Foreskin, the Thrash Metal band hailing from the mass populated Muslim city of Lahore, the cultural hub of Pakistan and ancient capital of Punjab, speak up on how Metal in general has evolved in Pakistan and about their journey in making music, life and the ever-raging battle they face against preserving Metal against other genre's.
Vocalist / Lyricist Hassan Umer Amin of Foreskin spoke to GMA's Indian Correspondent Farzand Ali Bawa.
Farzand: Greetings from India, how is it going over there brother?
Hassan: Hey bro. Going alright, we're finishing up our EP recording and jamming for an upcoming gig.
Farzand: How has Pakistan had its effect on metal music?
Hassan: Difficult to say. On one hand, you'd expect that places like Pakistan would be able to produce some of the most insane, original, ass-kicking metal on the planet simply 'cos of the daily s**t we go through. There's been a precedent in history for this, New York and Brazil in the 80's for example, which were f**ked up dangerous places but with some of the most forward-thinking Metal / Hardcore / Punk scenes.
But with Pakistan, music as a whole seems dead and stagnating. There are some prominent 'popular' metal bands these days but none of those tickle my fancy, a lot of them lack originality and just have a basic understanding of 'metal', ends up making them feel soulless and contrived.
It wasn't until recently when Dionysus, us, Lohikarma, Necktarium, Khorne, Irritum, Myosis, and some other bands injected some originality and genuine underground ethos back in the scene. Dusk is also returning which is great. Those guys are by far the best metal act to have existed in this country.
Farzand: Bands like Strings, Jal and cults like The Zeest have been fairly known before, but the curiosity as to how the metal scene evolved back then still remains and where it currently is now.
Hassan: Metal started back in the late 80's with a Heavy Metal band called The Barbarians, apparently. Then Dusk started in the early 90's, influenced by the growing Death, Doom and Black metal scenes. They ended up being a very creative and forward thinking Doom metal band responsible for some of my favorite music.
In the late 90's to mid-2000's Karachi was the basic hub with frequent gigs, Lahore giving it a run too, but most of those bands never recorded and were just there to play gigs. A lot of them just died out when the Music TV channels started, because everyone suddenly wanted to play pop or rock. Bands like Soul Vomit stuck around but disappeared eventually despite a decent comeback. Some people involved with Hell Dormant / Autopsy Gothic can be seen in Karachi Butcher Clan these days.
In the mid-2000's, Eleventh Hour / Venom Vault was responsible for thrusting Islamabad into the limelight and it's still one of the top places for metal, though personally I think the quality has dropped since the golden days of Venom Vault and Depletion. Some of the folks from that scene are still around, and you can find them in the bands Black Hour and Inferner - Black Hour especially being a fantastic live band.
Lahore is a bit strange. It starts something then dies out, then starts again. We had the legendary Corpsepyre a decade ago along with other Death metal bands but when the gigs died out, they died out too. There was then a kind of revival with Dementia, Orion, Odyssey, Takatak, and other cool bands... but it died out too. Nowadays the Lahore scene has bands like Keeray Makoray, Takatak, Dementia, Dionysus, Foreskin, Irritum so it's a pretty musically varied environment, though splintered.
Farzand: Now coming to Foreskin, how did this project come into existence?
Hassan: In 2009, Amar and I were sick of the scene at that point and wanted to start a Punk Crossover / Thrash band. We just hated everything around us and wanted to give everyone the middle f**king finger. We named ourselves Foreskin because, well, f**k the world we're FORESKIN hahaha! We played some gigs, the first gig we played was also Dionysus' first gig - we've been sister bands ever since. We put out a demo called BITP in 2011 showcasing our old crossover sound in all its sloppy flavor and then split up for a time. Got together again and puked out the Anger Management demo with longer songs and more extreme influences added along with Sheraz of Dionysus doing the most of the songwriting whilst I continued to just focus on Vocals / Lyrics.
The Anger Management demo was well recieved, especially Hack N' Slash which is my favorite song from us to this day. So we started working on an EP after buying some new equipment. You can hear 2 promo songs from it on our Bandcamp, but the final version will be different. The song Anti-Kvlt is also available on the Ghalazat compilation.
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