DARK SHADOWS
'11:11'

'11:11' might be the time that the release was finished at, whether it was or not it is a gracious album that crosses every T and dots every I in the Post Punk / Gothic Rock chambers. The band behind the blast is Dark Shadows, hailing from Australia this trio take the old school sounds of Bauhaus and The Cure and weave a new sound to the masses. Engineered to epic levels, '11:11' is a classic example that the old ways are usually the best and in this case Dark Shadows do well to prove this to be the truth. In fact, fans of Siousxie & The Banshees may well relate to this lot more than the Bauhaus fans, but that is anyone's guess. Salient point behind this luscious release is that has enough vibrating energy to capture a whole new audience.

Download This: "Blame"

[7.5] RHYS STEVENSON

EVA JADE LANDON
'Evalution'
SHE'S TROUBLE

Electro-pop / Power Pop Music is usually a goldmine and when artists like Eva Jade Landon come storming out of the underground with such a level of creativity that eclipses the likes of Carla Rae Jepsen and Lady Gaga, you know something is coming. The latest release 'Evalution' is a non-stop torrent of electric music that would get anyone on the dance floor, raving and ripping out all of life's worries on a Friday or Saturday night. If the release was a freshers week, Eva Jade Landon would be the one tipping plenty of different sounds into the mix to end up with a cocktail that is deserving of mainstream attention. 'Evalution' carries everything one would want for a dance anthem soundtrack, even so it would seem doubtful that she will go quietly and as a result Europe better be prepared for what can be dubbed as the next greatest electro-pop export from the USA. This is more than a musical evolution, this is a musical 'Evalution'.

Download This: "Walk Away"

[9.5] RHYS STEVENSON

MIDNIGHT SYNDICATE
'Halloween Music Collection'

Perhaps this maybe the ideal soundtrack or soundtracks to a horror or Gothic fiction franchise, sure not on the scale of the Saw heptology but in essence Dracula, Van Helsing and the like. In fact, Midnight Syndicate of whom are a duo from Ohio, create an atmosphere that circulates the darkened surroundings found when listening, so much so this would be ideal to listen to on a ghost hunt or when camping out near a graveyard as most goths would agree this music is exceptionally unique and utmost emotionally connected to personal feelings and the like. 'Halloween Music Collection' is a twenty-two track filled release that will keep many mesmerized for a long, long time and overall is an essential for those who like the old style of Gothic music, stretching back to Gothic church music.

Download This: "Awakening"

[8.5] RHYS STEVENSON

ARMONIGHT
'Tales From The Heart'
RAVENHEART MUSIC

The Italian musicians love their Gothic music, it is as if they were born to be goths or at least dress like them and play music relating to the subculture. No wonder then when sextet Armonight unleash a torrent of darkened melodies via their release 'Tales From The Heart', they do so with a sensational outburst of angelic vocals, blade-swiping riffs and solid drumming, all of which together add up to develop an atmosphere that could be likened to bands such as Evanescence and Lacuna Coil. This is what you call heavenly music and bodes the band well, as they are sure to garner greater attention over the next few years as they share with the listener, the stories and 'Tales From The Heart' that binds this band together.

Download This: "When You See Me Cry"

[9] RHYS STEVENSON

THE DROPPER'S NECK
'Second Coming'

Essex in recent times has had a sudden upsurge of rock bands from all strains of the music virus, so when a bunch of lads known as The Dropper's Neck set sail to release their debut album 'Second Coming', much is riding on this release. What strikes immediately is the inescapable fact of them owning their own sound and not a recycled clump of 'been-there-done-it' music. Call it Alternative Punk Rock but with a few added twists here and there, such as similarities to bands like The Horrors and bizarrely the vocals draw comparisons with the late 70's Gothic rock era, namely the Bauhaus song 'Bela Lugosi's Dead'. But as standard the album is sure to turn heads as this lot are certainly Download Festival material (let's hoping they're paying attention).

For Fans of: QOTSA, Pulled Apart By Horses, Eighties Matchbox B-Line Disaster

'Second Coming' is out Monday 29th July 2013 via major outlets.

[8] RHYS STEVENSON

...SOIHADTO...
'...soihadto...'
PFC

Besides a really bizarre name, the Baltimore boys finally unleashed their self-titled album. What comes with it is a rather inexplicable event, basically it's experimental rock but without any experimentation as such, confusing eh? '...soihadto...' can be labelled as one of those albums (and bands) that somehow do not know where they want to go with their music, regardless of how clean and organized the finished production is, the band are all over the place. On the other hand it would seem that benefits this lot to the core, but sadly as a result it lacks elements of class and so whilst the band have deservedly crafted a decent enough album, it is not cutting edge and nor is it anything special, just another album.

Download This: "Inferno, Purgatorio, Paradiso"

[5.5] RHYS STEVENSON

UNDER HEAVEN
'What Lies Between'
RAVENHEART

Reminiscing of the bygone chamber opera music era is easier said than done, unless of course you are indulging in Canada's Under Heaven and their latest album 'What Lies Between'. Silencing the darkness and harnessing a symphonic sound has not proven to be much of a challenge for the duo, even if the elaborate background sounds of the violin and Spanish guitar adds a unique style to the framework laid out by these two musicians. This is no Within Temptation, no Epica or no other Symphonic Gothic Metal band that sounds anything like the aforementioned two bands, no Under Heaven are in their own league and with 'What Lies Between' firmly set to get them some well earned attention, this could be Canada's finest hour.

Download This: "Behind The Shadows"

[8] RHYS STEVENSON

CARTEL
'Collider'
LAB

The instant feeling that this could be the sound of the summer is already on the tongues of many people, well for starters Cartel employ that specific style of rock that would go down well playing on a stereo whilst working on a sun tan or having a garden party. In fact 'Collider' the band's fourth release exploits the bouncier and more chilling side to rock as to set the tone for what could be their best release to date. Spewing out a myriad of influences, Cartel are priming themselves to take their calming rock music to greater heights and are sure to grab the attention of more people along the way, what separates this quartet from the other pop rock all-male bands out there is that they keep the listener on their toes as the unexpected drops every seconds.

'Collider' is out 20th May 2013 via LAB Records

[8.5] RHYS STEVENSON

ESCAPE THE FATE
'Ungrateful'
ELEVEN SEVEN MUSIC

Take Escape The Fate as a ten-legged machine as they simply do not slow down, preparing to unleash their best album to date, the American Post-Hardcore suave experts return to the core that made this band what they are today. Catchy riffs embedded on a funky rhythm that would make bands like Guns 'N' Roses listen up, whilst at the same time the vocals command a whole new sound, powerful cleans and mind-blowing growls that tussle for control against the eccentric harmonics erupting from the erotically charged guitars and sublimely inserted auto-tune snippets. If this is not the soundtrack of the summer, it is without any doubt the soundtrack that Escape The Fate will live on by, 'Ungrateful' is the TNT of Post-Hardcore and explodes on every dimension in every possible direction.

Download This: "Forget About Me"

'Ungrateful' is out 13th May 2013 via Eleven Seven Music

[8.5] RHYS STEVENSON

WORDS
'Division Of The Masses'

Wallowing in the minefield of Post-Hardcore wannabes, are a group Californian gold miners by the name of Words. Sure the vocals at times are not completely related to Post-Hardcore and more or less sometimes stray into Melodic Hardcore as a result. But here we have the EP 'Division Of The Masses' which the product of Words and words are exactly what will be said after music lovers clock up this EP. The saddening thing is that there are points where one would expect harsh vocals to be at but they fail to materialize and so in some parts of the songs, the momentum is lost. Overall the EP is a valiant effort, but with some tweaking and fine restructuring, Words could become a potential for breaking out into the international scene.

[6] RHYS STEVENSON

LADY GAGA
'Born This Way'
INTERSCOPE

Following the highly acclaimed debut album of electropop sensation Lady Gaga, the sophomore attempt was to be a hard one to accomplish, or was it? Following 'The Fame' came the American-Italian's 'Born This Way' with a more technical approach the electronic music initiated on the first album and even so with the slight hint of Heavy Metal influences; the latter becoming a shocker to the music industry, but then who says opposites don’t attract? 'Born This Way' brings out the Lady Gaga sound, an upbeat face-puncher of dance music with synthrock and sensual sounds to unleash the belter on the dance floor, lets face it people may find her with a wardrobe malfunction, but don’t judge the book by its cover, Lady Gaga is bringing the best of pop to life, considering most mainstream music is all the same, Lady Gaga makes the sound emerge right.

[8.5] RHYS STEVENSON

THE HORRORS
'Skying'
XL RECORDINGS

Maybe the sounds of Southend's music scene have undermined the rock etiquette and persona established by The Horrors. The quintet started off with the sound of Gothic Rock/Shoegaze but have now edged to a more space-rock/post punk sound with their third full-length album 'Skying'; naturally not sounding remotely similar to Muse but spot on with a comeuppance of synth-infused rock and catchy beats to entrance all who listens into sensual and phantasmagoria euphoria. 'Skying' without a doubt has the complete emphasis of the music shift riding on it and whilst the overall tone of the release is fruitful and delinquent, The Horrors themselves will always be remember for the Gothic look.

[9] RHYS STEVENSON

VERSES
'No World For Us'

Versatility, imagination and a sense for making the bizarre the obscure and bringing out the best of the missing pieces of British rock, such is a statement in reference to Brighton boys Verses and their latest release 'No World For Us', the EP carries four anthemic rock tracks, powerful enough to keep a thousand generators running the UK's electricity supply. Sounding in the same sort of style as Muse but definitely closer to 30 Seconds To Mars, nonetheless Verses have a clarified sound with as much excitement as a derby in football. Verses bring the best in rock sound, a bandmember apparently looking like 'David Tennant (Dr.Who)' and enough fists to raise an army from anything.

[9] RHYS STEVENSON

WE WERE LIONS
'Rebirth'

From first impressions conceived, this is an EP worth counting for as a new step in rock music, lashing together a mix of Power Pop with Hardcore as heavy as a two ton breakdown. We Were Lions came from the ashes of Faint Young Sun, a Wickford-based Pop/Hardcore band with enough power to blast peoples clothes off. Now with a new moniker and a new path for sound, the quintet from Essex are working their way to change the course of music, with their debut EP in tow and four tracks making it up, there is no reason why the Essex music scene wont receive a 'rebirth' from this boyband. Highlight songs include 'backseat' with its groove-laden breakdown from 1:37 to 2:17; such an imageable sound coalescing from the intricacy of this song, but even 'silver medal' delivers justice.

[8] RHYS STEVENSON

ERILAZ
'First Of The Vortices'

Coming from the eerie darkness of the Helsinki suburbs is Finnish industrial/EBM project Erilaz. 2012 marks the coming of the debut EP from this project, 'First Of The Vortices' takes into its production the very sensual embodiment of EBM and logistically adapts it to make it more commendable. With influences from Eisenfunk taken aboard and industrial music implemented in the way the Finnish go about doing it, there is no reason to stop this project from breaking more barriers down. Those who enjoy fast electronic music mixed with a soul-soothing pace, this is the release for you.

[7] RHYS STEVENSON