Whenever attention is directed towards the Americas, we usually as metalheads think of USA, Canada and to an extent Brazil. But it's the countries in between the northern and southern ends of the vast continent that we tend to forget about. Bordering the USA, Mexico has a vibrant metal history with a plethora of bands coming and going, with perhaps Brujeria being the most internationally-recognised bands to emerge. But like all scenes, the hive of activity resides on the streets i.e. the underground. One such band Doxa MX (originally called Doxa) knows all about this and as they prepare to release their latest album in 4 years, GMA spoke to Manuel Rojas (Vocals / Lead Guitars) to understand what makes this scene tick, what the bands plans are, challenges within the scene and a taster of what torta ahogadas is like.
"It (C3 stage) is in a street filled with bars and restaurants to which you can go before and after seeing some great international bands."
For those who have not heard of Doxa MX, could you give us a brief history of the band? Were you in bands previously?
"The band started in 2012 with my friend Erick (Doxa's bass player until this day) and I, one day in college we decided to form a metal band, I had been playing guitar and working on my harsh vocals for a few years up to that point and he was already a very talented multi-instrumentalist. After that we recruited the rest of the group and after a couple of line-up changes, we had a stable formation. We started playing regularly in the local circuit and managed to record and digitally self-release our debut album in 2014.
In early 2015, we had to put the project on a forced hiatus due to various personal problems that needed attention at the time, until late 2017 when we reformed with a new line-up (with Erick and I as the original members), an updated name and logo (in order to avoid confusion with other bands with very similar names), as well as an updated cover for our first album. Currently we are getting ready for our second LP and playing a few warm-up shows before returning to the live setting with full force."
You play a blend of Heavy and Melodic Death Metal, who or what gave you the inspirations to play such music?
"Honestly, that tag doesn't apply 100% to us, but it is the closest I could think of regarding our sound, as well as "Experimental Death Metal". We chose it because, well, we had to have one tag associated with our music and we play Death Metal-based music, while our biggest influences are Heavy Metal giants like Iron Maiden or Judas Priest, although we like to seek and gather influences from everywhere inside and outside the metal realm. We basically do what we like, without worrying about sounding a certain way in order to fit a certain mold, to me that is just limiting your creativity, and I don't want to do that, besides, it would become boring for us after a short while to play straightforward death metal, thrash, or whatever style all the time."
It has been 4 years since your debut album 'Aniquilación', will you be releasing a new one very soon?
"Yes! We are almost done with the composition process (I would say around 90% done) and hope to record it and release it sometime in late 2018 or early 2019. It's about time!"
You sing in Spanish, would you consider singing in English to expand out into the wider metal scene?
"It is something we are not completely against, but I as the lyricist, decided to write the lyrics in Spanish because it seems like a more honest approach, as well as a more distinctive one. Basically I asked myself "Where is this band from?", "What language is spoken here?" however, we are all bilingual to different degrees and don't rule out making entire albums in English in the future, it depends on what feels right at the moment."
What is it like being a Mexican Metal band? What challenges do you guys face these days?
"Basically there are two kinds of challenges: economic challenges and scene-related challenges. Regarding the economy, Mexico is one of the countries with less average vacation days a year and more average hours worked per week, so there are lots of times it becomes really hard to find the time to focus properly on a project like this, due to the fact that we all have jobs and bills to pay, and we are young and... well, everyone knows that it is really hard for our generation to come by these days all around the world and here is a bit more rough, I think. Also the costs are an issue, it takes a really high percentage of one's pay if you wish to book a studio, buy a new amplifier or get a new microphone here, basically because salaries are way lower that those in the U.S. or Europe, among other places; and the cost of them is even higher than in those countries, so it is a considerably bigger sacrifice.
Scene wise, I have read comments stating that it is very similar in most places, in the sense that here there are very few venues for local metal bands and many of those require you to sell a lot of overpriced tickets and / or bring your own amps, microphones, P.A. and everything, and even those who don't do such things usually never pay, not even with a few beers. It is easy to say "well, just don't accept it" but without that we simply wouldn't play a lot. Also, one huge problem is that most big opportunities (I would say around 95% of them) of opening to big bands, playing big festivals and so on, are only either for a couple of bands who are family members and friends of people organizing the gigs, people who can give favours to the promoters or simply pay-to-play scenarios."
For metalheads visiting Guadalajara, what sights / attractions would you recommend seeing? Are there any customs that tourists should be aware of (so not to cause offence)?
"I would recommend to them to eat some Torta Ahogadas (a delicious meal only available in this state [Jalisco]), some good tacos and basically spend all day eating, because Mexican cuisine is one of our biggest prides and is recognised as one of the best in the world. You can also check ahead which gigs are going to be happening in the city those days, there's a venue, the C3 stage, that every month has really good metal shows and it is in a street filled with bars and restaurants to which you can go before and after seeing some great international bands.
Tourists should take the precautions of planning their activities well, because it is very easy to get lost due to the fact that our traffic signals are very bad and, in many places, non-existent, so, if you bring your car, try to stay on the highways most of the time to avoid getting terribly lost. Also, avoid the yellow cabs, they are not reliable nor safe at all, just take Uber everywhere, it is cheaper anyway."
What plans do you have for the year ahead?
"We are currently working on our second album, which is our main focus for these year. We'll also play a few shows here and there."
Are there any greetings or thank you's you wish to send out?
"To all the people reading this, please keep on supporting Global Metal Apocalypse."
It's hard to know how long the Czech Metal scene has exactly been around as the Czech Republic (aka Czechia) has only been an independent nation since 1993 following the breakup of Czechoslovakia; originated from the Austro-Hungary Empire back in 1918. Despite it's obvious youthful existence the Czech scene has been a hive of activity for the past 2 decades. With MetalGate being such a prominent record label, bands like Awrizis, Godless Streams Of Elegy and Cruadalach springing to mind, and festivals like Brutal Assault and Metalfest Open Air becoming staple festivals within the metal music calendar, there is a bright future for this Central European nation. Awrizis filled us in with their scene knowledge.
"(Czech) bands want to be famous and rich after the first album and two gigs, it doesn’t work like that.""
For those who do not know Awrizis, could you give us a brief history of the band? What does the band name mean?
"Awrizis was created back in 2011 just as a side project for our previous bands. Then we released our first EP "Shapes of Imagination", which was very well received, we then signed and started to take this band more seriously. Our debut album "Final Hybridation" was released in 2013 and it received a lot of awards and nice reviews. After some line-up changes we started to work on a split album and went on the road again. After years of touring and some changes we could finally work on the second album…
There are no other words to describe Awrizis. If you have like 15 seconds, open YouTube, write our name and there are some evidence of who we really are. That’s the best way to describe our name."
It's been 5 years since your debut album 'Final Hybridation' and your new album 'Dreadful Reflection', what have you done differently on this album?; your original drummer left the band, was it on good terms?
"Yes, it seems like a long gap between two albums. But we’ve been busy with touring, also we recorded a well-accepted split album "Damnation & The Rotten Brood" and we wanted to do the best for our second full length album and don’t rush it. That was the main difference on this album - patience and hard work.
Our original drummer left the band after recording this album. Life on the road and work that is necessary with being in a band is not for everyone. But there is no bad blood between anyone around the band. New members are the main reason for developing this band, comparing to old times this is something completely different and better."
Will you be touring Europe in support of your new album? If not where will you be playing?
"We are right now on the road in our country doing release shows to support our new album. There are certainly some plans for the second half of the year and of course we want to bring our music to all our fans."
What struggles do most Czech Metal bands face these days? What is the scene like at the moment?
"Actually the Czech scene is right now very promising. There are some really great bands compared to the rest of the world. But the main problem is that people in or outside the bands don’t know that only patience and hard work brings the fruit… everyone wants to be famous and rich after first album and two gigs … and it doesn’t work like that."
How would you describe your sound without the use of genres? What do your parents think of your music?
"I am doing what I feel. There’s no analysis or need to describe. I write music for open minded people and I don’t force anyone to listen to it. I am fortunate to have great support from people around me."
For those visiting Havirov, what sights or attractions could you recommend?
"Whole part of Czech Republic called Silesia is well known for it's industrial environment, but there is also a beautiful nature location called Beskydy. So this unique contrast can be attractive for people I think."
What plans do you have for the year ahead? Will you looking to the play in the UK?
"There’s a lot of work to do. We need to support our "Dreadful Reflection" album. But I really can’t wait to start jamming with actual band members and bring to life some new fresh tones. I love the UK! A lot of awesome memories from touring with Dissolving Of Prodigy back in the day. It would be an honour for me to go back with Awrizis but also my second band Postcards From Arkham as well."
Are there any greetings or thank you's you wish to send out?
"Thanks to all, who feel music and passion."
Madagascar, an island situated in the Indian Ocean off the coast Africa has always been renowned to have luscious beaches and a tropical climate, however recently a film series based on the country emerged and just last year an outbreak of the bubonic plague arose, killing hundreds. Counteracting that negativity is Madagascar's underground-yet-vibrant metal music scene.
It started in the late 80's with Apost and Kazar being the first-recorded metal bands, forwarding onto 2002 and Sasamaso was born, arguably the first female-fronted metal band from this African nation. GMA spoke to Sasamaso about the Malagasy Metal scene, it's history, what the band is up to and the challenges of being isolated from the mainland.
"Often in Madagascar, a person who listens to metal music has a father who listened to rock music in his time"
For those who have not heard of Sasamaso, could you give us a brief history of the band? Band name meaning? Lyric topics, etc
"Sasamaso is a metal band from Antananarivo, Madagascar, created in 2002. Our style is based on thrash metal, often merged with another metal style (heavier or lighter), sometimes also merged with decent Malagasy music. Literally Sasamaso means eye wash:- in Malagasy, sasa = washing, maso = eye. Our lyrics talk about everyday life here in Madagascar, frequently in metaphor."
What challenges as a musician do you face living in Madagascar?
"The situation in Madagascar is that the music becomes too commercialized; most TV and radio channels don't diffuse your music if you don't have enough money. Also, compared to other music, metal music is not yet appreciated by popular mass here. Till now, it's very difficult to find a producer who wants to support a metal band. However, many Malagasy like soft rock. So for a band who plays metal, it's necessary that he has passion, patience and strain to do his best."
How long has the Madagascarian Metal scene been going? Was there any opposition from the Government initially?
"As far as I know, the metal scene has existed in Madagascar since the 80's. In the beginning, the government censored the broadcast on TV and radio of the few groups existing at that time, but afterwards it has improved especially because of the creation of private channels. At this time, there are many metal bands who play well, there are some special metal radio and TV broadcasts, and there are mostly underground metal shows, at minimum once a month since 2017, we can say that after all, metal scene has evolved a lot at this time."
Do you see a time where every African nation has a metal band in it's history?
"If possible, it's really very nice. To prove that metal is an universal music, no discrimination."
Have you had any metal bands from overseas come perform in Madagascar?
"In 2004, Watcha, a French Nu Metal band performed here in Antananarivo; it was great. There was also an American band who played here maybe in around 2014, but I don't remember the name. If I'm not mistaken, that's all."
Are you surprised about metal music reaching Africa, let alone the world? What do your parents think of metal music?
"For us, metal music is among the best. That's why we listened and played everywhere in spite of political and cultural constraints in each country. For us, and often in Madagascar, a person who listens to metal music has a father who listened to rock music in his time, so there is no trouble between us."
What plans do you have for the year ahead and are there any greetings you wish to send out?
"For Sasamaso, for this year we will produce new songs, videos, and also our official album. We want also to convince producers here so that we can get on a larger stage. We would like to thank you sincerely for your interest for our band, and we hope that this interview will help people know that Sasamaso, a metal band from Madagascar exists :) ."
Formed by three musicians from a number of the most well-known Bangladeshi Metal bands going, Nekrohowl is a Death Metal machine primed and prepared to slaughter anything in their path. Warmonger (Warhound), Sadist (Enmachined, Homicide, Nefarmaan) and Obliterator (Homicide) lead the charge with their grit-laden style of Death Metal, and having only been around for a year yet managing to unleash a demo, single and now their debut EP 'Epitome of Morbid', things could not be any sweeter for the fearsome threesome. GMA caught up with the lads to find out the band's history, the current state of the Bangladesh Metal scene and what the EP entails.
Hi guys, firstly can you give us a brief history of the band and what Nekrohowl means?
"Greetings to GMA. To write about the history will be a total waste of time. Let’s just say that Sadist (Papai) and I wanted to create a different form of death metal which has a unique style. From the urge of playing good music, we decided to start a journey into the realm of death, doom and darkness in the name of Nekrohowl. Our good friends Demodulated (Abominable Carnivore) and Pounder (Dissector) worked on the first self-titled demo. Later on, due to some unavoidable circumstances, both of them had to discontinue and thus we asked Mr. Warmonger (Warhound, ex-Orator) to take the throne duty and thus the pilgrimage to the unholy land of despair and nothingness began!! Nekrohowl denotes the howling of the sufferer from the rampage of eternal obliteration by death itself."
The Bangladeshi Metal scene has a vast amount of bands, but few have seem to broken out internationally, what bands would you say are the most well-known in Bangladesh?
"First of all, I would not agree with the statement that "few of them have seem to broken out internationally". There is Orator and they played overseas multiple times including the prestigious "Bangalore Open Air", sharing the stage with Inquisition, Napalm Death, Belphegor etc. There is Severe Dementia, headlined in KTM ROCKS Nepal around 2012. Even Orator got the chance to play at Maryland Deathfest in 2014. I just named two, but there are actually 10 to 12 bands which are capable of desecrating the European churns of extreme metal. But the only disadvantage of doing extreme metal is "money". With proper financing there are vast possibilities to enrich the extreme metal scene of ours.
There are a ton of bands who are well known in Bangladesh to a particular class of people whom I never consider as listener or music enthusiast. And there are very few bands which has the unique style of song writing, showing true musicianship and staying loyal to themselves. To name a few: Orator, Severe Dementia, Mirrorblaze, Chromatic Massacre, Thrash, Exalter, Infuscation."
How did the Bangladeshi Metal scene start, has it been going long? What challenges are there as a band?
"The Bangladeshi metal scene started back in the early 80's, Waves, a hard rock / heavy metal band initiated the journey and very soon it was flourished by the emergence of bands like Rockstrata, Warfaze, In Dhaka etc. You can easily see that metal is not a new thing in our country albeit not a very popular thing either.
There are lot of challenges you need to face: finance, record labels (we almost have no proper metal labels), recording / sound engineers with proper skills and knowledge, just to name a few."
Would it be fair to say that more and more Asian Metal bands are being taken note of? Did you know about metal scenes in Bhutan, Laos, Nepal and Myanmar (Burma)?
"Asian bands are gradually getting their due recognition, steadily for sure, but finally it’s happening. I have played at Nepal Deathfest with my other band Homicide. I have little or in some extent no knowledge about the scenes of the other mentioned countries."
Would you agree that the Asian Extreme Metal scene seems to have it's own unique sound and style?
"Yes, Asian extreme metal has the most unique sound and style to offer."
What do your parents think of your choice of music?
"Hmm, I need to ask them (laugh)"
Could you give us a breakdown of the EP - what do the songs mean, how was the EP made, etc.
"Well the EP tells the journey of death itself as the supreme entity who conjured his wrath against the mortals. The journey begins with the intro which summons the darkness within. All the five tracks were made focusing on the key aspect of Death Metal, that is to create the uncanny sound of sheer malevolence through a unique way of expressing the nothingness within."
Finally do you have any greetings, thank you's you wish to send out?
"Thank you for the interview. It’s always great to see people appreciating our music."
When you think of Cyprus, you tend to think of wine, Greek relations, hot and sand-swept land. But simmering under the Mediterranean heat is a vibrant metal scene with a handful of bands who have graced the international stage, Winter's Verge for example. However closer to the surface is a underground scene that is fresh as the vineyards growing on this rocky island.
Nekhrah are a Death Metal band hailing from Nicosia, the capital of Cyprus and have released their debut album 'Cosmic Apotasy' this year, so it was only fair for GMA to interrogate this quartet and ask them about their origins, thoughts on Brexit, the history of the Cypriot Metal scene, touring and plans for 2018.
".... the size of the scene is an inherent challenge. It’s something niche that has its own intricate ways of functioning."
Hey guys, firstly could you tell us how Nekhrah came about and what the name means?
"Nekhrah is an anglicised version of the Greek word Nekra (Νέκρα) which means dead / deadness emptiness. It is pronounced as Né-kra."
What do your parents think of your choice of music?
"Well, I’m sure there’s regret for paying for music lessons, our mental health has been questioned on numerous occasions before, but overall, they are all very supportive even if it is not their cup of tea. Some have even attended a gig – needless to say, it was the first and last one."
How long has the Cypriot Metal scene been going? What challenges have you had to face as a band, and the scene itself?
"There were a few bands during the late 80’s that I am aware off. The extreme scene came about during the early 90’s and picked up speed during the early 00’s.
The Cypriot Metal scene has an inherent curse; compulsory TWO YEAR army service for Cypriot nationals at the age of 18. Lots of bands that begin during the teen years don’t make it after the members reach their 20’s due to this. As time outside of the army is limited for those two years, members are reluctant to practise or simply lose the spark to be creative and just go into mental slumber for the duration of their service.
Some of our members had to attend the army, then others left abroad for studies so we relied a lot on each individual’s commitment, passion and of course, the internet to keep Nekhrah going during these times.
I recall in 2014, two members flew from Cyprus, another from Scotland and another from Guildford to play a gig in a local Pub in Colchester, Essex alongside two other local bands. With regard to the scene itself I guess the size of the scene is an inherent challenge. It’s something niche that has its own intricate ways of functioning. Part of the challenge has been figuring out what works and how to put it in application."
You just released your debut album 'Cosmic Apotasy', what has the reception been like? Will you tour South-Eastern Europe in support? Or a simple Cypriot tour?; Is it hard to apply for shows in Northern Cyprus and Turkey?
"So far it has been received far more warmly than we had envisaged. It has been featured in Magazines in Poland, Germany and Norway, in a compilation CD, featured on playlists and has been played on various big rock / metal radio stations internationally. Needless to say we are overwhelmed with the praise the album has received.
A tour is currently in the works, although nothing is set in stone as of yet. Hopefully that works out and we can reach out to new listeners through gigs. Seeing as Cyprus is such a small Island the term “touring” would make it sound more grandiose than it actually is haha. But yes, we plan on playing other cities other than our home town.
Getting political are we? Regarding the first part of your question, it is certainly not practically hard to apply for shows in Northern Cyprus since the opening of the check-points on the island back in 2003.
Regarding Turkey, there are no direct flights from the Republic of Cyprus to Turkey which means that to get there one would have to cross over the check-points with equipment etc and leave from the North or get a connecting flight through another country that flies directly to Turkey. In that regard it would perhaps be practically harder to play Turkey should the opportunity present itself."
What are your thoughts on Brexit?
"Brexit seems to be like one of those terrible far-fetched stories that end up being true. Sort of like Trump being elected as head of State. However, without a doubt it does represent the view of current majority (out of the people who voted) within the UK no matter whether the Pro-Brexit campaigners have deliberately misinformed and misled.
Now on the flip side I’m not certain that it directly reflects the views of the majority of the political leadership which (undoubtedly) must now follow through. As a result the political leadership is now faced with the colossal task of negotiating deals that best protect the interests of the UK citizens with a EU that doesn’t seem well disposed to do so.
Currently I feel there is an air of uncertainty and speculation about what turn events will take. Any speculation as to the economic and socio-political impacts of the Brexit are perhaps beyond my knowledge and the purpose of this interview."
Given Cyprus' location, do you have many metal bands come and play across the island?
"Surprisingly we have had numerous big names come and play here. Some honourable mentions (in no particular order): Paul Di Ano, Whitesnake, Deep Purple, Scorpions, Sepultura, Vader, Sodom, Septic Flesh, Rotting Christ, Bolzer, Kafros Lord, Moonspell, Sabaton, Mnemic."
What plans have you got for the rest of the year?
"Now that the album has been officially released we are focusing more on promotion and booking gigs for 2018, thus apart from regular rehearsals, writing new material and perhaps recording a new single we don’t have any other substantial plans for 2017. Further, we have an album presentation on the 21st of December where we will be playing Cosmic Apostasy in its entirety as well as a few new un-recorded songs."
Do you have any greetings, thank you's, etc you wish to send out?
"Thank you’s go out to Constantinos Syrimis, Nikolas Prokopiou of ToneDeaf Studio, Alan Douches of West West Side Music and Maciej Kamuda. Greetings go out to readers of Global Metal Apocalypse as well as anyone who has researched the band and stumbled across your interview. Thank you kindly for your time and interest, we appreciate it greatly."
Costa Rica has in recent years picked up the pace on the international metal stage, with bands like Sight Of Emptiness having played the UK's Bloodstock, Pneuma making waves and now it's Corpse Garden's turn. The five-piece Death Metal horde are set on releasing their third album 'IAO 269' (via Godz ov War Productions) and with it aim to present themselves further afield on planet metal.
GMA spoke to the guitarist Esteban Sancho about the new album, the Costa Rican Metal scene, performing at Wacken and 2018 plans.
"The world is a very big place, a band can either whine about its local scene, or just move on and tour other places"
Hi guys, for those who have not heard of Corpse Garden can you give us a brief history of the band?
"Corpse Garden has been around since 2008. The band initially started with a direction more towards grind / gore but it eventually evolved into Death Metal, throughout the years, the band has suffered several changes up until 2013. Since 2013 we have had a constant, and hard-working line-up, which eventually led to a different sound, which is the one you can experience now through our new album."
What can you tell us about the Costa Rican metal scene? Any challenges? Opposition?
"The metal scene in Costa Rica only exists on a relevant level for international bands. Locally, it’s very poor and sometimes frustrating. There are almost no good quality promoters, and most people don’t really attend local shows (considering the amount of people you see in international concerts). We are an underground band, we play extreme, intolerable music, we don’t really aim for a huge audience, so we don’t really expect every show to be sold out, however, when you see what’s going on in other countries, it’s frustrating to see how much this country has to learn (I speak mostly for the extreme scene, other bands from other sub-genres, might tell you something different). I have to say though, that we don’t really care, if it’s difficult here, we just look for different places to do our thing. The world is a very big place, a band can either whine about its local scene, or just move on and tour other places."
You're set to release your 3rd album 'IAO 269' in November, will there be a Central American tour or an overseas tour?
"We are going to be playing a small tour including Costa Rica and Panama (Istmo Metal Fest and other dates), Nicaragua is in the talks to be included in that. We do plan to do more touring in America, nothing we can make public yet. And plans for overseas tour are always in our minds, getting to make it happen is a whole different story, however, I can say that we do want to do it and we are starting to have conversations about it, just nothing confirmed yet."
The Costa Rican metal scene in recent years has seemed to establish a name for itself, what would you put down to it's success?
"Different places hold different energies from which an artist can find inspiration from, however, in the end music and all the art surrounding it is what matters. I personally don’t think the country has its own name out there yet, the country might be getting to it, but Costa Rica needs more bands to have international and relevant exposition to be able to say that. Now, if we look at what has happened, you can see that more bands are now being able to get labels to print and distribute their material, that is a good step for the “country”, but nothing big compared to the situations of other bands in other places. The bands that have had the chance to get themselves known internationally is due to the hard and professional work everyone has to do to get things done properly. We all still have a long way to go."
How important is it to expose unknown metal scenes to the world? What does the Costa Rican government think of metal music?
"There’s always going to be something you have not explored music wise, it gives more variety to the actual international scene. The Government doesn’t really like metal, but we don’t care, metal has always been about giving a big f*ck off to the establishment, metal is not looking to be included or taken into consideration, we exist because we want to, because we find ourselves identified with the aggressiveness and relentless energies metal deals with, we don’t need no one to help us. For those who really want to keep this alive will always find ways to do it."
What was it like performing at Wacken Open Air? Mingling with metalheads from all corners of the globe must have been awesome?
"I did not play at Wacken Open Air. I was there, but not in the band yet. I’m sure it was a very good experience and the first sight the band had to an international scene, however, it was a very different line up, only 2 members remain from back then. We are 5 years past that already, and it is time we move on."
What plans have you got leading into 2018 and are there any greetings you wish to send out?
"First of all, thank you for taking the time for the interview. We have big plans for touring, stay tuned for more updates about this. As well, 'IAO 269' will be released in Vinyl, stay tuned as well with Godz Ov War for more info about it. To the ones who support us, a true thank you, for we are not just about music, we represent chaotic energies from within and without, we represent a way of living and getting to know yourself, your support is like gasoline to the fire we carry under the name of Corpse Garden."
Essex is known for many things, some of them and some bad. It's metal scene is one of the good things and then there's TOWIE (The Only Way Is Essex) which is the worst thing to happen since My Chemical Romance being classed as a metal band.
But focusing on the metal scene, it's had the likes of Tides of Virtue, Forged In Black, Sanctorum, Dismanibus, etc grace the fertile soil from Southend and Colchester respectively. However when one speaks of Basildon, one thinks of Depeche Mode, chavs, Basildon Bond paper, Denise Van Outen., etc, and now there is Raze The Void.
GMA caught up with the Essex mob to find out how they fared with Bloodstock, the Essex Metal scene, debut EP and plans ahead.
"the title itself 'Obsolescence' covers what the current state of the world really is; the system is obsolete"
Raze The Void has only been going a year, were you all in previous bands prior? How did Raze The Void come to be?
"We have all been playing together for around with each other for 15 years nearly and just managed to get together and start a band from that after realising we all wanted to start playing and touring and seeing the world. RTV literally came from out of a dustbin a few years before we started playing the scene."
The Essex Metal scene seems to be a little quiet at the moment, could you tell us the current state of the scene?
"From Essex, apart from it being quiet, to really. There are some amazing acts in and around Essex, but you just have to sift through the venues and have a look out there and see for yourself."
Having played Bloodstock, what was your experience like? How did you end up winning a slot? What advice could you give Metal 2 The Masses bands next year who are vying for a slot?
"Bloodstock and everyone who we met from it and regarding it were amazing, very supportive and the feedback from everyone and all the reviews have been awesome and extremely positive.
For anyone out there who is going to go into it; be serious but have fun. If you believe what you do it the best thing you do, you have fun doing it and you all have fun playing with each then do it, go for it, be the best band you can band!
If you doubt anything you say or do or if you're not professional enough or not having enough fun, the crowd will sniff you and not like what they are smelling. They are as much a part of you as you are of them, so be there with them, get them involved. That okay?"
As a band are you worried at the lack of local venues with only Chelmsford's The Asylum, Southend's Chinnerys, Harlow's The Square and the Colchester Arts Centre being the sole main ones?
"It's not a worry when you can book outside of Essex and in fact, to just book in Essex, from experience, people then just seem to feel like that they will miss that one and go to another one as it's only up the road or whatever. Bra chin out into other places and leaving home has not only proved well for us, but is something that everyone should do and we in fact recommend. The live music scene is dieting but it's not dead."
Outside of music, what other hobbies or interests do you have?
"We all work full time and between that and the band; writing, playing, re-writing and down time there isn't a lot between, but some of use do things like cycling, rock climbing, wind surfing, extreme ironing; mainly physical activities. We are all very involved in quizzes and chess and some of us have other music projects going. We are generally very busy."
Tell us more about your debut EP, where was it recorded? What does the title mean?
"We recorded the EP with one of the most talented and hard working men we have ever worked with who we honestly consider family now, a man named Dan Kerr or Avenue studios; absolute genius!
The EP and from that flowing into the upcoming album is all conceptional, revolving around human error, greed, the rising of the underground movement, corruption and the title itself 'Obsolescence' covers what the current state of the world really is; the system is obsolete."
What plans do you have for the year ahead? Are there any greetings you wish to send out?
"The album is being written literally as this being typed out to you....now. We will continue gigging and getting the RTV name out there to people and then launching the new album along with more media stuff and hopefully some new merch. It's all going UP!
Shout out to Quimby, everyone who has helped us get this far, turned up and sung along with us, Nick Plews, Bob from Club 85, Ross, Phil and the boys for all their support and love and physical moves and to Neil- we hope you recover soon. "
Australia. The very mention of the country's name sparks off the thoughts of sandy beaches, BBQ's, stray kangeroo's and the Sydney Opera House. Underneath all the glitz and glamour of this glorious nation known colloquially as 'down under', Australia has a savage metal scene that has seen the likes of Ne Oblivicaris, The Berzerker, Buried In Verona, Thy Art Is Murder and Destroyer 666 among others break out into the wider international metal community over the last 2 decades.
But despite the success of the bands above, the scene as a whole seems rather isolated when it comes to touring. It's down to bands like Aetherial who look at the challenges ahead, take them head on and forge their own path to progress forward. For Aetherial this is through the concrete metropolis of Melbourne, famed for it's Grand Prix circuit. GMA spoke to Cassandra, the band's bassist to unearth what the band is all about, what the scenes down under are like, their new single, visiting local attractions and 2018 plans.
As Fosters put it. Good Call.
"I don't see why metal [bands] can’t emerge from smaller nations like Fiji or the Solomon Islands - they would have to be creative [with music exposure]. If bands can emerge out of countries like Saudi Arabia where it is illegal to play metal, I'm sure we will see some coming out of places like Fiji - metal doesn't have boundaries!"
Hi guys, for those unfamiliar with Aetherial could you give us a brief history of the band? Were you / are you in previous / current bands?
"Hey, thanks for having us Global Metal Apocalypse! I’m Cassandra, bassist in Aetherial.
Currently, we are based in Melbourne, Australia. Aetherial was formed by Shep and myself in 2013. Previously, we both played in a stoner / metal / grunge band called Cave Of The Swallows which also featured our friend and original Aetherial drummer Mr Paul Gatt. Shep was also the former vocalist in the South Australian-based Stoner / Southern Rock band Mammoth, with ex-Suffocation / Autopsy member Josh Barohn.
We recorded our album, 'The Still Waters of Oblivion' over a two year period at Everland Productions. In 2016 we signed with New York-based management company Extreme Management Group and most recently this year to Imminence Records in the US and Truth Inc Records over here in Australia, who will be jointly releasing the album worldwide November 10th."
What is the Melbourne and wider Australian Metal scene like? Do most bands do a tour of Australia and New Zealand than SE Asia?
"From a Melbourne perspective, the scene is pretty small, there are a handful of good venues to play at in the city and some good regional venues that work hard to keep live music going outside of the city. Unfortunately over the past 5-10 years quite a few great live music venues have closed down in Melbourne due to residential developments and noise restrictions, which has made it difficult for smaller bands to get a gig. A smaller population in general will always impact audience size and peoples interest and engagement in metal, particularly as its not common in mainstream culture here.
It is common for bands over here to tour the East Coast in the main cities, Melbourne, Sydney and Brisbane with a few stops in-between. But the sheer distance in-between and cost that is involved with getting to these places often prevents many bands embarking on a full national tour. You see a few bands heading over to New Zealand and Asia, generally larger more established bands though."
What are the challenges of being an Australian Metal band?
"Getting your music seen and heard!! There is a lot of really good music over here, if people would take the time to listen to it! Getting people to shows is another massive hurdle over here. People will have no hesitation paying $150+ to see established bands, but will not pay $10 to see 4 local acts?
Breaking through to reach people outside of the country, even reaching new fans interstate is also very challenging. It is important to utilise social media to try and get out there and engage people, it is a continual and ongoing aspect of being in a band now, particularly with reach being limited on Facebook and now Instagram for bands unless you pay for it. Many Australian bands head overseas to Europe or the US, simply because they can reach more people and play more shows!"
You just released your new single 'The Fallen Mark The Way' from your forthcoming album, what has reception been like?
"Great thanks! We have had a lot of good feedback from our fans and made a bunch of new fans too! It’s always great to hear positive words from people who get inspired from hearing our music."
Check out the lyric video for 'The Fallen Will Mark The Way' (taken from Aetherial's forthcoming debut album 'The Still Waters Of Oblivion') below.
Seeing as Oceania is slightly isolated, could you see metal music ever emerging from countries like Fiji and the Solomon Islands? Is metal music in Australia widely accepted?
"Yes, it is rather isolated over here! We don't get a lot of bands touring here. It is a long way to come and quite expensive to travel here. Due to our smaller population the audiences are a lot smaller compared to overseas as well.
Metal music generally is not part of the everyday culture over here, like it is over in Europe. It’s accepted by those involved in the scene and other musicians, but in the general population it’s not particularly well known, well received or publicised. For example metal or even hard rock is not played on commercial radio, it’s really only played on dedicated metal or hard rock community radio shows. People over here still have a lot of preconceptions about the music, artwork and general themes of metal; most people don’t / can't understand it, they seem to find the content too confronting and don't want to be involved. Hopefully though with some amazing bands coming out of Australia now more people are becoming interested in the genre.
I don't see why metal can’t emerge from smaller nations like Fiji or the Solomon Islands - There’s probably already some killer bands over there! However, I think they would have to be creative with how they get their music out there. If bands can emerge out of countries like Saudi Arabia where it is illegal to play metal, I'm sure we will see some coming out of places like Fiji - metal doesn't have boundaries!"
For metalheads holidaying in Melbourne, aside from the Grand Prix, are there any attractions / sightseeing locations you would recommend?
"Yes!! You could seriously spend months here and not see everything - the great thing about Melbourne is that there is always something going on and to discover! There are some amazing music stores where you can pick up some vintage and / or rare guitars / amps / pedals like Found Sound or The Swop Shop. For art lovers, there are so many tiny galleries all over the city showing local art and The National Gallery has killer diverse exhibitions from Van Gogh to Dior to Mid Century Modern Furniture.
For wine lovers, you can take a day trip down the coast to the Mornington Peninsula or The Yarra Valley, for amazing wine and scenery. You can visit boutique spirit distilleries like Starward Whisky in Port Melbourne or Four Pillars Gin in the Yarra Valley - which seriously gives some of the English Gin a run for it money! Melbourne is paradise for lovers of good food and coffee!! With markets like South Melbourne and Prahran Markets and amazing restaurants on every corner. There are festivals for Beer, Cheese, Salami and now even a chicken nugget festival. The Great Ocean Road makes for a good drive- for beautiful rugged coastline, Healesville Sanctuary for meeting kangaroos, koalas and other native animals. And of course you can catch some local bands at The Brunswick Hotel, The Bendigo Hotel or Cherry Bar, folks over here are always up for a chat and a beer."
With your debut album 'The Still Waters Of Oblivion' out in a week's time, will there be a tour supporting the album?
"There definitely will! The Australian Tour will take place early next year with hopefully some International dates to be announced as well! But you’ll have to stay tuned to our social media pages to get the details."
What plans have you got leading into 2018? Do you have any greetings you wish to send out?
"Lots of touring and promoting our record! We currently have some killer merch available now at Merchnow and there’s some brutal new merch coming out soon! Shep and I have been co-hosting a heavy metal radio show once a month on Melbourne’s 3CR called The Heavy Session, so along with our friend and host Chris we have some awesome plans for the show as well.
We’d love to send a massive hello, to all our friends and fans over in UK - we’re working hard to come over and play for y’all in 2018!!! Thanks very much for the support!"
Without a shadow of a doubt, God Dethroned are veterans of the Dutch Metal scene despite having split-up twice (1993, 2012) and whilst some might have cast them off as just 'hanging around', it goes without question that the quartet have arisen once again with newfound vigour, a sense of passion and pride, but above all the feeling that they have left business unfinished.
Starting off back in the old days with Satanism as the core topic of their lyrics, God Dethroned mid-career switched to a more death-orientated stance which transgressed into their modern self as a band who sings about war, specifically the First World War; as shown on their 2009 album 'Passiondale (Passchendaele)'.
26 long years down the line and God Dethroned are set to deliver their 10th opus titled 'The World Ablaze', ending the WW1 album trilogy. In promotion of the album God Dethroned have released three blazingly brutal music videos:-
Fending off the aggression of this Dutch horde, GMA came into calling truce with frontman Henri Sattler who laid out the band's battle plans for the campaign ahead, speaking of their local division, politics and their latest weapon 'The World Ablaze'... prepare for mortar fire.