Soul" was recorded at Manizales Studio (Manizales Colombia), and mixed/mastered at Hertz Recording Studio (Bialystock, Poland) by Slawomir Wieslawski and Wojciech Wieslawski.
1. I Will Get Your Soul
2. Show me that You are Suffering
3. Gray Land
4. Last Rites
Napalm Records are excited to announce the signing of Michigan’s Walls Of Jericho, who are currently conjuring up their new album which will be released via Napalm Records later this year.
Drummer Dustin Schoenhofer expressed the band's excitement and honor they have being accepted into the Napalm Records family, whilst suggesting previous record label deals were not 100% satisfactory as the band "are looking forward to finally finding the right partnership"; indicating not all was well with previous relationships. The band are grateful for their fans and families patience as it has been seven years since the band had released an album.
Napalm Records' Vice-President Thomas Caser expressed his delight at the news, calling Walls Of Jericho "one of the most exciting acts out of this genre", heavily praising their live performances and expressing his belief that the band stands out in the music industry.
Walls Of Jericho seem to have gone from strength to strength, negating the whole genre-tagging and image fiasco that never seems to end in the music industry, whilst using their wealth of talent to create music meant to last and stand on it's own feet.
Walls Of Jericho is:
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