"We still have that spirit of exploration, but we've definitely found our groove and we can't wait to show the world"
Immoralis are a Symphonic Metalcore / 'Orchestral DETHcore' sextet arising from the dark and dampened streets of Minneapolis, Minnesota. Having already unleashed their ferociously powerful effort 'The Great Collapse' and just dropped their latest single 'Burden', it was clearly overtime in respect to giving these four lads and two lasses a proper interrogation. We recommend the track 'The Great Collapse' from their album of the same name as a starter point to get into what is poised as the newer Bleeding Through. Let the fireworks begin, we spoke to the band as a whole and also addressed two questions to them individually, surprised to see the UK was not mentioned in this interview....
Hey guys, first of all how did Immoralis come about, how did you meet and what does the name mean?
As far as our lineup we all met through Craigslist ads, YouTube, mutual friends and being in the right place at the right time. As far the name Immoralis goes it actually has no real meaning but was thought up and it just happened to stick.
You call yourselves Orchestral DETHcore Metal, what influences make up your sound?
Between each individual member we have such a varied difference on what we each listen to personally that we all bring something unique to the table and are able to come up with our sound.
Who would you say was the party pooper of the band, who is the leader or daddy / mummy of the band? (That is who makes sure everyone is happy)
Each of us have been the party pooper at one point or another, Jens and Adam would be the leaders / father figures and Matt would be the comforting mother of the band. As far as everyone else in the band Jesse is our networker, Tori is our swing vote whenever our democracy is at a tie, and Jace is our social butterfly / wild child.
You released your debut album 'The Great Collapse' last year, did you all come up with the songs or was some songs thought up individually?
Jens and Adam pretty much had the foundation of the songs written and as each of the rest of the members joined they were able to add their instruments to the songs to create "The Great Collapse".
What plans have you got for the year? Please explain the meaning behind your new single 'Burden'?
We will hopefully be working on a new EP as well as doing some touring. "Burden" was inspired by the TV show "Dexter". The song can be viewed as a stepping stone towards the direction we're going.
Finally are there any hello's, thank you's, etc you wish to send out to friends, fans, etc?
We'd like to give a collective shout out to everyone that has supported us so far. It means the MULTIVERSE to all of us and we're excited for what's to come!
The rest of the questions were directed at each member with two questions each.
So Jens, how long have you been playing guitar and what do you currently play with?
I've been playing guitar for 17 years now... wow, how time flies having fun! Currently, I have 3 guitars that I use live, my two mains are a Tobacco Sunburst Gibson Slash Signature Les Paul and a Black Dean ML Custom Run. My backup guitar is a Gibson '67 re-issue Flying V. All of the guitars are down tuned to Drop-B. I use DR DDT .12-.60 strings. My amp is a Peavy 5150 EVH signature Blockletter run through a Carvin 4x12. My pedal board consists of a Morley Bad Horsie 2 wah wah, Boss TU-2 Tuner that run in front of my amp, with a TC Electronics Flashback Delay, TC Electronics Hall of Fame Reverb, and a ISP Decimator in my FX Loop to clear up all the nasty unwanted noises that come from a cranked 5150... I also have a Sure Wireless system that I use depending on the day and venue.
What is your favorite Immoralis riff and why?
My favorite Immoralis riff? Well, that would probably have to be in 'The Value of Nothing', specifically at 1:49. It's a pretty basic riff that only happens for a few short measures, but it just brings me back to the old (Master of Puppets / And Justice for All) Metallica shred days, so you better believe I down pick that shit for full Hetfield authenticity.
Jace, as backing vocalist and bassist, who do you take influence from?
Influences for me have come from all around considering singing and playing. My parents are huge influences on me, being musicians themselves they've always been able to help, teach and inspire me with anything I do music related. Vocally I would have to reach out to Robert Plant from Led Zeppelin, Pat Benatar and Amy Lee of Evanescence. I love the feeling they all release in their singing and all their different styles. Bass wise, I really enjoy playing fast, so Geddy Lee of Rush and Ryan Martini of Mudvayne were two of my first influences that really reached out to me on that instrument for two reasons, they weren't your average 'root-note bassist' and I never got bored listening to them play. Then I got into Tal Wilkenfeld, and she is definitely a top inspiration for me along with John Myung from Dream Theater. Flawlessness meets tastefulness. I don't care what anybody says, there is nothing like a good, solid, funky fresh bass solo.
If you could sing a duet with any musician from any time in history, who would it be and why?
If I had the chance to sing a duet with any musician in history, it would definitely be a tie between Sharon from Within Temptation and Amy Lee from Evanescence. Their impressive range, feeling and over-all talent is just flawless! I have been listening to both groups from each ones beginning and I definitely believe that the passion, drive and talent we all would share could definitely be combined into one of the most breath taking musical pieces yet. It would be such an amazing honor.
Matt, how did you train to become a drummer, was it natural or did it take time?
I've never had a formal lesson before so I guess you could say I took to the instrument pretty naturally. I was inspired to learn by watching other drummers before I had even touched a pair of sticks, I just knew I wanted to play the drums instinctively in a sense. But as far as getting to where I am today it's come from years of listening to music and learning other drummers parts as a way of figuring out how certain things are done. Very trial and error then figuring out what works best for me and our songs.
If you could take Immoralis to only 3 countries (except USA), where would you take them and why?
Definitely Australia, Germany and Canada. Those music scenes as of late are pumping out some sick bands and just seeing how shows go down from seeing other bands in those locations the appreciation for our genre over there is just insane and I would love nothing more than a first hand experience of that.
Adam, did you and Jens share guitar playing tips in the early Immoralis days or was it very easy to do?
We were both semi experienced at guitar and writing music when we met. Jens has always been an exceptional guitarist with his formal training, schooling, and how he constantly pushes his skills and in the time of knowing him and playing with him I've grown tremendously by learning from him. When we first started writing together it was difficult. We were both trying to pull the music in a certain direction which is strange because we actually share many of the same influences that got us into music like Pantera, Metallica, Etc. Where the magic began was when we both let go of control and just let the music flow. We gave everyone a chance to finish an idea before criticizing or changing it. We also adopted early on that no idea or direction is off limits. We don't have to be strictly brutal or melodic. We love the duality of both. We never know where the next song will go.
What would you say makes Immoralis who they are?
I think our secret sauce is our diversity and that everyone contributes. If you put four guys who all love Death Metal together then they'll make a Death Metal band or Thrash, etc. The truth about us is that there are bands we all love but there's such a range of influences between everyone and we really encourage every members input. When we first started writing we didn't really know what kind of band we were gonna be so we were really experimental and just figuring out what we wanted to be. Our first record "The Great Collapse" is in my opinion a good example of us exploring what sound we want. Since then we've definitely honed in on what we think will make Immoralis the best band we can make it. We still have that spirit of exploration but we've definitely found our groove and we can't wait to show the world.
Tori, how long have you been playing keyboards and do you feel that more bands need to explore this instrument further? (As in does it create atmosphere so that the whole song sound changes?)
I've been playing piano for probably around 16 years, keyboards for 10. While I love the extra layer that keyboards add, I wouldn't equate that to saying more bands need to incorporate them. I wouldn't be opposed to such a movement, but there are tons of amazing bands out there already that utilize keys, and in vastly different directions! However, I will fully admit that if more bands want me to listen to them, keyboards are an easy way to do so. That's where I get my giggities.
Who would you liken yourself to playing wise? Who influences you?
My biggest influence is easily Tuomas Holopainen of Nightwish. The sincerity, talent, and imagination behind his songwriting are what first inspired me to attempt fitting my classical background in the metal scene. If it hadn't been for a good friend of mine showing me the "Once" album and coercing me to form a metal band, I certainly wouldn't be where I am now.
Jesse, what made you become a vocalist, was it a childhood passion?
I actually grew up playing the guitar and playing in a garage band with my older brother Pat. I was 14-15 years old covering Smashing Pumpkins, Nine Inch Nails, Korn, etc. Then I started writing my own music and lyrics so our band began writing original music. That's when I started singing. I would always sing along to songs when I was little. But growing up my main focus was the guitar. When I turned 17 I started writing music that was to technical for me to play and sing at the same time. I found a guitar player that I could teach the songs to so I could mainly concentrate on vocals. I really got into the screaming side of music after hearing the "Deftones", my favorite band ever ha. Then America Head Charge, Dry Kill Logic, Chimaira, etc. I took a break from vocals and got back into the guitar for a few years. I then took a break from music all together to pursue other interests. I stumbled upon Immoralis, heard some songs that were just instrumental and after hearing them I had so many sick vocal ideas running through my head. That's when I decided to get back into the music scene. I think my passion is music in general, whether it be vocals, guitar, bass, anything that helps get the ideas out of my head and into a written song. That is my passion.
What advice could you give to those learning this type of vocals?
As far as advice for anyone trying to learn screaming / singing vocals. I would say nothing happens overnight, it takes years and years of learning, practicing and making mistakes to learn how to scream properly. Nothing of worth comes easy. If your voice is gone and your running out of breath then your doing it all wrong. Control your breathing! Also be open minded, just because you're into metal doesn't mean that other genres can't help you become a better musician or vocalist. I practice singing to anything from Bruno Mars, City In Colour, Periphery, then screaming to Veil Of Maya, After The Burial, Elitist, Whitechapel, etc. It all helps me become a better vocalist and I'm always learning new things. Last but not least, be yourself. It's good to practice to other music and learn from it but be original. Which means let everything you scream and sing come out naturally. Don't try to sound like someone else and most of all don't over-think things.\m/
As DevilDriver sharpen up their axes and brush off their gold-coated selves after their well-received Bloodstock appearance, I caught up with Dez Fefara (Vocals) and spoke to him about the plans they have for the year, their time watching a marriage proposal take place in the Bloodstock Signing Tent, past events and how he believes work ethic is a key to success.
We have selected a number of questions from the interview for your reading pleasure, but please also find the audio version above.
Hi there Dez, so at Bloodstock you witnessed a marriage proposal take place, what was that like for you?
That was a good time man, I mean any time people will go to a gig and coming together as a couple and enjoying music when, they were tying the knot at a Metal concert and I mean that is a damn good time. You know what I mean? (laughs).
Was that the first time you saw something like this happen?
No, actually that has happened quite a few times with DevilDriver, it happened after playing in Berlin and Australia and it is a wonderful thing to see people come to a gig and tie the knot, basically it's a cool thing. [Then refers to the Bloodstock occasion and reflects on his thoughts]: I was thinking this could go one way or the other (laughs), nah like I said it could be a beautiful thing or it could be turned down, but I always wish everyone the very best and I've been married for a long time so I know what a beautiful day it could be but I've also been a part of scenario's which were not so good. But I wish the best to people.
Now you released "Winter Kills" back in 2013, have you got any plans for a new release this year?
No, I mean if I had my way we would put a record out about every year and a half, it's just impossible so we're pretty much on a two and a half year cycle right now and we can very much keep up with that, that being said later on in the Fall (Autumn) of this year we will be recording and then sometime next year I will be recording vocals. But just the way we learn to write together is what made "Winter Kills", "Winter Kills", it's what made the six records perform well on the road, we're glad we're using this new writing style and by starting now we want to get ahead of the game to make sure we have a real quality product to go in and record.
Of course you're coming over to the UK in April and are touring with Sylosis and Bleed From Within, is it the first time you've played alongside these bands?
No, playing alongside Sylosis they were on tour with us and they got into a little horrible accident in America, I'm not sure if you know about that so they were in an RV and they got wrecked pretty bad and were pretty lucky to be alive, but I mean they had to redirect their tour so it was kind of like 'hey guys lets get together and kick shit up, we're glad your alive', they've got their own and sound and brought a lot to the table.
I always like coming to the UK, there are certain places as a musician you can make it or break it, in that stage we were looking at Los Angeles and the UK. We're very loud over there, it's a great time and I have a lot of friends and I know the shows are going to be off the hook, and that is going to be important for me, when you know the shows you're going to perform at are going to be crazy, it makes it all the better and we got to make sure that we will be ready to do it.
In regards to your song 'Not All Who Wander Are Lost', there's a section where the band-members are subject to x-rays, was that your idea or another band-members?
No no, that was an idea I had and when I tried it out the director was like oh this can easily be done this way and that way and so we ended up putting that in the video. I've worked alongside some really cool people so.... [listen to the audio at the top for a more in depth answer to this]
Thinking back to when you were a child, did you foresee yourself with DevilDriver as big as you are now?
Oh no I don't think it's the matter of being big or small, it's about being a musician. So now it's kind of a different scenario in relation to listening to a record collection because now you would ask 'hey mum, dad, let me borrow your iPod for the day', which is not going to happen because they're going to need it for work, or to go to the gym or whatever. In my house, all those kinds of records I got into them early on so now I have 60's stuff like The Doors, Steppenwolf's 'Born To Be Wild and other stuff like that I got into when I was really young, so I saw myself being a musician but didn't want to think in terms of being big or small and instead just getting up on stage and being a musician and that is really worked out for me.
Regarding "Winter Kills" which debuted #32 on the Billboard, could you perhaps shed light on why Metal music does or does not tend to get high positions on the Billboard?
Well metal tends not to get in to Billboard top #40 and it is extremely hard to get into, especially when you're against someone like Justin Timberlake and just not getting into it, but this is starting to change and I'm really proud to say that we made #32 and that's with no clean singing or no clean vocals, nothing good on the radio and as a result making it onto the radio means that it shoots onto the Billboard chart, that with requests for airplay pushes you further up the chart. But the chart is mainly a lot of pop music, a lot of pop punk and to see this shift with metal now making the chart's, it's something rather special, as metal is seen as the disproportionate and I don't know why it is happening, but it's happening.
Out of all the albums you own, what album would most people be shocked at in knowing that you own a copy?
(laughs), well I listen to a wide range of music so from everything including blues to punk rock, to Black Metal, to psychobilly and I love it all man, as far as being shocked I think you would have to take a look at my record collection and see that I have some Frank Sinatra and Dean Martin to Black Sabbath, Emperor, Dio, Sepultura, Black Flag, etc. and crazy opera stuff, you know I collect music as I am a music musician, not a metal musician and I'm very far from the purest in that anyone who knows me knows that I love Bauhaus and Sisters of Mercy as much as I love Black Sabbath and Black Flag. So, I wouldn't say they would be shocked, more so I would say they would be like 'Oh that's a Sinatra CD, didn't know you like that music and I'd say yeah been listening to it a lot'.
What would you say to those unsigned bands who don't quite understand yet what being in a metal band is about, in respect to investing time and money? What of those bands who think promoters should bow down to them and give them gigs instead of working for them?
If you're getting into an underground art, and I mean anything that's an underground art like painting, sculpting, playing the Blues, Punk Rock, Heavy Metal, don't get into it for the money, and basically you will always have to put something into life in order to get something out and so that means you would have to pay for gas, food, hotel accommodation or you'll probably have to go one or two weeks without a shower and so there's always going to be different kinds of scenario's on the way up, but if you stick with it, you know you keep your day job and you keep yourself sane, you stay away from the problems that will kill your band and stay away from hard drugs and all of the things that are going to destroy your future, then you might have a future. Don't go following a scene, you should be making your own style of music and do it for your heart and yourself, and those who like your band. Believe in yourself man, that's all you got to do just believe in yourself and those kinds of people who have done that have started all kinds of bands, if you believe in yourself you will be able to do things.
People who believed in me helped me out and those that didn't, I am no longer friends with and most of them are no longer in the industry any more so it is also not only important to believe in yourself, but others too as they are the ones who you will want to spread the positivity around.
Those bands (laughs) who think that people should bow down to them are stupid, you know you're just a f**king musician. You're not a world leader or whatever, you're a musician. Here's the thing right, I come from what you would call a working-class background, ok I was on a construction site for years and I know what it's like to work my ass off. With my dad, I would go down there around 5 in the morning (a.m.) and still be working when before the sun goes down and you're so tired. I've never lost that work ethic because I believed in becoming a man, and not through buying houses, or cars or having a beautiful wife. So no, no one should ever have to bow down to you even if you're a musician.
Finally are there any hello's, thank you's, etc you wish to send out to friends, family, fans, etc?
Yeah well, for anyone who has supported me from the beginning of my career up till now, in any number of my bands thank you very much and I'll never ever let you down, not through my music nor through the live shows, so come on out to the shows, get in the pit and have a good time with DevilDriver and throw away the chairs for a night with us.
DevilDriver are on tour in the UK from the 3rd to the 10th April and are hitting these following cities (in order): CARDIFF, LONDON, WOLVERHAMPTON, GLASGOW, DUBLIN, MANCHESTER and SOUTHAMPTON.
Tickets are on general sale now and you can pick them up at www.kililive.com and www.seetickets.com (Cardiff, London, Manchester, Southampton), www.ticketmaster.ie (Dublin), www.triplegmusic.com (Glasgow) and www.wolvescivic.co.uk (Wolverhampton).
“The ‘core’ sub genres did come from Metal, so they are still Metal. It is up to people to think what they think is Metal”
Deathcore, often dubbed as the illegitimate derivative of Death Metal, has built up its own legion of followers all over the world in recent years. Despite every dispute, its popularity is rising day by day. Enter Abandoned World, a young Deathcore / Metalcore band hailing from Sweden. Founded in mid 2012 and on the way to releasing an EP, the band toured Bangladesh last month and played at the Eastern Dark Fest. GMA's Bangladesh correspondent Nabil Abaddon had a rendezvous with Bnar Aziz (vocals), Samuel Talebi (guitars) and Kim Liljendhal (bass) just before their performance, right outside the venue.
Is this the first time that Abandoned World are touring outside of Sweden? How excited are you?
Samuel: Very excited! Everything is new to us here, like it’s a new culture, so far from Sweden. Totally on the other side of the globe for where we come from.
Bnar: We feel amazing to be here! It's such an awesome opportunity and an honor to be here in Bangladesh.
Do you guys have any knowledge of the scene here in Bangladesh? Have you checked out any of the bands before leaving for Bangladesh?
Samuel: Not too much. But we knew a little because we have a friend from Bangladesh. He lives in Sweden now. He told us about the scene here. There are not many opportunities but there are a lot of die-hard fans I heard.
Kim: When we got this opportunity to play here, I checked out some of the bands in the line up and we were like “man we gotta get down there!”
So how did you guys form the band and how long have you been playing together?
Bnar: Well it is a funny story. It all started like a mini project, basically it began with my former guitarist and I. We met on the internet and we were looking for bands. So we started practising together. I knew Samuel from before, so I just asked him if he wanted to play with us and he said yes. So we three started jamming together. The band grew from there and within a short time we got our bassist and drummer. We have been playing as a band for almost a year now.
Kim: We are trying to be patient and just take up the opportunities that come in the way. When this tour came up, we were just flabbergasted. It was unbelievable for us. It is an honour for us to be here and we really want to show the crowd why we are here and give our best shots.
Does Abandoned World want to play here more often?
Samuel: Of course we do! We want to show the crowd what we are made of and we want to keep coming here. We are talking with the organizers and we are planning on touring some other countries around Asia as well, may be some time around Jan / Feb next year?
Kim: It is still in the planning stage. Lets see what happens.
So Abandoned World has got a single on YouTube? Are you guys planning / working on your EP or album, or something else?
Samuel: What we are going to do now is to shoot a music video and we are looking for a good studio to record stuff. We have our materials ready now, may be we’ll write a bit more. Then we’ll hit the studio. We will release another single, then the album. After that we will probably just tour around! I recommend you to check out another single we have out now, it's called "Madness from Within".
Kim: Yeah that song is a pre-production and we just want to show the people that we are working on some new heavy material. We are going to play this song tonight and trust me it is going to be mayhem!
Although sub-genres like Deathcore, Metalcore, etc are rising quickly all over the world, these “core” sub-genres often get bad rap from Metal fans who are purists. They often do not consider these sub-genres as Metal or ‘real Metal’. As Abandoned World is a Deathcore / Metalcore band, what is your opinion on this?
Bnar: Personally I think that if they do not see that as metal I do not have any problem with that. I mean that's their perception of what they think is metal. The “core” sub-genres did come from Metal, so they are still Metal. It is up to people to think what they think is metal. It is totallty fine to us. That's what we feel about it. We do what we feel like doing and we are doing Metal music that we know. Deathcore / Metalcore is what people labelled us as.
Samuel: Well I think they love it how it is you know. I think you are missing out! (laughs)
What are your influences as a band? Can you suggest a few albums that inspires Abandoned World?
Samuel: Well loads of bands I would say. It starts from Metallica, Megadeth, Pantera to Suicide Silence, Born Of Osiris, Lamb Of God etc etc…… Ummmm the albums would be :
Deep Blue - Parkway Drive
Sacrament - Lamb Of God
The Discovery - Born Of Osiris
Tomorrow We Die Alive - Born of Osiris
Thank you for giving us your time. Any words for the fans and readers?
Samuel: Get ready! It's just the start! We have a long way to go and a lot of times to be here! We love what we do! We are loving Bangladesh! The crowd is awesome. Thank you!
Bnar: Like Samuel said, we are just getting started, so get ready! Basically we love all our fans. It would not have been possible without all our fans. We thank all our fans and it is an honour to play here.
Global Metal Apocalypse is piloting a new form of interview which we think no other webzine, ezine, magazine (yeah um...) or video-enhanced sit as done, which is interviewing a band with themselves recording the answers as a video response as you'll see above.
Thames Burial, a Metalcore/Deathcore quintet from Colchester, Essex was confirmed to play The Perfect Storm All Day Metal Festival at the renowned Camden Underworld venue, we interviewed the band outside in one of the streets which to our dismay lead to some hilarious issues, from traffic to problems auto-cuing to shameless titty promotions.
As said, it's a pilot, any feedback will be welcome.
_Global Metal Apocalypse caught up with the lads known as A Hero A Fake during their time of recording their upcoming release 'The Future Again', we spoke to guitarist Eric Morgan.
How did you guys form and has there been any line-up changes, if so why?
Justin and I started the band in 2005 while we were in high school. We were already good friends and both shared a love for heavier music so we decided to put a band together. It was our first time doing the band thing so we definitely had a lot to learn, but we worked hard and picked up so many valuable lessons early on from just trial and error. By 2007 we had picked up Patrick, Matt, and Tim, which is when we started to really carve out our own identity within the music scene.
Lineup changes are one of those necessary evils in this business. It is so rare for bands to span their career’s without any changes (i.e. Thrice) but for us it was something necessary to move forward. This album features two new members – Evan Kirkley on drums and Chris Rosser on bass. Evan had actually been in the band previously during 2005 and recorded our second demo but couldn’t stay since he was already engaged in a couple other bands. We met Chris on tour in 2010 and he stayed in contact showing us songs he had written so when Matt left we felt comfortable bringing him into the band. To be honest Evan has always been one of my favorite drummers and when we had the opening I immediately approached him about joining.
Describe the band's genre without genre-tagging or using cliches?
It’s an energetic and passionately voiced take on the modern heavy where we have refined our traditional AHAF style quirkiness and blended it with more engaging song structures.
What makes your upcoming album 'The Future Again' different to the previous two albums?
The music on 'The Future Again' definitely marks the biggest evolution in sound for the band. Our last album was over an hour long and wasn’t quite as focused as we would of liked. So we decided to concentrate on making a shorter album that was a lot more focused and allowed us to pay more attention to detail – quality over quantity. This album is also more powerful sounding which has a lot to do with Evan’s drumming which takes the dynamic energy to the next level.
When you got the call from Victory Records to be signed, what was your response?
I got the call from Tony during the summer of 2008 while I was working in between semesters at college. Justin and I were going into our senior years at The University of North Carolina and were both pretty insistent on finishing our degrees out. Fortunately Victory was on board with the idea of letting us finish and using our first release as a developmental album while still in school.
For those music fans out there who judge bands upon appearance, what do you have to say to them?
That’s a hard question to give a general answer about. For some bands their “look” is what defines them to their audience and so they 'want' the fans to judge them based on appearance. For us, we just never had an interest in doing anything bizarre looks wise (makeup, paint, etc). Actually we didn’t even wear a lot of black on our early tours because we were just nerds who loved to play heavy music. That was actually a bit of a problem for us early on because on tour these kids would see looking more like an indie rock band and it created a mental block for some getting into us for the first time. But music transcends everything so we just made sure to go balls out and make sure we got their attention with our performance.
Which song from the upcoming release stands out most and which one should fans check out?
My favorite track of the new album is “Princess of the Sun”. It was the first song I started writing for the album and it is one of the longer more complicated structure wise. Really though, it was after we finished tracking vocals that made it stand out so much to me. Justin’s vocals are so passionate throughout the song and then we added guest vocals from Hudson Hower (Bruised But Not Broken) and Dayan Marquina that really just made the track shine.
Where are you touring this year and do you have any UK tour dates being planned or considered?
We start touring in September and will be on the road heavily from then through next year. We don’t have plans to come to the UK currently (though I would love to!) but it is always something I’m looking into.
Finally, what does the band have in store for 2012 and beyond?
Right now we are just looking forward to getting our album out (July 17th) and we also have a new music video for the single “Dead and Done” dropping in the next couple weeks. Other than that we’re gearing up for tour and making sure we get to play these new songs in as many places as possible.
_ Global Metal Apocalypse caught up with American Metalcore / Thrashers Miss May I to talk about their tour in the UK and what future plans the guys have,
So, first time headlining in the UK - what are you looking forward to at most and do you have anything to say to your British fans?
We are always looking forward to the UK fans because they are some of the best fans we have in the world! They go harder and louder than any crowd out there and not to mention they are some of the most appreciative people we have ever met. Always a pleasure playing in the UK.
Over the band's career, how would you say the band has changed musically and as a whole?
I think after all the touring and all the time spent in the studio we have truly found our sound and who we want to be as a metal band. We have read reviews and changed for the critics here and there but especially in the new album and recent tours we have done away with all those critic changes and broke down all the walls of the normal structure and just wanted to be the group of metal heads that are Miss May I.
What songs can fans expect to be blasted out in venues across the UK?
Well I don’t ever like to spoil a surprise but I can let you know that we are playing a good bit off of every album and our own little spin to the live performance for the fans.
Your recent album 'At Heart' charted on the Billboard at #32, would you say this is the band's biggest achievement?
I think that is a pretty large achievement especially for a band that isn't really changing music or defining anything. We are just playing what we grew up listening to, classic old school metal. We are just lucky enough that there is enough metalheads in the world that like our music to make this all happen!
What does Miss May I mean in terms of 'how would you define its meaning?'
We actually don’t have any cool meaning behind it. It’s sort of a blessing and a curse. It was something that stuck out as a local band but then sadly stuck around when all of our success happened.
If you could give any upcoming musician one little bit of advice, what would it be?
I would tell them to focus on every step that’s in front of them and not jump the gun. A lot of bands want to tour and be signed right off the bat but that isn't the way to go about it because if you did do those things no one would buy your records or come to your shows. You need to focus on playing locally and being the best you can until your selling out each local venue an must move on because that’s the next step which will naturally come to you if your being the best you can be.
Do you feel metal music in general is not getting enough exposure that it deserves or is it getting 'over-exposed'?
I feel like music isn't getting the exposure it should be. A lot of bands that sell out 2-3K rooms are not even recognized in press or in stores. We have been there. Before or new album was released we sold out venues on our headliners and packed out signings but in stores they would barely carry an MMI album and in magazines you would never hear about us. I just feel there is a lot of successful talent that no one has read or purchased because no one is giving them a chance and maybe they will blow it but either way they need a shot.
Finally, what can fans expect from Miss May I this year and in the foreseeable future?
We have a lot of touring worldwide coming up. We will be going to South America after Warped Tour with Asking Alexandria and then hopefully soon after doing a headliner in the states which will be followed by the UK headliner that will finish our year!
How did you guys get recognised and signed? Was it being at the right place at the right time? Knowing people already in the industry? Or constant hard work touring demos? (Asked by fan #1 - Dex Jezierski)
We actually did all of the above. We always worked hard locally and became one of the largest local bands in Ohio which lead us to having one of the members of The Devil Wears Prada at one of our local shows watching us. Then soon after that show he told us he would like to manage us and liked what we were doing. After he contacted Rise Records about us they already knew about us because we have been sending out digital demos every month to every record label we were interested in. Around 2 months later we were signing a deal and changing our lives.
What is your favourite song to play? (Asked by fan #2 - Tom Weller)
My favourite song to play live would have to be "Our Kings" because it’s the song I usually make the crowd do the craziest things to whether its 100 crowd surfs or a marathon pit the crowd gets crazy.
Have you guys ever considered playing in India? (Asked by fan #3 - Debojyoti Sanyal)
We would love to play in India and everywhere in the world! Just waiting on the right time to make our trip out there.
_With Crash Mansion I spoke to (L-R - Chris Jackson, LJ Hardwood and Sammy Scarlett; Kidd was not present at this time (far left)) outside Southend Chinnerys at The Dead Lay Waiting gig w/ Scarred By Beauty, Silent Descent and Crash Mansion.
With Silent Descent I spoke to Tom Callahan (far left) outside Southend Chinnerys at The Dead Lay Waiting gig w/ Scarred By Beauty, Silent Descent and Crash Mansion.
With Scarred By Beauty I spoke to Jonathan Albrechtsen (centre) _outside Southend Chinnerys at The Dead Lay Waiting gig w/ Scarred By Beauty, Silent Descent and Crash Mansion.
So here we have a phone-interview with Zandro Santiago (vocals) of Swedish Metalcore / Pop Metal band Dead By April.
So I caught up with the bad boys Fall To Oblivion from the unpredictable town of Stamford-Le-Hope, they won the 5th heat of the Rayleigh Battle of the Bands, so I spoke to them about whats going on - especially their latest release. Audio below.
The Rayleigh Battle of The Bands saw one band make an interesting combination of trance music and Metalcore, no not Asking Alexandria but potentially the band that will boot them off their precious standing in the Metal scene, welcome to Essex's answer to the Yorkshire terriers. From Hockley/Rayleigh is Trance-core quintet Luminescence.
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