Babymetal will appear as special guests to Metallica at the Gocheok Sky Dome in Seoul, Korea on January 11th 2017 as part of their Worldwired world tour.
Currently being rapturously received by UK audiences on Red Hot Chili Peppers mammoth arena tour of the UK, the news further cements what looks to be an incredible start to 2017 for Babymetal, which also includes supporting Guns N’ Roses in Japan in January.
“We’ve looked up to Metallica for so long and to be able to join them on their tour is a dream come true. It will be our first performance for 2017 so we are really looking forward to receiving a lot of good energy from them to kick off the new year!!”
“I am just so thrilled at the amazing recent news of being able to join such big bands like Red Hot Chili Peppers and Guns N’ Roses, and now Metallica!! I just can’t keep up! Metallica is such an important part of what Babymetal does. I feel that we were able to make it this far all thanks to Metallica-san! It’s still so unbelievable to be able to play with them and I’m incredibly happy! Very excited for 2017!”
“It is such an honour to be able to join the Metal Master Metallica on their tour! We’ve been blessed to be able to join many different artists up to this point and we are very excited to see what we can learn next from Metallica. I hope we are able to absorb as much as possible from our Metal Master! Looking forward to learning new and unimaginable things from them!!”
The announcement comes ahead of the release of their ‘Live At Wembley’ album, which is released this Friday 9th December via earMUSIC, and marks great piece of news in what has been a massively successful year for the band.
Summer saw them perform at the main stage of Download festival in June – but not before scooping a Kerrang! Award for Best Live Band, with July seeing the girls pair up with metal god and Judas Priest frontman Rob Halford at the Alternative Press Magazine Awards for a once in a lifetime live collaboration.
September brought another UK award for Best Live Act, this time courtesy of the Association Of Independent Music, just a couple of weeks before their biggest headline shows to date; Babymetal attracted 110,000 people over two nights at the huge Tokyo Dome in Japan.
Babymetal recently announced the release of a new ‘Live At Wembley’ album (December 9th via earMUSIC). With a carefully selected tracklisting, the CD captures the spectacular performance recorded at Babymetal’s first ever UK Arena show, 'Babymetal World Tour 2016 kicks off at The SSE Arena, Wembley’. The KKKK rated album was described by Kerrang! Magazine, who last week gave the band their first Kerrang! cover, “proof of what a devastating live force they are”
Preorders of “Live At Wembley” – released digitally on December 30th - are available on iTunes at the following link: http://smarturl.it/BMWembley_iTunes
Pre-order the album here: http://smarturl.it/BABYMETALWembley
Babymetal are currently on tour with Red Hot Chili Peppers. Catch them at the following shows:
Thursday 8 December Glasgow The SSE Hydro
Saturday 10 December Birmingham Genting Arena
Sunday 11 December Birmingham Genting Arena
Wednesday 14 December Manchester Arena
Thursday 15 December Manchester Arena
Sunday 18 December London The O2
It's always a special occasion when a band decides to do an album launch concert, gig, party, however you wish to term it. The truth of the matter is that not only are album launch parties great for showcasing a wide variety of bands, in this case metal bands, but also the nationalities drawn it from it. With Epica's EpicMetalFest II, people from far and wide came to the 013 Poppodium in Tilburg to witness bands from Europe and as far away as Tunisia and Canada.
(This was my first time at a concert abroad and first time flying alone having come from the UK)
Sadly despite best efforts, due to some rather annoying maintenance works going on the Dutch railway and highway between Arnhem and Tilburg, I missed Off The Cross (BE), For I Am King (NL) and Myrath (FR / TN) and so cannot really report on either band. However, by chatting to some punters who said all three bands were on the ball, I'll take their word for it and give all three bands a 7.50/10.
Dutch Modern Metal outfit Textures certainly had their A-game in check as they carried off where Tunisian Oriental Metallers Myrath had finished. By unleashing a charismatic on-stage presence with some rather tight and malicious sounding music, there was no reason why the crowd couldn't have matched the intensity radiating from Textures performance. Underrated at times, Textures have shown during this evening why they're worthy of a Bloodstock slot next year. Ballistic at all angels, Textures were simply raising the bar for the evening, was there anyone capable of stealing the show (besides Epica)?
Having only made their Napalm Records debut last year, Belgian Speed Metallers Evil Invaders showed exactly why the Austrian label snapped up the quartet without question. Blisteringly fast riffs crashed against all four walls of the Universe Stage, all whilst Textures were doing their own shindig next year on the Storm Stage. Evil Invaders have been knocking around for nearly 10 years and yet despite the age of the band as a unit, the members started off as teenagers, yet they're capable of proving that they've shed their teenage skins and morphed into a formidable, respectable force. By belting out songs as if they went out of fashion, Evil Invaders only had one thing in mind... total carnage and boy did they deliver.
One of a handful of Dutch Metal bands performing at this year's EpicMetalFest, Stream Of Passion are really no newcomers to the erotic world of female-fronted Symphonic Metal, in fact all but one band member have been in previous bands thus being no strangers to the scene. Moreover here is a band who despite their best efforts at delivering sweet music that is so sumptuously good to the ears, hasn't yet managed to reach the heights of their fellow contemporaries in Within Temptation and Epica. However their set demonstrated that they're on the path to achieve that goal and despite it still being late afternoon, had no reservations about keeping the crowd on their toes. Drinking was in full flow during their set, Stream of Passion? A Stream of alcohol more like.
Since the departure of Alissa White-Gluz (The Agonist kicked Alissa out of the band, thus enabling her to join Arch Enemy after Angela Gossow became band manager; thereabouts), The Agonist have been finding their way with their new vocalist Vicky Psarakis. Now, Vicky showed she is up to the task-in-hand by delivering a performance worthy of continuous applause if not for some of the other band members who seemed rather lost and at times not fully convincing; it's as if they haven't stepped out of the shadows of their former vocalist, resulting in a rather disappointing set. Not entirely sure what their plans were for the evening but it seemed to not involve band practise, despite this the whole set was of reasonable standard yet without a doubt, probably the most disinteresting performance of the night.
Herewith is an example of grandiose perversion of the extremely meticulous kind, and now you're probably thinking what the actual f*ck am I on about? It's certainly a technical sentence no? Perfect for Italy's Fleshgod Apocalypse who once again don the theatrics and emit such musical ferocity that earth tremors could be felt. Seriously enough they did not put a foot wrong, in fact they are so rehearsed in their dramatis personae that they would do well at Eurovision next year (are you reading this RAI?). Strobe lights abound and an air of operatic grandeur circumventing the venue was certainly the case, plenty more where those came from as walls of death came to and fro by the commands of Tommaso Riccardi; it was as if he was playing the king and the punters as the fools, either way Fleshgod Apocalypse demonstrated once again why they are still underrated.
Where Fleshgod Apocalypse managed to succeed in shitting the audience, Katatonia did not, instead they commenced the slitting. A once great and brutal institution has now turned for the dank and dismal worse; it was as if they weren't meant to be here because to be quite frank, the music did not fit in with the rest of the evenings line-up. That said, at least Katatonia trump Justin Bieber hands down and have the decency to sing, not lip sync live. But Katatonia just could not get the audience going, some just standing and watching bare-face, expressionless, it was as if they have been subjected to a public culling of animals, it was horrific. Despite all their might, Katatonia just did not deliver tonight... well they delivered, but the music was stale and too depressive.
Now whilst I interviewed Anis Jouini from Myrath, The Ocean were doing their thing (and we could hear it, so let's give them a decent 7/10). Now the time had come for the star performance of the evening, well it is Epica's show of course... joking aside, Epica are another band who know how to deliver a mesmerizing yet epic live show and they did not disappoint. Using props designed to mimic their new album's artwork (The Holographic Principle), Epica used laser deflecting pyramids to divert light beams across the stage, creating a psychedelic feeling as a result. Additionally in tow was Coen Janssen and his 'keyscooter' (let's call it that because it's a keyboard on wheels) and of course the expected pyrotechnics (which culminated in the end to a firework explosion). Epica simply were sensational, by delivering a set, performance and indeed day-concert worthy of being unleashed on DVD, all in the namesake of their new album, calling it magical is simply not enough and does not describe the overarching package that is EpicMetalFest... may the 2017 edition be as breathtaking.
Witch County malignant frights Devilment – led by fiery frontman Dani Filth, are very pleased to announce an extensive UK tour which will commence this December.
The run will kick off on December 6th in Colchester, taking the band through 11 UK cities – before wrapping up at eminent Southampton venue, the Engine Rooms on December 19th.
Tickets for Devilment’s tour will go on sale Friday 29th July @ 10.00 am.
Support act to be announced shortly.
Tickets will be available to purchase here:
Dec 6th – Colchester, Arts Centre
Dec 7th – Nottingham, Rock City Basement
Dec 9th – Stoke, Sugarmill
Dec 10th – London, Boston Music Room
Dec 11th – Norwich, Waterfront
Dec 13th – Glasgow, Stereo
Dec 14th – Newcastle, Think Tank
Dec 15th – Wolverhampton, Slade Rooms
Dec 16th – Leeds, Key Club
Dec 18th – Reading, Sub 89
Dec 19th – Southampton, Engine Rooms
Devilment have been working hard over the past few months on the follow up to their debut album ‘The Great And Secret Show’ – which was released by Nuclear Blast Entertainment in 2014.
Dani had this to say on the subject of the new album and subsequent UK tour...
"Everybody in Devilment is very excited about the prospect of releasing our latest album, which we have worked extremely hard on (te-he! He said 'hard-on')... The album is definitely a step-up from our debut, featuring a more mature, dissonant presence coupled with a darker edge, yet at the same time utilising our better musical assets to deliver a unique metal hybrid. I don't even know what to classify it! And of course, it's going to be awesome touring this in our home nation just before Xmas. We literally can't wait; the shows are going to be insane!"
Stayed tuned for more news about the amazing new album over the next few weeks...
Crossfaith have been announced as this year's Edinburgh Metal Party headliners, appearing on the bill above Hacktivist, Certain Death and Dead Lies.
Home of Edinburgh's cult metal parties, EMP is part of The Edinburgh Festival Fringe 2016 and was born out of a love for alternative / heavy music. It takes place on August 29th, shortly after Crossfaith take to The Pit stage at this years Reading and Leeds festivals.
Vocalist Kenta Koie comments, “Edinburgh Metal Party will be amazing! It’s the best way to finish the weekend where we will play Reading & Leeds, and we can’t wait to bring something special to all our friends in Scotland. Let’s go!”
26th August - Reading Festival
27th August - Leeds Festival
29th August - Edinburgh Metal Party
Finnish Industrial / Gothic Metallers Electric Deathbeat - who just recently co-headlined Raunchy‘s “The Singularity Tour” in Europe - are confirmed as direct support for Amaranthe's show on September 30th at Clubzal in St. Petersburg.
Electric Deathbeat hail from Northern Finland and was formed in 2011 by vocalist J.V., born as a one-man project, as years passed by, it was time to unleash the machine with full force, having today 4 versatile band members. Their debut album “Dead Echo Paranoia” was released worldwide in July 2015. The band is currently working on their new effort. Stream "Boogie Woogie" here
Electric Deathbeat are:
J.V – vocals, guitar, bass guitar, synths & programming
A.V – bass guitar
J.E.H. – guitar
J.T.H. – drums, guitar
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