They've been making a name for themselves since their inception a decade ago, not just because of their age at the beginning but also due to their bold move at performing live in Times Square which took the social media world by storm. Having racked up the press attention, fan numbers and even striking a monumental deal with Sony Music, it was about time that GMA gave the trio Unlocking The Truth an interrogation to find out what ticks these three lads from Brooklyn and what it means to 'unlock the truth'... all three lads - Malcolm Brickhouse (MB), Jarad Dawkins (JD) and Alec Atkins (AA) - gave their answers.

Hi guys, so firstly how did you get into metal music? Are you surprised by it's global spread?

MB: "We got into metal music by hearing the genre through the intro music to WWE and the background music of anime. No, I'm not surprised by metal's global spread. There's a crowd for every kind of music and I know from experience that people can really connect to this music."

AA: "I got into metal music through Ana, me, Jared and Malcolm ."

JD: "I got into Metal music, by an entertainment network known as the WWE. In addition, AMV also known as, Anime music videos, were a source of entertainment that introduced me to metal music. Bands such as, Disturbed, Linkin Park, Three Days Grace and more."


What did your high school friends and your family think of your choice of music? What do you aim to achieve?

MB: "My high school friends support me. They may not listen to metal, but they think it's cool that I am doing something unique and making something out of it. I aim to carve our own path in metal. Making it okay for people who are scared to stand out and be themselves, feel like they can show the world how unique they are. I also want our music to touch people's souls."

AA: "My high school friends think highly of my music and most of my high school friends like my music because in order for you to be considered my friend you have to like what I do"

JD: "They believe my choice of music is unique. I aim to achieve a platinum album, and a few Grammys"


You performed in Times Square, that surely must be a highlight of your career? Would you do it again? Perhaps organize a festival?

MB: "Performing in Time Square was a highlight of my career. It pushed us into the mainstream and got us used to performing in front of a large crowd, but I would not do it again. That was only chapter 1 of our journey. We have to keep improving and moving forward."

AA: "Yeah it would be cool to organize a festival but I don't see us going out to Times Square playing for four hours with a bucket."

JD:


Since NYC is steeped in music history e.g. hip-hop being a popular choice of music, was it hard to break out of that social convention and do something different? Do you / have you ever been subject to racial discrimination for playing what some still call a 'white man's music'?


MB: "I think the fact that hip-hop is so steeped in New York City, it was good for us because it helped us stand out from a lot of other artists. Also being black helped us stand out, so I can't complain. We did not necessarily face racial discrimination. We would show up at venues and people would automatically assume we were rappers or called us the Jackson 5. But they were surprised when we started playing metal." 

AA: "Yeah it was kinda hard to break out and do something different, but the real thing is people want different so it was easy for us to get our name out there and for people to get in on unlocking the truth. Some people think we play white people's music but that's not true because we know that the origin of the Heavy Metal table comes form rock 'n' roll, rock 'n' roll key from the blues and soul and that's black peoples music so we didn't care about what people said as far as race."

JD: It wasn't hard to break out and, do something different because in NY, people don't really care on what you do until they see it, and the improvements you make for yourself. I've also been subjected to racial discrimination, and it wasn't just for music."

Halloween is once a year, or is it? Not according to American quintet Eternal Halloween whose demonic stature is sure to garner attention from overseas as arguably the States answer to the UK's Evil Scarecrow. Moreover this Los Angeles (or as they might call Los Hellos), California-based horde have only been around a year and are already causing a buzz across the American Metal underground, let's just hope their name is not a reference to the Aiden song otherwise things could get quite confusing. Eternal Halloween were happy to spare some time to answer some questions GMA had in store for them...

Following their stint across their homeland, US Drone Metal purveyors Sun O))) were more than accommodating to sit down and talk to GMA, although we could only see Attila's face underneath the cloak.


Hi guys, how was the recent US tour? What did you enjoy about it the most?

          "Hi, the US tours went great. We split the US into 4-5 legs and we did separate runs. My favourite show was MOOG festival in Durham. It was pretty loud, they moved us to the outdoor stage cause they were expecting the building ceiling to fall down and I heard we still cracked some walls... also it was good fun to hang out backstage with the guys from Wutang Clan."


Will there be a UK / EU tour surrounding your European festival appearances? Or will it come later?


          "We will have a smaller European tour at the end of August. There will be no UK date this time cause it is mostly south / middle and east parts of Europe. Though I love to play in the UK with Sunn O))) personally so I am looking forward to more dates in the UK. Hopefully next year.."


For those who don't know, could you explain in simple terms what 'Drone Metal' entails?

          "I think it has something to do with the tradition of meditation, Indian ragas, mantras and altered state of consciousness. In a way it is a contemporary representation of the same ideas. It is called "Drone Metal" because it is heavy, loud, extreme and psychedelic... but the message is similar: open your sub / supreme conscious, open your mind, fall into a trance, leave your body behind, take a spiritual journey... "


What is the hardest part of touring for you as a band ?

          "For me it is packing at home and travelling, missing flights and connections all the time.
But once I made it up to my people I enjoy it still so much. I love all the guys in the band (and the crew) and it is super fun to hang out every single time! Once I am there I just love touring!"

The American Metal scene is so vast and so populated with metal bands that trying to name them all in one go would be near to impossible as you can get. That said, there are those who make progress and make a name for themselves, on the conveyor belt of progression are Pennsylvania's Corners of Sanctuary. GMA caught up with guitarist / keyboardist Mick to find out what drives this concrete force.

Being a female metal or rock musician over the course of history has always dragged up challenges and problems that otherwise might not be experienced by their male counterparts. Firstly the immoral and unforgiving stigma directed towards said musicians has always proved an issue, but it's one that has been been challenged head on through arguably a whole plethora of successful artists and bands.

From the likes of Siousxie & The Banshees to Annie Lennox, from Sabina Classen and Orianthi to Vanilla Ninja and arguably the most prolific all-female metal band, Girlschool. These are musicians who stood up to the male-dominated arena of rock and metal, stuck the middle finger up and alluded to the notion of 'who said girls can't rock or mosh?' As AC/DC once put it, 'for those about to rock, we salute you' and for the female rock / metal musicians and subsequent all-female bands, we do exactly that, we salute you. One of these bands is Conquer Divide, who are rampaging and setting the USA on fire with their own unrelenting and uncompromising style of Alternative Post-Hardcore / Metalcore.

Let's be honest, it does not matter who or what you are, as long as you are happy playing music then those who remark on it can stick their opinion where it should belong. As Tamara quite rightly put it when speaking to Blabbermouth, "We are all girls, and you cant hide that, but we want people to focus more on the quality of the music," (http://www.blabbermouth.net/news/all-female-metal-band-conquer-divide-to-release-debut-album-in-july/), so with that in mind we asked our own questions and Izzy (guitarist) duly decided to respond to them.

Will the ongoing debate about female musicians disappear or has it already seen the end? What about the youth of today, could Conquer Divide offer themselves as inspiration for female musicians (whatever style of music) to aspire to? Izzy believes they can (we do too):-

          "No, I don't think it's something that will fade away easily. I mean its pretty common for our musicality to be undermined because we are girls, that's the sad reality. On the flip side being an "all girl band" in a male dominated industry has given us an edge to create something different and stand out from the crowd. We definitely want to have a positive impact on young girls and show them that there is always room for girls in metal, you just have to dedicate yourself to do it!"


It would seem logical that giving girls instruments would open doors for newer creativity and ideas, just like the Japanese Metal scene has recently experienced with the phenomenal yet completely unforeseeable rise of Babymetal; well they did go completely viral in a very short space of time, truth be told not many people knew of their existence outside of Japan. Here's hoping that more and more females worldwide grab hold of an instrument or harness some sort of musical skill and form a band, or at least join one. So what about their heritage? Well they do have members originally from the USA, the UK and Serbia and so did this work out for them? Well clearly it did!

          "The concept for Conquer Divide was originally formed in Michigan, USA. However to complete the line up the band had to outsource to different areas. It's hard enough finding dedicated musicians to create bands, and when you're specifically trying to find female musicians that's even harder, so that's why naturally we are from different areas. We write music with each other via the internet! Yay technology!"


With their debut self-titled album already out, surely the chances of a tour to support it's release seemed likely, well actually this is not the case. See, Conquer Divide have done the opposite and toured prior to the album release in support of it as Izzy goes on to explain (as well as speaking about current endeavours):-

          "We released our album last summer whilst we were on the 2015 All Stars tour, so I guess that was our album release tour! We just came off tour with Slaves, Capture The Crown, Myka Relocate, Outline In Color and currently we have no tours coming up. We are busy doing some writing but we would love to hit the road again soon!"

With the band essentially coming fresh off the block on the international stage, we asked Izzy if she could describe the album's sound without the ill-fated genre tagging, what track(s) are her favourites and why. Most musicians have a stand-out track and usually these take the form of a single or music video as a way to showcase the track(s) they're most proud of. Logically speaking differentiating your song styles offers you greater choice at electing a song you like the most, moreover it allows a plethora of fans from different style preferences to come to like the release in question. However Izzy offered some unique advice when it comes to their album, "We just would advise fans to listen to the album from start to finish to really get a taste of what we are about." before adding:-

"Our album is pretty varied, we have heavy songs like "Heavy Lies The Crown" and "Despicable You" which are more screaming / guitar orientated and then lighter songs like "Broken" and "What's Left Inside" which really focus on Kia's singing abilities. I honestly like all the songs on our album (I know I know, a cop out answer) but for different reasons, for example "Heavy Lies The Crown" has awesome riffs, which for me being a guitarist is fun, "Nightmares" has some sweet synth sections in it."


Creating music as a musician or band, or working in the music industry in one of many outlets such as PR or record labels, show promoters or engineers etc., can be a strenuous job sometimes and as a result it can take toll on your body to the extent you just want out, so to avoid this dilemma musicians often indulge in other interests and or hobbies to take a break from said profession(s). So what does Izzy like to do?

          "We all have different hobbies which is pretty cool, I know Kristen really likes travelling because on tour we don't really get to "see" a lot. I still like jamming guitar outside of tour, I'm pretty into working out and I like snowboarding!


And obviously by travelling you are able to take your music with you and not just on tour. Naturally with the internet lending itself as a major driving force for globalization, bands are finding that their music is being picked up in the unlikeliest and remotest parts of the world unbeknownst to them. Even for GMA as a media outlet we see people from the likes of Greenland to French Polynesia take note in what we do, so we have to thank the internet for that. But what of Conquer Divide? Has Social Media aided them well, and what does Izzy think of it's darker side?


"We seem to have a lot of fans in South America which is pretty sweet, our album actually debuted in Japan as well and people seem to dig our music there too! We are actually hoping to tour Japan soon so that's super exciting. I feel social media has been nothing but positive for bands, but modern technology kind of killed CD sales which makes it harder to make a living from music... but as a musician you just have to go with the flow and constantly adapt to the changes."

And with changes in mind, could we see Conquer Divide's debut album take on the form of being released in vinyl format as it's unprecedented resurgence continues to grip tighter on music consumerism?

"We have talked about it yes, but we haven't got any solid plans for it because we are unsure how much demand we have for vinyl..... so if anyone is reading this and wants our album on vinyl let us know!!!"


So what plans alongside the potential for their self-titled debut album being released on vinyl is there and what greetings does Izzy want to send out?

"More tours (hopefully outside of the USA), writing an acoustic EP and getting stuck into writing our second album! I think I can speak for all the girls when I say we want to thank our team at Artery, our supportive family and friends and of course our awesome fans who inspire, motivate and have created a platform for us to live our dreams on."


Check out their lyric video for 'At War' by clicking the inserted video above this text.

Conquer Divide's self-titled debut album is out via Artery Recordings

https://www.facebook.com/ConquerDivideUSA

Gone In April started in 2011 through their debut album "We Are But Human", culminating in the band playing across North America and Asia; the latter seeing this group co-headline 'The Great Indian Octoberfest' held in Bangalore. They also headlined the WaveTransform Festival 2014 (North America), as well as other events in the USA.

Following Gone In April's second album "Threads Of Existence" which saw new members joining from the USA and Canada, and another appearance at the WaveTransform Festival, GMA decided it was time to collar this group and excavate the facts behind this multinational facade.
 
So we bound Julie to a chair in a leather catsuit and placed Yanic in confinement, at least that way they could not escape... mind we did not give Julie the catsuit in the first place... another story for another time. Read below to see how it went.

So whilst Hard Rock / Post-Grunge / Metal outfit Red Sun Rising are in the midst of their US / Canada tour, GMA decided to catch them off guard on route 66 and interrogate them by the wayside.
Not only are they touring, but there latest single 'Emotionless' is now out for your listening pleasures.
So here is how the interrogation went, suffice to say it was less horrific than interrogations undertaken at Guantánamo Bay.

Since the American Metalcore / Post-Hardcore / Screamo unit Alesana unveiled the second part of their "Comedy of Errors" music video / mini-movie, GMA decided it was about time to take the band to the grill and interrogate them via the use of pincers. The conclusion of this chapter highlights a critical turning point of "The Annabel Trilogy" (the story in which their three album concept was based on). "Comedy of Errors" (from the new full-length, "Confessions") and it's accompanying video series is complete with an intriguing storyline of love, mystery, and time travel.


Let the interrogation begin...


Overall how hard (or easy) was it to construct and release the "The Annabel Trilogy"? Will there be any more trilogies?


"The trilogy was definitely an involved venture but one that has been very rewarding. I think that over time fans, both new and old, will really begin to appreciate the level of care that went into writing these albums and stories this way. I've been finishing up the complete short story and it has reminded me just how cool and involved this idea was and how proud I am that we were able to stick with it and see it through."


As you guys call yourself 'Pop Metal', do you feel the term has had backlash over the years? Is there a stigma towards pop music that metalheads generally have?


"If there has been I have not witnessed it first hand. Genres are, and always have been, a way to categorize and pigeonhole art. On one hand, it allows for people to siphon through things and get to new things that they may appreciate more quickly. On the other hand, it causes pre-emptive opinions to be formed. For me, if somebody doesn't like my art or music solely because of a genre lent to it then that is most likely a person I wouldn't want to invite into our creative world anyhow."


You've just released your second part of the "comedy of errors" music video, would fans of your music need to listen to the trilogy to understand the mini-movies?


"It certainly wouldn't hurt. I would definitely recommend to anyone who enjoys the videos to try to submerge themselves into the whole universe that we have created."


What plans do you have for the year ahead? Any tours over in the UK / in Europe?

"This year we are scaling back and taking a break to focus on our families and some other ventures. You haven't heard the last of Alesana just yet, however."


What challenges do you feel up-and-coming bands these days face more than ever? Is social media too heavily relied upon?


"Social media is 100% too heavily relied upon. Back at the beginning of our career we were immersed fully in the MySpace revolution. It was a huge help for us but that is because we used it to compliment our grass roots approach, we didn't rely solely upon the internet. A lot of young bands these days write a record, record it, take some photos, slap everything on Facebook and Bandcamp, sit back and wait, and then wonder why their band isn't blowing up. Playing shows, meeting people, and building relationships both with new fans and other bands is so important and a point that I think too many bands are missing these days."


A Heavy Metal movie hasn't really been done before, so could you imagine a film being made with purely metal musicians acting out characters? If you could remake a film, what one would you choose and why? Who would act the parts?

"That sounds like a fun idea. I'm a huge fan of movies and good television and honestly I do not like remakes. A part of what makes a piece of art beautiful is that it is one of a kind that is meant to be experienced a certain way."


Finally have you got any hello's, greetings etc you wish to send out?

"Shout out to my entire Revival family of artists!  You can check everything out at revivalrecs.com"

https://www.facebook.com/alesana

Immoralis are a Symphonic Metalcore / 'Orchestral DETHcore' sextet arising from the dark and dampened streets of Minneapolis, Minnesota. Having already unleashed their ferociously powerful effort 'The Great Collapse' and just dropped their latest single 'Burden', it was clearly overtime in respect to giving these four lads and two lasses a proper interrogation. We recommend the track 'The Great Collapse' from their album of the same name as a starter point to get into what is poised as the newer Bleeding Through. Let the fireworks begin, we spoke to the band as a whole and also addressed two questions to them individually, surprised to see the UK was not mentioned in this interview....


Hey guys, first of all how did Immoralis come about, how did you meet and what does the name mean?

As far as our lineup we all met through Craigslist ads, YouTube, mutual friends and being in the right place at the right time. As far the name Immoralis goes it actually has no real meaning but was thought up and it just happened to stick.


You call yourselves Orchestral DETHcore Metal, what influences make up your sound?

Between each individual member we have such a varied difference on what we each listen to personally that we all bring something unique to the table and are able to come up with our sound.


Who would you say was the party pooper of the band, who is the leader or daddy / mummy of the band? (That is who makes sure everyone is happy)

Each of us have been the party pooper at one point or another, Jens and Adam would be the leaders / father figures and Matt would be the comforting mother of the band. As far as everyone else in the band Jesse is our networker, Tori is our swing vote whenever our democracy is at a tie, and Jace is our social butterfly / wild child.


You released your debut album 'The Great Collapse' last year, did you all come up with the songs or was some songs thought up individually?

Jens and Adam pretty much had the foundation of the songs written and as each of the rest of the members joined they were able to add their instruments to the songs to create "The Great Collapse".


What plans have you got for the year? Please explain the meaning behind your new single 'Burden'?

We will hopefully be working on a new EP as well as doing some touring. "Burden" was inspired by the TV show "Dexter". The song can be viewed as a stepping stone towards the direction we're going.


Finally are there any hello's, thank you's, etc you wish to send out to friends, fans, etc?

We'd like to give a collective shout out to everyone that has supported us so far. It means the MULTIVERSE to all of us and we're excited for what's to come!


The rest of the questions were directed at each member with two questions each.

https://www.facebook.com/Immoralis

So Jens, how long have you been playing guitar and what do you currently play with?

I've been playing guitar for 17 years now... wow, how time flies having fun! Currently, I have 3 guitars that I use live, my two mains are a Tobacco Sunburst Gibson Slash Signature Les Paul and a Black Dean ML Custom Run. My backup guitar is a Gibson '67 re-issue Flying V. All of the guitars are down tuned to Drop-B. I use DR DDT .12-.60 strings. My amp is a Peavy 5150 EVH signature Blockletter run through a Carvin 4x12. My pedal board consists of a Morley Bad Horsie 2 wah wah, Boss TU-2 Tuner that run in front of my amp, with a TC Electronics Flashback Delay, TC Electronics Hall of Fame Reverb, and a ISP Decimator in my FX Loop to clear up all the nasty unwanted noises that come from a cranked 5150... I also have a Sure Wireless system that I use depending on the day and venue.

What is your favorite Immoralis riff and why?

My favorite Immoralis riff? Well, that would probably have to be in 'The Value of Nothing', specifically at 1:49. It's a pretty basic riff that only happens for a few short measures, but it just brings me back to the old (Master of Puppets / And Justice for All) Metallica shred days, so you better believe I down pick that shit for full Hetfield authenticity.

Matt, how did you train to become a drummer, was it natural or did it take time?

I've never had a formal lesson before so I guess you could say I took to the instrument pretty naturally. I was inspired to learn by watching other drummers before I had even touched a pair of sticks, I just knew I wanted to play the drums instinctively in a sense. But as far as getting to where I am today it's come from years of listening to music and learning other drummers parts as a way of figuring out how certain things are done. Very trial and error then figuring out what works best for me and our songs.

If you could take Immoralis to only 3 countries (except USA), where would you take them and why?

Definitely Australia, Germany and Canada. Those music scenes as of late are pumping out some sick bands and just seeing how shows go down from seeing other bands in those locations the appreciation for our genre over there is just insane and I would love nothing more than a first hand experience of that.

Adam, did you and Jens share guitar playing tips in the early Immoralis days or was it very easy to do?

We were both semi experienced at guitar and writing music when we met. Jens has always been an exceptional guitarist with his formal training, schooling, and how he constantly pushes his skills and in the time of knowing him and playing with him I've grown tremendously by learning from him. When we first started writing together it was difficult. We were both trying to pull the music in a certain direction which is strange because we actually share many of the same influences that got us into music like Pantera, Metallica, Etc. Where the magic began was when we both let go of control and just let the music flow. We gave everyone a chance to finish an idea before criticizing or changing it. We also adopted early on that no idea or direction is off limits. We don't have to be strictly brutal or melodic. We love the duality of both. We never know where the next song will go.

What would you say makes Immoralis who they are?

I think our secret sauce is our diversity and that everyone contributes. If you put four guys who all love Death Metal together then they'll make a Death Metal band or Thrash, etc. The truth about us is that there are bands we all love but there's such a range of influences between everyone and we really encourage every members input. When we first started writing we didn't really know what kind of band we were gonna be so we were really experimental and just figuring out what we wanted to be. Our first record "The Great Collapse" is in my opinion a good example of us exploring what sound we want. Since then we've definitely honed in on what we think will make Immoralis the best band we can make it. We still have that spirit of exploration but we've definitely found our groove and we can't wait to show the world.

Tori, how long have you been playing keyboards and do you feel that more bands need to explore this instrument further? (As in does it create atmosphere so that the whole song sound changes?)

I've been playing piano for probably around 16 years, keyboards for 10. While I love the extra layer that keyboards add, I wouldn't equate that to saying more bands need to incorporate them. I wouldn't be opposed to such a movement, but there are tons of amazing bands out there already that utilize keys, and in vastly different directions! However, I will fully admit that if more bands want me to listen to them, keyboards are an easy way to do so. That's where I get my giggities.

Who would you liken yourself to playing wise? Who influences you?

My biggest influence is easily Tuomas Holopainen of Nightwish. The sincerity, talent, and imagination behind his songwriting are what first inspired me to attempt fitting my classical background in the metal scene. If it hadn't been for a good friend of mine showing me the "Once" album and coercing me to form a metal band, I certainly wouldn't be where I am now.

Jesse, what made you become a vocalist, was it a childhood passion?

I actually grew up playing the guitar and playing in a garage band with my older brother Pat. I was 14-15 years old covering Smashing Pumpkins, Nine Inch Nails, Korn, etc. Then I started writing my own music and lyrics so our band began writing original music. That's when I started singing. I would always sing along to songs when I was little. But growing up my main focus was the guitar. When I turned 17 I started writing music that was to technical for me to play and sing at the same time. I found a guitar player that I could teach the songs to so I could mainly concentrate on vocals. I really got into the screaming side of music after hearing the "Deftones", my favorite band ever ha. Then America Head Charge, Dry Kill Logic, Chimaira, etc. I took a break from vocals and got back into the guitar for a few years. I then took a break from music all together to pursue other interests. I stumbled upon Immoralis, heard some songs that were just instrumental and after hearing them I had so many sick vocal ideas running through my head. That's when I decided to get back into the music scene. I think my passion is music in general, whether it be vocals, guitar, bass, anything that helps get the ideas out of my head and into a written song. That is my passion.

What advice could you give to those learning this type of vocals?

As far as advice for anyone trying to learn screaming / singing vocals. I would say nothing happens overnight, it takes years and years of learning, practicing and making mistakes to learn how to scream properly. Nothing of worth comes easy. If your voice is gone and your running out of breath then your doing it all wrong. Control your breathing! Also be open minded, just because you're into metal doesn't mean that other genres can't help you become a better musician or vocalist. I practice singing to anything from Bruno Mars, City In Colour, Periphery, then screaming to Veil Of Maya, After The Burial, Elitist, Whitechapel, etc. It all helps me become a better vocalist and I'm always learning new things. Last but not least, be yourself. It's good to practice to other music and learn from it but be original. Which means let everything you scream and sing come out naturally. Don't try to sound like someone else and most of all don't over-think things.\m/

As DevilDriver sharpen up their axes and brush off their gold-coated selves after their well-received Bloodstock appearance, I caught up with Dez Fefara (Vocals) and spoke to him about the plans they have for the year, their time watching a marriage proposal take place in the Bloodstock Signing Tent, past events and how he believes work ethic is a key to success.

We have selected a number of questions from the interview for your reading pleasure, but please also find the audio version above.


Hi there Dez, so at Bloodstock you witnessed a marriage proposal take place, what was that like for you?

That was a good time man, I mean any time people will go to a gig and coming together as a couple and enjoying music when, they were tying the knot at a Metal concert and I mean that is a damn good time. You know what I mean? (laughs).


Was that the first time you saw something like this happen?

No, actually that has happened quite a few times with DevilDriver, it happened after playing in Berlin and Australia and it is a wonderful thing to see people come to a gig and tie the knot, basically it's a cool thing. [Then refers to the Bloodstock occasion and reflects on his thoughts]: I was thinking this could go one way or the other (laughs), nah like I said it could be a beautiful thing or it could be turned down, but I always wish everyone the very best and I've been married for a long time so I know what a beautiful day it could be but I've also been a part of scenario's which were not so good. But I wish the best to people.


Now you released "Winter Kills" back in 2013, have you got any plans for a new release this year?

No, I mean if I had my way we would put a record out about every year and a half, it's just impossible so we're pretty much on a two and a half year cycle right now and we can very much keep up with that, that being said later on in the Fall (Autumn) of this year we will be recording and then sometime next year I will be recording vocals. But just the way we learn to write together is what made "Winter Kills", "Winter Kills", it's what made the six records perform well on the road, we're glad we're using this new writing style and by starting now we want to get ahead of the game to make sure we have a real quality product to go in and record.

Of course you're coming over to the UK in April and are touring with Sylosis and Bleed From Within, is it the first time you've played alongside these bands?

No, playing alongside Sylosis they were on tour with us and they got into a little horrible accident in America, I'm not sure if you know about that so they were in an RV and they got wrecked pretty bad and were pretty lucky to be alive, but I mean they had to redirect their tour so it was kind of like 'hey guys lets get together and kick shit up, we're glad your alive', they've got their own and sound and brought a lot to the table.

I always like coming to the UK, there are certain places as a musician you can make it or break it, in that stage we were looking at Los Angeles and the UK. We're very loud over there, it's a great time and I have a lot of friends and I know the shows are going to be off the hook, and that is going to be important for me, when you know the shows you're going to perform at are going to be crazy, it makes it all the better and we got to make sure that we will be ready to do it.


In regards to your song 'Not All Who Wander Are Lost', there's a section where the band-members are subject to x-rays, was that your idea or another band-members?

No no, that was an idea I had and when I tried it out the director was like oh this can easily be done this way and that way and so we ended up putting that in the video. I've worked alongside some really cool people so.... [listen to the audio at the top for a more in depth answer to this]


Thinking back to when you were a child, did you foresee yourself with DevilDriver as big as you are now?

Oh no I don't think it's the matter of being big or small, it's about being a musician. So now it's kind of a different scenario in relation to listening to a record collection because now you would ask 'hey mum, dad, let me borrow your iPod for the day', which is not going to happen because they're going to need it for work, or to go to the gym or whatever. In my house, all those kinds of records I got into them early on so now I have 60's stuff like The Doors, Steppenwolf's 'Born To Be Wild and other stuff like that I got into when I was really young, so I saw myself being a musician but didn't want to think in terms of being big or small and instead just getting up on stage and being a musician and that is really worked out for me.

Regarding "Winter Kills" which debuted #32 on the Billboard, could you perhaps shed light on why Metal music does or does not tend to get high positions on the Billboard?

Well metal tends not to get in to Billboard top #40 and it is extremely hard to get into, especially when you're against someone like Justin Timberlake and just not getting into it, but this is starting to change and I'm really proud to say that we made #32 and that's with no clean singing or no clean vocals, nothing good on the radio and as a result making it onto the radio means that it shoots onto the Billboard chart, that with requests for airplay pushes you further up the chart. But the chart is mainly a lot of pop music, a lot of pop punk and to see this shift with metal now making the chart's, it's something rather special, as metal is seen as the disproportionate and I don't know why it is happening, but it's happening.


Out of all the albums you own, what album would most people be shocked at in knowing that you own a copy?

(laughs), well I listen to a wide range of music so from everything including blues to punk rock, to Black Metal, to psychobilly and I love it all man, as far as being shocked I think you would have to take a look at my record collection and see that I have some Frank Sinatra and Dean Martin to Black Sabbath, Emperor, Dio, Sepultura, Black Flag, etc. and crazy opera stuff, you know I collect music as I am a music musician, not a metal musician and I'm very far from the purest in that anyone who knows me knows that I love Bauhaus and Sisters of Mercy as much as I love Black Sabbath and Black Flag. So, I wouldn't say they would be shocked, more so I would say they would be like 'Oh that's a Sinatra CD, didn't know you like that music and I'd say yeah been listening to it a lot'.


What would you say to those unsigned bands who don't quite understand yet what being in a metal band is about, in respect to investing time and money? What of those bands who think promoters should bow down to them and give them gigs instead of working for them?

If you're getting into an underground art, and I mean anything that's an underground art like painting, sculpting, playing the Blues, Punk Rock, Heavy Metal, don't get into it for the money, and basically you will always have to put something into life in order to get something out and so that means you would have to pay for gas, food, hotel accommodation or you'll probably have to go one or two weeks without a shower and so there's always going to be different kinds of scenario's on the way up, but if you stick with it, you know you keep your day job and you keep yourself sane, you stay away from the problems that will kill your band and stay away from hard drugs and all of the things that are going to destroy your future, then you might have a future. Don't go following a scene, you should be making your own style of music and do it for your heart and yourself, and those who like your band. Believe in yourself man, that's all you got to do just believe in yourself and those kinds of people who have done that have started all kinds of bands, if you believe in yourself you will be able to do things.

People who believed in me helped me out and those that didn't, I am no longer friends with and most of them are no longer in the industry any more so it is also not only important to believe in yourself, but others too as they are the ones who you will want to spread the positivity around.

Those bands (laughs) who think that people should bow down to them are stupid, you know you're just a f**king musician. You're not a world leader or whatever, you're a musician. Here's the thing right, I come from what you would call a working-class background, ok I was on a construction site for years and I know what it's like to work my ass off. With my dad, I would go down there around 5 in the morning (a.m.) and still be working when before the sun goes down and you're so tired. I've never lost that work ethic because I believed in becoming a man, and not through buying houses, or cars or having a beautiful wife. So no, no one should ever have to bow down to you even if you're a musician.


Finally are there any hello's, thank you's, etc you wish to send out to friends, family, fans, etc?

Yeah well, for anyone who has supported me from the beginning of my career up till now, in any number of my bands thank you very much and I'll never ever let you down, not through my music nor through the live shows, so come on out to the shows, get in the pit and have a good time with DevilDriver and throw away the chairs for a night with us.

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DevilDriver are on tour in the UK from the 3rd to the 10th April and are hitting these following cities (in order): CARDIFF, LONDON, WOLVERHAMPTON, GLASGOW, DUBLIN, MANCHESTER and SOUTHAMPTON.

Tickets are on general sale now and you can pick them up at www.kililive.com and www.seetickets.com (Cardiff, London, Manchester, Southampton), www.ticketmaster.ie (Dublin), www.triplegmusic.com (Glasgow) and www.wolvescivic.co.uk (Wolverhampton).

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