Mexican Death Metallers CRS stream entirety of "The Collector of Truths" via Metal Injection5/12/2019  Mexican death metal band CRS have teamed up with Metal Injection to stream the entirety of their new album The Collector of Truths. The album is set to be released This Friday via Concreto Records Listen to the album in full here: https://metalinjection.net/av/full-album-stream/crs-bring-deathly-grooves-with-the-collector-of-truths  Mexican death metallers CRS prepare to release their second album, The Collector of Truths, this December. The Sonora-based band, formerly known as Cirrosis, originated in 1991 and released their debut LP Reciclando Desesperación in 1999. Now, twenty years after that first album and almost thirty years since the band's inception, CRS are back with a thirst for blood.
In the vein of Morbid Angel, Carcass, Fear Factory, and Cynic, CRS prides themselves on playing music that's both brutal and nuanced, with melodies that rise above the underlying chaos. Vocalist Sir Oz, guitarist/bassist Francisco “Chucky” Oroz, guitarist/bassist Joseph Lev, and drummer Tavo Ramirez were joined by two international guest musicians for this album: Kevin Talley (Dying Fetus, Suffocation, Chimaira) plays drums on “A Better Place to Hate,” “Tan Lejos de Dios (Nowhere.. But Here),” and “I’m the Universe," while Linus Klausenitzer of Obscura and Alkaloid lends his bass work to “The Art of Breathing. ” The Collector of Truths will be available on December 6 2019 through Concreto Records. Album Credits
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Mexican Death Metallers Infernal Conjuration stream Iron Bonehead debut at NoCleanSinging.com7/6/2019  Mexican death metal cartel Infernal Conjuration stream the entirety of their highly anticipated debut album, Infernale Metallum Mortis, at heavily trafficked web-portal NoCleanSinging.com. Set for international release on June 7th via Iron Bonehead Productions, hear Infernal Conjuration's Infernale Metallum Mortis in its entirety exclusively HERE. Hailing from Tijuana, Infernal Conjuration formed in June 2006 and promptly set about crafting death metal rooted in the old-school ways, drawing influence from both their homeland and abroad. Upon releasing their first demo, Tremendous Plague, in 2007, they caught the eye of the underground metal scene, receiving offers to release their material on different labels, most of them in Europe. Eventually, Poland's Gruft Prodüktion released that first demo on pro-tape format, keeping Infernal Conjuration loyal to the underground movement. Around the same time, the band received an offer from Sweden's Blood Harvest Records for an exclusive 7" vinyl release, titled Avto de Fe and released in 2008. By 2011, Infernal Conjuration recorded their follow-up release entitled Death Has Appeared. Deepening the band's presence in the international underground scene, this release had three versions, all released in 2014: in Europe, it was released by Gruft Prodüktion on CD; in Mexico, by Craneo Negro Records on vinyl LP format; and in the USA, by Utterly Somber on CD with three bonus tracks. Emboldened by that momentum, Infernal Conjuration soon set upon writing and recording their debut album.
At last, it arrives in the form of Infernale Metallum Mortis. The grand culmination of the Infernal Conjuration aesthetic to date, Infernale Metallum Mortis both consolidates and extends the band's all-too-considerable strengths. Right from the ripping first notes, the album seizes hold of the listener and throttles with angular gnarliness (or is that gnarly angularity?) that's blanching to behold. Truly gutsfucking, Infernale Metallum Mortis presents Infernal Conjuration in a form both blood-red raw and enviously accomplished, exuding a savagery that ably balances both ends of the spectrum, likewise balancing propulsive songwriting and devilishly advanced chops. Indeed, both entrenched in the underground whilst setting their sights beyond it, the quartet hereby deliver a monument of Mexican Metal of Death for the ages: TOTAL DEATH METAL, no more but definitely no less! Feel the full fist of Total Death Metal exclusively HERE, courtesy of NoCleanSinging.com. www.infernalconjuration.com www.facebook.com/infernalconjuration www.infernalconjuration.bandcamp.com www.facebook.com/IronBoneheadProductions  Taken from the EP: Cem Anahuac My Home | 2019 Directed by: Brandon Toews & Jon Guenter Mexican Symphonic Metal group Cabrakaän have released a new official video for the track Calm In My Storm, taken from their forthcoming EP Cem Anahuac My Home, set for release via Sliptrick Records on August 27th. https://youtu.be/9v3bAykEfOE Here’s the bands synopsis: “Calm In My Storm represents the spirit of our beloved ones that are no longer here, though always watch over us. The ones whose memories give us the strength to keep going no matter what. In the video, the main Character chases that spirit in the cold, the only thing she has left from it, is a memory that she keeps all the time next to her heart (it’s represented with the mud figure of Vucub-‐Camé, lord of the Mayan underworld). In the end, the spirit appears in front of her and they become one forever.” Recorded at MacEwan University and North Saskatchewan River in Edmonton, AB, Canada. Thanks to the production team from MacEwan University in Edmonton, AB, Canada. Special thanks to the guest bassist that appears on this video, Madi Myhre. Cem Anahuac My Home | Released on August 27th, 2017 on Sliptrick Records Cabrakaän are: Pat Cuikani – Lead Vocals/Ocarinas Marko Cipäktli – Drums/Guttural Vocals Alex Navarro – Guitar Paolo Belmar – Guitar Rex Darr – Bass Facebook | Youtube | Instagram | Twitter | On Sliptrick  The Mexican-based Aztec folk metal group Cemican – whose unique music incorporates elements of the legends, mysticism and ideologies of ancient Mexican culture – has signed with M-Theory Audio, who plans to release the group's new album in the late spring/early summer. Cemican – who combine the modern instrumentation of a metal band with traditional pre-Hispanic instruments – experienced a breakout year in 2018. In addition to their new single/video “Guerreros de Cemican” receiving regular airplay on SiriusXM's Liquid Metal, the six-piece group was invited to perform at the Paris edition of the Download Festival and Germany's Wacken Open Air, as well as Force Fest – described by Revolver as “Mexico's premier open-air festival” – in their native country. The band plans to build on their momentum on 2019, when they will return to Europe in both the winter – when they'll perform at France's Cernunnos Pagan Fest and Germany's Wacken Winter Nights – as well as the summer, when they will make their debut at the French festival Hellfest. M-Theory label head Marco Barbieri explains the decision behind signing the band:- “I was first exposed to the sound of Cemican upon hearing ‘Guerreros de Cemican’ played on Liquid Metal. Finding out more about this exciting new band I saw the captivating promo video (https://youtu.be/9UTRDQtpgL8) and that they were performing on some big shows. I was impressed and wanted to buy their record only to find that they were still unsigned and looking for a home. I immediately had to get in touch and share my enthusiasm and belief in the group and their musical and visual concept and here I’m proud to announce the forthcoming album and help further develop the band and spread their appeal.” Xaman Ek states that:- “Life is the centre of every culture, the mysticism and ancient sounds gathered in the path of the death, warrior blood and glory of an empire,”. “The rituals of the Aztecs lead by the war drums through the red path...todos somos guerreros.” (We Are All Warriors) Formed in 2008, Cemican has independently released two albums to date – 2009's “Ometiliztli” and 2012's “Ticateh Ipan Miquixtlahuac.” More information on the group's new record – which will include “Guerreros de Cemican” in addition to other new tracks recorded in late 2018 – will be revealed in the coming weeks. For more information, please visit www.facebook.com/CemicanMex and Instagram @cemican_mex CEMICAN is: Tlipoca – Drums Tecuhtli – Guitar/vocals Ocelotl – Bass/backing vocals Yei Tochtli – Prehispanic Instruments Mazatecpatl – Prehispanic Instruments Xaman-Ek – Rituals/Dance/Prehispanic Instruments  Mexican death metal cult Ravenous Death premiere the new track "Evil Dementia (The Voices of the Nobodies)" at heavily trafficked web-portal CVLTNation.com. The track hails from the band's striking debut album, Chapters of an Evil Transition, set for international release on January 21st, 2019 via Memento Mori. Hear Ravenous Death's "Evil Dementia (The Voices of the Nobodies)" in its entirety exclusively HERE. Hailing from the vast death metal hotbed of Mexico, Ravenous Death feature current members of such other bands as Remains, Demonic Manifestation, and Death's Forsaken. The band's embryo was brought forth in 2016 during the recording of Remains' third album in Mexico City, when vocalist/guitar player Miguel Angel and drummer Esteban Salcedo toyed with the idea of creating a death metal band influenced by Vomitory, Torture Division, and the likes. Later on, both musicians shared their vision with lead guitarist Enrique Fray, and the three of them agreed to push the idea forward and carry it out as a side-project due to the commitments they all had with their main bands. Soon after, Enrique and Miguel Angel began writing songs for the newborn abomination, and the three members decided to name the band after a Vomitory song titled "The Ravenous Dead." Fast forward to October 2016: the recording of Ravenous Death's debut demo/EP, Ominous Deathcult, is finalized (although not released as a Bandcamp download until March 2017), including five songs chock full of rotting maliciousness that show great poise in combining blasting brutality, crushing heaviness, sombre ambience, and fierce intensity, with the lyrical themes revolving about death, occultism, blasphemy, and other classic topics of the olden Metal of Death. On May 13th, 2017, the band make their first live performance in the city of Guadalajara. For this occasion two new members were recruited - namely, bass player Alejandro Mendez and guitarist Diego Gomez - leaving Miguel Angel on vocal duties alone. After the excellent crowd response, both Alejandro and Diego join the band as official members. Emboldened by this patient momentum, at last arrives Ravenous Death's full-length debut, aptly titled Chapters of an Evil Transition. Indeed displaying the band's transition into an evil death metal juggernaut, the album absolutely bleeds the molten-yet-mildewed essence of '90s Metal of Death. Fucking fashion and trends and especially fickle tastes, Chapters of an Evil Transition is a gutsfucking time-warp to the days when death metal was supposedly "dead," lost in favour of black metal or power metal or (worse) ill-fated sell-out fantasies. In this landscape did many a raw 'n' righteous mini-classic get birthed, and suitably do Ravenous Death continue the proud legacy of Vomitory and Mexican forebears Shub Niggurath, but also especially Sadistic Intent, Seance, old Grave, '90s Immolation, '90s Vader, and Finland's Demigod. No more but definitely no less, this is DEATH METAL by and for death metal MANIACS: no bullshit, and no sell-out!
Completed by stark artwork courtesy of Mörtuus and mastering by the esteemed Javier Felez at Moontower Studios, allow Ravenous Death to read you Chapters of an Evil Transition! Continue reading with the new track "Evil Dementia (The Voices of the Nobodies)" exclusively HERE, courtesy of CVLTNation.com. Begin reading with the previously revealed "Harvesting Hate" HERE at Memento Mori's official YouTube channel. www.facebook.com/RavenousDeathOfficial www.ravenousdeath.bandcamp.com www.memento-mori.es www.facebook.com/memento.mori.label  Joining the ranks at Sliptrick Records this week are Mexican Symphonic / Folk Metallers Cabrakaän
Cabrakaän was formed in Toluca, Mexico in 2012 and have been calling Canada home since first performing in the country at the 2017 Metalocalypstick Fest in Lone Butte, BC, where the beauty of the North won them over and encouraged them to make the grand decision to relocate. Their debut EP, Songs From Anahuac, was unleashed in 2014 and displayed a mix of death, folk, and symphonic European influences with Pre-hispanic instruments, along with the storytelling of Mesoamerican mythologies (Aztec, Mayan, Tlaxcaltecan, Olmecan) plus Mexican folklore such as La llorona, La Bruja and Day of The Dead. Wasting no time in Canada, Cabrakaän are currently completing production on their follow up album entitled Cem Anahuac My Home to be released via Sliptrick Records in 2019. The album will be an expression of pride for their roots, history and traditions along with their love for metal and traditional music from their home country of Mexico. The band go on:- “We are proud of our roots and our culture and we want to share it with the world through our music. When we are on stage, we try to give our fans a great experience by creating an atmosphere from the time of the Aztecs, using costumes and make up. The purpose of our live sets is to give fans more of our culture visually and musically so they can connect with us and enjoy the performance even more.” Circle Of Witches are: Pat Cuikani – Vocals Marko Cipaktli – Drums Alejandro Navarro – Guitar Paolo Belmar – Guitar Rex Darr – Bass Guitar Sebastián Yankopek – Keyboards Facebook | Youtube | Instagram | Twitter | On Sliptrick  In their endless quest to push and support current underground acts that perpetuate the odor of vintage death metal, on January 21st, 2019, Memento Mori is proud to present Ravenous Death's striking debut album, Chapters of an Evil Transition. Hailing from the vast death metal hotbed of Mexico, Ravenous Death feature current members of such other bands as Remains, Demonic Manifestation, and Death's Forsaken. The band's embryo was brought forth in 2016 during the recording of Remains' third album in Mexico City, when vocalist/guitar player Miguel Angel and drummer Esteban Salcedo toyed with the idea of creating a death metal band influenced by Vomitory, Torture Division, and the likes. Later on, both musicians shared their vision with lead guitarist Enrique Fray, and the three of them agreed to push the idea forward and carry it out as a side-project due to the commitments they all had with their main bands. Soon after, Enrique and Miguel Angel began writing songs for the newborn abomination, and the three members decided to name the band after a Vomitory song titled "The Ravenous Dead." Fast forward to October 2016: the recording of Ravenous Death's debut demo/EP, Ominous Deathcult, is finalized (although not released as a Bandcamp download until March 2017), including five songs chock full of rotting maliciousness that show great poise in combining blasting brutality, crushing heaviness, sombre ambience, and fierce intensity, with the lyrical themes revolving about death, occultism, blasphemy, and other classic topics of the olden Metal of Death. On May 13th, 2017, the band make their first live performance in the city of Guadalajara. For this occasion two new members were recruited - namely, bass player Alejandro Mendez and guitarist Diego Gomez - leaving Miguel Angel on vocal duties alone. After the excellent crowd response, both Alejandro and Diego join the band as official members. Emboldened by this patient momentum, at last arrives Ravenous Death's full-length debut, aptly titled Chapters of an Evil Transition. Indeed displaying the band's transition into an evil death metal juggernaut, the album absolutely bleeds the molten-yet-mildewed essence of '90s Metal of Death. Fucking fashion and trends and especially fickle tastes, Chapters of an Evil Transition is a time-warp to the days when death metal was supposedly "dead," lost in favour of black metal or power metal or (worse) ill-fated sell-out fantasies. In this landscape did many a raw 'n' righteous mini-classic get birthed, and suitably do Ravenous Death continue the proud legacy of Vomitory and Mexican forebears Shub Niggurath, but also especially Sadistic Intent, Seance, old Grave, '90s Immolation, '90s Vader, and Finland's Demigod. No more but definitely no less, this is DEATH METAL by and for death metal MANIACS: no bullshit, and no sell-out!
Completed by stark artwork courtesy of Mörtuus and mastering by the esteemed Javier Felez at Moontower Studios, allow Ravenous Death to read you Chapters of an Evil Transition! Begin reading with the new track "Harvesting Hate" HERE at Memento Mori's official YouTube channel. www.facebook.com/RavenousDeathOfficial www.ravenousdeath.bandcamp.com www.memento-mori.es www.facebook.com/memento.mori.label  Born in 1996 in Mexico, Forbidden Rites play black/death metal, charged with grim melodies. After remaining dormant for nearly two decades, they have finally released the debut album, Pantheon Arcanum, via GrimmDistribution. The band is currently having members located in both Mexico and Cyprus. Legacy Magazine is streaming the album in its full AT THIS LOCATION Forbidden Rites is a black/death metal band, having members located in Mexico and Cyprus. The band was established in 1996 by Juan Carlos Martinez (Guitar), Raúl Campos (Guitar) and Hugo Olivos (drums) under a different name but they did not release anything officially till now. After 20 years of silence, the band decided to unleash the unconcluded chapter by creating new dark hymns of death. With the addition of Vlad Marin on vocals and bass, the line-up was fully completed. Forbidden Rites musically resembles early ‘90s Scandinavian black/death acts such as Necrophobic, Dissection, Sacramentum, Mork Gryning, Old Man´s Child, Vinterland, and Dawn. Lyrically, the band takes their nihilist black texts from the letters of Alonso Guzman (a well-known Mexican writer and a long-time friend of the band) and Sergio Campos.  Forbidden Rites finally delivers the awaited debut album, Pantheon Arcanum, portraying the dark essence of the magic early ‘90s. Through demonic vocals, obscure and heavy sonic elements, alongside the help of some melodic passages that do not entomb the destructive and sharpened sound characteristic, they evoke the ancient rituals that have remained silent over the years. The album was recorded in two different locations: drums were recorded at Steel Fortress Studioin Nicosia, Cyprus, and guitars, bass and vocals were recorded at Sound Village Studio in Toluca Mexico. Mastered in Germany by Andy Classen (Rotting Christ, Asphyx, Krisiun) at Stage One Studios in 2018. Art work by Riaj Gragoth at Luciferium War Graphics. The band features members of Xiuhtehcutli, Ardra Ill and Vomitile. "Pantheon Arcanum" is out worldwide on November 07, 2018 on CD via GrimmDistribution. Order: https://grimmdistribution.bandcamp.com/album/030gd-forbidden-rites-pantheon-arcanum-2018 https://www.facebook.com/forbidden.rites http://satanath.com/news/item/forbidden-rites.html https://www.facebook.com/grimmdistribution  Hellnite is a heavy metal project which was founded in Mexico City in 2010 playing local shows and covering songs of some of the most influential bands of the metal scene around the world. As time went by, the band began taking its own shape and sound. Paolo Belmar is the vocalist, composer and guitar player of the band and one of the three founders of the project. In 2013 after playing a bunch of local shows and maintaining the same line-up for three years Hellnite released their first EP, Manipulator, recorded, produced and released independently by the band members. After the release of Manipulator, the band went through various line-up changes with Paolo always at the core but due to the issues of finding a stable line-up, the groups activity decreased. So at the beginning of 2017, Paolo decided to leave Mexico in order to look for better opportunities in Canada, taking the Hellnite project with him. Arriving in Canada, Paolo started working with Canadian musicians to keep the project alive, and in 2018, things started to come together with the signing to Sliptrick Records. Finally the new full-length album Midnight Terrors is ready for release early next year and Hellnite hope to create an impact with their music around the world. Midnight Terrors | Released February 12th, 2019 via Sliptrick Records Hellnite are: Paolo Belmar – Guitars/Vocals Ryan Payne – Drums Konnor Miskiman – Bass Facebook | Youtube | Instagram | Twitter | On Sliptrick Mexico's Xibalba Itzaes sets release date for new Nuclear War Now! album; reveals first track9/9/2018  Nuclear War Now! Productions sets December 15th as the international release date for Xibalba Itzaes' highly anticipated second album, Ah Tza Xibalba Itzaes, on vinyl LP format. The CD version shall be released earlier on October 31st. It has been over 24 years since the original Xibalba released its first album, Ah Dzam Poop Ek, in 1994. Since then, this unique cult of Mayan black metal has survived an extended period of inactivity and has more recently released a series of shorter recordings that merely served to whet its audience’s appetite for something more complete. Throughout this time, Nuclear War Now! has demonstrated its admiration and offered its support by reissuing the aforementioned debut full-length and Ancients demos compilation on vinyl, in addition to releasing the band’s Demo 2010 cassette and Ah Tza! EP from 2015. However, it has taken nearly a quarter century to release its second full-length, Ah Tza Xibalba Itzaes, which is hereby also presented by NWN!, albeit under the revised band moniker of Xibalba Itzaes. This change in name, although potentially misleading, was deemed necessary to distinguish itself from another band who had either callously or ignorantly assumed the same title in recent years. As with previous recordings, Ah Tza Xibalba Itzaes combines the more commonly-recognized elements of black metal pioneered by the band’s early influences, such as Bathory, with others inspired by the pre-Hispanic traditions of the members’ Mayan ancestors. The resulting sound is one that has made the band one of the most unique black metal bands to have hailed from present-day Mexico. Ah Tza Xibalba Itzaes is comprised of a total of 12 tracks, of which eight are completely new and four are re-recorded songs that originally appeared on the preceding EPs and 2010 demo. The album’s production is sharp and cutting with only relatively light usage of varying effects (other than distortion), which is a refreshing contrast to those who rely on a shroud of reverb and delay to create an atmosphere that obscures the instruments themselves.
Xibalba Itzaes’ connection to their cultural heritage is evident in the themes explored throughout, which include regular references to Mayan deities and related apocalyptic folklore. As such, Ah Tza Xibalba Itzaes hails the return of the warriors of the Mesoamerican black metal underworld and the Mayan death gods who spawned them and whose spirit they revere. In the meantime, hear the new track "Throughout the Equinox" HERE at Nuclear War Now!'s Bandcamp. www.xibalbaitzaes.com www.facebook.com/xibalbaitzaes www.nwnprod.com www.facebook.com/pages/Nuclear-War-Now-Productions/114864651994141 |
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