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Interview Interrogation: Raze The Void (England)

2/11/2017

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Essex is known for many things, some of them and some bad. It's metal scene is one of the good things and then there's TOWIE (The Only Way Is Essex) which is the worst thing to happen since My Chemical Romance being classed as a metal band.

But focusing on the metal scene, it's had the likes of Tides of Virtue, Forged In Black, Sanctorum, Dismanibus, etc grace the fertile soil from Southend and Colchester respectively. However when one speaks of Basildon, one thinks of Depeche Mode, chavs, Basildon Bond paper, Denise Van Outen., etc, and now there is Raze The Void.

GMA caught up with the Essex mob to find out how they fared with Bloodstock, the Essex Metal scene, debut EP and plans ahead.

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Credits to Down The Barrel.

"the title itself 'Obsolescence' covers what the current state of the world really is; the system is obsolete"


Raze The Void has only been going a year, were you all in previous bands prior? How did Raze The Void come to be?


     "We have all been playing together for around with each other for 15 years nearly and just managed to get together and start a band from that after realising we all wanted to start playing and touring and seeing the world. RTV literally came from out of a dustbin a few years before we started playing the scene."


The Essex Metal scene seems to be a little quiet at the moment, could you tell us the current state of the scene?

     "From Essex, apart from it being quiet, to really. There are some amazing acts in and around Essex, but you just have to sift through the venues and have a look out there and see for yourself."


Having played Bloodstock, what was your experience like? How did you end up winning a slot? What advice could you give Metal 2 The Masses bands next year who are vying for a slot?


     "Bloodstock and everyone who we met from it and regarding it were amazing, very supportive and the feedback from everyone and all the reviews have been awesome and extremely positive.

     For anyone out there who is going to go into it; be serious but have fun. If you believe what you do it the best thing you do, you have fun doing it and you all have fun playing with each then do it, go for it, be the best band you can band! 

     If you doubt anything you say or do or if you're not professional enough or not having enough fun, the crowd will sniff you and not like what they are smelling. They are as much a part of you as you are of them, so be there with them, get them involved. That okay?"


As a band are you worried at the lack of local venues with only Chelmsford's The Asylum, Southend's Chinnerys, Harlow's The Square and the Colchester Arts Centre being the sole main ones?

     "It's not a worry when you can book outside of Essex and in fact, to just book in Essex, from experience, people then just seem to feel like that they will miss that one and go to another one as it's only up the road or whatever. Bra chin out into other places and leaving home has not only proved well for us, but is something that everyone should do and we in fact recommend. The live music scene is dieting but it's not dead."



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Outside of music, what other hobbies or interests do you have?

      "We all work full time and between that and the band; writing, playing, re-writing and down time there isn't a lot between, but some of use do things like cycling, rock climbing, wind surfing, extreme ironing; mainly physical activities. We are all very involved in quizzes and chess and some of us have other music projects going. We are generally very busy."


Tell us more about your debut EP, where was it recorded? What does the title mean?

     "We recorded the EP with one of the most talented and hard working men we have ever worked with who we honestly consider family now, a man named Dan Kerr or Avenue studios; absolute genius! 

     The EP and from that flowing into the upcoming album is all conceptional, revolving around human error, greed, the rising of the underground movement, corruption and the title itself 'Obsolescence' covers what the current state of the world really is; the system is obsolete."



What plans do you have for the year ahead? Are there any greetings you wish to send out?

     "The album is being written literally as this being typed out to you....now. We will continue gigging and getting the RTV name out there to people and then launching the new album along with more media stuff and hopefully some new merch. It's all going UP! 

     Shout out to Quimby, everyone who has helped us get this far, turned up and sung along with us, Nick Plews, Bob from Club 85, Ross, Phil and the boys for all their support and love and physical moves and to Neil- we hope you recover soon. "


https://www.facebook.com/RazeTheVoid/

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Interview Interrogation: Chris 'Stoz' Storozynsk from Forged In Black (England)

21/10/2017

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Forged In Black are arguably the best thing to come out of Southend since the expansion of London Southend Airport, Phil Jupitus' career taking off and of course (dare we say it) Busted. Forged In Black were originally called Merciless Fail and it was under their former name that they secured a slot on the New Blood Stage at Bloodstock Festival 2012.

Forward on a year and Merciless Fail changed their name to Forged In Black after their first EP 'Forged In Black'. Since 2013 Forged In Black have released 1 album - Forged In Black (2013) and 3 EP's, The Tide (2013), Fear Reflecting Fear (2016) and Sinner Sanctorum (2017).

Chris 'Stoz' Storozynsk gave GMA the low down on their past success, the current state of the Essex Metal scene, touring plans and their new music video 'Pay The Price'.... be prepared to be Forged In Black.


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"The song ['Pay The Price] has an anti-war theme... a concern that world leaders are not thinking of the consequences of their actions."


Forged In Black has not stopped working since your Bloodstock appearance, will we see you back at Bloodstock next year?

     "Hi GMA, Stoz here, and good to speak to you again. We had a fantastic time at Bloodstock 2012 after winning the Metal to the Masses competition. We’d love to return at some point on a bigger stage with our music, and are looking to book up quite a few festivals throughout Europe in 2018 alongside the release of our new album, which we are currently writing. We have just released our newest EP “Sinner Sanctorum” which is available to download on iTunes or purchase via our social media channels."


You just released your new music video 'Pay The Price', what has the reception been like?

     "The reception has been great, lots of people liking and sharing on social media, it was a very well produced video and really hammers the song home. We have released two music videos for songs on our new “Sinner Sanctorum” EP which can be viewed on YouTube and our social media pages."


Are you worried about being perceived as politically motivated with this video?

     "Well, not really. The song has an anti-war theme yes, and a concern that world leaders are not thinking of the consequences of their actions. It’s my observation of the current state of affairs. We have written many songs now about many different themes."


Andy Pilkington (Very Metal) created the video, what was it like approaching him? Does the video reflect the song's meaning?

     "Andy has done a fantastic job on the video and we are all very proud of the result. Our management team put us in contact with Andy and we are glad he had space in his very busy diary to fit us in and work with us on it."


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It seems that things are going your way a lot lately, where do you see Forged In Black in 5 years time?

     "Well I'm sure we will still be forging away on new music and our live shows, but ultimately a record deal would be nice."


The Essex metal scene doesn't appear to be as pro-active in recent times, what are your thoughts on this?

     "Yes unfortunately the Essex scene seems quieter then others, I think because of venues closing and the lack of new young promoters putting shows on, but that is understandable in this current financial climate. There are still some great musicians and bands coming out of Essex though and the talent is still well and truly there waiting for a light to shine on it."


Will you be doing a UK tour in late 2017 / early 2018, are you looking to play abroad?

     "We are currently writing for the new album, which we will be recording in April 2018 and is being produced by Romesh Dodangoda, so all hands are on deck to write some great new stuff, which we’d love to show off in the UK and Europe."


Since Tim Chandler left last year, will you look to recruit another guitarist or stick as a four-piece.

     "Well Tim actually left I think about 2 years ago, and since then we recruited the talents of one fine Mr Chris Bone, who is on our new release “Sinner Sanctorum” and has been playing live with us for some time."

'Sinner Sanctorum' EP is out now

https://www.facebook.com/forgedinblacks/

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M2TM Interview Interrogation: Imperium (London)

8/6/2017

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"We knew Bloodstock is the UK’s biggest Metal festival, how could that not be special?"


How does it feel to be part of M2TM? Was this your first time in the competition?

     "When we found out that we were going to be a part of M2TM it gave us a new drive! We thought we wouldn’t even get into the competition let alone make it to the quarter (quinter) finals as we’ve done. We’re loving it, it feels wicked to be apart of it and gives us a chance to get more involved with metal scene and see what other bands are out there."


How did imperium come about? And was it plain sailing?

     "It definitely wasn’t plain sailing to begin with, for a long time we went without a vocalist and bassist and we would just meet up and write songs without any goals in mind other then to enjoy playing fast heavy metal. 

     We were constantly on the lookout for new members but there just seemed to be no one around that wanted to play our style of metal, eventually we had a few auditions but they just weren’t what we were looking for. Ben our vocalist used to watch us jam in the early days as we have known each other from school, we never thought to try him out on vocals at the time and it wasn’t until a while after when we had some auditions going on Ben said he’d try it out!, and he ended up being a perfect match considering never singing before!

     Last year in September we played our first gig and now we have a new bass player that has stepped the band up again! The momentum keeps building for us and we love it"



What makes M2TM and bloodstock so special? Have you been to BOA before? 

     "We knew Bloodstock is the UK’s biggest Metal festival, how could that not be special? M2TM gives bands like us, that no ones heard of, a massive chance at playing and mixing with some of metal’s finest. 

     It’s the most mind blowing thing that could happen to us or any other band in this competition! A few of us have been before and love the vibe, we are mega keen to go together as a band a witness!!"

 

What is your local scene like? (name venues, record stores, bands etc) 

     "Our local scene is limited, sucks to be fair, the best venue is the Fighting Cocks in Kingston near us... great when it's busy but dead when it's dead! Banquet Records in Kingston is a cool record store and we have a few wicked bands knocking about but its dominated by this new screamo metal..... everyone is fantastic at the instruments but I feel like I'm watching football everyone's trying to be the star man! Just do your bit in the band a create something the world will want to hear forever! Not forget.... or to hope they forget."


Are you surprised by metal’s global spread? What (If any) bands from outside of the america’s  and Europe have you heard of?

     "Honestly there are some unreal bands out there. That's like not believing in aliens. Australian and Asian metal is seriously dark! I couldn't tell you many by name however as it just isn't our bag. But we know they exist!"


What plans does imperium have for the year ahead? 

     "At this point we are fully focused on M2TM and aiming to go as far as we can and we see no reason why we can’t go all the way. Other than that we will continue playing live shows in and around London and have plans in motion to get some of our songs recorded at Powerhouse Studios in Addlestone! Then spread this devastation like warm knife of chocolate butter on a golden brown piece of toast. only to be eaten up by the metal heads, digested and then shat out further onto the rest of the world that doesn't even want to know!"

Metal. 

https://www.facebook.com/ImperiumSound/

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M2TM Interview Interrogation: Callus (Lancashire)

14/4/2017

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Photo Credit: Daniella Beswick Photography


Lack of money, lack of time... [are] the testing stages and they need to be like this. (On being an unsigned band)


As the Metal 2 The Masses (M2TM) kicks into full swing with heats across the breadth of the UK and abroad taking place, bands progressing whilst some fall by the wayside, it's once again time for GMA to probe the bands who have entered this prestigious competition that allows the eventual region winners to earn a slot at playing the New Blood Stage at Bloodstock Open Air Festival near Burton-Upon-Trent.

Third up is Callus from Lancashire; questions answered by guitarist / vocalist Louis Clarke.

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Debut EP out now

For those not in the know, please explain how Callus formed?

     "Callus formed in early 2013 in Lancaster, Ben and I had been friends since high school and enjoyed the same bands and getting pissed together, so it was only natural that we wanted to form a band. We encountered Mark shortly after and that's when things really clicked for us and when we knew we had the proper line-up. I think we played our first show with Mark in Barrow, Cumbria."


Is this your first time in M2TM? If no when did you previously enter? If yes what are your emotions like?

      "This will be our second stab at M2TM, we played last years event in Burnley. We are like a caged violent demon-boar at this point... ready to bust loose and launch an assault on all of your senses."


How important is the M2TM initiative for unsigned bands? Irrespective of whether they win their regional heats?

    "I do think M2TM is pretty important for unsigned bands, obviously it gets them in there with a chance at playing the main event. Not only that, but with all the attention that the heats get it makes the nights pretty awesome in themselves, which is still great if you are like us last year getting knocked out in the first round (!). The nights always end up being heavily populated as far as we can tell."


What is the Lancashire scene like? Please tell us about local bands, venues, etc.

    "Lancashire's scene is pretty good, we try not to take too much notice on what everyone else is doing in scenes though. We like to do our own thing really, if people enjoy it then that's amazing and that makes our night, if not then that's cool as well we enjoy it all the same.

    As far as local bands go Lancaster can boast some pretty meaty bands especially with the likes of Bloodyard (who of course won M2TM a couple of years ago) and Insurgency really starting to break out and make a name for themselves. A favourite band of ours is Boss Keloid although they probably don't know it... it blows my mind that something so original and moving came out of Lancashire, Wigan I think to be precise. Of course Manchester seems to be "Where its all happening" though.

    As far as venues we love the Yorkshire House (Lancaster) to bits, and we have grown especially fond of The Dark Room at Roper Hall, Preston. Both killer venues."



Will you be going to Bloodstock even if you don't progress to the finals?

      "I think at least one of us may go to Bloodstock this year, but last years line-up was outstanding and pretty hard to top for us... A bunch of us went though even though we didn't get through our round of M2TM. With the likes of Boss Keloid, Foetal Juice, Rotting Christ, Gojira, Mastodon and Slayer it was too good to miss. We also made sure to catch After The Abduction who we have played with before at The Alma Inn, Bolton and The Star and Garter, Manchester (two more awesome venues in Lancashire), who won last years M2TM... those guys bossed the New Blood stage."


What are the hardest challenges of running an unsigned band these days?

     "One of the hardest challenges of running an unsigned band has to be a matter of time and money... two of us each have kids, all of us have jobs and responsibilities yeah it can be tough. Lack of money, lack of time... its all a test but that's life its just how it goes. These are the testing stages and they need to be like this. Although if someone wants to sign us and pay for our shit then we will have a chat right?"


What plans do you have for the rest of the year and are there any messages you wish to send out to people?

     "The plan for the rest of the year is play as many shows as we can and try to reach as many people as we can. We just released our first E.P. as well called Through, Blood, Sweat, Piss and Pain so we want to support that as much as we can and drill that into as many peoples heads as possible. We have something really big planned for early next year so we are trying to build up as much momentum as possible.

     Come to a show if you haven't already, you might be surprised... you might not... still reading?
Congratulations if you got this far! Through, Blood, Sweat, Piss and Pain."



https://www.facebook.com/Callus.band/

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M2TM Interview Interrogation: Black Atlas (Luton)

9/3/2017

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As the Metal 2 The Masses (M2TM) kicks into full swing with heats across the breadth of the UK and abroad taking place, bands progressing whilst some fall by the wayside, it's once again time for GMA to probe the bands who have entered this prestigious competition that allows the eventual region winners to earn a slot at playing the New Blood Stage at Bloodstock Open Air Festival near Burton-Upon-Trent.

Second up is Black Atlas from Luton; questions answered by guitarist Peter Hunt.


How did Black Atlas form and what is the meaning behind the band name?

     "Black Atlas formed through a want to get back out on the local scene and play music we enjoyed. We had all been in previous bands at one point with one member or another. We gelled together pretty quickly, working on a few song ideas which have stuck with us since the beginning.

     The name came through the normal pain of us passing ideas around. Black Atlas was an idea Peter had knocked about for a while. As a few of our favourite bands are Black Sabbath and Black Label Society we went with it. The idea behind it is a simple combination of Black signifying the music as it simply defines Heavy Music. Atlas is to show we pull influences from a range of bands, and that we don't want our music to be defined by borders."


What range of influences do you take? Band-wise and sound-wise?

     "This question would have a massive list of bands, but I guess our main core influences fall as;
Kyuss; Corrosion of Conformity; Fu Manchu; Black Sabbath; Black Label Society; Alice in Chains. Those bands show what we are about and capture the sound we want to put across."



Is this your first time participating in M2TM? (If yes are you / were you nervous? If no what emotions were / are you feeling?)

     "We actually took part last year as well. It was great fun. Even though we were did not progress we really enjoyed it. The mix of bands was great, showcasing all varieties of heavy music.

     We are also fortunate to know previous winners in bands such as Scar City and Countless Skies. That makes it a lot more real, seeing local bands we've played with or know from the scene. We've all seen BOTB competitions, and with rubbish on TV like X Factor and the Voice manufacturing bands and artists, M2TM is something which is a lot more relatable and to us will have a greater longevity and meaning than the others. It's just what real music needs."



What is the Luton / Bedfordshire Metal scene like? 

     "We've been knocking around the scene for a few years now. We once got refereed to as the 'old guards' even though we consider ourselves still young. Overall the scene is healthy, there is always young blood coming in so there is never a shortage of bands. I think the main struggle we've seen is the willingness for venues to support heavy music. Getting a crowd down and making nights successful for a venue has been what has hit the scene the hardest. We've seen a few venues close, and some fortunately open up again. 


     Too many people would prefer to pay money to see someone play a cover of a song someone else sings, and was most likely written by another person. The best thing about metal though is it doesn't die. With ongoing support from promoters like Luton Lives and Bedford Alternative Music it has all lived and will always live."



What hobbies does the band have outside of music?

     "We've all got a collective mix really. Peter is into his cars, running a Japanese car club and probably spending too much money on them. He also enjoys his photography and is a keen cinema goer. Wilson also has a passion for cars, and usually if you don't find us playing music we will be tinkering on our cars. He also has his own business. SWFX (swfxpedals.co.uk) He designs and builds custom stomp boxes/pedals. We actually use a lot of them in our sound. From fuzz pedals, to custom wahs and delays. 

     Mikey recently became a father for the second time. So he has his hands full looking after a the little one currently. Aside from that he enjoys his 5 a side football. He used to also scout bands back in a previous life, working with Basick Records finding some great new artists. Jimi is a big horror fan and a prominent gig goer. He used to support the local scene by putting on gigs around Luton and support Luton Lives in its early days. We all like to keep fit as well, through either the gym or running. 


What plans do you have for the rest of the year? 


     "Our main goal for this year is to be gigging more, building up a solid fan base and then spreading too some wider locations. We're working on some new material as well, writing new songs and developing our overall sound. 

     We are also looking to do some more recording to follow up our debut EP, and then hopefully tie that in with a video. And while all that's going on we will have a right old laugh as well. As you've got to enjoy what you do."


https://www.facebook.com/BlackAtlasBand/

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M2TM Interview Interrogation: Kill For Company (London)

8/3/2017

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As the Metal 2 The Masses (M2TM) kicks into full swing with heats across the breadth of the UK and abroad taking place, bands progressing whilst some fall by the wayside, it's once again time for GMA to probe the bands who have entered this prestigious competition that allows the eventual region winners to earn a slot at playing the New Blood Stage at Bloodstock Open Air Festival near Burton-Upon-Trent.

First up is Kill For Company from London; questions answered by guitarist Quinton Lucion


How did Kill For Company form and what is the meaning behind the band name?


     "We formed in 2014 as our singer Tom got in contact with me (Quinton) to finish off a set of tracks we wrote in 2012. My only stipulation was that I wanted to write with a live drummer and so we found Dan. We solidified the line up in mid 2015 and have been playing live since. We just thought the name sounded cool to be honest."



What range of influences do you take? Band-wise and sound-wise?

      "In terms of image we don't model ourselves on anything in particular. Sound wise we take influence from bands like Pantera, Megadeth, Metallica, Pantera, Gojira, Vader, Decapitated to name a few."


Is this your first time participating in M2TM? (If yes are you / were you nervous? If no what emotions were / are you feeling?)


     "This is our first time round [playing] the M2TM cycle and are delighted that we are in the quarter finals. We weren't sure what to expect in our heat but it was well organised and we just felt happy to be a part of it."


What is the London Metal scene like right now?

"It's pretty good at the moment. Lots of good bands supporting each other."


What hobbies does the band have outside of music?


      "Practising on our instruments if I was to pick between Dan and I. I know that's not outside of music but that is what we do. Tom's hobbies are probably to do with watching films and having an interest in history."


What plans do you have for the rest of the year?

      "To finally release our debut e.p and get back to playing shows. We endured a personal setback this year but are intending to come back with full force."


https://www.facebook.com/killforcompanymetal

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Interview Interrogation: Aramantus (England)

10/12/2016

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It's a definite fact that Birmingham, or indeed the West Midlands have become a hotbed for emerging metal bands over the decades with of course Black Sabbath setting the trend and metal music scene(s) in motion. Forwarding on to 2013 and a new eight-legged outfit has emerged with sincere intent, the intent to crush sexist and racial discrimination in metal music, but also naturally to pummel out some fine songs that'll give them the platform to slay the masses with... that band is Aramantus.

Aramantus might have got their name from the 'Aramanth' plant... but we won't indulge in that, instead we let the quartet do the unveiling of the facts surrounding them...

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How did you guys form, was there any challenges in the beginning?

          "Over the years, Aramantus have seen a few member changes, however this current line up was formed in late 2015. With Elijah (Guitar), Cici (Bass) and Alice (Drums) already in the band, a need for a new vocalist arose; a role which Nyah filled in perfectly. In mid 2016 we decided to continue as a four piece after losing a guitarist. At first, we were worried our sound would be affected too much to continue without a second guitarist, however after adapting our originals to fit our new live sound, we found that we work much better as a four piece!"


Do you feel that females still receive stigma for playing metal music? What advice could you give aspiring female musicians?

        "This is such a controversial subject still to this day. Of course, we ourselves have had occasions where we have been judged or not taken seriously due to, not only our age, but the fact that three out of the four of us are female. Quite possibly, there are still some people not keen on the idea of women having part in the 'man's world' of metal, however we have found that most people are now very welcoming of female musicians.

          With female-fronted / female musician nights being held regurlarly around the UK, it's not hard to find places where you'll be welcomed and not judged. It's only more regurlarly we have found that people are beginning to make less comments on the fact we're "Good for a girl" and more comments based on our playing ability instead. If you are an aspiring female musician, then our advice is just to go out there and do your thing! Play well, rock hard and not care if one person in about a hundred doesn't like you for being female. At the end of the day, you're a musician just like any man, gender shouldn't matter!"



Do you feel that the UK metal scene isn't as strong as once was? Or do you feel it comes in leaps and bounds?


          "The metal scene in Birmingham at least, certainly is still going strong. There isn't one weekend where there will be no gigs to go to. With amazing rock bars and music venues, there are always gigs and events happening throughout the UK. The only problem with this, is that with so much going on at one time, gigs can feel emptier with a smaller crowd. But most of the time this isn't because the scene is 'dying' it's simply because people have so much choice that it's sometimes hard to pull an audience. We know for a fact that some of our closest friends and fans, will travel the UK to see unsigned bands through a pure love of music. If the scene wasn't as strong, people wouldn't still be so committed to travelling to see their favourite bands."


Have you had any fans emerge from unsuspecting places? For 2017 are you looking for shows abroad as well as the UK?

          "We have met most of our fans at our gigs really. We have had people from other countries contact us online and we always find that really cool! It's crazy to think that people overseas are beginning to hear about us. We are definitely interested in going abroad for some gigs next year, as we feel it would be such an amazing experience to explore the metal community across the world. Possibly Europe for 2017? We'll have to see what comes our way..."

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People say local scenes are 'dying', what are your thoughts on this? Who are to blame for the supposed decline?

          "We already have touched on this sort of thing, as it's very similar to question three. However, if you were to ask who is to blame for this decline then it is extremely hard to say really. If a gig is empty, then supposedly it could be due to the scene dying. More often than not though, it's due to bands not promoting a gig enough (Admittedly there are times when you can promote and promote and still no one turns up). Sometimes there are just too many gigs happening on one night, and that will have an effect on each gig and the amount of people there. It really is hard to pinpoint the blame of the scene dying on anyone really!"


With Brexit on the cards, are you worried that this will dent UK band's chances of touring abroad? Or are you not phased by it?

        "Without looking too deeply into the situation with Brexit at the moment, it could possibly become at least a little more tricky to get abroad. Especially to Europe, for example. If bands all need individual Visa's to travel to Germany, Holland, Finland etc, then it is certainly going to be more of a pain to arrange a tour over there. As we haven't actively sought to book a gig abroad yet, we haven't researched the situation too much yet. However, it definitely would be something to look into for bands and artists wishing to go abroad in the future."


What can we expect from Aramantus in the next few months? Will you consider entering Metal 2 The Masses?

          "It's a surprise! We can't reveal too much yet but we can promise a new release of some form in the very near future! It's going to be a taste of our new sound as a four piece, and the start of our journey to our first album, after having released our debut EP in May 2015 with our old line up, we feel it's the right time to show off the new us. We are going to focus on writing and venturing out further in the UK in 2017 and so, unfortunately, we aren't going to be able to compete in Metal to The Masses this year. However we do wish all the bands the best of luck! We thoroughly enjoyed last years competition, and playing the final was incredible."


Finally have you got any hello's, thank yous you wish to send out?


          "We would just like to thank everyone that has helped, supported and been with us throughout our journey so far. Everyone that's came to our gigs, helped us with recording, videos, promotion and so much more; well we can't thank them enough. We'd be no where without them! We also would like to thank the people that have been with us from the start, our biggest help over the years, and that's our parents. They've been our guides, and helped us with getting to and from gigs. We feel very privileged to have them put up with our rubbish!"


https://www.facebook.com/Aramantus/
http://aramantus.com/

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Interview Interrogation: Colin Parks from Devilment (England)

10/9/2016

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Whether you consider yourself a pioneering band or a band who wants to bend a genre so much that the sound evolves itself from the original formulaic infrastructure it's built upon, one thing for certain is that making music requires three solid and key components:- commitment, defiance and the so-true notion of 'patience is a virtue'. Devilment are a perfect example of this, having been freed from the shackles of a demonically-plagued past with in-house quarrels, strived forward to tour with Cradle of Filth of Black Metal fame and rode the waves to summon their second album due to be released this year, it's clear that this Suffolk horde are on a winning run and that no matter what challenges pose them, they're geared to assault these challenges with newfound rigour.

GMA spoke to Colin Parks (Lead Guitarist) to gain an insight into what the future holds for this Witch county brethren, their impending album release and subsequent tour, past relics and some rather dark and disturbing secrets (you filthy animal).

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"The United Kingdom is a tough market to crack (on album sales)... if people spent as much time supporting one another as they do slagging every band off... we would be richer musically for it."


What is new in the Devilment camp? How are things shaping up for your new album and impending tour?


          "Things in the Devilment camp are great, the unit is strong and we are all very close friends. We have welcomed Matt Alston (Eastern Front, Sanctorum) to the band as the full time drummer and this has really been a fantastic addition on many levels. Matt is a great drummer, a driven person and a good guy, it is nice to be around other professionals who really take their craft seriously. On the other side of the line-up change, Sam S. Junior left the band around 8 months ago, he now performs in Savage Messiah. He left due to travel issues and of course playing in Savage Messiah full time.

          The album is something that we all are very proud of, we have worked very hard collectively as a unit to bring this album to you, in its strongest possible form both musically and as a package it is a long way ahead of the debut."




Would you say the shadow of Daniel Finch has been buried and that Devilment is no longer in the shadow of him?

          "Of course. To be honest it is not something we really think of anymore, Daniel left the band on his own terms, the band were supportive and despite emotions obviously running high at the time, we tried our best to support him. Some people just realise it is not for them, the touring and the pressure of deadlines along with the realisation that you have to share your dream with other's, is something you either thrive on, or you feel coming down on you in a negative way, everyone is different. Also despite anything you may read in a negative light about the situation, you will never read anything personal from us directed to anyone.

          Musically the "shadow" was already being stepped out of on the debut, 'Summer Arteries', 'Sanity Hits A Perfect Zero', 'The Great And Secret Show' were all songs by myself and Nick. When myself and Lauren joined the band, the sound changed drastically from that moment on, Daniel always had a very Industrial, Groove based vibe going on, simple but immediate and catchy. Myself, Lauren and Nick pride ourselves on being as musically diverse and rich as we can be within the given genre.

          The new album "II (The Mephisto Waltzes)" is a massive step up in every single aspect, the guitars are way more intricate and full of counter-melodies and harmonies, the keys are thick and exciting, Lauren's female vocals have made a massive difference to this album. I feel that Lauren's input vocally, has pushed this album to a new level for Devilment. I personally spent months writing for this album and Lauren contributed a large amount the whole way through and we both are both from the school of thought of graft, graft, graft."




In relation to previous two questions, will the new album have a different sound to 'The Great...' album?

          "Yes and no, the first album had some very strong tracks, a lot of the album was already written before three of us joined the band, so in many ways it had a linearity to the sound that was already in place. This outing has been far far more of a group effort, and we have found our sound as "Devilment". The album transcends genres in many ways, it has a very Progressive feel to the music, the drumming is spine-breaking, the bass has stepped up massively with some technical wizardry on the fretboard from Nick. The vocals from Dani are refined, twisted and crafted. Lauren's chorus work and ambience in truth is f**king amazing and the whole thing is just more mature and more melodic, but also a harder hitting album that will not feel unfamiliar to any of our fans... just different.

          The greatest thing as an artist is to continually push the envelope for ourselves, but not alienate our fans who are really in to the first album. The new album certainly has aspects of the first album and lots of nods to other songs from it, but it is just another level in terms of songwriting and playing, the chains were cut off of us and it unleashed a monster! Speaking of monsters, late September we are releasing a lyric video for a song and a full music video the month after of 'Hitchcock Blonde', the bands first single!"



Will you be targeting some festivals next year? Is Bloodstock on the cards?

          "Yes we will be hitting the summer festivals hard next year, we intend on touring and getting this album out to you all as much as possible, on the last album cycle the band felt we were not out live enough to make the inroads we wanted to really make. This album we are all pushing to ensure that we are making ourselves a force live and by doing as many shows as possible, we will only become stronger for it.

          I can not at this time confirm if we will be playing at Bloodstock, but rest assured there will be some UK ones and many European festivals also. The band are on a UK tour in December around the UK and are hoping to get Stateside in the early part of 2017, depending on sales... so that is down to the fans and the people that kindly support us to make it happen and our team who book our shows."




As you're from Suffolk, what is the metal scene like at the moment? It's gone a little quiet up there.


          "It seems to have gone quiet of late, there are some local bands flying the flag, Eastern Front and To The Nines are local bands that are working hard to go places, If I could offer anyone some advice on the unsigned music scene it would be to work as hard as you can. If things seem to not be falling for you, work harder, so hard that you see others around you folding and walking away... remember that those who make it are the ones that would not accept no, those that stay up all night working on music, you got to REALLY want it, not just kind of want it. Stay true and it will come."


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Has Devilment ever considered dabbling in the dark side of East Anglia's history? Maybe a song about the 'Black Shuck'?

"We kind of do with the Witch County Suffolk motto, Suffolk has a very rich history and is a very diverse county, in fact I love it to be honest. There are definitely some nods lyrically with regards to this question, just grab out the Devilment album sleeve and have a read through the last album."



With Brexit on the horizon, as a band are you concerned about touring outside the UK?


"Not really, the whole Brexit thing divided a nation, in truth I do not think it should have been put to the public, sometimes the peasants do not know what is in their best interests. It will make things harder with travel and it will in truth be a pain in the ass, but it is what it is, music will always win over politics so I am sure everything will all be just fine."



To the best of your knowledge, where is the furthest your music has been picked up? Are you surprised by this?

          "Australia is one of the furthest confirmed album sales, support for Devilment in Australia is fantastic, I have seen the posters and band being played on the TV's in the record stores myself. Funny as it seems to actually be pushed more away from our shores. The United Kingdom is a funny one, its a tough market to crack. There is a lot of elitist bullshit in all genres, if people spent as much time supporting one another as they do slagging every band off in the comments section of what ever post then we would be richer musically for it."



Finally have you got any greetings you wish to send out? (Feel free to add any info as you wish)


"Just to say a big thank you to my fellow band members, during the album process it has been tough for Devilment as a band, loosing Dan originally was a set back, but losing our friend and brother Aaron was a hard one to take for all of us as we are all family, Dani still plays football with azza every Wednesday night!

Want to thank Matt for stepping in and smashing it out the park, we could not have found anyone better for this. Lastly massive thanks to our fans and family for believing in us, for allowing us to do something that we all love with every fibre of our soul, so THANK YOU !!!!!


Now roll on November 18th when you can all hear this monster!!!!!!!"


As Colin said, Devilment's new album "II: The Mephisto Waltzes" is out 18th November via Nuclear Blast

https://www.facebook.com/devilmentcorps/?fref=ts

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Interview Interrogation: De Profundis (England)

27/5/2016

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For a band who has only released four albums as of 2015 and have only been going 11 years, De Profundis have been making more than just waves happen from the backyard streets of blackened London. Having stamped their mark on Bloodstock Open Air back in 2014 and taken their name from a song by the Swedish outfit Abruptum (although we suspect Oscar Wilde's letter entitled 'De Profundis' (from the depths) is more credible), De Profundis have established themselves as one of those involved in the new wave of British Black Metal.

For this interview, a candlelit room provided the perfect setting for which Shoi (Soikot Sengupta) entered and placed his guitar down on the table... this was going to be one interesting talk.

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"Metal is a global music hence why I find the whole extreme right wing affiliations of certain bands even more disturbing for a genre that actually has no boundaries"



Recently times have been great for De Profundis, in 2014 you played Bloodstock and last year you released your fourth album "Kingdom Of The Blind". Now you're playing in September with Egyptian Death Metallers Scarab, surely this tour is going to be one of the best you've done?

"We always look forward to being on the road and playing with bands we haven't played with before so yes we are looking forward to it. Hopefully the turnouts will be great and therefore the tour will be great too."

 
Will you be playing a mix of songs, some from 'Kingdom Of The Blind' or the majority coming from the album?

"As co-headliners we will have a longer set which means we will mainly play tracks from "Kingdom Of The Blind" but also from "The Emptiness Within" and "A Bleak Reflection". We've been doing that lately on recent shows like at Incineration and it's been working great. The material from "Kingdom Of The Blind and the "Frequencies" EP is fast and brutal, so its cool to bring more mid paced atmospheric songs from our old catalogue to balance the set. That's when we realised that we are in a great position to have such a great back catalogue. A lot of people have actually commented on how nicely the old songs sit with the current set, it's like as if they have been given a second life."


British Black Metal is in a newfound form of renaissance, would you say it's stronger than ever and establishing a unique identity?

"I am going to be honest here I don't follow the British Black Metal scene at all. Our guitarist Paul is in a Black Metal band, so he probably follows it a lot more. In fairness I wasn't too keen on the whole nationalistic theme that some English Black Metal bands have started bringing in as it was often accompanied with dubious and extreme right wing ideologies which I obviously wouldn't be comfortable with."
 

Regarding Scarab, when you first heard about them, was you surprised about a metal scene existing in Egypt? What are your thoughts about metal's spread across the globe?

"I wasn't surprised at all about the presence of a metal scene in Egypt or anywhere else in the world. Hell I even know a couple of metal bands in Caribbean. Metal is a global music hence why I find the whole extreme right wing affiliations of certain bands even more disturbing for a genre that actually has no boundaries. As for Scarab I have followed them from a distance for some time. You know the funny thing for me is ever since I turned pro I have been listening less and less to music, just through the lack of time really. But from what I have heard of Scarab I do like."
 

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Be there or be square.

On this five-date tour, will there be any new venues / locations you will be visiting? If no, when did you last play in these locations? Will there be a EU tour after the September UK run?

"We've never played in Selby which will be the Warhorns Festival and we are very much looking forward to that. Otherwise we've played all the other venues or cities at some point. Besides London, Plymouth is always a highlight with a highly energetic crowd. We're also playing the Hordes Of Belial festival in Dundee (not with Scarab), we played there last in 2013 so it will be a blast to get back there. The organiser Paul MacMillan does a great job for metal in Scotland. With regards to the EU we are doing a run of 3 shows next week in France and Luxembourg with our friends Nemost. We're hoping for a full EU tour at the end of the year."
  

What are the biggest challenges for bands in general these days in your opinion? What about challenges facing unsigned bands? Is it better to start your own label rather than seek a deal with an established label?

"Man there are so many challenges. You know if it was just the issue of downloading and all that we could work with that, but when politics gets in the way it's so frustrating. It's less and less about talent but about who you are drinking mates with. De Profundis generally doesn't hang around in the usual London haunts because we are all professional musicians with busy schedules and if we have time we'd rather write music or something. Setting up a label isn't a bad idea but to really make it viable you need to have a critical mass of fans otherwise you will struggle. An established label will always be better I think."


What plans have you got for the rest of the year?

"Well apart from playing shows, we are going to be recording album 5 in August, we've had some downtime lately which we used to write the follow up of "Kingdom Of The Blind". We are really looking forward to that because the new material is absolutely KILLER!"
 

Have you got any hello's and thank you's you wish to send out?

"I'd like to thank Global Metal Apocalypse for their support through the years. We also want to tell the UK metalheads to turn up in masses at the shows in September."

http://www.facebook.com/deprofundistheband

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Interview Interrogation: The Dreamer from Old Corpse Road (England)

24/5/2016

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English Black Metal is seeing a strong revival with bands up and down the country laying down their own perception of the genre and making the sound their own. From the WW2 addicts Eastern Front and Stahlsarg to the folkloric bards of the heathen lands Winterfylleth and Fyrdsmann, now Old Corpse Road are ready to join the celebrations.

Having recently released their new lyric video 'Herne Of Windsor Forest', Durham's sons of nature-based Black Metal Old Corpse Road are going places with their second album 'Of Campfires & Evening Mists' due to drop 27th May via Cacophonous Records.

Therefore GMA decided it was time to hunt down these beasts of the forest, pin them down to the mushroom-engulfed forest floor and interrogate them in their own backyard. Four members escaped with only The Dreamer giving into mercy...


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Guys, how does it feel to be releasing your second album "Of Campfires & Evening Mists"?


The album has been a long time in the making so it is fantastic for it to finally about to be released.


Also, how does it feel to be releasing your first album via Cacophonous Records, of whom have a long-standing record of supporting Black Metal?


The band grew up listening and following Cacophonous, as teenagers we idolised everything they brought forth. This period was a special time and Cacophonous was responsible for cementing Britain's name in the Black Metal history books, so to be connected to this is very meaningful to the us. I still remember journeying to Newcastle HMV to purchase Cradle Of Filth - the Principle of Evil Made Flesh shortly after its release.

The dedication and support from a legendary label is incredible. For Cacophonous to have faith in our vision and music is a humbling experience. It is a great honour for the Old Corpse Road moniker to sit alongside many of the bands that inspired our journey. The Cacophonous label history speaks for itself, but to be part of its future and to be joining our brothers The Infernal Sea and The King is Blind in the next chapter of the label is a truly incredible opportunity. We hope our partnership with Cacophonous proves to only strengthen the burgeoning UK Black Metal scene.


Since you sing about British Folklore, and bands like Winterfylleth, Cnoc An Tursa, Wyrdsmann, etc sing about very similar topics, could it be said that British Black Metal holistically is finding a newer refined identity?


There is definitely a historical and heritage aspect to all of those bands, however there are many British bands representing other aspects of black metal, be it misanthropic, satanic or esoteric. The wonderful thing about the British scene is the lack of a uniform identity, for example there is no defining sound (as you may find with the classic Swedish, Ukrainian or Norwegian sounds). The uniqueness of British bands is our identity, and has in turn lead to a more unified scene as there is a lack of competition.


Could you shed light on the inspirations behind "Of Campfires & Evening Mists", what have you done different? How did you go about the writing process?


The album came about as a natural reaction to our previous album 'Tis Witching Hour'. Where 'Witching Hour...' focused on the dark and gothic, 'Of Campfires and Evening Mists' is an illuminating album drenched in autumnal evening glow. The key to the album is summoning the primeval awe within our listeners, where the spiritual effects of campfires and evening mists upon those gathered is given life. To this end the music, artwork and album title have been created and adapted in such a way as to present this theme in a cohesive and unifying manner. Natural colours, earthly tones and a simple lyrical narrative are key features of the aesthetic.

Initially inspired by a Wiccan Beltane gathering at Thornborough henge the concept has grown from a simple pagan ritual into a full concept. Using the principle of the druid rites as an analogy to those who gather in the wilderness and share tales of old, the album is broken into 3 parts. In terms of what we would do different I don't think there is anything that comes to mind. Due to the amount of time it has taken to complete the album I believe we were able to evolve and modify the music until we were entirely happy.

The writing process is very organic in the band, we tend to jam ideas and bring songs together in our rehearsal room. In all of our creativity we let the music tell us where to go, riffs lead comfortably into other riffs, ambient sections grow and expand as we play them. Where most bands processes can be very formulaic we tend to rehearse songs in a live environment for months modifying and evolving the structure until completion. Although the themes and atmospheres were very obvious from the outset, the ideas evolved steadily as the music grew and this is a very slow but enjoyable process, lacking in any dramatics. We found, as with our past works, that as we prepared and researched ideas they came together in a very organic way.


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Relating back to question 3, could you argue that your music can be used to educate people, especially those studying British Folklore and / or mythology?

Our approach to our lyrics relies heavily on remaining true to the tale. We avoid poetic license as much as possible and for this reason our lyrics can be used effectively as a teaching tool. A strange aspect is that we are carrying on the folklore tradition by passing on the stories as our ancestors did albeit in extreme musical form rather than spoken word.


Assuming there will be a tour in support of the new album, are you looking to target new areas to perform? Perhaps continental Europe?


We are always open to playing new places in support of our music. The band would love to break into Europe and will be taking any opportunities we get.


What would you say is the greatest challenge for any unsigned metal band to overcome at the moment? (Feel free to use your own experience(s)).

With the advent of easy home recording and the ability to collaborate and share music online the musical landscape has changed a great deal since our first experiences of being in bands. Along with this dramatic change has come a whole new raft of challenges for bands. Some of these are simple such as trying to stand out in a scene that is flooded with artists, others are far more damaging. The biggest one for Old Corpse Road is trying to stay afloat financially. The growth of downloading and streaming services has made a huge impact on physical sales. Although we all support the digital era, it is hard to deny it is not having an effect on bands. There no doubt need to be a shift in the current systems that allow greater rewards to bands and allow them to continue.


Finally are there any greetings, thank you's, etc you wish to send out?


There are way too many people for us to thank easily, as we have been fortunate enough to have met so many incredible and dedicated people. In keeping with the new album it is perhaps easier to say Hail and Farewell to all those that have ever supported us!


'Of Campfires & Evening Mists' is out 27th May via Cacophonous Records.

https://www.facebook.com/OldCorpseRoad/
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