'垂死的梦境 (Dying Dreamland)'
2007 saw a new force rise in the depths of Beijing, China. That force was instantly named the Frosty Eve and took with it six musicians to create a truly sensational take on Melodic Death Metal. The debut EP '垂死的梦境 (Dying Dreamland)' features the sextet sing in their native Chinese but provide music similar to that of Wintersun. Harmoniously delivering cold and bitter winds from the keyboard and rough, gritty punches from the drums and guitars, it was only meant to be topped off by some of the harshest vocals ever heard in metal music history. No doubt about it, Frosty Eve are one heck of a damn good Melodic Death Metal band and are sure to lead the Chinese Metal scene onto further achievements.
[8.5] RHYS STEVENSON
'Lord Of Twilight'
Smashing their way onto the scene is Chinese Melodic Death Metal outfit Fearless and their debut EP 'Lord Of Twilight' which uniquely incorporates traditional Chinese sounds with the rough sound of Metal to create something Oriental and something distinct. The quartet hailing from Shanghai deliver a mixed blend of Chinese oriental sounds on the keyboard with the Melodic Death Metal sound from which bands like Dark Salvation and Sight Of Emptiness can be compared too, but even so the fact remains that this is the new breed of metal bands and are set to take the underground by storm, even if it is only in the Far East, great things will happen.
[7.5] RHYS STEVENSON
Chinese Metalcore is something that not many people would think about and so when Dagon Power emerge on the block with sounds like Asking Alexandria and Bleeding Through, the next step which indeed is the slaughter, could not be dreamt of. Pummelling drumming mixed with outrageous riffing and some gruesome vocals altogether mix to make a face-smacker of an album. If you thought you knew Metalcore, think again, this band will take you and smash your brain ten times harder than a Glaswegian kiss (headbutt). For Dagon Power, the prospect of global recognition has just begun.
 RHYS STEVENSON
'Burning At Moment'
Narakam is China's first ever Death Metal band, forming in 1993, however forward to 2008 and
there is a period of which was seen as a dark time for China, well that is you're referring to Narakam and their second album 'Burning At Moment' which see's the quintet deliver a concrete smacking of Oriental Death Metal. Featuring eight tracks of ballistic drumming, riffing and gut-rotting vocals. With influences easily drawn from bands such as Hail of Bullets, Unleashed and Tang Dynasty (most for the oriental sounds / vocal chanting), Narakam are easily proving that they have what it takes to drive extreme metal to the cliff, over the edge and provide a fast, sharp and painful drop, it will be interesting to see what they sound like now.
 RHYS STEVENSON
'宙海 / Infinity'
It is not often that you come across an album that could be pointed as genre-defining, so when China's Screaming Savior emerge once again to deliver their second round of Oriental Gothic Black Metal, it is hardly surprising that comparisons can be drawn from ChthoniC, Theatres Des Vampires and Shade Empire, by mixing harmonious sounds with traditional Chinese sounds and the vocals experienced on Shade Empire's 'Zero Nexus' album. This altogether gives Screaming Savior something to jeer about, or at least reprieve the sense that they are altering the course of Extreme Metal for the good, and with '宙海 / Infinity' being their latest works, much more is yet to come from this sextet.
 RHYS STEVENSON