Metal music takes on a variety of different sounds and cultural slants across the world, through the likes of Brazil's Sepultura and their Latin Metal period (think 'Roots Bloody Roots') to Israel's Orphaned Land drafting in traditional Israeli Music (think 'El Meod Na'ala'), metal music has been configured with each metal scene that embraces it. New Zealand on the other hand is one scene that often gets overlooked by most Western metalheads, either because of it's location on the world map or through the lack of effort to explore scenes other than that what dominate in Europe and North America. Alien Weaponry aim to change that with their infectious and riveting blend of Te Reo Māori Thrash Metal, the sound is combined with a Hardcore-Thrash approach with the battle cries found within the Te Māori language; one the trio are aiming to preserve through metal and one they learned through two ways... GMA spoke to Lewis De Jong (Guitarist / Vocalist) regarding this, their past and how in 2 weeks Alien Weaponry have reminded Europe that New Zealand is still there. "I would not feel offended because if you do a haka to someone, if they have achieved something or if they have done a performance, that's what you call a 'haka tautoko' which is basically in support of what someone is doing, it's an honour to have a 'haka tautoko' - I feel it would add to what we are all about." Alien Weaponry hasn't been going all that long, so could you give us a brief history of the band? Tell us about your Māori heritage and meaning behind the band name. "Henry and I started the band about 8 years ago and Ethan joined around 6 years ago, so yeah we haven't been going for 'that' long but we've been around for a fair bit. Yeah my brother and I are descendants from the Ngati Pikiāo which is a Māori Iwi (Maori Tribe) and we have Māori family and blood in us, so that's how it kind of came about doing this. We named the band Alien Weaponry when Henry and I first started and this was before we had touched any of the Māori stuff, that's actually named after the sci-fi film 'District 9'; film had alien guns in it so we called it Alien Weaponry and because of that the name kinda stuck. But now when you think about it, when muskets were introduced into New Zealand, to the Māori muskets were a form of 'alien weaponry', so I suppose that kind of connects a little bit, but it wasn't originally planned like that." Having played to an overflowing crowd on the Sophie Lancaster stage, what are your afterthoughts of your set? "I'm pretty blown away by how massive and into it the crowd was, that was a really pleasant surprise." Having played Wacken and being the youngest band in terms of band-members age to do so, did you feel any pressure whatsoever? "Pressure? I mean Wacken's been our dream since we started the band, so I guess it's more of a... there's not really pressure, I feel like as long as you're confident in what you do and practise hard out, we feel like we get more of a buzz before going on stage, we're just trying to enjoy the experience as much as possible. But yeah it was a really insane feeling playing in front of all those people at Wacken. The crowd f*cking blew us all away, actually quite a lot of the crowds at these festivals have blown us away because the response has almost bettered New Zealand sometimes, and it's really different because this is our first time touring Europe; it's really great to be doing this." With your brand of Te Māori Thrash metal, would you hope that neighbouring Oceanian countries become inspired by your music and start scenes up? "Yeah I feel like we're kind of being a statement to quite a few indigenous cultures that have been suppressed and colonized, I feel like we're trying to reach out to the entire world with this and it's really cool to see the response this big being picked up from it." Tell us about your debut album "Tū", what do the song titles mean? Tū charted on the New Zealand charts, that's got to be awesome right? Any response from the Māori Iwi? "The album has a lot of different stuff on it, we've got anything from historic battles to unjust actions by the Government you know hundreds of years ago. Some of our more recent stuff has been more about current issues, like we've got a song called 'Holding My Breath' which is quite personal and is about the feeling of anxiety that a lot of people go through when they're quite young. We've written songs about basically things we feel passionate about, so the album's a really passionate album. Yeah the album hit #1 when we released it, two other big New Zealand artists released albums on the same day and we were really surprised when we saw that we were ahead of them on the charts. That was a really good feeling when we hit #1, it feel like we've achieved something, something we never thought we would when we first started the band. The reception from Māori in general has been overwhelmingly positive and when we started writing in Te Reo Māori we didn't quite know how people would respond to it, but they've responded very well and I feel like a lot of Māori are kind of 'coming out of the closet' in listening to metal, Māori wasn't really associated with metal before we started what we are doing." How long did it take your first music video 'Rū Ana Te Whenua'? What is the meaning behind it and was it easy learning Māori? "That was probably about two days in the studio and also a day of shooting the music video, that was the first music video we shot, but it was not the first one we released - we've been holding onto that for a long time (eight years) before we released it and when we finally did it was really satisfying for us, because you know we have been waiting all that time. That was actually based on a battle that our great great-grandfather fought, it is basically a story about triumphing against all odds because the Māori were outnumbered, they had around 200-300 soldiers and the British had like over a 1,000 soldiers, but how they won (Māori) was they built this 'Pā' (which was the first recorded case of trench warfare) with underground trenches and bunkers. The British bombarded the Pā over a day and a half with cannons and when they stormed the Pā there was no-one there, as soon as they rode back to General Cameron who led the attack saying they had captured the Pā, while that was happening the Māori jumped up from underneath the ground and slaughtered them all - it's a brutal but cool story to write a song about. That was our first song that we written in Te Reo Māori and we really took a chance doing that, but I feel the reception's been overwhelming. Henry and I grew up speaking Māori, we went to a Kura Kaupapa which is a Māori language school... I went to a Māori kindergarden and then I went to Kura Kaupapa for about two years and Henry went about for four years, but then we switched schools and Henry and I, Henry not so much but I lost the language quite heavily so actually singing in Māori now is actually... I'm still in the process of learning the language. I feel like singing in Māori is encouraging a lot of people to discover their own heritage and learn Māori, which is not really a common thing in New Zealand." Would you hope that bands follow Alien Weaponry in terms of tapping into their indigenous culture and expressing it through metal? "Definitely, I think that's one way we're trying to keep the culture alive in New Zealand and spreading it through music, people are pretty passionate about music and I guess the culture comes with Alien Weaponry. I feel like it's a great way to educate people and add something different to what you do" If you were invited by the New Zealand rugby team to perform before a game, would you accept it?
"I think we probably would because that would be an amazing thing to play to a packed-out stadium before a rugby game, and I feel like that the energy we would bring would suit quite well, so yeah that would be really cool to do." How has the New Zealand Government reacted to metal music? "The New Zealand Government how has it reacted to metal music? Hmm. That's an interesting question, I guess the music industry is probably the closest thing... because the Government hasn't really said anything to us. I guess everyone in the music industry in New Zealand has been supportive of what we're doing... it's a hard question to answer because I actually don't know what the Government feels about what we're doing." Tell us what the New Zealand Metal scene is like? "There is a bit of a New Zealand metal scene but I feel like there's not many people in New Zealand (population is around 5 million; around half of Greater London), I guess there's not the hugest metal scene in New Zealand... put it this way there's probably more metalheads at Wacken than there are in New Zealand. The New Zealand metal scene is weird, it's hard to describe - there is still a metal scene in New Zealand. New Zealand's more known for it's reggae and R&B, Lorde and Lord Of The Rings. There is a metal scene in New Zealand with bands like Devilskin, Seas Of Conflict., there are quite a lot of good bands but I feel like there does seem to be a little bit of bickering from genre to genre, I feel like that's a little bit negative, but all in all scene's not that bad in New Zealand." For metalheads visiting New Zealand, what sights and attractions could you recommend doing / seeing? "If you go to New Zealand you've got to go to the beach, but before you go to the beach you've got to learn how to swim properly (laughs). In New Zealand there's a tradition that a lot of New Zealanders do it's called 'popping manus', which is basically jumping into the water and making the biggest splash possible, that's something we do in New Zealand and is pretty unique to our country. New Zealand is a beautiful place and I'm like feeling kinda homesick". What exactly is the haka? Could you explain it's meaning please? If a crowd member was to haka before Alien Weaponry started playing, would you feel offended? "A haka is a traditional Māori war dance, if two tribes were going to fight they used to do a haka to each other beforehand and I guess if you did a good enough haka, you might be able to scare the enemy into backing down so that it potentially doesn't have to be war. It's really designed to be in your face, scary and powerful and I feel it really works well with what we're doing. I would not feel offended because if you do a haka to someone, if they have achieved something or if they have done a performance, that's what you call a 'haka tautoko' which is basically in support of what someone is doing, it's an honour to have a 'haka tautoko' - I feel it would add to what we are all about. It's all about context, haka these days is mostly used in a theatrical, performance kind of environment and basically sometimes what happens is a couple of haka groups that perform and do well, will see a group in the audience jump up and do a 'haka tautoko', kind of instead of an applause and that's something that happens in New Zealand". What are some phrases metalheads should shout at your concerts? "A lot of Māori at our concerts say 'Tu Meke' which is kind of saying 'too much', which I kind of guess is a way of supporting someone, you say 'Tu Meke' it's like saying cheers. Outside of Alien Weaponry what hobbies or interests do you have? "Me personally I like to make music outside of the band and metal, I mess around with my friend and making lutes and sh*t. I also do a bit of drawing and painting, I'm quite a creative person so, I'm into that kind of stuff. I'm also into long-boarding which is pretty fun, basically just floating around, hanging out with mates and doing whatever." What plans do you have after Bloodstock? New album? Any thanks? "We're basically just continuing our European tour, that's the plan. Regarding a second album we've already got some concepts, I've already started coming up with riffs, I feel like you can definitely be expecting a follow-up album and another follow-up after that, everyone stay tuned. Thanks to everyone who has been supporting us thus far, you guys are f*cking amazing and keep it up, because at the end of the day we wouldn't be doing this without everyone who supports us, so cheers!" https://www.facebook.com/AlienWeaponry/
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The UK and Nepal have a long standing history with each other, right from the early days of the Ghurkas through World War 2 and into the modern day, the British-Nepalese bond is strong indeed. Aside from that the metal scene out there is thriving despite it's lack of representation on the international stage. Bands like Dying Out Flame signed with Spanish label Xtreem Music, Kalodin had a stint in Singapore and Antim Grahan's activities are unknown, but here are three bands who have had an impact on the wider global metal community. However, there is one band who arguably is waving the flag for the Nepalese Metal scene, scheduled to perform at Bloodstock Open Air this year, Underside are on course to make history as they tell GMA it's not easy being a metal band from this landlocked Himalayan nation. Hey guys, can you give us a brief history of the band, how did you form, were you in bands previously? "Yeah we formed after the guitarist (Bikrant) and I (vocalist KC) met at the Silence Festival in 2010, Dr. Pandu (guitarist) and I were in a band before Underside. Our first show was at Silence Festival 2011 and later on Nishant Hagjer, the drummer from Undying joined Underside and has been with us for 3 years now" Nepal has a really good underground scene with bands like yours, Antim Grahan, Kalodin and Dying Out Flame gaining attention overseas; and your festival KTM Rocks too, what are the main challenges that you face as a Nepalese Metal band? "Yes it is a pretty decent scene, however not many bands have been able to break out, like all 3 of the other bands you mentioned aren’t active right now. Which is the main problem, bands form and split up easily and don’t thrive. There are so many social and economic problems (we can go on all day) that it’s a fight to be in a metal band everyday in a country like Nepal, but it’s something worth fighting for. What are your plans before your date with Bloodstock Open Air, how are you guys feeling? Will this be your first time on British soil? Will you be doing a tour of the UK. "Yes we are super excited and I’m writing to you from Singapore as we are in transit. We are heading to New Zealand for 3 dates with Twelve Foot Ninja and then to Australia for 4/5 headliner shows (across April and May) with several local bands. We have a few shows to be announced back home in Nepal for the end of July before we go to Bloodstock. This is not our first time in the UK, but we can’t express how excited we are for Bloodstock, we will have something special and worth watching for everyone there. Regarding tour plans I think we are still finding a few shows, but open to any offers and invitations." The UK and Nepal have a long-standing history; most notably the Ghurka's fighting alongside the British in both world wars, how important is it to remember the relationship we have as nations and as people? "I think it’s important to remember that humanity should come first irrespective of race, nationality, religion or anything. But it's very cool and beautiful that a mutual love and respect exists between the 2 countries and it should be cherished." Have you had bands from the likes of India, Bhutan, China and Bangladesh come over to play? How hard is it to organize a gig or indeed a festival? "Not very often, it’s super difficult to pull off shows. We do our own festival (Silence Festival) and do small shows with some bands from India and stuff, but it’s super hard to stay afloat." Your new album is set to be released soon, will this be released via a label? "We actually released our LP independently without any label and have already started working on our first album for early 2019. There are talks but nothing solid so far, we have been an independent band and it’s been okay so far, but if we get a good offer then why not." What plans have you got for the rest of the year? "It’s been a good year, we toured India and played 3 shows, we did a six-show tour in Nepal and are now on the Australia and New Zealand tour, ultimately Bloodstock and hopefully more touring and working on the record." https://www.facebook.com/TheUnderside/ Whitechapel. To some it's the area of East London famed for Jack The Ripper, but in metal context it's an American Deathcore band with a splattering of various influences pocketed here and there from Black Metal to Groove Metal. However this quintet (drummer Ben Harclerode left this year) are more than your generic breakdown-laden, riff chugging clone that seems to dominate the ever-exasperated Deathcore genre. They are the leviathan of the genre, avoiding the cliches and common aesthetics found entrenched in most Deathcore bands and thus pose themselves as truly unique. They were welcomed back to Bloodstock this year with open arms and certainly gave the punters their monies worth. GMA took time out to talk to Gabe Crisp, the Whitechapel bassist about the band's history, "I'd love Whitechapel to be part of a video game, that would be cool. I'd be down for something action-packed for sure." Whitechapel has been going for 11 years now, what has been the most challenging part of the band's career so far? Did the band name originate from the East London area? "The fact that you're constantly leaving home and things like that, we're all home buddies... things like driving 5 minutes to work is a lot easier than flying across the world you know? But nah we love it, it comes as part of the territory. Our band name came from the Whitechapel area in London, I was proposed to be the man to go on to call our band name and Phil said 'Whitechapel', I was like 'what the f*ck?' Why would you call it Whitechapel?' It's weird because that's where Jack The Ripper killed a bunch of sluts back in the day. I was like 'oh shit that's pretty hard, that's metal as f*ck' and so here we are. I mean another thing, I'll give you this one, Whitechapel is kind of like in a similar way; not saying we're in any way like the band, but the name Black Sabbath... I thought about this a couple of years ago, Whitechapel, see it's like black and white, Sabbath and chapel and it's like it works, I think Whitechapel works, I don't hate our band name. Some bands they're like 10 years in and man I f*cking hate our name, it sucks." Whitechapel is often regarded as a Deathcore band, but on 'Mark Of The Blade' you leaned more towards Groove Metal right? "Yeaahh so, I mean we've been a band for 11 years so we try not to write the same record twice, we don't want to do that, we never have, what we were into and writing you know ten years ago... I don't know it's kinda hard for us to not evolve, that's pretty much what it all is - growing up and changing, we just want to be a metal band and not really sub-genre it and all that sh*t, keep it fun for us and try to play shit that people had gotten in to. Whatever you refer to us I don't care, to me that term [Deathcore] reflects our early years kind of vibe. It's just 10 years ago for us, we already done that kind of sound you know what I mean? Not that there's anything wrong with it, but we just can't write the same record over and over like we're going to be on our 7th record. If you're talking 10 songs a-record, that's 70 songs sounding exactly the same and if you're putting yourself into that genre, defining yourself as such - there's sh*t all you can do there right?" Aside from metal music, do you have any influences from outside of metal? What does your family think of your music? "Yeah I was telling a guy earlier about this stuff, when I was 14 I started playing bass guitar and that lead me to become a part of this band. The first band I fell in love, went to see and why I got into guitars was Green Day actually and not a metal band. I was a big fan of Green Day back in the day, just thought that the bass, being loud and proud in that band was super sick, it was cool man. My parents are awesome, they know I do big sh*t, they're stoked. It's not the greatest job in the world I guess for some people, but it is to me and that's how it works. My family usually come to the out-of-town shows once every a couple of years or so they'll come to a show, my dad loves to have a few beers and watch me play and my mum has no idea what's going on - she has a good time." Would it be fair to say that Phil Bozeman is one of the fastest Death Metal-style vocalists out there? "I hope so, sure why not? I think he's the best for sure, I don't know that's just me. I think he's the best for sure. I like watching some frontmen from other bands, but as far as vocals go yeah he's a bad ass - he's very good at what he does. I think he can stand beside anybody in anyway." Regarding your song 'The Saw Is The Law', what does the song title actually mean? "I have no idea man, honestly all it is we use that song live as like our logo, those two words rhyme and makes sense I guess? I don't write the lyrics but I think it was just a kind of play on words that kind of rhyme and everybody seems to like it so it works out. There's a lot of saws, we have a lot of saws in our designs, in our album artworks, something like that." Are there any major festivals in Knoxville? "No we don't really have anything like that, we play our home town once a year usually, and it's not really a metal town by any means. We're a local band that travels a lot, we have our fans but as far as metal music goes in general, there's not much going on. If there was a festival it would not be metal, how about that? Yeah we'd play a non-metal festival without a doubt, I mean we played Warped Tour which is considered non-metal, it's more metal than it used to be for sure. But yeah we'd play anything, we like good music but it has to be metal for sure; if they want to listen to us then we wouldn't want to play in front of people who wouldn't want to hear us but at the same time we'd love to play anything." Credit goes to the Bloodstock Open Air Festival Team You've just finished your set, how was it? "It was a great time, it was early but at lot earlier than we're used to but everything went well, because we were having a good time. It was easy, played all the songs well so can't really complain. It would have been cool if it was a little sunnier out but I'll be honest, it's not hot right? It's not raining so I'm not going to complain." For the New Blood Stage bands, some have only just started out, some have never played a major festival before, what advice could you give them (and future unsigned bands at Bloodstock)? "I'm assuming that the shows are going to be bigger than they're used to or something like that, for me I never had a problem with the size of the crowd. Don't even worry about the crowd, it's easy just play your show on stage and whatever is happening down front don't even worry about it. Just play your show on stage, that's what I'd say." Is it relatively hard for American bands to go on tours across the States? "Nah nah, I mean for us we've always been lucky I guess but at the same time it's fairly easy as long as you have a somewhat of a following and, maybe starting up is kind of hard - I think that would be for anybody, shows in America go well." When Whitechapel is on tour, what do you guys get up to to occupy yourself whilst travelling? "PlayStation 4, some of us try to go to the gym every now and then if there's a way to get out and get the pump on, get a shower you know? Let's see, yeah usually just PlayStation, we play a lot of PlayStation. We've been playing a lot of NHL 17, Uncharted 4, but I'm usually watching Zach (Householder) whilst drinking beers - it sounds boring right? But it's what we do." Speaking of PS4, if a game developer was to ask Whitechapel to provide a song for a new PS4 or Xbox game would you do it? "As many as would, forever, why not yeah. I used to learn about bands who liked Tony Hawk back in the day, that had awesome soundtracks. I'd love Whitechapel to be part of a video game, that would be cool. I'd be down for something action-packed for sure." Does Whitechapel have any plans confirmed for 2018 so far? "So far I don't know if I'm supposed to talk about it, I talked about it earlier though in some form of it, but we're going to be back early Spring of next year and I don't want to say who we're coming back with, but yeah we'll be back early next year. I think it's mainly Europe stuff, maybe some UK stuff but it's very early stages but it looks like we're going to be over here next year, early next year." Gabe, have you got any hello's, greetings, etc you wish to send out to fans, family, etc.? "Well yeah I just got married, so I'll say hello Corinna, what's up girl? I'll figure out that she manages to read / listen to this, it's awesome. Anybody that listens to Whitechapel, that would be cool I feel like I'm a pretty lucky person in talking to you guys so, I just want to say thanks to anybody who has checked us out, liked us or not, who cares, I appreciate it - thanks to the bands." http://www.whitechapelband.com/ www.facebook.com/whitechapelmetal Essex is known for many things, some of them and some bad. It's metal scene is one of the good things and then there's TOWIE (The Only Way Is Essex) which is the worst thing to happen since My Chemical Romance being classed as a metal band. But focusing on the metal scene, it's had the likes of Tides of Virtue, Forged In Black, Sanctorum, Dismanibus, etc grace the fertile soil from Southend and Colchester respectively. However when one speaks of Basildon, one thinks of Depeche Mode, chavs, Basildon Bond paper, Denise Van Outen., etc, and now there is Raze The Void. GMA caught up with the Essex mob to find out how they fared with Bloodstock, the Essex Metal scene, debut EP and plans ahead. "the title itself 'Obsolescence' covers what the current state of the world really is; the system is obsolete" Raze The Void has only been going a year, were you all in previous bands prior? How did Raze The Void come to be? "We have all been playing together for around with each other for 15 years nearly and just managed to get together and start a band from that after realising we all wanted to start playing and touring and seeing the world. RTV literally came from out of a dustbin a few years before we started playing the scene." The Essex Metal scene seems to be a little quiet at the moment, could you tell us the current state of the scene? "From Essex, apart from it being quiet, to really. There are some amazing acts in and around Essex, but you just have to sift through the venues and have a look out there and see for yourself." Having played Bloodstock, what was your experience like? How did you end up winning a slot? What advice could you give Metal 2 The Masses bands next year who are vying for a slot? "Bloodstock and everyone who we met from it and regarding it were amazing, very supportive and the feedback from everyone and all the reviews have been awesome and extremely positive. For anyone out there who is going to go into it; be serious but have fun. If you believe what you do it the best thing you do, you have fun doing it and you all have fun playing with each then do it, go for it, be the best band you can band! If you doubt anything you say or do or if you're not professional enough or not having enough fun, the crowd will sniff you and not like what they are smelling. They are as much a part of you as you are of them, so be there with them, get them involved. That okay?" As a band are you worried at the lack of local venues with only Chelmsford's The Asylum, Southend's Chinnerys, Harlow's The Square and the Colchester Arts Centre being the sole main ones? "It's not a worry when you can book outside of Essex and in fact, to just book in Essex, from experience, people then just seem to feel like that they will miss that one and go to another one as it's only up the road or whatever. Bra chin out into other places and leaving home has not only proved well for us, but is something that everyone should do and we in fact recommend. The live music scene is dieting but it's not dead." Outside of music, what other hobbies or interests do you have? "We all work full time and between that and the band; writing, playing, re-writing and down time there isn't a lot between, but some of use do things like cycling, rock climbing, wind surfing, extreme ironing; mainly physical activities. We are all very involved in quizzes and chess and some of us have other music projects going. We are generally very busy." Tell us more about your debut EP, where was it recorded? What does the title mean? "We recorded the EP with one of the most talented and hard working men we have ever worked with who we honestly consider family now, a man named Dan Kerr or Avenue studios; absolute genius! The EP and from that flowing into the upcoming album is all conceptional, revolving around human error, greed, the rising of the underground movement, corruption and the title itself 'Obsolescence' covers what the current state of the world really is; the system is obsolete." What plans do you have for the year ahead? Are there any greetings you wish to send out? "The album is being written literally as this being typed out to you....now. We will continue gigging and getting the RTV name out there to people and then launching the new album along with more media stuff and hopefully some new merch. It's all going UP! Shout out to Quimby, everyone who has helped us get this far, turned up and sung along with us, Nick Plews, Bob from Club 85, Ross, Phil and the boys for all their support and love and physical moves and to Neil- we hope you recover soon. " https://www.facebook.com/RazeTheVoid/ When Skindred was announced to perform at Bloodstock 2017 there were a number of people who took their angst onto social media, raging at a band not being 'metal' enough being booked to play, when they should be at Download. Reality check, they've done Download, they've had their song 'Nobody' on the NFS Underground 2 game soundtrack, they've been going nearly 20 years, they've played Wacken for heaven's sake. That's metal enough for us. Despite the whinging and whining on the net, the amount of festival goers Skindred pulled was more than adequate to put the elitists in their place. The well known 'Newport Helicopter' was a fitting way to end their set, even the ShowSec crew in front of the Ronnie James Dio stage got involved:- watch their song 'Warning' with the Newport Helicopter included here (https://www.youtube.com/watch?v=WpnPeFtUGkU); credit goes to YouTuber Jamiet1994 for the video - skip to 3:51 for the legendary Newport Helicopter. Benji Webbe and Mikey Demus both were more than happy to spend time with GMA to talk about their origins, playing BOA for the first (and possibly not the last) time, plans ahead, the origin of the Newport Helicopter and much more... over to the Welsh Ragga Metallers. |
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