Spoil Engine have been rampaging in the Belgian Metal scene for 15 years and yet it's only in the recent years that they caught the attention of the more well-known labels, Arising Empire (owned by Nuclear Blast) in this case.

Their unique slant on the Melodic Death Metal / Metalcore crossover has made them distinguished guests in the world of metal and yet despite their original vocalist leaving in 2014, they've maintained their brutality through Dutch vocalist Iris Goessens. Word of warning, don't let the fact being the new vocalist is a female overthrow you or undermine this new instalment of Spoil Engine, because her vocals and charisma is ferocious enough to leave you spit-roasted inside and out.

Here Iris and Steve spoke to GMA about their crushing new album 'Renaissance Noire', it's meaning and origins. How they come to meet at their rendez-vous point of Antwerp (as Iris and Matthijs both live in The Netherlands), the Dutch and Belgian Metal scenes respectively and why the single 'Riot' has arguably come at the right time for the band...

Metal music is unmistakably global, we've seen the rise of metal bands from all corners of the globe, from Brazil's Sepultura to New Zealand's Ulcerate and all the countries in-between and... basically everywhere. However it's multinational bands and projects that just show the solidarity this music brings irrespective of religious, cultural, political or societal traits... Metal is the Mecca of open-mindedness. Akheth, a project generally central to Canada features members from American, Dutch, Iranian and Mexican backgrounds and as they drop their debut single it's only right that they get all the attention they deserve because Akheth are not just a band, they are a prime example of 'metalisation' (a portmanteau of metal and globalisation; I just made it up); that is the power of metal music bringing different nationalities together under one roof.

Akheth gave us an insight into their world, their new single, their paths to metal and the challenges of being a project separated by vast lands and open seas.

Without a shadow of a doubt, God Dethroned are veterans of the Dutch Metal scene despite having split-up twice (1993, 2012) and whilst some might have cast them off as just 'hanging around', it goes without question that the quartet have arisen once again with newfound vigour, a sense of passion and pride, but above all the feeling that they have left business unfinished.

Starting off back in the old days with Satanism as the core topic of their lyrics, God Dethroned mid-career switched to a more death-orientated stance which transgressed into their modern self as a band who sings about war, specifically the First World War; as shown on their 2009 album 'Passiondale (Passchendaele)'.

26 long years down the line and God Dethroned are set to deliver their 10th opus titled 'The World Ablaze', ending the WW1 album trilogy. In promotion of the album God Dethroned have released three blazingly brutal music videos:-

1. 'On The Wrong Side Of The Wire' = https://www.youtube.com/watch?v=EsJ0jPAJPcg
2. 'The World Ablaze'                      = https://www.youtube.com/watch?v=0vBogAvuq3Y
3. 'Annihilation Crusade'                  = https://www.youtube.com/watch?v=COJ58_Z8p-s

Fending off the aggression of this Dutch horde, GMA came into calling truce with frontman Henri Sattler who laid out the band's battle plans for the campaign ahead, speaking of their local division, politics and their latest weapon 'The World Ablaze'... prepare for mortar fire.

Guys firstly how does it feel to have God Dethroned back together? What gave you the impetus to come back together?

     "It feels great! We have played many great shows and festivals after our 3 year break. In order to continue this very rewarding lifestyle, we needed to come up with a new album and so we did.
It was at a friend's funeral that I realised how much I missed the music scene. I was there with many fellow musicians and at the end of the day I knew I had to continue my life as a musician."


'The World Ablaze' is your 10th album and marks 26 years since GD was born, will you be carrying on the war-theme after this album?

     "I'm not sure yet what themes I will follow for future albums. It's too soon. First we'll have to see how well this one does and we'll promote the crap out of it by playing as much as we can. Then in time I will figure out what to do next."


Regarding your new album, could you perhaps give us a short break-down of  what each song is about?

     "Some songs deal with very specific events in WWI and some songs basically describe a certain situation on the battlefield. Here's some examples:-

• 'Escape Across the Ice' is about the Russian revolution that happened during WWI. The abdication of Tsar Nicholas and the rise of the communists, supported by the red army. However, there was also a white army. They were loyal to the Tsar and they fought for their own independence within Russia.
  

 

• 'Messina Ridge' is about the biggest man made explosion before the Trinity bomb explosion in Nevada. The allied forces couldn't pass a hill in the Ypres region and so they decided to dig a tunnel and stuff the hill with explosives. When they detonated it they killed 15000 troops instantly and the shock-wave of the blast could be felt in London...

 

• 'The 11th Hour' is about the end of the war. 11 am on the 11th of November (11:00 11/11). All very symbolic. The armistice was already signed at 5 am, so there were no attacks necessary any more on the final morning, but some commanders felt it would look good in the statistics if they would gain some extra ground. So they sent their troops into battle that final morning. And purely to look good they sent 20,000 troops into death that day...
  

Will this present line-up remain together? Will there be guest musicians also?

     "Yes I believe so. We had the new guys in the band as session musicians for 2 years until we decided to keep them as steady band-members. For the first time in a long time we had the luxury of trying them out for a while before having to make the decision to keep them or not. In the past we were forced to make decisions on short notice because of our busy tour schedule and it didn't always work out so well. This line-up feels really good. I'd like it to stay this way for as long as possible. We never really worked with guest musicians and I don't see that happening for the foreseeable either."

When you think of Black Metal, or namely the Symphonic version of it, you tend to think of the Nordic nations and maybe Germany in tow. But when you think of the Dutch Metal scene, usually bands like Within Temptation, Epica and Heidevolk spring to mind. However beyond the facade of said metal scene is a thriving Black Metal scene, one band is set or somewhat hell-bent on aiming to change the whole 'devilish aesthetic' normally associated with Black Metal and / or one of it's many varying subgenres.

Enter Carach Angren, a trio in the studio, a quintet on stage (with help from Nikos Mavridis and Diogo Bastos). Having been around since 2003, this hallowing outfit utilize ghost and horror stories as their lyrical subject and thus breaking free from the shackles that forgone Symphonic Black Metal bands have laid down. With an average album turnover of 2-3 years, 2017 heralds the new Carach Angren album "Dance and Laugh Amongst the Rotten" which is being ultimately billed as their darkest and most spine-chilling album to date.

With that in mind it was time to give the band a grilling as GMA interrogates them, finding out what sits within their darkened chambers of creativity, thoughts on Brexit, their finished tour with Italy's Fleshgod Apocalypse, the new album and other topics surrounding this ghoulish threesome.

There are very few Dutch 'Symphonic' Metal bands that have made a name for themselves or indeed established themselves as truly unique in various ways. Delain is one of them, well, one of the big four Dutch Symphonic Metal bands of whom stand alongside Within Temptation, Streams of Passion and Epica in this almost-exclusive group. Having released their latest music video 'Suckerpunch' back in February this year, their new EP 'Lunar Prelude' and album 'Moonbathers' in February and August respectively, the sextet from Zwolle are poised to celebrate the anniversary of their debut album release 'Lucidity', which dropped 10 years ago.

Martijn Westerholt, Delain co-founder (along with Charlotte Wessels) and subsequent keyboardist / lyricist, was more than happy to spend time with GMA and to talk about the current state of the Dutch Metal scene, Brexit, their forthcoming anniversary show, tours and much, MUCH more.

What is the current status of the Dutch Metal scene, is it still as strong as years past?

          "Well, there is always a good basis for metal.. a scene for it, but I think that support from radio stations is really, really poor and that they totally forgot about what kind of events they have. For the scene itself it's really good and also the venues, there are a lot of really good venues - that regarded it's really, really good".


Regarding the whole Symphonic Metal movement in The Netherlands, aside from Delain, WT and Epica, is there a bright future for it?

          "Well there's also a new band, End Of The Dream (www.facebook.com/endofthedreammusic/) which is upcoming and there will always be some bands, but in general it's those three bands indeed. Of course there's also Anneke van Giersbergen (The Gathering, The Gentle Storm) who is doing a lot and is also involved with Ayreon; I'd call them progressive 'sci-fi' metal, but those I think are the main active bands in the genre and certainly regarding the future because the musicians in those bands are not very old, so I would say yes (laughs)".


Regarding Delain, upon releasing the 'Suckerpunch' single (Lunar Prelude EP) and 'Moonbathers' album, what has the reception been like? Was the production plain-sailing?

          "Fantastic, absolutely fantastic, firstly with 'Suckerpunch' which we released in February just before we went on tour in the USA with Nightwish, that was really good as people asked for new material and this is why we released this prior to the record... and then of course the record itself in August which I think has been received well too; accompanied with really good ticket sales for our European tour (a good sign of favourable response).

Every album recording I love album productions because you learn every single time that there's new stuff. This time we really learned that to not record everything in one big chunk and not mix everything in one big chunk, but split it up into pieces because it makes you far more flexible, you have tours in between it doesn't matter you can go on tour and on top of that, which is more important you are flexible because if you write a song, record it and then immediately mix it, then you can take a step back and later on look at it again and say 'oh I love this, this is a really good thing' which we should do more.

Or I don't like what came out, you have to go back to the drawing board and so it makes you very flexible and there's not a lot of pressure like we have to record now because THIS IS IT and there's no second chance, so it will also reduce a lot of pressure and it's also a more modern way of writing intense music. People write a song, they immediately record it and master it themselves even and put it out. I wouldn't go that far to master it myself, but I would like to do it song by song and that's a very new thing I discovered which works really, really well for us.

We also had Arch Enemy's Alissa White-Gluz guest on 'Hands Of Gold', she was really easy to work with and was so wonderful. We of course meet each other when on the road now and then, when we're touring, she is also present when we played with Nightwish and Sonata Arctica in Montreal (Canada) where she's from.

In this song we really wanted a really heavy growl, a really heavy grunt in there and so it was very easy for us to ask Alissa for that because we know her and she was very open to do that, we sent her stuff and she recorded and sent it back and I tweaked around with it, and it worked fantastic - it's very nice that she will be at our Amsterdam show in December as a guest for our 10th anniversary, and so she can do the song live; concert is sold out and will also feature Liv Kristine, Burton C. Bell, George Oosthoek (Delain session member) as guests, as well as 'potentially' more guests, however Marco Hietala (Nightwish) and Sharon den Adel (Within Temptation) won't be present.

Marco has shows already confirmed in Finland, a Christmas tour with another artist and Sharon has privately a lot of stuff on her plate, so she's not available either otherwise I'm sure she would be very open to guesting".


Over the years many people have labelled you as a Symphonic Gothic Metal band, would you agree with that genre-tagging?

          "Well this is where you will get the cliche type of answer for this kind of question, I don't really care that much about the genre-labels, I never understood the term 'Gothic' and I also don't like the term 'female-fronted' because what does it actually apply? That there is a female fronting a band? Well there are a lot of females fronting a band and there are a lot of males fronting a band, why don't you say 'male-fronted band'?

So I never understood this terminology in general anyway, I do understand the 'Symphonic' part because this is really applying to the music itself, there are a lot of 'Symphonic' elements and melodies in the music and of course also 'metal'; although some people would not agree to that because they are into 'true metal' - they would say "this is not really metal, this is just pop", but if you look at the kind of guitars used and that we make riffs based on rhythm, that's definitely metal.

So I think Symphonic Metal is a very accurate term, the only thing with Symphonic Metal is that it doesn't cover other sounds in the music, for example there are a lot of electronic elements in the music and this doesn't cover that. We also have got a lot of pop influences in the music, in the themes, in the structures of the songs; how they are built, so I do think 'Symphonic Metal' is a better term to use but it doesn't cover everything".


Do you agree the term 'female-fronted' could be considered sexist?

          "I think Charlotte would say yes. I don't really care about that, I'm so feminist that I would say that for me it's given that both sexes are equal, I just don't understand the whole terminology of 'female-fronted' because why say 'female-fronted'? It doesn't even say what kind of music it is, you can even say that Janis Joplin was an artist of a 'female-fronted' band, it doesn't say anything and I do have some people who want to say "we mean a metal band with a female singer", but still that doesn't mean anything... I think it's a stupid term and on top it's not all about the singer, it's about the music and personally I don't really care if a male or female does it, just as long as it is done well and I like the voice, that's of course that's a matter of taste.

Take Nightwish for example, what makes Nightwish 'Nightwish' for me is the guy writing the music, of course you need a good singer and I think Floor [Jansen] is a really good singer, I think Tarja (Turunen) was a really good singer, but to me that doesn't make the charm for it, to me the music makes the charm".


With that crossover of electronic and pop elements with metal, do you feel metal needs to tap into other music genres in order to constantly evolve?

          "Well it needs to do nothing, I think people should make what they want to make and if they like to make music that has been there a long time, then that's fine, there will always be people liking that. If you want to have something brand new then yeah you have to think of crossover combinations and this is still done today with really modern approaches, you see bands tapping into that and with that way it does evolve. I don't have a judgement about either way, but if you want it to develop into new things you have not heard before, then of course it's really good to use new elements."

          I love my job, I think it's the best job in the world for me at least, it's fantastic I really really enjoy it very much, I appreciate it very much and feel spoiled and privileged. But it's very, very hard work and people only see the glamour part of it, they don't see the problems they don't see the building up part and so if you have ambition to tour, yes go for it it's fantastic it enhances your experience in life, meeting people from different cultures, etc, but you have to really work hard for it and it's not a given that you can earn money from it, it's a very crazy job and so don't expect to drive a Porsche with it, anyway expect to have a huge debt and if you're lucky your band will do well and then you can earn a little bit of money with it.

But that's the thing, you're not a musician for the money (at least some aren't), you're a musician for the kind of job you want to do and if you achieve that then really appreciate it, because you're there because of the fans, they pay your sandwich, your meal let's say, treasure them because without them you can't do what you do".


Regarding culture, Delain's fanbase in particular, are there any countries you were surprised at for having a huge support for Delain?

          "Well the UK for a start, I remember when we were at Roadrunner they didn't want to release our first or second album and they said 'you're also not playing here', but when I said I wanted to play there, they said 'but you don't have a release, it doesn't make any sense' so it was kind of the chicken and the egg story and at a certain point we thought 'you know what, screw it, we're going to play there (UK) and I don't care if we have a release or not' and so we played there and were received so warmly... leading onto Roadrunner releasing our debut album. So in the UK it really took off really fast and I love to tour the UK, so that's an example of a country where we're special and has a huge support... I also experienced this in the US; they're very enthusiastic there as well...

Most of the the time the venues are of poor quality and there is not a money supporting system like there is in The Netherlands for example where the venues are really new and really luxurious, so that's another cultural aspect difference, but it doesn't really matter in the end because it's about the fans and if they support you then you can come there and play there.

We did a support tour for Nightwish last year in South America and we were received really warmly there as well which was fantastic, so you are surprised that how truly widespread the support is and how far people travel to see you. It's absolutely astonishing, we had people from Korea coming over to Europe to see us, and Japan, Chile etc., so yeah it's fantastic.

It shows that metal music has a very loyal fan-base too, there are not a lot of other styles of music that you can say something like that to so we should really cherish that".


What hobbies do you and the other members of Delain have outside of the music world?

          "I love to watch documentaries about history, I'm a big history addict. I love to play games, especially strategy games like Total War which is a big favourite of mine. I also love to ski, I'm into winter sports - I remember last year we toured the USA and I managed to ski in the Rockies which was fantastic and near Calgary in Canada. Oh by the the way I'm also a Trekkie, I love Star Trek and Star Wars as well, so I'm a sci-fi geek.

I know that Timo & Ruben (respective guitarist and drummer) are very much into gaming, Ruben is also a big food fan, he loves to eat and Charlotte loves to read... that's it really.

Speaking of Star Wars actually I thought that 'Star Wars - The Force Awakens' was fantastic, it has a little bit of the vibe of the first three films (Ep 4-6), I personally don't despise the films that came out in the last decade (Ep. 1-3) I like them too, but I do understand why some fans really like this one (Force Awakens), it has captured part of the vibe which was missing in the first three of the trilogy (Ep.4-6)... which is of course the last three actually (laughs). 

Moreover Kylo Ren struck a chord in my heart because I'm curious to see how the character will develop. Maybe you could write a song about him on the next Delain album? (laughs) well yeah of course because what inspires you, you start making music about so perhaps I should!"


Martijn wishes to express his gratitude to thank readers and fans for taking the time in following and giving support and interest to Delain. Without them Delain cannot do what they do so you might actually call our fans our 'boss' when it comes to our job so they are very important to us.

https://en-gb.facebook.com/delainmusic
www.delain.nl

I caught up with vocalist Charlotte Wessels of Dutch Symphonic / Gothic Metallers Delain about their history, talking about the change of record labels that has been going on, festivals and tours they are playing at or have played in the not so distant past and questions about the Dutch Metal scene. Apologies for the unwanted noises in the background, I believe it was due to connection issues.

The interview can be heard above.

https://www.facebook.com/delainmusic?ref=ts&fref=ts

Emerging Dutch Death Metal mob Bodyfarm got a good stripping over when I spoke to their guitarist / vocalist Thomas Wouters, this band are looking set to be the natural successor to Hail of Bullets, check it out.

1. Who came up with the band name and what does it mean to you personally?

When Quint (drums) and I just started Bodyfarm, we named our very first song after the band’s name. We didn’t have a band-name yet and Quint thought it would be a good name for our band. I was skeptical at first, but Quint convinced me. It’s catchy and short. That name is part of our lives ever-since, haha.

2. How did you guys form and were their any line-up changes since the beginning?

In the late summer of 2009 I asked Quint if he were interested in starting a death metal band together. We were both in other bands back then and those bands didn’t please us any more. Quint was interested, and a few beers later we had a new band! A few weeks later Winfred Koster joined (ex-Pleurisy, ex-Bloodphemy) us. He rehearsed with us a few times but then he kind of magically disappeared and never showed up again. So we went looking for other musicians and we found them, Bram Hilhorst (guitars) and Mathieu Westerveld (bass) who were already friends of ours.

3. You signed to Abyss Records, can you explain how this came about?

Yeah we did. Abyss Records contacted us through MySpace right after we uploaded our very first tracks. They offered to release our EP in jewel case and booklet. We’re still waiting on that though. The slipcase is already for sale at the Abyss Records web-shop.

4. With Dutch Death Metal concerned, do you feel it has become a common genre in the Netherlands?

The metal scene here is pretty big and I think there’s a lot of death metal fans amongst us. Outsiders don’t have clue what death metal is about but I think that counts for pretty much every country. I’m glad The Netherlands have a pretty big metal scene. There are a lot of festivals here, and a lot of club shows for major death metal bands to play. The death metal underground is less popular. That sometimes frustrates me. I think we are a bit spoiled, hahaha.

5. You're currently in the studio preparing for your debut album, how long has this taken, how many songs will there be and what other information can you give us?

Yes! The drum recordings are planned for late September. Writing this album has taken a lot of time. We’ve been doing a lot of gigs, so most of the time we’ve been rehearsing for shows, but all the material is done now and we’re ready to enter the studio. There will be 10 tracks on the album, including a cover from a legendary U.S. death metal band. The artwork will be done by Erik Visser, who also did artwork for the latest Severe Torture album and our friends I Chaos. This album is gonna kick ass if I may say so myself, and we’re looking so forward to the result! The material on it will be in the same style as on the EP, but my vocals have changed in a good way. They’re lower and aggressive.

6. Your self titled debut EP, what was the general response you got from it?

The responses where surprisingly good from all over the world. People seem to like it that we only do what we love, and not trying to be innovative or technical or something. I think our music is ‘honest’ death metal. The responses we got really motivate us to continue with this band, and make a killer album.

7. Does any of the band members play in any other bands, if so which ones? If not, who would your dream band be to play with?

Quint plays in a punk/streetcore band, Bram has his own brutal death metal band called Cavitation and Mathieu plays in Baatezu. I don’t want to play in a second band, I’ve got my hands full on Bodyfarm.

8. Finally what can we expect from Bodyfarm in the next few months or so?

In the next few months you can expect some video footage from the studio! Quints drumming, vocals, guitars, etc. Maybe some rough samples from the mix. For all of you who care: checkout www.myspace.com/bodyfarmnl, but mainly: hook up with us on Facebook! We’re not that hard to find, haha.