Spain has always had a decent metal scene manifesting in itself, with a handful of bands going on to establish international recognition. But what about it's Metalcore sect? It's hard to think of Metalcore existing in the Iberian nation, but it's bands like Flames At Sunrise who make it known - their infectious blend of Metalcore, Post-Hardcore, Nu Metal and Heavy Metal all come together to create a sound that is truly modern yet truly distinct as it cannot be easily classified as any one genre.
Having signed to Wormholedeath in support of their debut album "Born In Embers", this ten-legged rampaging bull needs to be tamed and thus it was right for GMA to give Flames At Sunrise a right grilling interrogation.
"In Spain, most media attention goes to the greatest hits of the 80's and 90's and to the new stars of programmes such as Operación Triunfo."
For those who have not heard of Flames At Sunrise, could you please give us a brief history of the band?
"We are a metal band from Barcelona who formed in 2011. We always wanted to bring our personal visions of music, based on our influences from different modern metal styles, and create a new message from the sound experimentation.
After 3 years on the stage, we released our first EP called “Never Coming Home”. This EP contains 4 songs: “Never Coming Home”, “Take It Down” and “Bitch” (with a video-clip for each one), and “Grievance”.
The release of "Born In Embers" came out with two video-clips: “III Faces” and “Ark Flesh”, and a lot of good news. The first one is that “III Faces” got more than 1,000 visits in less than 12 hours and is proposed as one of the best Spanish video clips in 2017 by “METAL ESPAÑOL"
How does it feel to sign with Wormholedeath? What is the support for Catalonian / Spanish Metal bands generally?; do you prefer to be referred as Catalonian?
"We are very proud to have signed with Wormholedeath and it’s a real pleasure to work with people who take our project as seriously as we do. We really hope we grow up together.
About the support, is something a bit hard to talk about. There’s a real fan base who support a lot of projects in the underground, but, obviously, metal is not a mainstream in our country, or at least, not modern metal. But we try to stay optimistic and work so hard to offer something special to everyone who wants to listen to us a few minutes.
We don’t really mind nationalities. Is up to everyone consider where they came from, and where the want to belong. We belong to our music and to every place where we play it."
How would you describe your sound, sounds like you have elements of Nu Metal, Post-Hardcore, Metalcore and Heavy Metal in your music.
"We tried a lot to put a genre to our music, but it got no sense. Everyone in the band got their own influences and their own way to understand music and work with it. We just try to put all of our ideas together and get to an agreement. Maybe is the time to kill all those genres in metal and talk about something more global. We like to call our music capsule core because we like Dragon Ball and ‘cause it contents a lot of different kind of genres in a song."
What challenges as a band have you had to face thus far and as musicians personally?
"As a band we still struggle with the Spanish metal tradition of the eighties. It's hard to get a new audience to listen to your songs and get involved, but little by little we are seeing results.
Each one of us has had problems dedicating ourselves to music, bearing in mind that we cannot live professionally from it yet. But we are still training as musicians and trying to expand our knowledge to become self-sufficient as a band."
Barcelona Cathedral / source: Spain Attractions
What does the song title 'Ill Faces' mean? Did you have any ideas to put forward for the music video itself?
"'III faces' refers to a Japanese proverb that speaks about the three faces that each person has inside them: the first is the one you show to the world; the second is the one you show to your friends and family; and the third is the one you only know and defines who you really are. Thus, in the music video we try to expose the three faces of a character and how the real one, the one that defines you, drags you and ends up showing itself."
Will you go on tour in support of your debut album? What was reception like for the album?
"Yes. We’re going to be touring in Spain and some places in Europe in the next few months. The reception of our album was better than we expected. We knew we were releasing an album with strange ideas and we didn't know how the public would react, but we were surprised by the wide acceptance of a single like 'III faces'."
Would you say the overall Spanish Metal scene has had more attention drawn towards it over the last decade or so?
"We don’t think so. In Spain, most of the media attention goes to the greatest hits of the 80's and 90's and to the new stars of programmes such as Operación Triunfo. The metal scene continues to be nourished by old groups and tributes, but little by little it opens up to new experiences."
What plans do you have for the rest of the year?
"We’re going to be touring and we’re going to be working on some new things that, with luck, you’ll be able to hear and see in September of this year. Thank you very much for the interview!"
The UK and Nepal have a long standing history with each other, right from the early days of the Ghurkas through World War 2 and into the modern day, the British-Nepalese bond is strong indeed. Aside from that the metal scene out there is thriving despite it's lack of representation on the international stage. Bands like Dying Out Flame signed with Spanish label Xtreem Music, Kalodin had a stint in Singapore and Antim Grahan's activities are unknown, but here are three bands who have had an impact on the wider global metal community. However, there is one band who arguably is waving the flag for the Nepalese Metal scene, scheduled to perform at Bloodstock Open Air this year, Underside are on course to make history as they tell GMA it's not easy being a metal band from this landlocked Himalayan nation.
Hey guys, can you give us a brief history of the band, how did you form, were you in bands previously?
"Yeah we formed after the guitarist (Bikrant) and I (vocalist KC) met at the Silence Festival in 2010, Dr. Pandu (guitarist) and I were in a band before Underside. Our first show was at Silence Festival 2011 and later on Nishant Hagjer, the drummer from Undying joined Underside and has been with us for 3 years now"
Nepal has a really good underground scene with bands like yours, Antim Grahan, Kalodin and Dying Out Flame gaining attention overseas; and your festival KTM Rocks too, what are the main challenges that you face as a Nepalese Metal band?
"Yes it is a pretty decent scene, however not many bands have been able to break out, like all 3 of the other bands you mentioned aren’t active right now. Which is the main problem, bands form and split up easily and don’t thrive. There are so many social and economic problems (we can go on all day) that it’s a fight to be in a metal band everyday in a country like Nepal, but it’s something worth fighting for.
What are your plans before your date with Bloodstock Open Air, how are you guys feeling? Will this be your first time on British soil? Will you be doing a tour of the UK.
"Yes we are super excited and I’m writing to you from Singapore as we are in transit. We are heading to New Zealand for 3 dates with Twelve Foot Ninja and then to Australia for 4/5 headliner shows (across April and May) with several local bands. We have a few shows to be announced back home in Nepal for the end of July before we go to Bloodstock.
This is not our first time in the UK, but we can’t express how excited we are for Bloodstock, we will have something special and worth watching for everyone there. Regarding tour plans I think we are still finding a few shows, but open to any offers and invitations."
The UK and Nepal have a long-standing history; most notably the Ghurka's fighting alongside the British in both world wars, how important is it to remember the relationship we have as nations and as people?
"I think it’s important to remember that humanity should come first irrespective of race, nationality, religion or anything. But it's very cool and beautiful that a mutual love and respect exists between the 2 countries and it should be cherished."
Have you had bands from the likes of India, Bhutan, China and Bangladesh come over to play? How hard is it to organize a gig or indeed a festival?
"Not very often, it’s super difficult to pull off shows. We do our own festival (Silence Festival) and do small shows with some bands from India and stuff, but it’s super hard to stay afloat."
Your new album is set to be released soon, will this be released via a label?
"We actually released our LP independently without any label and have already started working on our first album for early 2019. There are talks but nothing solid so far, we have been an independent band and it’s been okay so far, but if we get a good offer then why not."
What plans have you got for the rest of the year?
"It’s been a good year, we toured India and played 3 shows, we did a six-show tour in Nepal and are now on the Australia and New Zealand tour, ultimately Bloodstock and hopefully more touring and working on the record."
With only a month to go before one of the biggest music competitions hits our screens, AWS from Hungary are raring to go to lay waste on the masses at this years Eurovision Song Contest which will be held in Lisbon following Portugal's win last year. It's not often a metal band gets put forward to represent their country, indeed the genre has only managed to secure one win - Lordi from Finland.
But following Lordi, a slew of metal bands emerged: Terasbetoni (Finland; following Lordi's win), Eldrine (Georgia), maNga (Turkey) and Adrian Lulgjuraj & Bledar Sejko (Albana), now it's Hungary's turn to put the volume up past thirteen and let the lads in AWS fly the flag for the metal music scene worldwide. GMA spoke to the lads who form this Post-Hardcore/Metalcore outfit about their trip through the national selection in 'A Dal', their home town, future plans and the meaning behind their chosen song.
See how AWS won 'A Dal' and began their journey to the Eurovision Song Contest in Lisbon below.
"We do hope there will be more metal at Eurovision from now on... it’s not as easy to consume as pop music for example.""
For those who do not know of AWS, can you give us a brief history of the band?
"Sure, we’re a five-piece band playing Modern Metal. We founded AWS back when we were in the same high school. We started with English lyrics (Fata Morgana album), but then switched to Hungarian (ÉGÉSFÖLD and Kint A Vízből albums). We’ve released three albums so far and we are working on the fourth one. We have toured Hungary many times and also played shows in Europe, for example we recently played a gig in London."
You chose the song 'Viszlát Nyár' to participate in the Hungarian preselection show 'A Dal' and subsequently won it, what does the song mean and were you surprised to win? What were emotions like on the night of the grand final?
"Of course we were surprised! We are a metal band that’s going to Eurovision (laughing). We were shocked at first but then we went to our favourite spot in town to celebrate with our friends. We were happy for our victory. Our song is about dealing with death. We think that in our culture we make things harder for ourselves by avoiding the topic of death carefully and sometimes forget about the fact that our time here is not infinite. Sometimes we forget to pay attention to the loved ones in our lives and we only realize these things when we lose them. If we could give more thought to the fact that we won’t be here forever, we could live a happier, fuller life and spend more time with the people and things that are important to us."
Will you be looking to do a tour before or after your Eurovision performance? Will 'Viszlát Nyár' be featured on a new album?
"Yes, for sure. Originally we wrote the song as a first single for our new album coming later this year. We will play a lot of festival gigs in the summer."
You play a mix of Post-Hardcore, Metalcore and Melodic Metal, do you feel metal music isn't well represented in Eurovision as much as it could be?
"We do hope there will be more metal at Eurovision from now on. Since this genre is quite heavy, full of strong emotions, it’s not as easy to consume as pop music for example."
Surely representing Hungary at the Eurovision Song Contest will be your biggest achievement; what made you enter 'A Dal' in the beginning?
"We didn’t think about the ESC in the beginning. We just wanted to show our music to a broader audience in Hungary. And we are going to Lisbon with the same goals: we are glad to have this opportunity and we would like to give our best shot to show people our music."
What did the judges say to your style of music during 'A Dal'? Has your song 'Viszlát Nyár' had any radio slots across Europe?
"Not yet, but there is an English version in the making, you might hear that soon! Not all the members of the jury were familiar with our style of music, but we received amazingly high from them in every round."
For those metalheads visiting your town of Budakeszi, what sights / attractions could you recommend seeing?
"You should check out our giant pines and our wildlife park with boars, bears and deer."
What are your plans for the rest of the year?
"We are sticking to our original pre-Eurovision plan: we are touring in Hungary and recording our fourth album. We are going to release it at the end of this year."
Finally what can Eurovision viewers and attendees expect from your performance?
"We can’t tell you too much about it in advance, but they can be sure to see a true AWS show full of power and pyro"
Australia. The very mention of the country's name sparks off the thoughts of sandy beaches, BBQ's, stray kangeroo's and the Sydney Opera House. Underneath all the glitz and glamour of this glorious nation known colloquially as 'down under', Australia has a savage metal scene that has seen the likes of Ne Oblivicaris, The Berzerker, Buried In Verona, Thy Art Is Murder and Destroyer 666 among others break out into the wider international metal community over the last 2 decades.
But despite the success of the bands above, the scene as a whole seems rather isolated when it comes to touring. It's down to bands like Aetherial who look at the challenges ahead, take them head on and forge their own path to progress forward. For Aetherial this is through the concrete metropolis of Melbourne, famed for it's Grand Prix circuit. GMA spoke to Cassandra, the band's bassist to unearth what the band is all about, what the scenes down under are like, their new single, visiting local attractions and 2018 plans.
As Fosters put it. Good Call.
"I don't see why metal [bands] can’t emerge from smaller nations like Fiji or the Solomon Islands - they would have to be creative [with music exposure]. If bands can emerge out of countries like Saudi Arabia where it is illegal to play metal, I'm sure we will see some coming out of places like Fiji - metal doesn't have boundaries!"
Hi guys, for those unfamiliar with Aetherial could you give us a brief history of the band? Were you / are you in previous / current bands?
"Hey, thanks for having us Global Metal Apocalypse! I’m Cassandra, bassist in Aetherial.
Currently, we are based in Melbourne, Australia. Aetherial was formed by Shep and myself in 2013. Previously, we both played in a stoner / metal / grunge band called Cave Of The Swallows which also featured our friend and original Aetherial drummer Mr Paul Gatt. Shep was also the former vocalist in the South Australian-based Stoner / Southern Rock band Mammoth, with ex-Suffocation / Autopsy member Josh Barohn.
We recorded our album, 'The Still Waters of Oblivion' over a two year period at Everland Productions. In 2016 we signed with New York-based management company Extreme Management Group and most recently this year to Imminence Records in the US and Truth Inc Records over here in Australia, who will be jointly releasing the album worldwide November 10th."
What is the Melbourne and wider Australian Metal scene like? Do most bands do a tour of Australia and New Zealand than SE Asia?
"From a Melbourne perspective, the scene is pretty small, there are a handful of good venues to play at in the city and some good regional venues that work hard to keep live music going outside of the city. Unfortunately over the past 5-10 years quite a few great live music venues have closed down in Melbourne due to residential developments and noise restrictions, which has made it difficult for smaller bands to get a gig. A smaller population in general will always impact audience size and peoples interest and engagement in metal, particularly as its not common in mainstream culture here.
It is common for bands over here to tour the East Coast in the main cities, Melbourne, Sydney and Brisbane with a few stops in-between. But the sheer distance in-between and cost that is involved with getting to these places often prevents many bands embarking on a full national tour. You see a few bands heading over to New Zealand and Asia, generally larger more established bands though."
What are the challenges of being an Australian Metal band?
"Getting your music seen and heard!! There is a lot of really good music over here, if people would take the time to listen to it! Getting people to shows is another massive hurdle over here. People will have no hesitation paying $150+ to see established bands, but will not pay $10 to see 4 local acts?
Breaking through to reach people outside of the country, even reaching new fans interstate is also very challenging. It is important to utilise social media to try and get out there and engage people, it is a continual and ongoing aspect of being in a band now, particularly with reach being limited on Facebook and now Instagram for bands unless you pay for it. Many Australian bands head overseas to Europe or the US, simply because they can reach more people and play more shows!"
You just released your new single 'The Fallen Mark The Way' from your forthcoming album, what has reception been like?
"Great thanks! We have had a lot of good feedback from our fans and made a bunch of new fans too! It’s always great to hear positive words from people who get inspired from hearing our music."
Check out the lyric video for 'The Fallen Will Mark The Way' (taken from Aetherial's forthcoming debut album 'The Still Waters Of Oblivion') below.
Seeing as Oceania is slightly isolated, could you see metal music ever emerging from countries like Fiji and the Solomon Islands? Is metal music in Australia widely accepted?
"Yes, it is rather isolated over here! We don't get a lot of bands touring here. It is a long way to come and quite expensive to travel here. Due to our smaller population the audiences are a lot smaller compared to overseas as well.
Metal music generally is not part of the everyday culture over here, like it is over in Europe. It’s accepted by those involved in the scene and other musicians, but in the general population it’s not particularly well known, well received or publicised. For example metal or even hard rock is not played on commercial radio, it’s really only played on dedicated metal or hard rock community radio shows. People over here still have a lot of preconceptions about the music, artwork and general themes of metal; most people don’t / can't understand it, they seem to find the content too confronting and don't want to be involved. Hopefully though with some amazing bands coming out of Australia now more people are becoming interested in the genre.
I don't see why metal can’t emerge from smaller nations like Fiji or the Solomon Islands - There’s probably already some killer bands over there! However, I think they would have to be creative with how they get their music out there. If bands can emerge out of countries like Saudi Arabia where it is illegal to play metal, I'm sure we will see some coming out of places like Fiji - metal doesn't have boundaries!"
For metalheads holidaying in Melbourne, aside from the Grand Prix, are there any attractions / sightseeing locations you would recommend?
"Yes!! You could seriously spend months here and not see everything - the great thing about Melbourne is that there is always something going on and to discover! There are some amazing music stores where you can pick up some vintage and / or rare guitars / amps / pedals like Found Sound or The Swop Shop. For art lovers, there are so many tiny galleries all over the city showing local art and The National Gallery has killer diverse exhibitions from Van Gogh to Dior to Mid Century Modern Furniture.
For wine lovers, you can take a day trip down the coast to the Mornington Peninsula or The Yarra Valley, for amazing wine and scenery. You can visit boutique spirit distilleries like Starward Whisky in Port Melbourne or Four Pillars Gin in the Yarra Valley - which seriously gives some of the English Gin a run for it money! Melbourne is paradise for lovers of good food and coffee!! With markets like South Melbourne and Prahran Markets and amazing restaurants on every corner. There are festivals for Beer, Cheese, Salami and now even a chicken nugget festival. The Great Ocean Road makes for a good drive- for beautiful rugged coastline, Healesville Sanctuary for meeting kangaroos, koalas and other native animals. And of course you can catch some local bands at The Brunswick Hotel, The Bendigo Hotel or Cherry Bar, folks over here are always up for a chat and a beer."
With your debut album 'The Still Waters Of Oblivion' out in a week's time, will there be a tour supporting the album?
"There definitely will! The Australian Tour will take place early next year with hopefully some International dates to be announced as well! But you’ll have to stay tuned to our social media pages to get the details."
What plans have you got leading into 2018? Do you have any greetings you wish to send out?
"Lots of touring and promoting our record! We currently have some killer merch available now at Merchnow and there’s some brutal new merch coming out soon! Shep and I have been co-hosting a heavy metal radio show once a month on Melbourne’s 3CR called The Heavy Session, so along with our friend and host Chris we have some awesome plans for the show as well.
We’d love to send a massive hello, to all our friends and fans over in UK - we’re working hard to come over and play for y’all in 2018!!! Thanks very much for the support!"
Many might see their latest photo as perhaps as Visual Kei, sure their Gothic-Glam crossover is one to admire and for the ladies to swoon over. But this quintet are no pushovers, in fact what we could see here is in fact the dawn of a new scene in Italy, as the guys in Beyond The Fallen go on to explain, hailing from the Vatican City (or Italy) is not as weird as it seems, or is it?
Hi guys, for those who do not know of Beyond The Fallen could you give us a brief history? Are you really from the Vatican?
"Hey there! We are Beyond The Fallen, an industrial metalcore band born and raised in the Vatican City, as odd as it may sound. We started the band back in 2014, releasing a full length album named "You Rise, We Fall". In 2015 we released a remix EP named "Re:Fall", while our latest piece of work is a single called "Anima"."
Italy has had a long-standing history with the industrial music sound, what makes it so popular there (if so)?
"Actually, metal bands and in general alternative music in Italy doesn't work out as well as it may seem from the outside. There's been probably one, maybe two alternative bands that actually "made it" in the alternative music scene, but truth is any metal band in Italy knows very well that the only way to make it is to gain attention from international labels and fans. "
You recently released your new video 'Anima', what makes the sound different in comparison to older songs? Is there a story behind the video?
" "Anima" was our first work with our guitarist Yuki, who entered the band after the release of our first LP. We wanted to evolve our sound from the very harsh, raw industrial of our first record to something more polished and modern, and it turned out to be very easy and natural thanks to Yuki's approach to songwriting and music in general, which was very different from what we've had with "You Rise, We Fall". The result was a more metalcore-ish song, with loud guitars and a lot of changes in the song moods. We kept some of our key elements though, like synths and drum-work, and the mix turned out to be an excellent starting point for us in our pursuit of a new sound.
About the video, we did something different this time around. In our first video, "Disconnected", we played a lot with dark and sick atmospheres, trying to achieve something that would confuse and impress the viewer. With "Anima" we did the opposite. The white background gives a sense of clarity, everything is bright and visible and while there are still some strange, confusing elements (thanks to our wonderful actors and costume designers) the action is quite clear so the viewer can focus more on the overall flow instead of wtf-ing about what's happening on screen."
How was it working with Utau Yume on the music video? Would you invite her on tour with you?
"We've had a great experience working with Utau Yume. It was our first time working with someone else, and her music is so different from ours that we actually were a bit concerned about how things could turn out. Instead, everything went extremely smooth. Songwriting sessions with her were very easy and fun, and everything came out naturally. Not to mention her incredible performance! We'd love to bring her with us on stage, it's something we already thought and talked about, and we can't deny that it could surely happen."
What has the international response to your music been like so far? Have you had any fans come from any countries that you were surprised by? What do people in your area think of your music?
"We've had a great support from both national and international fans. Most of them were surprised about how different "Anima" was from our previous work, but thankfully in a good way. With the release of the single we also printed physical copies of it and of our previous LP and EP, which were only digital at the time of release. We still don't know why but it seems our music gets a lot of love in Mexico.
We tried to reach countries like Germany, UK and of course the US, but the love and support we receive from Mexican fans is something we didn't expect at all and we're very happy and grateful about it. We also have fans from Japan, and our love for the people there and the country itself was what led us to write a song in japanese. About Italy, we played several shows around the country in the last 2 years, and we managed to reach a lot of people who supports us in a wonderful way."
With the popularisation of the 'Gothic Metalcore' movement inspired by Motionless In White, would you consider them and yourselves as pioneers of the said genre? Or what you describe yourselves as?
"MIW could totally be considered pioneers, but for us, we don't consider what we do pioneering at all. We had an idea, back then, to try and mix our love for the '90s industrial scene with modern metal music, and we're still working on it to get to the sound we have in mind. When we'll reach that point, fans and critics will say if what we do is pioneering or not, but for us it's just trying to express ourselves in the way we think best suits what and who we are."
Does each member have their own unique look in terms of clothing and make-up? Would it be safe to say that you're influenced by the Visual Kei scene?
"We are totally influenced by the V-Kei scene! We went a little overboard in the promo material for "Anima", but with it being a song in Japanese, mostly for japanese fans, we felt it was natural and we've had a lot of fun building our looks and outfits. Every one of us has a very different taste in style so we find ourselves talking (and arguing) about our looks often when we have to shoot a video or some promo pics. While writing and playing music are of course our favourites things to do, we surely think and work a lot about our image in order to deliver something that's carefully thought and realized from start to finish."
Where does Beyond The Fallen go on from here (the music video release)? Debut album? UK / EU tour?
"We have a lot of material for our second LP, that should come out sometime around 2017. We'll start working in studio in October, and thanks to "Anima" we have a clearer idea about what the album will be. We can't wait to let you guys listen to it!"
Finally do you have any hello's or thank you's you wish to send out?
"We'd like to thank you for this interview of course! And also thanks to all of our fans for their incredible support, we never thought what we do could mean so much for people and every one of our fans is a reason for us to keep working as hard as we can."
Looking towards Eastern Europe and there are a load of bands out there with very little Western attention, but occasionally a band will trip the switch and cause such a surge throughout the underground that they'll make the media stop sipping their coffee and latch on to the disturbance. The latest product from the farther side of Europe is Ukrainian Metallers Jinjer of whom bolt together elements of Groove Metal and Metalcore to make something heavier than you're last hangover.
Bassist Eugene obliged to take GMA and guide us through the world of Jinjer...
For those who do not know your band, could you please give a brief background of the band and what your band name means
"Well, talking about the music seems to be a bit ridiculous, it's like describing an image to a blind person. You have to listen to Jinjer to understand fully what we are. But if you insist I will say the following... you will definitely like Jinjer if you are open-minded and enjoy diversity in music.
As for the name. Well, it's just a name. Originally there was no real meaning behind it... you know, when parents name a child John they don't usually put anything into it, just a good name. Though later on fans found some meaning, namely associating it with a distorted guitar sound: "jin-jer-jin-jer"."
There seems to be an increase in female musicians over the years, do you feel that the stigma towards female musicians is still there or has it gone?
"It is still on, but it tuned the wrong way in my mind. Too many voiceless chicks started doing peep-shows on stage instead of music... personally I try to avoid being tagged “female-fronted”. I see no real sense in differing bands by the front person's gender... we'd rather pick bands by their talents and creativity"
How did you all become involved in music? How have your parents reacted to your choice of music?
"Well, I come from a musician's family. My father used to be a bassist. And he brought me up with old-school rock bands like Led Zeppelin, Deep Purple and others... at the same time my elder brother was a guitarist and he introduced me into punk and grunge. So my family took it normally when I formed my first metal band. Of course the others were not so lucky. I know that Eugene was suffering from his parents blames till the recent time. "
You just recently released your latest offering 'King Of Everything', can you tell us more about the album in terms of what it regards, how long it took to make, favourite songs etc?
"The album has a certain conception. We as humans were born free and happy. No attachments to religion, state, society... We are free to choose our way, to express ourselves, free to act as we want to (unless we harm one's existence). But once we were tricked by some "king", we were fooled and enslaved. According to the "King of Everything" they are several. Choose yours):
- time (Captain Clock)
- past and other individuals left behind (Just Another)
- censorship (Words of Wisdom)
- ideology (Sit, Stay, Roll Over & Under the Dom)
- money and power (Dip a Sail)
- personality itself (Pisces)
'I Speak Astronomy' was written as a total opposition to those "kings". It is ruled by physical laws which are natural.
In general we spent about 4-5 months writing all of the songs... we were quite limited in time. When we signed the contract we only had a few songs, we were about to release a short EP, but Napalm needed a full length album, minimum 40 minutes. So we had to compose 7-8 songs during a short time. But the band managed to accumulate all the energy, creativity and inspiration... to some extent it was positive pressure – we made a very sincere album, we didn't have time to work out the material for a year or so. We expressed what we had in us honestly.
My favourite songs are definitely 'Pisces' and 'I Speak Astronomy'... these are very private songs for me. In some ways these are my confessions.
Will you be undertaking a tour in support of the album? With the UK pulling out of the EU are you concerned it may hinder your chances at playing in the UK?
"It seems that for us it didn't make any change! We are out of the EU, anyway we have to deal with British visas, which are extremely complicated! But we will do our best to visit the UK, believe me."
Taking interest in the Ukrainian Metal scene, what is the current status of the scene? Is the scene still going strong? What challenges specific to the scene are there?
"The scene is growing and developing little by little. We've got several super-cool bands, like Megamass, Zlam, Space of Variations and Joncofy, they are able to kick ass, believe me. The biggest problem is audience... we just don't have people going to live shows. There are only 5-6 cities where it is possible to bring 400-500 to a gig, and maybe 2-3 more where we can have 150-200... and that's all for a country of 42,000,000 population. And of course there are not many good clubs and venues."
What plans have you got for the rest of the year and into early 2017? Have you got any greetings you wish to send out?
"We will tour non-stop till the end of 2017. This is out priority. We kindly send our regards to every British fan of Jinjer, stay strong, friends, one day we will hit the stage in your neighbourhood."
Being a female metal or rock musician over the course of history has always dragged up challenges and problems that otherwise might not be experienced by their male counterparts. Firstly the immoral and unforgiving stigma directed towards said musicians has always proved an issue, but it's one that has been been challenged head on through arguably a whole plethora of successful artists and bands.
From the likes of Siousxie & The Banshees to Annie Lennox, from Sabina Classen and Orianthi to Vanilla Ninja and arguably the most prolific all-female metal band, Girlschool. These are musicians who stood up to the male-dominated arena of rock and metal, stuck the middle finger up and alluded to the notion of 'who said girls can't rock or mosh?' As AC/DC once put it, 'for those about to rock, we salute you' and for the female rock / metal musicians and subsequent all-female bands, we do exactly that, we salute you. One of these bands is Conquer Divide, who are rampaging and setting the USA on fire with their own unrelenting and uncompromising style of Alternative Post-Hardcore / Metalcore.
Let's be honest, it does not matter who or what you are, as long as you are happy playing music then those who remark on it can stick their opinion where it should belong. As Tamara quite rightly put it when speaking to Blabbermouth, "We are all girls, and you cant hide that, but we want people to focus more on the quality of the music," (http://www.blabbermouth.net/news/all-female-metal-band-conquer-divide-to-release-debut-album-in-july/), so with that in mind we asked our own questions and Izzy (guitarist) duly decided to respond to them.
Will the ongoing debate about female musicians disappear or has it already seen the end? What about the youth of today, could Conquer Divide offer themselves as inspiration for female musicians (whatever style of music) to aspire to? Izzy believes they can (we do too):-
"No, I don't think it's something that will fade away easily. I mean its pretty common for our musicality to be undermined because we are girls, that's the sad reality. On the flip side being an "all girl band" in a male dominated industry has given us an edge to create something different and stand out from the crowd. We definitely want to have a positive impact on young girls and show them that there is always room for girls in metal, you just have to dedicate yourself to do it!"
It would seem logical that giving girls instruments would open doors for newer creativity and ideas, just like the Japanese Metal scene has recently experienced with the phenomenal yet completely unforeseeable rise of Babymetal; well they did go completely viral in a very short space of time, truth be told not many people knew of their existence outside of Japan. Here's hoping that more and more females worldwide grab hold of an instrument or harness some sort of musical skill and form a band, or at least join one. So what about their heritage? Well they do have members originally from the USA, the UK and Serbia and so did this work out for them? Well clearly it did!
"The concept for Conquer Divide was originally formed in Michigan, USA. However to complete the line up the band had to outsource to different areas. It's hard enough finding dedicated musicians to create bands, and when you're specifically trying to find female musicians that's even harder, so that's why naturally we are from different areas. We write music with each other via the internet! Yay technology!"
With their debut self-titled album already out, surely the chances of a tour to support it's release seemed likely, well actually this is not the case. See, Conquer Divide have done the opposite and toured prior to the album release in support of it as Izzy goes on to explain (as well as speaking about current endeavours):-
"We released our album last summer whilst we were on the 2015 All Stars tour, so I guess that was our album release tour! We just came off tour with Slaves, Capture The Crown, Myka Relocate, Outline In Color and currently we have no tours coming up. We are busy doing some writing but we would love to hit the road again soon!"
With the band essentially coming fresh off the block on the international stage, we asked Izzy if she could describe the album's sound without the ill-fated genre tagging, what track(s) are her favourites and why. Most musicians have a stand-out track and usually these take the form of a single or music video as a way to showcase the track(s) they're most proud of. Logically speaking differentiating your song styles offers you greater choice at electing a song you like the most, moreover it allows a plethora of fans from different style preferences to come to like the release in question. However Izzy offered some unique advice when it comes to their album, "We just would advise fans to listen to the album from start to finish to really get a taste of what we are about." before adding:-
"Our album is pretty varied, we have heavy songs like "Heavy Lies The Crown" and "Despicable You" which are more screaming / guitar orientated and then lighter songs like "Broken" and "What's Left Inside" which really focus on Kia's singing abilities. I honestly like all the songs on our album (I know I know, a cop out answer) but for different reasons, for example "Heavy Lies The Crown" has awesome riffs, which for me being a guitarist is fun, "Nightmares" has some sweet synth sections in it."
Creating music as a musician or band, or working in the music industry in one of many outlets such as PR or record labels, show promoters or engineers etc., can be a strenuous job sometimes and as a result it can take toll on your body to the extent you just want out, so to avoid this dilemma musicians often indulge in other interests and or hobbies to take a break from said profession(s). So what does Izzy like to do?
"We all have different hobbies which is pretty cool, I know Kristen really likes travelling because on tour we don't really get to "see" a lot. I still like jamming guitar outside of tour, I'm pretty into working out and I like snowboarding!
And obviously by travelling you are able to take your music with you and not just on tour. Naturally with the internet lending itself as a major driving force for globalization, bands are finding that their music is being picked up in the unlikeliest and remotest parts of the world unbeknownst to them. Even for GMA as a media outlet we see people from the likes of Greenland to French Polynesia take note in what we do, so we have to thank the internet for that. But what of Conquer Divide? Has Social Media aided them well, and what does Izzy think of it's darker side?
"We seem to have a lot of fans in South America which is pretty sweet, our album actually debuted in Japan as well and people seem to dig our music there too! We are actually hoping to tour Japan soon so that's super exciting. I feel social media has been nothing but positive for bands, but modern technology kind of killed CD sales which makes it harder to make a living from music... but as a musician you just have to go with the flow and constantly adapt to the changes."
And with changes in mind, could we see Conquer Divide's debut album take on the form of being released in vinyl format as it's unprecedented resurgence continues to grip tighter on music consumerism?
"We have talked about it yes, but we haven't got any solid plans for it because we are unsure how much demand we have for vinyl..... so if anyone is reading this and wants our album on vinyl let us know!!!"
So what plans alongside the potential for their self-titled debut album being released on vinyl is there and what greetings does Izzy want to send out?
"More tours (hopefully outside of the USA), writing an acoustic EP and getting stuck into writing our second album! I think I can speak for all the girls when I say we want to thank our team at Artery, our supportive family and friends and of course our awesome fans who inspire, motivate and have created a platform for us to live our dreams on."
Check out their lyric video for 'At War' by clicking the inserted video above this text.
Conquer Divide's self-titled debut album is out via Artery Recordings
"A part of what makes a piece of art beautiful is that it is one of a kind that is meant to be experienced a certain way"
Since the American Metalcore / Post-Hardcore / Screamo unit Alesana unveiled the second part of their "Comedy of Errors" music video / mini-movie, GMA decided it was about time to take the band to the grill and interrogate them via the use of pincers. The conclusion of this chapter highlights a critical turning point of "The Annabel Trilogy" (the story in which their three album concept was based on). "Comedy of Errors" (from the new full-length, "Confessions") and it's accompanying video series is complete with an intriguing storyline of love, mystery, and time travel.
Let the interrogation begin...
Overall how hard (or easy) was it to construct and release the "The Annabel Trilogy"? Will there be any more trilogies?
"The trilogy was definitely an involved venture but one that has been very rewarding. I think that over time fans, both new and old, will really begin to appreciate the level of care that went into writing these albums and stories this way. I've been finishing up the complete short story and it has reminded me just how cool and involved this idea was and how proud I am that we were able to stick with it and see it through."
As you guys call yourself 'Pop Metal', do you feel the term has had backlash over the years? Is there a stigma towards pop music that metalheads generally have?
"If there has been I have not witnessed it first hand. Genres are, and always have been, a way to categorize and pigeonhole art. On one hand, it allows for people to siphon through things and get to new things that they may appreciate more quickly. On the other hand, it causes pre-emptive opinions to be formed. For me, if somebody doesn't like my art or music solely because of a genre lent to it then that is most likely a person I wouldn't want to invite into our creative world anyhow."
You've just released your second part of the "comedy of errors" music video, would fans of your music need to listen to the trilogy to understand the mini-movies?
"It certainly wouldn't hurt. I would definitely recommend to anyone who enjoys the videos to try to submerge themselves into the whole universe that we have created."
What plans do you have for the year ahead? Any tours over in the UK / in Europe?
"This year we are scaling back and taking a break to focus on our families and some other ventures. You haven't heard the last of Alesana just yet, however."
What challenges do you feel up-and-coming bands these days face more than ever? Is social media too heavily relied upon?
"Social media is 100% too heavily relied upon. Back at the beginning of our career we were immersed fully in the MySpace revolution. It was a huge help for us but that is because we used it to compliment our grass roots approach, we didn't rely solely upon the internet. A lot of young bands these days write a record, record it, take some photos, slap everything on Facebook and Bandcamp, sit back and wait, and then wonder why their band isn't blowing up. Playing shows, meeting people, and building relationships both with new fans and other bands is so important and a point that I think too many bands are missing these days."
A Heavy Metal movie hasn't really been done before, so could you imagine a film being made with purely metal musicians acting out characters? If you could remake a film, what one would you choose and why? Who would act the parts?
"That sounds like a fun idea. I'm a huge fan of movies and good television and honestly I do not like remakes. A part of what makes a piece of art beautiful is that it is one of a kind that is meant to be experienced a certain way."
Finally have you got any hello's, greetings etc you wish to send out?
"Shout out to my entire Revival family of artists! You can check everything out at revivalrecs.com"
"We still have that spirit of exploration, but we've definitely found our groove and we can't wait to show the world"
Immoralis are a Symphonic Metalcore / 'Orchestral DETHcore' sextet arising from the dark and dampened streets of Minneapolis, Minnesota. Having already unleashed their ferociously powerful effort 'The Great Collapse' and just dropped their latest single 'Burden', it was clearly overtime in respect to giving these four lads and two lasses a proper interrogation. We recommend the track 'The Great Collapse' from their album of the same name as a starter point to get into what is poised as the newer Bleeding Through. Let the fireworks begin, we spoke to the band as a whole and also addressed two questions to them individually, surprised to see the UK was not mentioned in this interview....
Hey guys, first of all how did Immoralis come about, how did you meet and what does the name mean?
As far as our lineup we all met through Craigslist ads, YouTube, mutual friends and being in the right place at the right time. As far the name Immoralis goes it actually has no real meaning but was thought up and it just happened to stick.
You call yourselves Orchestral DETHcore Metal, what influences make up your sound?
Between each individual member we have such a varied difference on what we each listen to personally that we all bring something unique to the table and are able to come up with our sound.
Who would you say was the party pooper of the band, who is the leader or daddy / mummy of the band? (That is who makes sure everyone is happy)
Each of us have been the party pooper at one point or another, Jens and Adam would be the leaders / father figures and Matt would be the comforting mother of the band. As far as everyone else in the band Jesse is our networker, Tori is our swing vote whenever our democracy is at a tie, and Jace is our social butterfly / wild child.
You released your debut album 'The Great Collapse' last year, did you all come up with the songs or was some songs thought up individually?
Jens and Adam pretty much had the foundation of the songs written and as each of the rest of the members joined they were able to add their instruments to the songs to create "The Great Collapse".
What plans have you got for the year? Please explain the meaning behind your new single 'Burden'?
We will hopefully be working on a new EP as well as doing some touring. "Burden" was inspired by the TV show "Dexter". The song can be viewed as a stepping stone towards the direction we're going.
Finally are there any hello's, thank you's, etc you wish to send out to friends, fans, etc?
We'd like to give a collective shout out to everyone that has supported us so far. It means the MULTIVERSE to all of us and we're excited for what's to come!
The rest of the questions were directed at each member with two questions each.
So Jens, how long have you been playing guitar and what do you currently play with?
I've been playing guitar for 17 years now... wow, how time flies having fun! Currently, I have 3 guitars that I use live, my two mains are a Tobacco Sunburst Gibson Slash Signature Les Paul and a Black Dean ML Custom Run. My backup guitar is a Gibson '67 re-issue Flying V. All of the guitars are down tuned to Drop-B. I use DR DDT .12-.60 strings. My amp is a Peavy 5150 EVH signature Blockletter run through a Carvin 4x12. My pedal board consists of a Morley Bad Horsie 2 wah wah, Boss TU-2 Tuner that run in front of my amp, with a TC Electronics Flashback Delay, TC Electronics Hall of Fame Reverb, and a ISP Decimator in my FX Loop to clear up all the nasty unwanted noises that come from a cranked 5150... I also have a Sure Wireless system that I use depending on the day and venue.
What is your favorite Immoralis riff and why?
My favorite Immoralis riff? Well, that would probably have to be in 'The Value of Nothing', specifically at 1:49. It's a pretty basic riff that only happens for a few short measures, but it just brings me back to the old (Master of Puppets / And Justice for All) Metallica shred days, so you better believe I down pick that shit for full Hetfield authenticity.
Jace, as backing vocalist and bassist, who do you take influence from?
Influences for me have come from all around considering singing and playing. My parents are huge influences on me, being musicians themselves they've always been able to help, teach and inspire me with anything I do music related. Vocally I would have to reach out to Robert Plant from Led Zeppelin, Pat Benatar and Amy Lee of Evanescence. I love the feeling they all release in their singing and all their different styles. Bass wise, I really enjoy playing fast, so Geddy Lee of Rush and Ryan Martini of Mudvayne were two of my first influences that really reached out to me on that instrument for two reasons, they weren't your average 'root-note bassist' and I never got bored listening to them play. Then I got into Tal Wilkenfeld, and she is definitely a top inspiration for me along with John Myung from Dream Theater. Flawlessness meets tastefulness. I don't care what anybody says, there is nothing like a good, solid, funky fresh bass solo.
If you could sing a duet with any musician from any time in history, who would it be and why?
If I had the chance to sing a duet with any musician in history, it would definitely be a tie between Sharon from Within Temptation and Amy Lee from Evanescence. Their impressive range, feeling and over-all talent is just flawless! I have been listening to both groups from each ones beginning and I definitely believe that the passion, drive and talent we all would share could definitely be combined into one of the most breath taking musical pieces yet. It would be such an amazing honor.
Matt, how did you train to become a drummer, was it natural or did it take time?
I've never had a formal lesson before so I guess you could say I took to the instrument pretty naturally. I was inspired to learn by watching other drummers before I had even touched a pair of sticks, I just knew I wanted to play the drums instinctively in a sense. But as far as getting to where I am today it's come from years of listening to music and learning other drummers parts as a way of figuring out how certain things are done. Very trial and error then figuring out what works best for me and our songs.
If you could take Immoralis to only 3 countries (except USA), where would you take them and why?
Definitely Australia, Germany and Canada. Those music scenes as of late are pumping out some sick bands and just seeing how shows go down from seeing other bands in those locations the appreciation for our genre over there is just insane and I would love nothing more than a first hand experience of that.
Adam, did you and Jens share guitar playing tips in the early Immoralis days or was it very easy to do?
We were both semi experienced at guitar and writing music when we met. Jens has always been an exceptional guitarist with his formal training, schooling, and how he constantly pushes his skills and in the time of knowing him and playing with him I've grown tremendously by learning from him. When we first started writing together it was difficult. We were both trying to pull the music in a certain direction which is strange because we actually share many of the same influences that got us into music like Pantera, Metallica, Etc. Where the magic began was when we both let go of control and just let the music flow. We gave everyone a chance to finish an idea before criticizing or changing it. We also adopted early on that no idea or direction is off limits. We don't have to be strictly brutal or melodic. We love the duality of both. We never know where the next song will go.
What would you say makes Immoralis who they are?
I think our secret sauce is our diversity and that everyone contributes. If you put four guys who all love Death Metal together then they'll make a Death Metal band or Thrash, etc. The truth about us is that there are bands we all love but there's such a range of influences between everyone and we really encourage every members input. When we first started writing we didn't really know what kind of band we were gonna be so we were really experimental and just figuring out what we wanted to be. Our first record "The Great Collapse" is in my opinion a good example of us exploring what sound we want. Since then we've definitely honed in on what we think will make Immoralis the best band we can make it. We still have that spirit of exploration but we've definitely found our groove and we can't wait to show the world.
Tori, how long have you been playing keyboards and do you feel that more bands need to explore this instrument further? (As in does it create atmosphere so that the whole song sound changes?)
I've been playing piano for probably around 16 years, keyboards for 10. While I love the extra layer that keyboards add, I wouldn't equate that to saying more bands need to incorporate them. I wouldn't be opposed to such a movement, but there are tons of amazing bands out there already that utilize keys, and in vastly different directions! However, I will fully admit that if more bands want me to listen to them, keyboards are an easy way to do so. That's where I get my giggities.
Who would you liken yourself to playing wise? Who influences you?
My biggest influence is easily Tuomas Holopainen of Nightwish. The sincerity, talent, and imagination behind his songwriting are what first inspired me to attempt fitting my classical background in the metal scene. If it hadn't been for a good friend of mine showing me the "Once" album and coercing me to form a metal band, I certainly wouldn't be where I am now.
Jesse, what made you become a vocalist, was it a childhood passion?
I actually grew up playing the guitar and playing in a garage band with my older brother Pat. I was 14-15 years old covering Smashing Pumpkins, Nine Inch Nails, Korn, etc. Then I started writing my own music and lyrics so our band began writing original music. That's when I started singing. I would always sing along to songs when I was little. But growing up my main focus was the guitar. When I turned 17 I started writing music that was to technical for me to play and sing at the same time. I found a guitar player that I could teach the songs to so I could mainly concentrate on vocals. I really got into the screaming side of music after hearing the "Deftones", my favorite band ever ha. Then America Head Charge, Dry Kill Logic, Chimaira, etc. I took a break from vocals and got back into the guitar for a few years. I then took a break from music all together to pursue other interests. I stumbled upon Immoralis, heard some songs that were just instrumental and after hearing them I had so many sick vocal ideas running through my head. That's when I decided to get back into the music scene. I think my passion is music in general, whether it be vocals, guitar, bass, anything that helps get the ideas out of my head and into a written song. That is my passion.
What advice could you give to those learning this type of vocals?
As far as advice for anyone trying to learn screaming / singing vocals. I would say nothing happens overnight, it takes years and years of learning, practicing and making mistakes to learn how to scream properly. Nothing of worth comes easy. If your voice is gone and your running out of breath then your doing it all wrong. Control your breathing! Also be open minded, just because you're into metal doesn't mean that other genres can't help you become a better musician or vocalist. I practice singing to anything from Bruno Mars, City In Colour, Periphery, then screaming to Veil Of Maya, After The Burial, Elitist, Whitechapel, etc. It all helps me become a better vocalist and I'm always learning new things. Last but not least, be yourself. It's good to practice to other music and learn from it but be original. Which means let everything you scream and sing come out naturally. Don't try to sound like someone else and most of all don't over-think things.\m/
As DevilDriver sharpen up their axes and brush off their gold-coated selves after their well-received Bloodstock appearance, I caught up with Dez Fefara (Vocals) and spoke to him about the plans they have for the year, their time watching a marriage proposal take place in the Bloodstock Signing Tent, past events and how he believes work ethic is a key to success.
We have selected a number of questions from the interview for your reading pleasure, but please also find the audio version above.
Hi there Dez, so at Bloodstock you witnessed a marriage proposal take place, what was that like for you?
That was a good time man, I mean any time people will go to a gig and coming together as a couple and enjoying music when, they were tying the knot at a Metal concert and I mean that is a damn good time. You know what I mean? (laughs).
Was that the first time you saw something like this happen?
No, actually that has happened quite a few times with DevilDriver, it happened after playing in Berlin and Australia and it is a wonderful thing to see people come to a gig and tie the knot, basically it's a cool thing. [Then refers to the Bloodstock occasion and reflects on his thoughts]: I was thinking this could go one way or the other (laughs), nah like I said it could be a beautiful thing or it could be turned down, but I always wish everyone the very best and I've been married for a long time so I know what a beautiful day it could be but I've also been a part of scenario's which were not so good. But I wish the best to people.
Now you released "Winter Kills" back in 2013, have you got any plans for a new release this year?
No, I mean if I had my way we would put a record out about every year and a half, it's just impossible so we're pretty much on a two and a half year cycle right now and we can very much keep up with that, that being said later on in the Fall (Autumn) of this year we will be recording and then sometime next year I will be recording vocals. But just the way we learn to write together is what made "Winter Kills", "Winter Kills", it's what made the six records perform well on the road, we're glad we're using this new writing style and by starting now we want to get ahead of the game to make sure we have a real quality product to go in and record.
Of course you're coming over to the UK in April and are touring with Sylosis and Bleed From Within, is it the first time you've played alongside these bands?
No, playing alongside Sylosis they were on tour with us and they got into a little horrible accident in America, I'm not sure if you know about that so they were in an RV and they got wrecked pretty bad and were pretty lucky to be alive, but I mean they had to redirect their tour so it was kind of like 'hey guys lets get together and kick shit up, we're glad your alive', they've got their own and sound and brought a lot to the table.
I always like coming to the UK, there are certain places as a musician you can make it or break it, in that stage we were looking at Los Angeles and the UK. We're very loud over there, it's a great time and I have a lot of friends and I know the shows are going to be off the hook, and that is going to be important for me, when you know the shows you're going to perform at are going to be crazy, it makes it all the better and we got to make sure that we will be ready to do it.
In regards to your song 'Not All Who Wander Are Lost', there's a section where the band-members are subject to x-rays, was that your idea or another band-members?
No no, that was an idea I had and when I tried it out the director was like oh this can easily be done this way and that way and so we ended up putting that in the video. I've worked alongside some really cool people so.... [listen to the audio at the top for a more in depth answer to this]
Thinking back to when you were a child, did you foresee yourself with DevilDriver as big as you are now?
Oh no I don't think it's the matter of being big or small, it's about being a musician. So now it's kind of a different scenario in relation to listening to a record collection because now you would ask 'hey mum, dad, let me borrow your iPod for the day', which is not going to happen because they're going to need it for work, or to go to the gym or whatever. In my house, all those kinds of records I got into them early on so now I have 60's stuff like The Doors, Steppenwolf's 'Born To Be Wild and other stuff like that I got into when I was really young, so I saw myself being a musician but didn't want to think in terms of being big or small and instead just getting up on stage and being a musician and that is really worked out for me.
Regarding "Winter Kills" which debuted #32 on the Billboard, could you perhaps shed light on why Metal music does or does not tend to get high positions on the Billboard?
Well metal tends not to get in to Billboard top #40 and it is extremely hard to get into, especially when you're against someone like Justin Timberlake and just not getting into it, but this is starting to change and I'm really proud to say that we made #32 and that's with no clean singing or no clean vocals, nothing good on the radio and as a result making it onto the radio means that it shoots onto the Billboard chart, that with requests for airplay pushes you further up the chart. But the chart is mainly a lot of pop music, a lot of pop punk and to see this shift with metal now making the chart's, it's something rather special, as metal is seen as the disproportionate and I don't know why it is happening, but it's happening.
Out of all the albums you own, what album would most people be shocked at in knowing that you own a copy?
(laughs), well I listen to a wide range of music so from everything including blues to punk rock, to Black Metal, to psychobilly and I love it all man, as far as being shocked I think you would have to take a look at my record collection and see that I have some Frank Sinatra and Dean Martin to Black Sabbath, Emperor, Dio, Sepultura, Black Flag, etc. and crazy opera stuff, you know I collect music as I am a music musician, not a metal musician and I'm very far from the purest in that anyone who knows me knows that I love Bauhaus and Sisters of Mercy as much as I love Black Sabbath and Black Flag. So, I wouldn't say they would be shocked, more so I would say they would be like 'Oh that's a Sinatra CD, didn't know you like that music and I'd say yeah been listening to it a lot'.
What would you say to those unsigned bands who don't quite understand yet what being in a metal band is about, in respect to investing time and money? What of those bands who think promoters should bow down to them and give them gigs instead of working for them?
If you're getting into an underground art, and I mean anything that's an underground art like painting, sculpting, playing the Blues, Punk Rock, Heavy Metal, don't get into it for the money, and basically you will always have to put something into life in order to get something out and so that means you would have to pay for gas, food, hotel accommodation or you'll probably have to go one or two weeks without a shower and so there's always going to be different kinds of scenario's on the way up, but if you stick with it, you know you keep your day job and you keep yourself sane, you stay away from the problems that will kill your band and stay away from hard drugs and all of the things that are going to destroy your future, then you might have a future. Don't go following a scene, you should be making your own style of music and do it for your heart and yourself, and those who like your band. Believe in yourself man, that's all you got to do just believe in yourself and those kinds of people who have done that have started all kinds of bands, if you believe in yourself you will be able to do things.
People who believed in me helped me out and those that didn't, I am no longer friends with and most of them are no longer in the industry any more so it is also not only important to believe in yourself, but others too as they are the ones who you will want to spread the positivity around.
Those bands (laughs) who think that people should bow down to them are stupid, you know you're just a f**king musician. You're not a world leader or whatever, you're a musician. Here's the thing right, I come from what you would call a working-class background, ok I was on a construction site for years and I know what it's like to work my ass off. With my dad, I would go down there around 5 in the morning (a.m.) and still be working when before the sun goes down and you're so tired. I've never lost that work ethic because I believed in becoming a man, and not through buying houses, or cars or having a beautiful wife. So no, no one should ever have to bow down to you even if you're a musician.
Finally are there any hello's, thank you's, etc you wish to send out to friends, family, fans, etc?
Yeah well, for anyone who has supported me from the beginning of my career up till now, in any number of my bands thank you very much and I'll never ever let you down, not through my music nor through the live shows, so come on out to the shows, get in the pit and have a good time with DevilDriver and throw away the chairs for a night with us.
DevilDriver are on tour in the UK from the 3rd to the 10th April and are hitting these following cities (in order): CARDIFF, LONDON, WOLVERHAMPTON, GLASGOW, DUBLIN, MANCHESTER and SOUTHAMPTON.
Tickets are on general sale now and you can pick them up at www.kililive.com and www.seetickets.com (Cardiff, London, Manchester, Southampton), www.ticketmaster.ie (Dublin), www.triplegmusic.com (Glasgow) and www.wolvescivic.co.uk (Wolverhampton).