India, Pakistan, Bangladesh and Sri Lanka, they all have a lot in common. Historical connotations, geographical locations, seasonal conditions, cricket, religious festivals among others... but nothing as striking as the sheer size of their metal music scenes. Sure not many people in the West know that these scenes exist with India being the exception, after all Kryptos and Demonic Resurrection have been gracing the UK and European shores many times. As for the rest of the subcontinental contingent, there is Orobas from Bangladesh causing a buzz, Pakistan's Black Warrant perhaps being one of the oldest bands from there and Sri Lanka's Dhishti leading the Sri Lankan Black Metal wave... overarching all of that is a passion for extreme music, a passion for metalheads expressing themselves and a passion for thriving in an 'Extreme Nation', this is what Indian director Roy Dipankar's latest documentary is called and is about. He gladly spoke to GMA about the documentary, the troubles funding and filming such a feat and what it means to be a metalhead in this part of the world.

The world of crossover music has always been there and for those eager enough to explore it, there are some rather spectacular and imaginative musicians out there. One such musician is Chinese-American cellist and erhuist Tina Guo, who has been a part of a countless number of musical scores most notably as a solo cellist, these include (but not limited to): 'Iron Man 2', 'Olympus Has Fallen', 'Vikings' (TV series), 'X-Men: First Class', 'Family Guy' and more. Moreover she has collaborated with world-famous musicians and composers such as John Legend, Hans Zimmer and Rupert Gregson-Williams respectively.

To top that she has appeared in the 'Mazda 6' and 'United Airlines' adverts respectively... in fact alongside this she has helped score for numerous video games including 'Diablo III' and 'Call of Duty: Black Ops' as well as releasing as of 2017, 8 albums of her own material with guests along the way; some of the albums are covers of game tunes e.g. her latest album 'Game On!' which has a metal feel to it and as Tina goes on to explain in the interview she had with GMA, there is something special about the relationship between metal and classical music.

Furthermore she has recently appeared on 'The Lion King' soundtrack to which she expressed absolute delight at.

You've done numerous albums, some involving metal music and so, could you tell us how you became interested in metal music? Do you feel classical music and metal music have strong correlations with each other?

     "Yes! Industrial Metal is my main love and after hearing Marilyn Manson when I was 13 secretly, since I was not allowed to listen to anything but classical music in my household, the next big revelation came when I turned 18 and moved to Los Angeles to attend the University at the University of Southern California where I studied Classical Cello Performance. I felt my world open up when I was able to go online, watch YouTube videos, and discover so many amazing bands and artists - including my favourite band, Rammstein. I feel all music is just music, there is good and bad music in any genre - but to me personally, there is something about both Classical Music and Metal Music that has a lot of deep emotion and power.
 

From your experience, do you feel that classical music of any kind should receive more respect and recognition than it does currently?
       
     "To be honest, I don't really play traditional classical music any more, but I think that there are so many amazing musicians online who are using technology and social media to connect with a new and young audience. I feel like if you want more people to recognize something, it also has to be made accessible and energetically open, not closed off because for members of the general public who have never had experience with Classical Music, it may seem intimidating. I think that Soundtracks are an amazing way for people to hear orchestral music, and it has really reinvigorated  people in being curious about instrumental music based on the tradition of European Art Music."


For those looking to get into playing the cello or erhu, what tips and tricks could you offer? What make and model of cello are you currently using?

     "Lots of practise! I practised 8 hours a day from when I started the cello at age 7 - in the past 10 years as I've gotten busier, I haven't been able to do as many hours but that foundation of technical ability is very important to establish when starting an instrument if it's something you'd like to pursue professionally. I would recommend find a good private teacher, and taking regular lessons - but most important is the follow through and practice.
 

     My Acoustic Cello is an 1880 Gand & Bernardel that I purchased 7 years ago, I love him very much and his name is Cello Guo! I have a few bows but my favourite is by Lothar Seifert, with a Wholly Mammoth Ivory tip. 
 

Do you have any greetings or thanks that you wish to send out to friends, family, fans, etc?

     "I love and appreciate everyone who has supported my music and art, because without people to watch and listen, what is the point of music? Music and art is to communicate our own emotions and interpretations of the human experience, and I love being able to share that energetically with others.
 
Thank you!"

http://tinaguo.com/

Mentioning the Eurovision Song Contest usually brings to the fore the flamboyant outfits, lovey-dovey pop songs and the evident 'block-voting' syndrome. However occasionally the event delivers some rather outstanding and unique entries, from Heavy Metallers Lordi (delivered Finland's first ever win in 2006) to Hungary's Post-Hardcore group AWS (post-Eurovision performed at Wacken Open Air)... then came Iceland's turn to abandon the safe-zone, free itself from the shackles of formulaic Eurovision pop music and embrace a darker, more aesthetically-pleasing and original tone in the form of Hatari, who are a 'Award-winning, anti-capitalist, BDSM, techno-dystopian, performance art collective'.

Of course they are not a metal band, however arguably through their performance which befits that of a Rammstein show; through pyrotechnics, elaborate outfits and singing in a language that demands your utmost attention, they might as well be. The unfurling of the Palestinian flags will be seen as a political statement and perhaps the most controversial thing to happen at Eurovision (although the counter-argument is Ukraine's winning song '1944' by Jamela; centres around the deportation of the Crimean Tatars), could the Eurovision be political in that it allows Australia and Israel to participate, but not Kosovo nor Gibraltar or the Faroe Islands due to the latter two not being independent nations. With that in mind it does beg the question whether the ESC is contradictory in it's own rulings or whether there needs a massive shake-up... let's face it will Punk Rock ever get a look in? Maybe the UK should send the Sex Pistols... let's see how far that goes, but for now GMA caught up with Matthías Haraldsson, harsh vocalist of Hatari and discussed about post-Eurovision events, their first EP 'Neysluvara' and of course if everything is going according to plan. 

For your listening pleasure we have included the single / music video for 'Klefi / Samed', curated by Hatari and Palestinian musician Bashar Murad. Next to this is 'Hatrið Mun Sigra', Hatari's Eurovision song, whilst the jurors did not really appreciate the song, the public vote was very high - they finished 10th... we like to think Europe understand the message Hatari are conveying.

Hatari are currently doing shows in Iceland and abroad, check out their Facebook page for dates coming up and ones to be announced.

London show has sold out.

https://www.facebook.com/hatridmunsigra/
https://hatari.is/

One could argue that the Japanese Metal scene has only really broken into the Western hemisphere and began to establish a respectable presence here. Sure it's true that if you look at the history of the Japanese Metal scene, you would notice that it's origins are firmly placed in the 1970's, echoing a similar backstory to the British Metal scene. It has to be said though that the Visual Kei movement certainly spurred the overall Japanese Metal scene on and pushed it outside the country with bands like X Japan gaining overseas attention. Fast forward to the turn of the century and bands like Crossfaith, Babymetal and now Lovebites are riding the tides of the New Wave of Japanese Metal.

Lovebites are definitely pretty, but don't let the looks fool you as this all-female Heavy / Power ensemble have enough brutality, grit and power to leave you in awe, given Lovebites have only been going 3 years. In these 3 years they have played at Wacken and Bloodstock Open Air and have signed two record deals, subsequently releasing 2 albums and 2 EP's.

Drummer Haruna spoke to GMA about the girls backstory, rise to global success and the debate of whether to call their music Heavy / Power Metal or Kawaii Metal.

Festival appearances, a headline tour, two EP's and now two albums across two years since the band's inception, that must be a dream start right?

     "I have never thought I could experience this much in such a short time. However, I was sure that this band was going to be a good band because of these great members. I am very pleased to get good reviews for all of our songs. Playing overseas was great too. I have never experienced these kind of things so I just really hope the band will be grow up bigger by footing these chances."


When you were informed you were to perform on the main stage at Bloodstock (instead of Sophie stage), what were emotions like in the band?

     I was very surprised. The happiness was bigger than the nervousness. I felt like the luck was on our side. I could do my best and did the best performance, I wanted to make good use of this opportunity. It felt so good to play Bloodstock Open Air, it was the first outdoor festival to play as Lovebites. It was raining that day, but when we played the sky became clearer and many people came out to see us."


You all seem to have different tastes in music: Asami listens to Alicia Keys and Aretha Franklin, Miyako learned to play a classical piano; do you use these as influences in Lovebites' music?

     "Halloween triggered me to get into metal music. The first album I listened to was “Master Of The Rings” and I was inspired by Ulrich Kusch’s drumming style. His style became my basic drumming style.


Do you feel that the Japanese Metal scene has gained more attention from Europe over the last decade or so? It seems Japanese Metal is on the rise?

     "I believe it’s getting bigger. Loudness and Babymetal are playing often overseas. I hope Lovebites to get in to the boom."

In your own words could you tell us the difference between Visual Kei and Japanese Metal? Is the Visual Kei scene still active?

     "I think it’s just the look. Visual Kei bands are mainly guys dressed up, their music styles vary, sometime metal and sometimes not. Somehow people mix up Visual Kei with Metal and think it’s the same thing in Japan. Visual Kei is still highly popular though.


With your new album "Clockwork Immortality", what did you do differently that wasn't present on "Awakening From Abyss"?

     "Regarding drumming, I wanted songs to stand out. So sometimes I play aggressive, sometimes I go for something simple to let the vocals and guitars sound stand out. Through the entire album, we wanted and tried to make stronger heavy metal."


Some say your music is Heavy / Power Metal, some say it's Kawaii Metal, how would you describe your music?

     "Maybe people say we are Kawaii Metal because of our looks. Just listen to our music or come see us play live, you’ll know we are a Heavy / Power Metal band!


With 2019 in full swing, what have you been up to and what plans have you got for the year ahead?

     "We played a Japanese tour in January. I hope to play a lot inside and outside Japan in 2019."


Do you have any greetings, thank you's etc you wish to send out?

     "The new album “Clockwork Immortality” shares strong points from “Awakening From Abyss” and “Battle Against Damnation”. Plus it became more powerful with greater melodies, I hope you’ll notice the evolution of Lovebites. You will see us before long. See you there!"


https://www.facebook.com/Lovebites-1626647444318005/

Metalcore is arguably one of those genres that has fallen into the trap of being stigmatised for being too formulaic, relying too much on riffs, breakdowns and bland imagination. So where does this leave Windrunner? Well by adding melodies and progressive elements to the mix, the Vietnamese quintet have come up with a solution to bypass the clutches of being pigeon-holed as just another Metalcore band. It might as well be said that whilst Vietnam is famous for it's motorbikes and bicycles, with Windrunner in full throttle, soon Vietnam will be acknowledged for it's vibrant metal scene. Windrunner were more than pleased to chat to GMA about their deal with Famined Records, the Vietnamese Metal scene, how metal is viewed by the public and their plans for 2019.

Are you all self-taught? Or did you attend music school's (if there any?)

     "Yes all of us are self-taught. Besides the general music classes in grade school, YouTube was and is still our best music teacher."


Obviously releasing 'Mai' your debut album through an American label must carry great feelings? Are you hoping you will expose Vietnamese Metal to the world?

     "It’s an honour, so we are eternally grateful for Famined Records and the help they have given us. Our heads were exploding with the feedback and exposure we were witnessing on various internet platforms across the States and international scene in general. It’s truly humbling and so unbelievably exciting. Of course! We are hungry, and Vietnam has tons of quality acts ready to break out."


With the Metalcore genre saturated as it is, what is Windrunner hoping to bring to the table that has not been done already?

      "Too right. Lyrical themes and structures are becoming a bit standardised for most genres of heavy music, so what we want to bring is a genuine fresh blend, and push for new sounds and combinations not heard before. We have a few ideas in the pot ready to go for our next release."


For metalheads visiting Hanoi, what sights / attractions could you recommend? What is the best way to get around?

     "The city is rich in historical sights. Museums, traditional pagodas and temples are scattered across Hanoi, and the night life in certain areas will keep you busy for sure. The food alone is a landmark in Vietnam, so come hungry! Renting a motorbike or just good ol’ taxis are the best and fastest way to get around."


What are your plans for 2019?

      "We already have some ideas brewing for our next release. We have an amazing tour coming up in March with Emmure across South East Asia and China, which we are beyond excited for. After that, we're definitely moving onto bigger and better things! If you liked what you heard so far, just wait for what's next."


Finally do you have any greetings, or thank you's that you wish to send out?

     "We would simply like to thank everyone for their interest and support over the last few months. All the feedback, likes, posts, shares - each one means the world. We would like to thank our local supporters for coming to shows and making each one memorable. We would like to thank the team at Famined Records for believing in us and giving us a chance to grow in a way we would never have thought possible."

https://www.facebook.com/WINDRUNNERBAND/

Skyforger are arguably Latvia's most successful and well known metal band, here is a Pagan Metal band who have stood against the test of time since their inception back in 1995; previously known as Grindmaster Dead from 1991-1995. Since then many changes have taken place, with vocalist / guitarist Pēteris Kvetkovskis and backing vocalist / bassist Edgars Grabovskis being the only members from the original line-up, both of which also take on duties of playing traditional Latvian instruments; joining them are Alvis Bernāns on guitars and Artūrs Jurjāns on drums.

Their latest album "Senprūsija (Old Prussia)" which saw daylight back in 2015, is their sixth album and provides more evidence that Skyforger are more than just a metal band, they're dedicated at pushing more of their cultural heritage, folklore and history to the fore. This is even more so evident with their new music video 'Nothing Is Forgotten' which was released in celebratory honour of the 100th anniversary of Latvian independence. 

Peter was more than happy to chat to GMA about this momentous occasion, Skyforger's history, the importance of learning about one's national history and folklore, what makes Pagan Metal uniquely separate from the overarching Folk Metal genre and of course what metalheads can do in Latvia's heavily-steeped-in-history capital Riga. 

With your lyrics are you hoping people would pay interest in Latvian history and folklore?


     "Sure we do! That is one of our goals! That is why we have everything translated into English and even more – we always add some explanations and stories for people to understand what it is all about. Just check our website, it is full of explanations about what we sing and what we tell: http://skyforger.lv/en/"


Do you have any favourite songs from the albums you have done?

     "No, they all are like my children, everyone is equal in the eyes of the father ha ha. But honestly, I never listen to my music at home. Probably it is because I hear those songs differently to anyone else from aside or they were in my ears already for so many times when I created, recorded and performed them, so I had enough already. Therefore I can’t name you any specific song I love from Skyforger, sorry."


What is it in your opinion that makes Folk Metal, or in your case Pagan Metal that bit special?

     "Hmm, I can tell you what makes our music special, but if you ask how those (Folk / Pagan) styles stand out, I have a hard time today to tell something original here. So-called Folk Metal of late reminds me more of Power Metal than what it was (Folk) when it all started. Today I see Folk Metal as jolly Power Metal hymns with pathetic pompous choruses and of course bagpipes playing along the band, add here Odin and Vikings ad nauseam and you’ll get the picture. It is funny that even non-Folk Metal bands now sing about Vikings and add that folky stuff in their music. Like when you have Judas Priest and Saxon singing about Valhalla!

It is to the point that we as Skyforger feel a bit shameful to be named as Folk Metal band. I know it will sound like bragging, but here are a few things that makes us stand apart: we sing in our language, we sing about our Baltic heritage and history instead of Vikings, we try to play a more aggressive and grim style of music, we do real research about what we sing. So maybe it is better, in our case, to call it Pagan Metal. I know, I maybe take it all a bit too serious, but then again that is my personal attitude to the music."


For Metalheads visiting Riga, what sights / attractions could you recommend? What venues? Best alcohol drinks?

     "Old Town of course - there is a lot to see, all that medieval style most of metalheads would love. Then there is the Ethnographical Open Air museum on the outskirts of Riga. What else… probably the folk club-pub Ala, with live Latvian folk music and dances and something like 30 kinds of beer. The Folk music shop Upe (you can buy traditional folk instruments there) and ancient jewellery shop “Baltu Rotas”. Some traditional food places, like Lido Dzirnavas. For best alcohol – beer - there is no better stuff here as we have old beer traditions. I can recommend Bauskas, Tērvetes, Valmiermuiža beers as good ones one can buy in shops and then there are countless craft beers in places like Labietis. Two of the best places for Metalheads to hang around with metal music and like-minded people inside is the tavern “Zobens and Lemess” and café Leningrad. If you come in Summer (June) we have our own Pagan Metal festival 'Zobens Un Lemess' or 'Kilkim Žaibu' festival in neighbouring Lithuania. So this is what comes into my mind right now."


What plans does Skyforger have for going into 2019? Are there any greetings you wish to send out to friends, family, fans, etc?

     "We started to work on new songs, but I guess a new album will be out only in 2020 as it still goes slow due to not enough of free time and just one rehearsal in a week. But at least it is started! Then we have some great festivals ahead and few concerts here and there for this year. For example Party.San festival in Germany. Maybe some more opportunities will arouse as the new year is just started!

As always we want to say big thanks to everyone who supports our band, comes to concerts and listens our music – we appreciated it a lot! Thanks Global Metal Apocalypse for this interview and see you all soon around!"

http://www.facebook.com/skyforgerofficial​

Demonic Resurrection are one of the leading metal bands from the Indian Metal scene, having been around since the turn of the millennium they have released 5 albums, 1 EP and 1 split and in that time played across Asia and Europe; most notably playing twice at Bloodstock where this year Sahil (vocalist/guitarist) had a chat with GMA about why he was putting not only the band to rest, but his other bands as well. He spoke about his YouTube channel, the scene going forward, what you can do in Bombay and what religion means to him.

Bloodstock cherishes and relishes the opportunity to showcase metal bands from all over the world, this year they reeled in Nepal's Underside, a Groove Metal / Metalcore leviathan that is taking the Asian Metal scene by storm. But it has not always been plain sailing for the band as vocalist Avishek KC explained to GMA, he spoke to us about the Nepalese economy, challenges the scene and band faced, the importance of the Ghurka and how metal unites world cultures.

KC, how did Underside come about? What challenges have you faced?

     "We started Underside after the country suffered war, we were tired of shifting from one band to the other so we go together and started this whole new project, with a lot of energy and anger.

     Oh man, where do I get started? Ok, the survival itself in a country like Nepal is number one just in terms of the economy, everyone goes through that it's normal, then you have the police, the system, the security, the society, they hate everyone with long hair. There was a time where police used to grab you and chop your hair off, just for looking like different. It's not the first time, I've been through that on many levels and if you're walking in the middle of the night, get in. It's changed a little bit now comparatively but, and then there were the power shortages, we had power out for like 16 hours a day so imagine being in a band, and that was because the Government was selling electricity illegally to companies and they found out the whole country was in darkness for 10 years because of some corruption in the system.

     When there is no light it has a ripple effect, on your job, timings, everything and itself being in a country that far is a big challenge trying to get your music out here so you talk to someone and it's like 'OK let's watch it if you're here' if you get a gig or two, I think those are some of the few challenges faced so far.

     Getting gear in Nepal is fine, it's not that hard but they don't sell the expensive stuff because no one can afford it, so there are a lot of music stores that sell low-grade guitars from 200-400 USD so you can make do with what you can get."


How long has the Nepalese Metal scene been going? What is it like?

     "It's been there but in it's infancy, it has been there for a while but not for a while, not very long. Now it's slowly coming up with our best but it's not an easy job, it's a struggle everyday so.

     Yeah we have one we do as a band and as a team put on Silence Festival, the only metal festival otherwise there is no metal festival scene at all, so it's a brand new culture slowly coming out, it's a lot of hard work for us to, even to put one show on.

It's insane, even within the country Kathmandu is so centralized, now we've sort of taken over the city with our music and put show on in front of what 800 people in a venue a few days before Bloodstock. Now we're focusing on outside of the country and are going to the rural places, probably will be doing a little bit of India, so that's the plan to go on."


Would you play in neighbouring Bhutan?

     "Yeah of course! I would love to play there with Underside, I think we have some fans from Bhutan who message us on our social media, so yeah that would be sick".


What do your parents think of your music? When did you want to become a musician?

     "My parents have never... I think my dad once came to the show and just left after two songs, that was also because my nephew and niece wanted to come, so he came four hours early and I asked him to come again and then he came back and instantly left. My mum has never seen my shows so.

     I don't know, I think I always use to want to become a musician when I was a kid and I guess it was what I wanted from the band, I think it was when I heard Pantera and then I wanted to play guitar, but I then said no you can't play guitar you got to sing. But it was always there, I always love the culture of being in a band, playing music it just spoke to me so... ever since I can remember."


What was the journey from Kathmandu to Bloodstock like? Tell us what happened. How did you get invited to play Bloodstock?

     "Ah man, it's been pretty crazy with two flights, 6 hours on one plane and two hours break and then 8 hours on another plane and then our home and then a 4-hour drive to Bloodstock. So yeah that's pretty much a little journey, but before that there's been a lot of preparation where we were working on production, we were trying a smaller scale production pretty much for the first time, for Bloodstock we want to bring a little bit of home, just been talking to the production crew in the tent so yeah we worked pretty hard and prepared to do it.

     Well we received an invite, I have got a few friends here and promoters who have been working for the festival in the past, so we started a good relationship over the years you know, I think it's from peoples love and friendship that has made the band what it is."

Do you feel that Nepalese band coming to play in the UK could aid tourism in Nepal?

     "I think it does because like we're representing where we are from and people get to know where you are from and I'm telling you about this because you asked about the problems, if you ask me about the good stuff there are a lot of good things, good people, they're the most helpful and I think friendly people you meet going about disregarding the society, the police, the system. But yeah I think it does, when people get to understand and connect, I think it does help in some ways."


With the UK and Nepal sharing a long history together, do you feel it's ever more important to support the Ghurka's?

     "I think it's a cool thing that we have that relationship with the Ghurka's and like, it's been there for years and it's always good to fuse and connect on a certain level, keeping a healthy relationship. So it's always good to cherish, improve it and make it better. I think it's great, times like this when conflicts are happening, problems with each other and everything all the time, I think it's a great thing that we connect."


Who was the biggest band to play in Nepal thus far? Has the Nepalese Government become more relaxed in recent times?

     "I think Behemoth, Vader, but no I think Behemoth is still the biggest to have played Nepal so far. Yeah I mean even last year the police were just bar-standing, we had so many problems trying to get the Twelve Foot Ninja boys out of the airport because the Government did not understand the system of bringing in your own equipment and stuff, it's just like you can't do whatever the f**k you want; 'I've got it, everything in a letter' and they were like 'we don't know come back Monday' and I was like 'dude the festival is today, you can't tell them to come on Monday', and I had to be on stage in 30 minutes so we play after the band because I was still at the airport stressing."


So is Nepal still a slightly conservative country?

     "Yeah yeah in regards to metal music and being out there with your long hair and looking like all of us here it still is, it is an open place for tourism as we get a lot of tourists, but when it comes to the society; they have a different attitude towards it, because we are from the inside and are kind of rebels. But you go there and do things that we do, so they have a different approach for how you're treated."


What did you listen to when you were in high school?

     "A lot of Pantera, Metallica, Slipknot... I was in a Black Metal band, there was something about Black Metal that I really love, it's been a while when I was listening to Mayhem, Nargaroth, Burzum, I love that stuff back in the day and also a lot of alternative stuff. So there was a lot to listen to, you used to have a lot of friends into different things, we were listening to pretty much everything. Listening to the old stuff on vinyl, Hendrix, Manson and stuff, depends on who you hanged out with back in the day. I loved albums by the likes of Korn, anything you can get your hands on, but it was so hard to get music at that time - if it was metal, everyone would just listen to it and no questions asked.

No one bought a CD, you couldn't get it because you couldn't afford it, 20-30 US Dollars would be like 3,000-4,000 Nepalese Rupee (NPR) and that would be my pocket money for 2 months to buy one album. You couldn't get it even if you said you'd save up to buy it, so whatever you had you listened to it as much as you can. For the UK a £10-£15 album would be like 2,000 NPR and that's a lot of money for us at that time especially when we were children.


What could you buy for 2,000 NPR?

     "Nothing man, just like cigarettes... a little bit more than that, not a lot, definitely not a lot. Maybe lunch and stuff, you could buy posters and stuff, bootleg albums, etc., Nowadays children have the spending access, they can buy guitars; I got my first electric guitar when I was 16 and it cost about 200 USD and it was a fight; my parents got it in but it was a brutal fight."


Do you have any greetings or thank you's that you wish to send out?

     "Yes, thank you to you man for talking to us or any other press that's talking to us at Bloodstock; it's amazing to be here, our crew, all the boys, our fans and people back home."

https://www.facebook.com/TheUnderside/

Obzidian are a Progressive Death / Thrash outfit situated in Staffordshire and ultimately slammed Bloodstrock with their infectious music, they spoke to GMA about the struggles in their local scene, their music backgrounds and why being social media savvy pays off.

Although Trivax originated in Iran, the frontman Shayan S. moved to the UK in 2010 to pursue becoming a metal musician. The rest of the band members are from Birmingham with the exception of bassist 'S' who originates from Syria. So where East meets West and liberalist and conservative cultures clash, Trivax stands strong as a force of nature. Shayan spoke to GMA about growing up as an Iranian metalhead, challenges faced and what it's like being immersed in the British Metal scene.

Trivax didn't form in the UK, so could you tell us it's origins? What is the Iranian scene like?

     "Eh no I originally formed the band on my own in Iran in 2009. I can't really say there's much of a scene because it's illegal over there to be doing this kind of thing. There are obviously some musicians who are trying to be active but obviously the quality of what comes out isn't quite as good because people don't really get to exercise the rights for music. So obviously because there's rarely any gigs or anything like that. As bands, they don't really have a great deal to offer but of course there's a lot of good musicians who have come out of there. From The Vastland is an Iranian Black Metal band formed by a friend of mine called Sina who is now based in Norway, and they're doing quite well at the moment.

     The name Trivax translates to 'storm', it's a transcription of a war, of a name that's in Farsi and yes it came about nine years ago as I mentioned in April 2009. I just decided that this was what I needed to be doing, I didn't really have the circumstances to be doing it at the time, it's just the hunger to create and play extreme music and to light up the fire that's in you."


So would most Iranian metalheads leave the country to pursue metal music careers, etc?

     "I wouldn't say most, no, they would like to but I don't think anyone can do it"


What can happen if someone in Iran was found to be supporting metal music?

     "Well it can usually just start off with getting arrested by the culture police which means they'll cut your hair, eventually they'll let you go on bail, or if you're playing live music without permission from the Government, then that can go very badly... they can break your instruments and things, finally if you're religiously or politically against what the Government do or believes in then you can almost be executed."


What do your parents think of you playing metal music?

     "I think they might have been slightly sceptical at first, but I have to say that they have been greatly, greatly supportive - it might not be something that they'd listen to themselves, but they really enjoy it, they support that it is something I believe in because they see that it's not just a hobby or just something for me to try to and impress my friends with. This is my life. They're open-minded about it."

Did you face any challenges when you wanted to learn to play metal music?

     "None really, it'd a different environment to what it is like here, I was that desperate to actually play and I learned that whatever difficulties that were in the way, I would push through them."


How does it feel to be at Bloodstock?

     "Feels pretty amazing, yeah so far everyone has been kind to us and we're very much looking forward to the show."


Do you get nervous when going on stage?

     "erm... I don't, I... it's a very strange state of mind, I'm not sure if I can really talk about it and have it make any sense, all I can say is that it gets very intense and excitement."


Do you feel metal music in general and not just Bloodstock, brings the world together irrespective of socio-cultural and political differences?

     "Absolutely, that's why we are here, we share this metal music together with people I've never met before, but we're all brothers and sisters in metal."


Are there any greetings or thank you's that you wish to send out?

     "Many thanks to those who have supported us over the years and devoted the time to come, we're only really getting started with Trivax and we're going to do our best to get out there as much as possible, and conquer each one of you".

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