ALT-004 - The Bunny The Bear, Angelspit, Evarane, Fake The Attack, M!R!M

THE BUNNY THE BEAR
'If You Don't Have Anything Nice To Say'
VICTORY

Sounding something out of Disney or Epcot, Electro-Hardcore experimentalists The Bunny The Bear return with their sophomore album 'If You Don't Have Anything Nice To Say' released this year, now whilst the electronic music can be compared to Enter Shikari and general synthesizer music, the vocals and instruments take in early Bring Me The Horirzon, so effectively making Electro-Hardcore/Deathcore, or for tongue-in-cheek purposes 'animalcore'. Essentially this has a party feel to it, even if it is too brutal for your average party, who cares, this is a band breaking the mold and making a unique sound, something Victory Records detects bands that are unique. An essential for any heavy music fan, regardless of any preferable bands, no animals were hurt in the making of this album or review.

[9] RHYS STEVENSON

ANGELSPIT
'Carbon Beauty'
METROPOLIS

Re-mixer of Angelspit, well essentially the third remix album under the Australian electro-industrial project Angelspit has come to light, with more trance-laden, body-moving and Cybergoth beats to lighten any party up, whilst the remix album essentially being covered by many remix specialists and the basis being Angelspit's third full length album 'Hideous & Perfect', the collaboration is one of spine-tingling and brain-shocking music, powerful enough to send any general rave into absolute chaotic party time, an essential release for any alternative music club, Angelspit is a work of 'Carbon Beauty'.

[7.5] RHYS STEVENSON

EVARANE
'The Fears / Here's To Hoping'
SOLID MUSICAL ACT

Sounding their way through the Essex music scene is Southend sextet Evarane with their techno-infused pop rock blasters, whilst sounding straddled between Paramore, Madina Lake and the sort of soft rock that should be aired on BBC Radio 1, Evarane are one of those bands that no matter how long you've been replaying their music, it never gets boring. Weaving a mystical style of synth music, not as heavy as Enter Shikari or Silent Descent, but enough to create a fourth dimension of being relaxed and having a chill out, with heavenly vocals giving their music a powerful drive and being supported by a matrix of intricate musical compositions, Evarane are set to become a favourite for Kerrang! magazine, this is just the beginning for the Southend crew, watch out Hayley Williams, England is about to rebel.

[9] RHYS STEVENSON

FAKE THE ATTACK
'November / Feathers / The Line'

Hailing from sunny Hampshire is Alternative Pop Rockers Fake The Attack with their three song sampler CD, featuring their tracks 'November', 'Feathers' and 'The Line'. Bringing together a radio friendly sound to the affray, the quintet take an easy listening approach and add some Paramore to the chaos experienced on the CD. 'November' hits with a v8 engine sound on the drums whilst the harmonics rest in the juicy riffs and lovable vocals. 'Feathers' is a little slower on the beat but it still retains a party feel experienced on 'November', whether this band have little Mindless Self Indulgence influences remains unclear but one thing is for certain, they are due to be noticed nationwide. Finally they close on a post-punk feel in the song 'The Line', but throughout keeping the riffs tight, drumming percussive and vocals as soul soothing as the ocean waves gracefully kissing the sandy beaches of Hampshire. Fake The Attack is due to be detected by BBC Radio 2, if not BBC Radio Solent.

[10] RHYS STEVENSON

M!R!M
“Enjoy Your Sorrow”

At first glance "Enjoy Your Sorrow" looks like an album by a person undergoing art therapy and not to be taken seriously due to the irrelevant, poorly drawn doodles on the cover. To begin with, the Post-Punk rockers prove this point right with monotonous drum beats and riffs throughout the first 4 tracks. The competing music elements drown out the vocals which are already far too over-distorted. However, when you reach 'Dew', a whole new opinion comes into play. The vocals are echoic and still distorted, but in a much more professional way as opposed to the over-distortion mentioned before. 'Dew' is the best song on the album, but is ruined by its predecessors. If only M!R!M could produce an album consisting of similar tracks, then they’d be on to a winner.

[4.5] EVILYN BRAUN