 STORMBANE 'Tortured in the Arms of Salvation' + 'Abyssus Abyssum Invocat' Australia has a long and dark history and that may well be the reason behind the influx of Black Metal and Thrash Metal bands that roam the vast continent / country, that said when bands like Stormbane emerge on the scene, it cannot be helped by saying that this is what true underground black / thrash metal sounds like, speaking on terms of their debut 2009 demo 'Tortured in the Arms of Salvation, it is evidently clear that the utilization of atmosphere over production adds a synthetic raw dimension to it. In fact the demo itself is so raw, many die hard black metal fans would masturbate over the eccentricity that reaps every single note on every single song on the demo, but at times it takes a real hard attempt to decipher what or where each musical instrument comes in, its raw for sure but a bit too raw (is that even possible?) Moving forward to the 2010 premier EP 'Abyssus Abyssum Invocat' and instantaneously the production level has dramatically increased whilst retaining that authentic raw buzzing sound that makes the EP sound so lush, its like eating a chocolate cake covered in everything that contains sugar, simply put its so delicious that it would make you physically sick, but that's the great thing about this release, it blasts the whole room with the sonic menacing sound of blastbeats, tight riffs and apocalyptic shrieking, if only there was more songs on the EP; you just cannot get enough of this band. [5] + [7] RHYS STEVENSON  IMMANENT 'In Acedia' France of late seems to be bringing more and more female-fronted metal bands out, is this a challenge for the rest of Western Europe? Maybe, but when Prog Metal outfit Immanent step into the limelight, heads bow in shame, well almost. The premier EP 'In Acedia' starts off with some promising music until the vocals kick in and there goes the question, are there any vocals? At times it becomes hard to to tell whether there are even any lyrics! It's like a bottle of French wine, fine on the outside but once the sipping has passed and the drinker is into the bottle it is questionable whether it is nice tasting or not, overall the album cannot be totally decried as it does offer a unique style, whether that specific style will catch on is another question. One element that does however offer some brilliance is the piano compositions, which adds a sorrowful sound to the mix, that aligned with the guitar and drum compositions makes the release justifiable. Download This: "Seclusion" [6] RHYS STEVENSON  WORKSHOP 'Made Love To The Dragon' EMI MUSIC (INDIA) / DEMONSTEALER Comedy metallers Workshop make their utmost welcomed return in delivering their second album 'Made Love To The Dragon', what comes this time is another truck load of heavy metal songs that have so much tongue-in-cheek, it makes Comedy Central look like a cabaret act, especially when comparing to the song 'Gajanand Dhige' which explicitly sings about a guy having a fat bottom and issues surrounding the said body part, of course this does not stop the band entering rudimentary territory in relation to the song 'Naagin Ki Nazar' which talks about a guys jewels, or so it would seem, but who cares, whether your sober or pissed out beyond belief, the songs are guaranteed to make anyone smile and laugh, therefore it begs the question of whether metal music and comedy can actually work so much so that Workshop could appear at the Edinburgh Comedy Festival? What also makes the release that extra special is that the songs seem to circulate around the city of Mumbai (Bombay) and has a personal connection to the city, whether that be true or not it certainly feels to it and so when Workshop 'Made Love To The Dragon', they found their inner fire and hot spice. Download This: "Naagin Ki Nazar" For Fans of: System of a Down, Iron Maiden, Zimmers Hole [8.5] RHYS STEVENSON  RECTIFIED SPIRIT 'Rectified Spirit' Heavy Metal being mixed with Metalcore may seem a little daunting and impractical at first, but once it gets into full swing it can be a sensational experience, something which Indian metal mob Rectified Spirit seem to have conquered upon releasing their debut self-titled album last year. What we have here is Iron Maiden-esque vocals and music being weaved into your traditional Metalcore sound, knife-edge riffs coalescing in and out the emphatic double bass drumming and truncated musical composition that slashes every ear that gets caught in this extraordinary musical blast of post-apocalyptic metal. 'Rectified Spirit' may well be the next step in adding a new algorithm to the already complex metalcore matrix, let alone building a sound that separates this band from the clones. Download This: "Bloodrush" [8] RHYS STEVENSON  IMMINENCE 'Return To Helios' WE ARE TRIUMPHANT Could this be the next biggest Swedish metal export? Imminence explode on the international scene with their post-apocalyptic explosion of Metalcore infused Modern Metal, echoing comparisons to Denmark's Scarred By Beauty and England's The Defiled as well as the likes of Caliban and Parkway Drive. From start to finish, the Swedish armada's second EP 'Return To Helios' spits fire at every note produced and is certified to melt faces across the European Metal scene, the vocals alone set the tone for the almighty face-punching onslaught that soon follows courtesy of the ballistic drumming and razor-sharp riffs that provide the solid infrastructure that is Imminence, even so when the melodic sections cut across the insane multitude of elements pieced together, the band and respective EP still maintain that hardcore backdrop, proving why Imminence are rightfully poised to take Europe by storm in 2013. 'Return To Helios' is out 7th May via We Are Triumphant Records [10] RHYS STEVENSON  WINTTERNAL 'The Monologue' On the tropical island of Madeira (a Portuguese autonomous province) comes the Melodic Death / Groove outfit Wintternal and their exciting debut EP 'The Monologue', as soon as the music kicks in it is clear this lot mean business, furious and exhilarating is an understatement in describing 'The Monologue', this EP has the power to kick your teeth in, beat the living daylights out of the pathetic individuals destroying our planet and the firepower to make an atomic bomb look like a pitiful grenade, with that comes the sensational melodies that keep this release in the overdrive region before taking it back to the origin of the music, 'The Monologue' atmosphere. On the other hand though it is nothing new, but it at leasts offers the band a way forward and the Madeira Metal scene a glimmering chance of being exploited, taking clear groove influences from Lamb of God and melodic death metal influences from bands like Trivium or In Flames, the rest is waiting to be argued upon. Download This: "The Sword Of Damocles" [7] RHYS STEVENSON  T.A.N.K 'Spasms Of Upheaval' SYMBOL MUZIK In recent years the French Metal scene has seen a deluge of fresh and exciting underground bands that have the mettle to prove that they are on the path to gaining international recognition, such a band is Melodic Death / Thrash quintet T.A.N.K (Think of A New Kind) and their sophomore album 'Spasms Of Upheaval', what comes out of this megalithic album is a torrential barrage of differential sounds that emit from the same source, the talented musicians. Layering an aggressive melodic style on top of a percussive thrash element and Scar Symmetry style vocals, 'Spasms Of Upheaval' is the sound that will make T.A.N.K stand out from the rest of their fellow countrymen, now if T.A.N.K was to be compared to Gojira, then the former is a whole league above the latter, with no exception. Download This: "Through The Disgrace" [8] RHYS STEVENSON  FURTHER DIMENSION 'They Live' BRENNUS At first the sophomore album by French Heavy Proggers Further Dimension seemed to be slacking all over the place, but in fact it is simply the opposite, some of the solos on here start off well but go completely overboard and therefore render the songs they are situated in as questionable. 'They Live' came out last year and delivers once more that technical math rock / djent feel that surges through the center of the band's infrastructure. Granted the level of extreme music is there in context with the level of aggression that spews out of the speakers from which one can be seduced by the mastery represented here, but as said things can be overdone and at times 'They Live' seems a little too pushed to be a great follow up from the band's debut album 'The Monolith Effect' two years ago, however in an overall perspective the album is certified for fans of djent and progressive metal. Download This: "Dualitude" [7] RHYS STEVENSON  UNBOWED 'Unbowed' Emerging fresh on the Canadian Metal scene is the twelve-legged melodic black / death metal machine Unbowed of whom have just released their debut self-titled EP. What makes the band ever so promising given the evidence herewith is the delinquent melodies that develop a dark and disturbing atmosphere for the rest of the band to poise upon and unleash a barrage of sincere compositions that spew out comparisons between Vesperia, Hecate Enthroned and Cradle of Filth, the latter only adhering to the keyboard and drum elements. 'Unbowed' is sure to get the band some deserved attention from global media outlets and at the same time propel themselves forward to delivering that all important god-smiting debut album. Download This: "March Of The Giants" [7.5] RHYS STEVENSON  EMPHASIS
'Into Infinity' Estonian Metal on the international scene is not well known besides the most notable band Metsatöll, so when Symphonic Power Metal sextet Emphasis arrive on the block and deliver their debut EP 'Into Infinity' expectations run high. The result is that expectations are surpassed, delivering a sumptuous mix of elegant keyboard symphonies that enliven the release and as a result the vocals, drums and guitars cooperate to perfection, delivering a sound and powerful force that has the potential to land Emphasis in the laps of a record label deal and selection to participate in the Eurovision song contest, in fact the EP blasts similarities to the progressive elements of Opeth, the dramatic atmosphere of Within Temptation, the darkened gloominess of My Dying Bride and a modern metal style that incorporates electronic-tinged background music. All in all 'Into Infinity' has proven its worth as an excellent debut release from which Emphasis can plan an assault on Europe with their catchy lyrics and totally musical compositions. Download This: "Running Man" [9] RHYS STEVENSON
0 Comments
 OUR LAST ENEMY 'Fallen Empires' + 'Wolves Of Perigord' RIOT! ENTERTAINMENT Modern Cyber Metal right at the tips of your tongues comes from Australia's hottest new property, kicking off with their debut album which dropped 3 years ago, 'Fallen Empires' employs a solid torrential outburst of technical gothic metalcore at it's highest peak, but the funny thing about the music is that it covers a myriad of sounds and so the genre-tagging becomes almost impossible. 'Fallen Empires' delivers seventeen tracks (some clips) of some of the greatest fusion metal you can ever come across, produced by Christian Wolbers (Mnemic, Fear Factory, etc) it was always likely that Our Last Enemy would spew out an album that would sound on the same part as the Danish modern metallers and American Industrial legends. Moving onto 2012 and the sophomore release comes in the form of the band's first ever EP 'Wolves Of Perigord', this time the band deliver a far heavier explosive mix of metal music and pure angst, the clever thing that works here simply is the layering of Metalcore on top of a synthetic bed and yet employs a gothic look and a Industrial Death Metal feel, so they are not Motionless In White mixed with Strapping Young Lad, they are in fact the brutal truth that they are the kings of modern cyber metal. 'Wolves Of Perigord' spits metallic venom right at the fire that burns as a beacon of their demise, for Our Last Enemy are destined to smash the sound barrier in 2013. Download These: "Pariah BC" + "Wolves Of Perigord" For Fans of: Strapping Young Lad, Motionless In White, Mnemic [8] + [9] RHYS STEVENSON  ACOLYTE 'Alta' MORDGRIMM Following a similar path to fellow Manchester Black metal band Winterfylleth, newcomers Acolyte are proving themselves to be hot property in 2013, vastly picking up notice from many across the metal music spectrum the bands debut album 'Alta' explodes in an interesting style, plucking elegant grooves that would make your grandmother dance more than gangnam style and lashing it with shrieking Black metal that would make any fight between Manchester United and Liverpool fans seem like children happy slapping, enough silly talk. Acolyte do more than play pretty music, they make the UK metal scene pretty and with 'Alta' on the horizon, days will get darker than your average black coffee. Conjuring up relating sounds to that of Enslaved and Opeth, this could be Manchester's darkest hour. For fans of: Enslaved, Opeth, Deathspell Omega 'Alta' is out 7th May 2013 via Mordgrimm Records [8] RHYS STEVENSON  KAINE / OSMIUM GUILLOTINE 'Killotine' This does not always happen, but when this sort of thing does, boy can it explode more than fireworks on bonfire night. What we have here is a magnificent split or orchestration by two of Essex's finest NWOBHM bands, Kaine and Osmium Guillotine, who when they digivolve together become Killotine. Displaying their classic Heavy Metal persona, both bands dive into four cover songs, one song by both bands respectively and a cover of 'Prowler' (Iron Maiden) and N.I.B. (Black Sabbath), now whilst this is a relatively short release, it has an element of class on it that perhaps Iron Maiden or Black Sabbath couldn't muster, instead if they whiffed the release then they would applaud it, not to mention that both bands are similar in style, sound and setup, but more so attitude and so what the Killotine split does is it exemplifies why British Heavy Metal was and always will be a cultural heritage icon. Arm the masses, raise the axes, man the fortress, this is a bloody war of riffs, drum beats and insane vocals. [9] RHYS STEVENSON  DRAWZZNIKK 'Wings' HEART OF STEEL Austria is not usually known for it's production of classic Heavy Metal bands, so it comes as a little bit of a surprise when 2013 delivers the debut EP 'Wings' by Drawzznikk and what immediately draws attention to this release is that there are two female vocalists commanding the frontline on this release. Seeing one female vocalist is different, but two? Just makes the EP that one bit more extra special. 'Wings' summons up the best the band can deliver, sure the vocals do not match the virtuoso states of Kobra & The Lotus or Sister Sin, but the vocals still pack a sensational range, the only let down to the EP is the weak recording of the drums, although bizarrely it adds a sort of classic rock style to it, so perhaps Drawzznikk may need to work on saddling themselves between AC/DC, Iron Maiden, Deep Purple and Black Sabbath because this is Hard Rock / Heavy Metal, highway to hell! [8] RHYS STEVENSON  CRYPTIK HOWLING 'Synthetic Ascension Design' Amassing a myriad of complex sounds and bolting them together can be at times a struggle for musicians, but bands like Cryptik Howling make it seem so simple. Developing an audio blast that consists of symphonic elements and melodic black metal, that covered by a Behemoth-esque visage gives this band an element of excitement not explored by past extreme metal bands. Their upcoming album 'Synthetic Ascension Design' demolishes anything living in it's path by spewing out pure Québécois darkness, taking evidential influences from bands like Cradle of Filth, Twilight Ophera and Satyricon, this is the new sound of Symphonic Extreme Metal. Double bass drumming blitzing at insane speed is just the beginning, the vocals shred you apart like a wolf desecrating the dying prey and the guitars slash open your heart to kill of any happiness you withhold, so before checking this band out, make your you have life insurance, your going to need it! 'Synthetic Ascension Design' is out 10th April 2013 [8.5] RHYS STEVENSON  AETERNUM 'Through death we ascend' 2012 saw the sewers of London arise from the chaotic production that comes from the EP that Aeternum released, from start to finish the release will captivate and entertain fans of Blackened Death Metal alike, the raw sounds that kill the bleak atmosphere at the end of the release originates from the slithering through of the various compositions found on the release which are designed to eradicate any senses the listener may have left after the first song is finished, the band itself delinquently offers unique influences ranging from black metal to death metal, as the EP itself speaks wonders through and through from the first note to the last sound, but at times can sound a little bad, especially on the production level where a storm of unintelligible sound rots the very essence of music, but overall regardless of the negativeness, of which there is very minimal to remark on, leaves the positives gleaming brightly, leaving the listener swallowed up in a darkened atmosphere and the band themselves on a path of music maturity, what will come in 2013 is anyone's guess, but the music that prevails within these musicians beckons it. [6] RHYS STEVENSON  HUMAN WASTE DISPOSAL UNIT 'New Beginning' The Nordic countries are one of the greatest collective power houses of metal music, no doubt, but from time to time the machine that is Finland will spew out a band that delivers a musical selection that is as sweet as their beloved confectionery. Human Waste Disposal Unit are the metallic diseases designed to deliver brutal moshing intent, how fortunate it is that their sophomore album 'New Beginning' spews out elements of Devin Townsend, Alice In Chains and Iron Maiden rolled into one sonic blast of epic Finnish metal. From the technical creativity of the Canadian mastermind Devin Townsend, the powerful vocals of Alice In Chains and the composure of Iron Maiden, comes this eight-legged metal machine, signalling a 'New Beginning' for the Finnish metal scene. Download This: "Sad Clown" [7.5] RHYS STEVENSON  DUOBETIC HOMUNKULUS 'Ani Já Ani Ty Robit Něbudzeme, šedněme Do Koča, Vozit še Budzeme' ZERO BUDGET PRODS. Eight years have passed since the formation of the Czech eccentric duo Duobetic Homunkulus and come 2013 the debut album 'Ani Já Ani Ty Robit Něbudzeme, šedněme Do Koča, Vozit še Budzeme' (something in English) finally drops, with it comes an atomic explosion, as if Prague finally woke up one morning to the heavenly smell of marijuana, simply said the release is as crazy and eccentric as Devin Townsend's facial expressions - extraordinarily different. Duobetic Homunkulus deploy a progressive-tinged Technical Death sound that together armed with their native language is strangely effective in brutal context, the vocals deliver a boom after boom approach and the music finishes of the release nicely with lashings of intricate riffing and sensational drumming, but the core of the album is the happy dappy Tech Death feeling that is delivered from the keyboard melodies and everything that is not expected from a Tech Death Metal band, instead the band are simply pushing boundaries. Download This: "Když Muž se Strojem Snídá" [8] RHYS STEVENSON  THE RESISTANCE 'Scars' EARMUSIC One of the most highly anticipated Death Metal albums to surface from the plethora of Swedish bands is 'Scars' by The Resistance, an instantaneous demolition of punishing and crushing riffs smother the atmosphere in so much detail that it takes the ballistic drumming and vicious vocal compositions to totally suffocate anyone who dare opposes this beast of mass proportions. Fueled by the coalescing forces that come from the four members of whom served for notable bands like The Haunted, Grave and In Flames (can anyone handle a force that epic?), The Resistance are fighting against the tidal waves of Death Metal bands that are picked out from the megalithic USA, in fact this may be Sweden's finest hour of Death Metal ever since Unleashed took their first outing and the former is sure to see more of this emphatic armada. 'Scars' is out via earMusic on 10th May 2013 [8.5] RHYS STEVENSON  ASYLUM PYRE
'Fifty Years Later' MASSACRE Back in 2012 French Progressive Power Metal quintet made their welcomed return with their second offering, their sophomore full length 'Fifty Years Later'. Instantly striking the epic sound of the heavenly female vocals that seem to course throughout the metal music world, but what is amazing about the vocals applied here is that there is a sharp sense of dramatic emphasis on the singing style, that backed up by the thunderous operatic clash of the drums and guitars, interweaving together to create a sound that would be effective as the soundtrack to a modernized version of the phantom of the opera, but more importantly a sound that will carry the band forward to greater achievements in the many years ahead, that said its no longer a matter of fifty shades of grey, but more so 'Fifty Years Later'. Download This: "These Trees" [7.5] RHYS STEVENSON |
If you enjoy reading this content, please consider a donation DonateMetal III
3rd Chronicles of Metal Music Reviews © 2011-2022
Global Metal Apocalypse Archives
May 2021
Categories
All
|
RSS Feed