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Interview Interrogation: Ardek from Carach Angren (The Netherlands)

17/4/2020

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"the water... was real and so cold that we had to stop in between shots to try and warm up... I remember at some point I was like 'OK I'm going to pass out'" (on the 'Charles Francis Coghlan' music video)


In truth the Dutch Metal scene is as complex as it's train network - remember that a 'Sprinter' train service is slower than 'InterCity' and oh that most trains are double decker, the quiet zone at the top and the trains as quiet as Black Metal... anyway moving on from the differences in train services and onto one of the most prominent metal exports in Carach Angren, who are gearing up to release their latest offering 'Franckensteina Strataemontanus' on 26th June 2020.

But what is it exactly that makes this band run along smoothly, is it their inept ability to conjure up songs that are designed to make you sweat profusely or make you lose sleep at the rate of a thunderstorm's lightning strike? Whatever it is, it works and their own 'Horror Metal' style is not one for the faint hearted as Ardek explained to GMA.

We spoke to him about how Carach Angren got to where they are now, the forthcoming album (guts, bones, the lot), the eloquency behind the outfits and the torture the band endured in filming 'Charles Francis Coghlin'.... prepare for some serious goosebumps reading this.

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Carach Angren has been going 17 years or so, what is it that has kept the line-up so strong?

     "It always has been very natural, I remember when I started I played in a couple of bands and I started to write the composing part which was more than anything else, so with other bands I had to compromise of which sometimes would lead to really great stuff. But with Carach Angren I had my place as a main composer where I could make up compositions and Seregor, is really good at the guitar when it comes to the melodies and coming up with his act on stage; visuals, lyrics, but my brother was good with rhythm so all these things together were a natural combination; like a machine without discussion of who's doing what.

     This developed and I remember when we made the first release it would be cool to make one story and build everything around that - this stuck with us whenever we did research for a concept album. Unfortunately he (my brother) decided to leave this year, it's sad but I always say you have to like what you do, especially when it comes to music."



Focusing on the lyrics, were these all researched or were some based on stories you heard / learned over time?

     "It differs per album I know that, for example "Lammendam" is a story that actually took place near Seregor's place where he lives in Schinveld, it's a very small town and the legend was really unknown, but it always has fascinated him, he even wrote one song about it in previous bands. So when we got the opportunity to sign with a record label in 2007 (Maddening Media), the idea of a full length came up immediately and this story was right in front of us; that's why we picked that one.

    After that I read about the story of Van Der Decken (Death Came Through A Phantom Ship) which came through on a completely different album, it felt completely liberating to do something different and so with all of our albums they connect with us through maybe a movie, or a book or an idea and that's the cool thing about our band - we can do whatever we want within the ghosts or horror genre, story-telling of course and sure it's not easy, because you cannot just pick something random and do it, it has to connect with you and focus upon something inside ourselves as a band.

     This echoes with the new album 'Franckensteina Strataemontanus' whereby Frankenstein has been done so many times in so many different ways, it's so popular that for me it wasn't the case of 'lets do an album about Frankenstein', you know? That's not going to cut it. But through a really great way, I found a connection to the story via a nightmare where I was floating in a house and I heard distant piano sounds so I walked towards what seemed to be a portrait of an old-looking man, he was really angry (laughs) and then I woke up and I wrote that down, I was fascinated by this dream; I even made a drawing of the face that I saw and basically ignored it, until later when when I started to read about Frankenstein and was fascinated by it.

     So much so I researched it and came up with this theory that Mary Shelley originally was inspired by Johann Conrad Dippel, so I googled this guy and a portrait showed up in google images of him and he looked exactly the guy I dreamt of (haha). So that for me and Seregor became a lead, you need a lead that pulls you instead of pushing yourself, this was something interesting what we had - no one knew who Johann Conrad Dippel was, so we started making up stories connected with Frankenstein. This is usually how it happens with every album, but I have to say every album becomes a bigger challenge as you've already done so much and it's easy to go in the same direction, so I like a challenge (haha)."



Arguably with Carach Angren you've created your own sound in 'Horror Metal', do you hope that other bands will follow the same style?

     "That's a good question, I don't know but I see sometimes people are inspired by us and do covers, stuff like that which is really cool. The reason we choose 'Horror Metal' is because we didn't feel completely good with the 'Symphonic Black Metal' genre because especially to me, that genre has always felt like a big container of different kinds of things and bands. I felt we do several different things so 'Horror Metal' isn't really a genre in that sense, but if you have to give it a name then it's 'Horror Metal', but yeah we were inspired by bands and so we hope we inspire other bands and people, be it music, art, paintings, photography - there was no ultimate cause or effect, we invent all the time - art in that sense."


Arguably bands say their next / latest album is their best or favourite, out of all of Carach Angren's albums, which is your favourite?

     "It's cliche but it's the upcoming one (haha) because it feels closest to your personal development as a musician, because we always give everything when we write. When I was working with the music for 'Lammendam' I was a different person, I was like 23 years old and now I'm 36. I'm proud of every album and I thing that we've really done everything we could possibly do at that point, but of course when you listen back you will always do things differently; but that would be wise things because probably you would f*ck up and I think that every album has it's charm. "Death Came Through A Phantom Ship" was nautical, it has an adventurous tone to it and so the production was more film-score like, "This Is No Fairytale" is much more in your face-like, complex and raw but they're super different in that sense.

     But yeah what makes me proud of the new one is that basically, we took almost like an extra year to work on it, because usually it's a two year cycle - play play play, writing an album, releasing it and now I felt like this is too soon, it would not be fair to hurry an album... I felt like I need that extra time as sometimes you feel that you've lost that perspective, sometimes you need time away from it to gain new ideas."



Given that extra year, did that help you in researching ideas for the song titles too? How was the process?

     "It was a really in-depth process with what I did in 2018 and 2017, I started reading the book and other gothic novels and got fascinated by Frankenstein, the funny thing is in 2018 it was exactly 200 years ago that Mary Shelley wrote the book, so I found it to be my investigation. I went to a museum called Boerhaave Museum in Leiden, it's like a science museum and they had an exhibition about Frankenstein in an historical context; it was written in about Mary Shelley and also about the future of robotics, basically a projection of Frankenstein in this day of age and there was also a little exhibition of a woman called Ana Maria Gomez Lopez, she's a scientist but also a performing artist and she was planning an art performance of taking an organ out of her own body and bury it.

     This fascinated me so I wrote down her name and contacted her, had an interview with her discussing all these kinds of things and I got on a really deep trail; I started investigating laboratory experiments where they decapitated mice to find out brain functioning in the moment after death and I definitely found out that the separation between death and life is something that is mostly cultural, medically we say that the moment of death is when the heart stops beating and yet we see some cells in organ systems multiply after death; that was kind of fascinating that there's no clear line and that inspired me in the song-writing process in that I started writing some ideas, some fictional ideas - some ended up on the album like 'Operation Compass' and it was in that time that we slowly started gathering musical ideas and these ideas, but I never at the time had an idea of what this could become."



Are you surprised about how global metal has become and seeing bands from the likes of Syria, Botswana, Indonesia emerge?

     "I think that's really great that we are as a world, since the internet and everything going to more globalisation, it has some worrying sides maybe, but there is a very good side and music... if you see how accessible music is these days from bands in difficult regions, who are outreaching to global audiences, it's really great. So I'm excited about that and it's a fantastic thing."


The new album 'Franckensteina Strataemontanus' is to be released on black and glow-in-the-dark vinyl, was this your idea or Season of Mist's idea?

     "We worked together on these things and we will have a silver one on our web store, we also have a limited edition vinyl where we hand make little bottles of oil and I always try to come up with ideas to give the release something special, almost a four-dimension like we did with the last album - pitch black box, so we really try that but it's like an exploration because everything is possible, but not everything is a good idea, I think I have very good ideas but the label is like some of these aren't going to work commercially - we always have to find some kind of balance, but I am very happy what we have come up with altogether. By coming up with a great album it enables teams around us to come up with great ideas to match it - such as the artwork which is done by Stefan Heilemann, he's a brilliant guy and artist - I emailed him the entire concept story and before we even started recording he came up with this artwork."


Some people on YouTube have commented that Carach Angren should do their own horror movie, or music should be included in one, what are your thoughts on this?

     "Well the cool thing is that it already happened, there was a Canadian horror film called "Pyewacket" and they licenced one of our tracks 'There's No Place Like Home' and it's in the movie, so that's really cool; there's also some key visuals from us in the movie, so that's something to definitely check out, so what you see is it's already happening. Some Dutch people ask us do you want to make your own movie and to be honest I really like what we do, I like to make sound for non-existent movies in our heads and to make a movie would be something completely different, so why not, but it's not something that we are trying to do."


On the topic of videography, how demanding was it to make the music video 'Charles Francis Coghlan'?

     " (laughs) I want to forget about this, it was extremely demanding for everyone, we did it with Rick Jacops who is a film-maker from The Netherlands and a really great guy. But he is like us in his field, a perfectionist, it never ends with him nor us and basically we had to build everything ourselves; what you see there is built by the band, we did have some help from friends and family but besides that we did it over a period spanning 2 months. Literally the recordings you see we are in the water, that was actually real and was so cold that we had to stop in between the shots and try to warm up... I remember at some point I was like 'OK I'm going to pass out', like what are we doing here, we're crazy.

     To give you an example we had these shots like all day and then in the afternoon I was going to the other scene, to bury a hole for the grave because we needed to put a coffin and water in there and was also recorded in May - the weather was really nice and we only had very little time to record because we had to record at night as it was outside, so we were literally recording from like midnight to like 5am, stop and sleep for the next couple of hours and then wake up because we had to rebuild the set - it was basically horrible, I was dead at the end from sleep deprivation and all the crap. But I mean we were very proud of the end result, I don't know if we would do it again though, looking back at it it was too extreme, like a movie with a couple of people."

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Maastricht at night, The Netherlands / Source: Consilium Europa
It seems with each new album comes new on-stage outfits, what inspires you each time?

     " (laughs), I could come up with a very elaborate story but a lot of things we do in the band happen naturally, I'll give you two examples like first we have a story in The Netherlands where we love to go to check out clothes... which we have done since the beginning as we go there, we check out what's there and for some reason there's always something really cool and during the latest years Seregor has been getting better at customising some of the clothes that we get, so his touch is definitely on there. What is really funny is that people always contact us asking where do we have it made, where do you get this stuff? The funny thing is just it's commercially available, but we know very well what we connect with.

     I remember when Seregor and I once went to the store and there were these PVC / latex pants and we looked at each other and we were like 'I think this could be cool' but at the same time we said we wouldn't have done this four years ago, we would be like 'this is too much' and for some reason we tried them and felt like OK this is weird and not a Black Metal purist look, but it worked with what we were doing and that also made us move in different ways live... like almost Michael Jackson kind of moves. But it all happened in a natural way, another example is like last year we needed something to promote the headline tour - something for an instagram video.

     I had no idea and was literally out of ideas and Seregor called me and said well come over and let's try something, so I came over to his and he had a couple of masks and was fooling around and also said he had this fake tongue, so I said yeah why don't you just cut it or something and so we were just goofing around and filming with my phone and it turned out to be really something strange. So I took it home and made it a little bit darker, adding sound effects and it turned into this gross kind of thing, I put it online and it went viral. I said why don't you do that live, everyday you cut your tongue on stage, OK so we ordered like 38 tongues (laughs) and we had ordered the wrong ones because they were too sticky and so had to order different ones - nowadays like the mouth piece crisis we had a tongue crisis."



Regarding the masks we see around the 'Lammendam' and 'Death Came Through A Phantom Ship' era, are they still being made?

     "Yeah Seregor makes them and has his own web store, he sells them there and makes all kinds of masks - usually horror and that's like a little side business. He's extremely good at it and always comes up with new ideas in life and for the band as well sometimes, in the visual area he's very talented"


Given the COVID-19 situation, looking towards the back end of 2020, what plans do you have?

     "We're working on touring plans for the Autumn, USA hopefully after that Europe, we already have Mexico's Metalfest confirmed so with the virus it creates a lot of uncertainty, but we have really great booking agents and management who would try to be on that; making plans which I am really happy about, because that was the initial plan, we are really lucky that the album is coming out. But some bands had tour plans which they've had to cancel which is really bad, but music is now a secondary problem and sits behind personal welfare, societal health, etc., but our tour plans are definitely being drafted right now and hopefully we can be a bit more precise when this is all over."


For those metalheads visiting Landgraaf, what sights / attractions could you recommend?

     "This is actually a funny thing, Landgraaf is a town where we used to have rehearsals and our previous band, none of us actually live there. So somehow that name made it onto our Wikipedia page. But we are located in the province of Limburg. In general you have the town of Maastricht which is nice to visit, it's a nice town, that is something I would recommend."


Where there any ghost / horror stories you were told as a child?

     "Well I always remember our father would tell us fairytales and stories, but I have a funny memory as a child, I was sitting in the bathtub and I called out to my mother that someone was under the water by my feet; I have a vague memory of that so it was a cool ghost story."


"Franckensteina Strataemontanus" is out 26th June 2020 via Season of Mist on CD, vinyl and tape.

http://www.carach-angren.nl/
https://www.facebook.com/pages/Carach-Angren/289371466833
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Interview Interrogation: Henri Sattler from God Dethroned (The Netherlands)

13/2/2020

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No one could have imagined that 30 years ago in the small village of Bielen in The Netherlands, that a very successful Black / Death Metal band would emerge. 30 years on and God Dethroned unleash a barrage of hellish brutality with their 11th album 'Illuminati' having completed their 'War Trilogy' (Passchendaele, Under The Sign Of The Iron Cross and The World Ablaze) with such aplomb, especially with the latter album being a struggle as Henri went on to explain in our interview with GD's front-man, he divulged into the challenges of music recording, the Dutch Metal scene and customs checks they had to face, when visiting the UK...

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[The] 'Illuminati' were basically a secret society fighting for freedom, it's not so mysterious as it looks to many people."


Given God Dethroned's longevity and line-up changes, what in essence has kept the band going?

     "It's because I like to play live and of course make new albums, but for me especially nowadays the reason to make new albums is to be able to play live. Recording an album is OK but it's not the thing that I like the most, I like to go out to play at festivals and shows at the weekend, some cool tours here and there... yeah that's the main motivation and that's still there after all these years"


Having completed the 'War Trilogy' (Passchendaele, Under The Sign Of The Iron Cross and The World Ablaze), what convinced you to shift away to different lyric topic entirely?

     "Hehe well you know, back in the day I decided to write a concept album about WW1. I came to that idea because our guitarist Isaac Delahaye lives in a part of Belgium where a lot of the fighting went on; there's a museum, war cemeteries and monuments and things like that, it really intrigued me and so I decided to write 'Passchendaele'. That album was received very well by the media and fans alike, so I made the 'stupid' mistake to announce the fact that I would write a trilogy about WW1 and it all seemed to go very well. We did the second one 'Under The Sign Of The Iron Cross' and then I discovered it was a lot more difficult to write lyrics about WW1, because as you know most of the time people were just shooting from trenches to the enemy's trenches, so not much was going on.

     So by album two I covered most of the topics that I could find and then I still had to do album number three, so it was really difficult to write lyrics for 'The World Ablaze' and I was really happy that I could finish that album... but in the mean time our fans started requesting that we would go back to the dark side so-to-speak, to write lyrics about religion, occult themes, etc, so it was a no brainer to do that again and it felt like a relief, to be able to write lyrics about said topics; one topic per song instead of one topic per album, let alone three albums."



With respect to your new album 'Illuminati', could you give us the backstory behind each song title?

     "The track 'Illuminati' refers to the organisation from Germany, they were basically a secret society fighting for freedom, it's not so mysterious as it looks to many people. They were a society who wanted to read certain books that were forbidden at that time by other religious organisations at the time, they secretly fought against those religious organisations in the name of freedom in order to read those books that were forbidden, that's basically who the illuminati were. I created a story where it takes a mastermind to infiltrate and replace a new world without religion and that's the story I created around the illuminati."


What was it like working with artwork designer Michal Xaay Loranc (Nile, Evocation, etc), engineer Ortrun Poolman and Hugo Alvarstein?

     "Oh yeah pretty good, I mean Ortrun is our live sound guy so he basically did the setup for the drum recordings. Michal Loranc is the Polish guy who did our album cover, the management sent me a list of artwork designers and I liked his the best, so I contacted him and he wrote back to me saying that he is a long-time God Dethroned fan... what an honour it is to ask me to do the album cover. So he came up with this album cover right away which is really beautiful and said 'Henri, this is possibly the most beautiful artwork that I have ever did in my life' and then Hugo is the guy who did the mastering, he is also one of our live sound guys and has his own studio which is really good; the mastering turned out really great."


Focusing on the track "Eye Of Horus", did you dabble in Egyptian mythology for it?

     "Yeah I did, I read about the god or half-god Horus and basically the story is about the battle between good and evil, from which I made my own version of it. This is the song that our guitarist Mike Ferguson wrote and when I listen to the composition, it gave me this Egyptian feeling and I thought OK I'm going to write some lyrics that fit the feeling of this song that it gives me, that's how I came up with the 'Eye Of Horus'."


Out of the whole album 'Illuminati', was there any tracks that you could consider challenging and / or ambitious?

     "When it comes down to recording drums, bass and rhythm guitars, all of the songs are really doable, I mean when we record the basics, they are finished within a couple of days no problem. But usually when it comes down to trying different things with the vocals, like this album we have of course my main vocals, Jeroen's backing vocals and then we have the choirs (something I did myself together with some other people); that was challenging, along with the grunting and singing at the same time which was challenging. So you have to try different things and that it's not that you don't know how to do it, but if it's something you haven't done before on the songs and you are trying so many different things, then it takes a lot more time.

     It's the same with the keyboards, we decided to put a lot of keyboards in the music but not in the foreground, it's all in the background so to lift up the atmosphere and add more layers to the music; making the songs more interesting to listen to in the long term because you will discover more and more things in the music, again those are the challenging things because you're trying something and then you're trying something else here and there, and then decide what you're going to use, this takes a lot of time because this is something you cannot prepare beforehand."



Was the music video 'Spirit Of Beezlebub' easy to create and what is the story behind it?

     "Well we wanted to do something different instead of just a regular band video, so we looked at the lyrics and looked at the songs... lyrics that would be easy to put into a music video, so we chose three songs: 'Illuminati', 'Spirit Of Beezlebub' and 'Book Of Lies', all of these have been released with the latter in conjunction with the album release.

     What you see in the music video is a short movie which represents the lyrics of the songs and 'Illuminati' was already discussed earlier; in this case you see a priest who shows he wants to abuse children so we bring back to life a mummy who is going to kill the priest. 'Spirit of Beezlebub' is about trying to change and kill evil, but then it comes back to kill you. 'Book Of Lies' is more of a band video but features aspects of the illuminati and is more so about the bible."


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Beilen Railway Station, The Netherlands / Source: Wikipedia
Most bands form in either towns or cities, but for God Dethroned's origin is in the village of Beilen, what was it like in the beginning and what can metalheads do there?

     "Haha, there's nothing to do there at all. I guess that's why it was so worthwhile playing in a band because nothing was going on there and yeah I found my first musicians back in the day in the area. Nowadays I have to drive all across the country because everybody lives in a different corner of the country, but that's what you get when you get bigger, you get better musicians who live in different places. But for me it was a relief to play in a band back in the day because for the rest, you have just a few pubs and that's it. You just start a band and are not that good in the beginning, finding musicians who are on the same level and from there it develops and along the way you find better musicians; resulting in travelling a bit further."


Regarding the Dutch Metal scene, would you say it's strengthened and grown over the years?

     "Yeah I mean there are a lot of bands that are big, back in the day there was us, Asphyx, Sinister, Severe Torture and probably Pestilence, some of those bands sort of disappeared, are still on the same level or have gone up in the world. But in the meantime we have a new wave of bands such as Epica, of course they existed for many years but they grew slowly and steadily and now are a huge band. Another big export band so-to-speak is Within Temptation who are also huge, we have other bands like Carach Angren who play Symphonic Black Metal and are getting rather big at the moment internationally. So I guess we're doing quite well in this country and there's old bands and new bands, but luckily those new bands are getting big as well because one day they will need to fully replace the old bands. Overall I guess we have a pretty strong scene."


With regards to Brexit, are you concerned about the challenges you may face coming to the UK?

     "No I'm not, I mean OK we will be checked by customs but that's also the case now, even though the UK is still a part of the European Union (EU). Last year when we visited the UK on tour with Belphegor, we had to go through customs so it was already the case. I guess if we were to go again after Brexit, nothing's changed and I'm not worried about you guys, I'm pretty sure that the UK will manage to get new trade deals with all the other European countries again, the USA and places like that. I think you guys will be fine, of course it will feel like a new beginning but after that it will be business as usual."


Are you surprised about the global impact heavy metal has made, seeing bands emerge from far-flung countries?

     "No I'm not, you know in the past you wouldn't know if there were bands in Iran, Iraq, Indonesia or some other far away country from us. But of course there are people there who love to listen to and play metal, maybe for them in the past it wasn't a natural type of music to play... they have become modern societies, they listen to Western music and I guess as there are people who like to play metal, that's what they like now. I think it's great! Why not? You know the world has become smaller because of the internet and so I guess it makes sense."


Outside of God Dethroned do you have any other hobbies or interests?

     "Yeah I build guitars through my company Serpent King Guitars, that's what I do most of the time I don't play (The song 'Serpent King' was taken from Henri's company name). One of my friends always called me 'serpent king' instead of Henri so he would be like 'hey serpent king how are you doing', this is what he has said to me for many years, so when I founded my guitar company I thought 'OK what am I going to call it?' and then I thought 'of course, I am the serpent king so it's going to be 'Serpent King Guitars'."


Are there any guitars that you have made that you're specially proud of?

     "Basically all of them, but I have made some really special ones: one is called 'The Anubis', which is a really beautiful one... I play them all every once in a while and build a new guitar for myself, which I can show off by playing live and people see that, check out the website and give feedback and say they want to buy a guitar like that and that's how we do it."


Any finals words? Greetings you wish to send out?

     "I just want to thank the fans in the UK for following God Dethroned all these years and hope they will check out the new album and hopefully we will be able to play in the UK soon again."


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Interview Interrogation: Iris Goessens & Steven 'Gaze' Sanders from Spoil Engine (Belgium / Netherlands)

20/12/2019

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Spoil Engine have been rampaging in the Belgian Metal scene for 15 years and yet it's only in the recent years that they caught the attention of the more well-known labels, Arising Empire (owned by Nuclear Blast) in this case.

Their unique slant on the Melodic Death Metal / Metalcore crossover has made them distinguished guests in the world of metal and yet despite their original vocalist leaving in 2014, they've maintained their brutality through Dutch vocalist Iris Goessens. Word of warning, don't let the fact being the new vocalist is a female overthrow you or undermine this new instalment of Spoil Engine, because her vocals and charisma is ferocious enough to leave you spit-roasted inside and out.

Here Iris and Steve spoke to GMA about their crushing new album 'Renaissance Noire', it's meaning and origins. How they come to meet at their rendez-vous point of Antwerp (as Iris and Matthijs both live in The Netherlands), the Dutch and Belgian Metal scenes respectively and why the single 'Riot' has arguably come at the right time for the band...

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"I think music is a beautiful way to make people aware of important topics."


You must be stoked to release your fifth album 'Renaissance Noire', could you tell us about the meaning behind the album title and give us an overview of the album topics?

Iris:-

     "Yes we are! We’re very proud of what the album has become. The title translates as “Dark Rebirth”. After our last “Stormsleeper” shows Bart had to make the decision to leave the band (work & family were too difficult to combine with SE). We decided that we would move on as a 4 piece band and started writing. This whole process was a “rebirth” for the band. Also we felt inspired by the “Renaissance” age, which you can see in the artwork. We think this album is darker than the previous one so that’s why we added the “Noire” in the title. The song topics are very diverse but they are all about evolving (as humans and/or as a society) so it basically became the overall topic though the album."


Iris, having come from Maastricht would it be OK to assume you moved to Belgium instead of travelling to and from The Netherlands?

Iris:-

    
"No. I still live in The Netherlands. Our drummer Matt is also from The Netherlands. For rehearsals we meet in the city of Antwerp which is in the middle of where all the band members live. Before we do this we arrange as much as possible online & everyone rehearses and writes songs at their home studio’s."



Steven do you feel the Belgian Metal scene is often overlooked by the music industry as a whole? Iris the same for the Dutch Metal scene? 

Iris:-

     "I think there are many Dutch bands and musicians who made it big in the international metal scene. So I don’t think we’re overlooked… It just takes lots of time to build a brand."

Steven:-

     "Well, I guess the scene wouldn't be overlooked if we had bands who really get all the promotion. We have some great Belgian bands (Aborted, AmenRa, Evil Invaders, Carnation,...) but these boys must work very hard to get something done in the global scene. If you compare with our Dutch friends (Epica, Within Temptation,..) they get much more support and credit from the bottom-up, meaning from their own country and their promo channels like BUMA. Dutch bands tend to help each other more where Belgian bands are more lone warriors. But it's good to see the Belgian scene is rising!"


Do you feel your single 'R!ot' has come at the right time when climate change protests, social unrest across the European Union and hatred towards the Trump administration is rife? Is the single a political statement?

Iris: 

     "Yes, it just came together like that. We wrote this song at the beginning of 2019. I think music is a beautiful way to make people aware of important topics."

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Maastricht / Source: Consilium.europa.eu

With that in mind, do you feel metal music offers itself as a way of venting fury, anger and discontent in a constructive way? 

Iris:

     "For sure. Metal has a great energy to spread messages. I think most metal fans are conscious people who think for themselves. So it’s nice to spread messages through our music for a better world. "


For metalheads visiting Maastricht, what sights / attractions could you recommend? Any good bars, clubs?

Iris: 

     "We got some nice pubs here in Maastricht. Most of them are overflowed with students though. Same for the “clubs”. I’d rather recommend Maastricht for day visiting than overnight partying. We have many nice restaurants and a beautiful city centre."


What plans have you got for the rest of 2019 (along side the album launch) and into 2020? Do you have any greetings or thank you's that you wish to send out to friends, fans, etc?


Iris: 

     "We’ve launched the album and we’re ready to hit the road! Thanks for the interview. And to all the fans who read this: We hope to CU soon on tour!"

https://www.facebook.com/spoilengine/
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Interview Interrogation: Akheth (International - Iran, Mexico, USA, Netherlands)

28/3/2018

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Metal music is unmistakably global, we've seen the rise of metal bands from all corners of the globe, from Brazil's Sepultura to New Zealand's Ulcerate and all the countries in-between and... basically everywhere. However it's multinational bands and projects that just show the solidarity this music brings irrespective of religious, cultural, political or societal traits... Metal is the Mecca of open-mindedness. Akheth, a project generally central to Canada features members from American, Dutch, Iranian and Mexican backgrounds and as they drop their debut single it's only right that they get all the attention they deserve because Akheth are not just a band, they are a prime example of 'metalisation' (a portmanteau of metal and globalisation; I just made it up); that is the power of metal music bringing different nationalities together under one roof.

Akheth gave us an insight into their world, their new single, their paths to metal and the challenges of being a project separated by vast lands and open seas.

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How did Akheth come about? What does the band name mean and how did that come about?

     "The band started from the first demo of 'The Asylum' we did back in 2015. It was a song that I had written in 2011 for my band at the time. When I saw a few YouTube videos of Mahafsoun singing I asked her if she'd be interested in recording vocals for the song. We finished that demo but didn't create Akheth as a band until late 2016. The name of the band is an Egyptian hieroglyph that represents where the sun rises or sets. I chose this name for the band because I was looking for something original and short and Akheth was the name of the first song I ever wrote back in 2006, so it has a special meaning."


Seeing as you all live in four countries, do you send recordings over the net or do you meet up on occasion?


     "Mahafsoun and I have met a few times but most of the work we do is through the internet. I send the guys complete demos with guide vocals or just the skeleton of a song when I'm still working on it. From there they learn it and add their own thing to it. There is also a new song that we are working on for the EP on which Mahafsoun wrote the main piano parts, it is the first song we are writing together. Next month (April) Mahafsoun and I will meet and practice the vocal lines for the new songs."


What (apart from the previous question) challenges do you face as an international band?

     "Sometimes communicating ideas over the internet is difficult, you can't really explain for example a melody or a complicated section over an e-mail. Besides that recording everything separately, specially with a low budget is hard because you have to take all those different tracks recorded in different places and make them fit together. Of course with the technology we have these days it's a bit easier but some of us are still learning and getting more experience as we work more on recording music. Lastly the cost of getting all of us together in the same place, every time we want to do it one of us has to get a flight somewhere."



Mahafsoun, what was it like growing up as a metal fan in Iran? What does your family think of metal music?

     "During the time I lived in Iran, I was only eight years old. Because of this I never got to experience what it's like to be a metal fan growing up in Iran. However my mum and dad nowadays enjoy some metal. In the beginning they didn't really care about it, but after I showed them the different sub-genres of metal, they each found one that they really enjoyed listening to. I believe that for each of them, they enjoy metal more nowadays especially because they know that I have such a strong connection to the music and the culture."

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You released your debut single 'The Asylum' this year, what has the reception been like and how did you come up with the single title?

     "At the time of writing The Asylum and other songs I had the idea of making them all fit together in a concept album. The story is about the human mind and how insane it can sometimes be. So at the beginning of the story everything is somewhat abstract but getting to this song, The Asylum, you start to figure out what it was all about. At this point we aren't even talking about the full length, since we are working on the EP, so we'll have to see if we keep the same subject.

     So far the reception has been great! People from all over the world ordered our CD's and merch, as a new band we didn't really expect that so we are very thankful for the support. Not only that but people also liked our music and we were lucky to have Mark from Epica as a guest on the song!


Will the single be included on your impending EP / debut album in the future?

     "Our EP will contain 5 new songs and we will include 'The Asylum' as a bonus. Although for our first full length album we talked about re-recording the song because this single was basically home-made and we had some comments about our production quality. So yes! we will have a much better version of 'The Asylum' but it'll have to wait until we record our full length."


How would you describe your style of metal? Who influences you?

     "Right now we only have that one song out so it is still too early for people to really know what our style is. However in a review for Metal Injection they called us Progressive Symphonic Metal and we really liked that term because it doesn't limit us to play the same thing all the time. We have so many influences that go from Progressive Rock all the way to Black or Death Metal and everything in between. I think our music will definitely reflect that. Also each one of us has different tastes and styles of playing our instruments or singing.

     The good thing is that we are all open minded and so is most of the metal community, our core will always be metal so I think most people will find something that they enjoy in our music. For our EP we are working on a ballad, also other longer songs with middle eastern vibes and instrumental sections. Some songs have more orchestra and others are more riff oriented so you guys can get an idea. The beauty of Symphonic Metal is that you can do so many different things with it and when you throw in the progressive part you get even more variety.

     As far as specific bands that influence us I'd personally say Opeth, Dream Theater, Tool, Black Sabbath, Judas Priest, Evergrey, David Gilmour, Steven Wilson to mention a few. Mahafsoun likes Deftones, A Perfect Circle, Septicflesh, Moonspell. There would be too many to mention them all!"



What plans do you have for the year ahead and are there any greetings you wish to send out?

     "Our plans for this year besides the EP are making our first official videos together! We'd like to thank you and everybody for supporting Akheth and we hope you keep an eye out for our EP towards the second half of the year!"

https://en-gb.facebook.com/akheth/

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Interview Interrogation:- Henri Sattler of God Dethroned (The Netherlands)

28/4/2017

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Without a shadow of a doubt, God Dethroned are veterans of the Dutch Metal scene despite having split-up twice (1993, 2012) and whilst some might have cast them off as just 'hanging around', it goes without question that the quartet have arisen once again with newfound vigour, a sense of passion and pride, but above all the feeling that they have left business unfinished.

Starting off back in the old days with Satanism as the core topic of their lyrics, God Dethroned mid-career switched to a more death-orientated stance which transgressed into their modern self as a band who sings about war, specifically the First World War; as shown on their 2009 album 'Passiondale (Passchendaele)'.

26 long years down the line and God Dethroned are set to deliver their 10th opus titled 'The World Ablaze', ending the WW1 album trilogy. In promotion of the album God Dethroned have released three blazingly brutal music videos:-

  1. 'On The Wrong Side Of The Wire' = https://www.youtube.com/watch?v=EsJ0jPAJPcg
  2. 'The World Ablaze'                      = https://www.youtube.com/watch?v=0vBogAvuq3Y
  3. 'Annihilation Crusade'                  = https://www.youtube.com/watch?v=COJ58_Z8p-s

Fending off the aggression of this Dutch horde, GMA came into calling truce with frontman Henri Sattler who laid out the band's battle plans for the campaign ahead, speaking of their local division, politics and their latest weapon 'The World Ablaze'... prepare for mortar fire.

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"This line-up feels really good. I'd like it to stay this way for as long as possible"


Guys firstly how does it feel to have God Dethroned back together? What gave you the impetus to come back together?

     "It feels great! We have played many great shows and festivals after our 3 year break. In order to continue this very rewarding lifestyle, we needed to come up with a new album and so we did.
It was at a friend's funeral that I realised how much I missed the music scene. I was there with many fellow musicians and at the end of the day I knew I had to continue my life as a musician."



'The World Ablaze' is your 10th album and marks 26 years since GD was born, will you be carrying on the war-theme after this album?

     "I'm not sure yet what themes I will follow for future albums. It's too soon. First we'll have to see how well this one does and we'll promote the crap out of it by playing as much as we can. Then in time I will figure out what to do next."


Regarding your new album, could you perhaps give us a short break-down of  what each song is about?

     "Some songs deal with very specific events in WWI and some songs basically describe a certain situation on the battlefield. Here's some examples:-


  • 'Escape Across the Ice' is about the Russian revolution that happened during WWI. The abdication of Tsar Nicholas and the rise of the communists, supported by the red army. However, there was also a white army. They were loyal to the Tsar and they fought for their own independence within Russia.
 
  • 'Messina Ridge' is about the biggest man made explosion before the Trinity bomb explosion in Nevada. The allied forces couldn't pass a hill in the Ypres region and so they decided to dig a tunnel and stuff the hill with explosives. When they detonated it they killed 15000 troops instantly and the shock-wave of the blast could be felt in London...
 
  • 'The 11th Hour' is about the end of the war. 11 am on the 11th of November (11:00 11/11). All very symbolic. The armistice was already signed at 5 am, so there were no attacks necessary any more on the final morning, but some commanders felt it would look good in the statistics if they would gain some extra ground. So they sent their troops into battle that final morning. And purely to look good they sent 20,000 troops into death that day...


Will this present line-up remain together? Will there be guest musicians also?

     "Yes I believe so. We had the new guys in the band as session musicians for 2 years until we decided to keep them as steady band-members. For the first time in a long time we had the luxury of trying them out for a while before having to make the decision to keep them or not. In the past we were forced to make decisions on short notice because of our busy tour schedule and it didn't always work out so well. This line-up feels really good. I'd like it to stay this way for as long as possible. We never really worked with guest musicians and I don't see that happening for the foreseeable either."


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With Brexit are you as a band worried about touring the UK?

     "I heard that you guys will be negotiating for 2 years, so there's no immediate changes there. Hope you guys will manage to get a good deal out of this. It would be the best for everybody. And then we'll see what happens."


Since 2009 your lyrics changed from 'satanic' morbidity to war-themed, would you agree your new lyrics teach listeners about WW1, etc?

     "I would say that my lyrics have been satirical versions of bible stories and a lot of fictional stuff that didn't have anything to do with religion. I ran into the WWI theme when I was on visit in Ypres, where our guitar player Isaac Delahaye used to live.

     We would hang out on a regular basis and go to bars and stuff. It was there that I saw "the last post" ceremony, the war cemeteries, the war museum, memorial sites and above all, the English folk that were there to visit the graves of their long lost relatives. It impressed me so much that I decided to write some songs about it.

     With 'Passiondale' our first WWI concept album was born. It turned out to be so special that we decided to do another one ('Under The Sign Of The Iron Cross'). Now the trilogy is finished with "The World Ablaze". I don't know if I actually teach people about it. I may make they aware of it. I don't have to do more than that."



Will there be any festival appearances / tours taking place this year in support of your new album?

     "First we play 5 album release shows in May (called Serpent Fest) and then we play some festivals like With Full Force and Party-San. After the summer we will probably go on a European tour. Shows in Japan and the USA are also in the works."


What is the Drenthe metal scene like? What sights / attractions should metalheads see in your home village of Beilen?

     "I live in the most boring part of the country. There's absolutely nothing to do, so in order to make my life a little bit more interesting I started to play guitar, founded a band and started playing all over the world. It was my grand escape, so to say. The metal scene however is quite good. I suppose it's because of the reasons I just described."


"The World Ablaze" is out 5th May 2017 via Metal Blade Records

http://www.facebook.com/goddethronedofficial
http://www.goddethroned.com/
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Interview Interrogation: Carach Angren (The Netherlands)

28/4/2017

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When you think of Black Metal, or namely the Symphonic version of it, you tend to think of the Nordic nations and maybe Germany in tow. But when you think of the Dutch Metal scene, usually bands like Within Temptation, Epica and Heidevolk spring to mind. However beyond the facade of said metal scene is a thriving Black Metal scene, one band is set or somewhat hell-bent on aiming to change the whole 'devilish aesthetic' normally associated with Black Metal and / or one of it's many varying subgenres.

Enter Carach Angren, a trio in the studio, a quintet on stage (with help from Nikos Mavridis and Diogo Bastos). Having been around since 2003, this hallowing outfit utilize ghost and horror stories as their lyrical subject and thus breaking free from the shackles that forgone Symphonic Black Metal bands have laid down. With an average album turnover of 2-3 years, 2017 heralds the new Carach Angren album "Dance and Laugh Amongst the Rotten" which is being ultimately billed as their darkest and most spine-chilling album to date.

With that in mind it was time to give the band a grilling as GMA interrogates them, finding out what sits within their darkened chambers of creativity, thoughts on Brexit, their finished tour with Italy's Fleshgod Apocalypse, the new album and other topics surrounding this ghoulish threesome.

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Photo by Negakinu Photography & Design


"A political party in our own country tried to forbid one of our shows. The show happened anyway [due to huge amounts of media attention] so we can’t complain haha."


Not so long ago you finished your UK/EU tour supporting Fleshgod Apocalypse, how was it? How was your only UK show?

     "It was very good for us, we had been looking forward to finally touring Europe again, it has been some years since because we focused on the US and other countries directly after the release of “This is No Fairytale”. London was actually one of the craziest shows of the tour haha, it was sold out and people were collectively stage-diving throughout the set, amazing!"


With 'Dance and Laugh Amongst the Rotten' due for release in June, will there be any tours / festival appearances in support of it?

     "Yes we are working very, very hard on that. We have a very strong management and agencies in places nowadays so they are creating opportunities right now as we speak. It’s our plan to bring a new horror show everywhere to support the new album. Furthermore we have [announced] some summer festival appearances like With Full Force, Nummirock and others."


With the new album, you secured the services of the prolific artwork designer Costin Chioreanu, how was it working with him?

     "Costin is one of those people that are both talented and a pleasure to work with. Also, he really is connected with what we are doing. He only needs a few words to describe what we are looking for and instantly delivers. For this album I asked him to draw an illustration for every song. I gave a little description of the overall concept and what he came up with blew me away. On the last album he came up with extraordinary lyric videos that are still praised on YouTube everyday."


Given you're a Symphonic Black Metal band, your choice of lyricism isn't stereotypical of bands in said genre, how did you become interested in the whole 'ghost / horror story' theme? Are you yourselves believers of the paranormal; have you witness any sightings?

     "Yes of course we have our origins in this genre but we feel we have moved away from it slowly. We tend to call ourselves a 'Horror Metal' band because our music includes Black Metal, Death Metal, Thrash Metal elements, even a little bit of industrial now and then. Our focus is indeed telling horror stories and everything we do supports this.

     We really love horror stories and especially the paranormal elements. For me personally it’s not so much about believing or not; it’s the fascination in hearing these stories. When I was with my girlfriend in Mexico for example, I learned about some paranormal stories from her relatives that really gave me goosebumps. I incorporate elements of this in our lyrics.

     Another thing is that my mother told me that she put me in a bath tub when I was very little. She went a away for a minute and suddenly heard me scream. She came back in and apparently I told her that someone was trying to pull me under water, yet there was no one there."



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Could you give us a short summary of what each song from the new album means? Or what it's about?

     "We would like the listener to find out certain clues in the story but I will give a summary of what happens. The first track is called “Opening”. It’s the opening of the album but has a different meaning as well. We are then introduced to a girl playing with a Ouija board during the first actual song “Charlie”. The girl summons a force called Charlie and we learn that it is up to no good.

     The girl and her friends run away leaving the listener in the room with the Ouija board still in place. We then experience different stories from entities visiting us via the Ouija board. So the songs following this actually tell individual tales. In the end we return to the scene with the girl and the Ouija board, this force Charlie kills her but there is a clue where it actually came from, plus the listener learns he/she is actually part of the story"



Over the years you've donned a number of eloquent outfits, what is your inspiration behind these?

     "Thank you. With us this is actually an ongoing process, we are always thinking about new outfits, corpsepaint and overall visual elements. So we experiment a lot. Regarding clothes, we have had our go-to place for years and this is working perfectly for us. We tend to adjust existing pieces, do odd combinations, etc. Also, Seregor is an incredible artist when it comes to mask making so his talent is very much contributing to our overall visual presentation. Ideas get triggered by the stories we are telling or things we encounter in movies, visuals, etc. It can be anything."


Regarding Brexit, as a band are you worried about touring the UK? Were you also worried about Geert Wilders' Freedom Party participating in the recent Dutch elections?

     "There are a lot of things happening in the world but then again, there always are and as an artist and band we want to focus on what we do best: entertain people. We feel that the world doesn’t need even more opinions and especially not from people like us who are here to create an escape from everyday life. That is how we feel about this. Furthermore we will try to bring our shows to as many people as possible anywhere in the world.

     Last year and the year before we have been to some pretty exotic places but the funny thing was that a political party in our own country tried to forbid one of our shows. So imagine, we are based in one of the most free countries in the world and exactly here things got troublesome. In the end it only gained us huge amounts of media attention and the show happened anyway so we can’t complain haha."



What plans does the band have for the rest of the year?

     "We will tour [and promote] the new album as much as possible, we are really looking forward to that. Right now we are working extremely hard on a new video. We are working with the same company as last time (Backstage Film Productions). It’s an incredible amount of work but we want to amaze people so that is what it takes. I have actually been digging in a forest all morning, just before answering this interview so the rock-star life is not what it seems haha."


"Dance and Laugh Amongst the Rotten" is out 16th June via Season of Mist

http://www.carach-angren.nl/
http://www.facebook.com/pages/Carach-Angren/289371466833
http://www.season-of-mist.com/

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Interview Interrogation: Martijn Westerholt of Delain (The Netherlands)

1/12/2016

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There are very few Dutch 'Symphonic' Metal bands that have made a name for themselves or indeed established themselves as truly unique in various ways. Delain is one of them, well, one of the big four Dutch Symphonic Metal bands of whom stand alongside Within Temptation, Streams of Passion and Epica in this almost-exclusive group. Having released their latest music video 'Suckerpunch' back in February this year, their new EP 'Lunar Prelude' and album 'Moonbathers' in February and August respectively, the sextet from Zwolle are poised to celebrate the anniversary of their debut album release 'Lucidity', which dropped 10 years ago.

Martijn Westerholt, Delain co-founder (along with Charlotte Wessels) and subsequent keyboardist / lyricist, was more than happy to spend time with GMA and to talk about the current state of the Dutch Metal scene, Brexit, their forthcoming anniversary show, tours and much, MUCH more.

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What is the current status of the Dutch Metal scene, is it still as strong as years past?

          "Well, there is always a good basis for metal.. a scene for it, but I think that support from radio stations is really, really poor and that they totally forgot about what kind of events they have. For the scene itself it's really good and also the venues, there are a lot of really good venues - that regarded it's really, really good".


Regarding the whole Symphonic Metal movement in The Netherlands, aside from Delain, WT and Epica, is there a bright future for it?

          "Well there's also a new band, End Of The Dream (www.facebook.com/endofthedreammusic/) which is upcoming and there will always be some bands, but in general it's those three bands indeed. Of course there's also Anneke van Giersbergen (The Gathering, The Gentle Storm) who is doing a lot and is also involved with Ayreon; I'd call them progressive 'sci-fi' metal, but those I think are the main active bands in the genre and certainly regarding the future because the musicians in those bands are not very old, so I would say yes (laughs)".


Regarding Delain, upon releasing the 'Suckerpunch' single (Lunar Prelude EP) and 'Moonbathers' album, what has the reception been like? Was the production plain-sailing?

          "Fantastic, absolutely fantastic, firstly with 'Suckerpunch' which we released in February just before we went on tour in the USA with Nightwish, that was really good as people asked for new material and this is why we released this prior to the record... and then of course the record itself in August which I think has been received well too; accompanied with really good ticket sales for our European tour (a good sign of favourable response).

Every album recording I love album productions because you learn every single time that there's new stuff. This time we really learned that to not record everything in one big chunk and not mix everything in one big chunk, but split it up into pieces because it makes you far more flexible, you have tours in between it doesn't matter you can go on tour and on top of that, which is more important you are flexible because if you write a song, record it and then immediately mix it, then you can take a step back and later on look at it again and say 'oh I love this, this is a really good thing' which we should do more.

Or I don't like what came out, you have to go back to the drawing board and so it makes you very flexible and there's not a lot of pressure like we have to record now because THIS IS IT and there's no second chance, so it will also reduce a lot of pressure and it's also a more modern way of writing intense music. People write a song, they immediately record it and master it themselves even and put it out. I wouldn't go that far to master it myself, but I would like to do it song by song and that's a very new thing I discovered which works really, really well for us.

We also had Arch Enemy's Alissa White-Gluz guest on 'Hands Of Gold', she was really easy to work with and was so wonderful. We of course meet each other when on the road now and then, when we're touring, she is also present when we played with Nightwish and Sonata Arctica in Montreal (Canada) where she's from.

In this song we really wanted a really heavy growl, a really heavy grunt in there and so it was very easy for us to ask Alissa for that because we know her and she was very open to do that, we sent her stuff and she recorded and sent it back and I tweaked around with it, and it worked fantastic - it's very nice that she will be at our Amsterdam show in December as a guest for our 10th anniversary, and so she can do the song live; concert is sold out and will also feature Liv Kristine, Burton C. Bell,
George Oosthoek (Delain session member) as guests, as well as 'potentially' more guests, however Marco Hietala (Nightwish) and Sharon den Adel (Within Temptation) won't be present.

Marco has shows already confirmed in Finland, a Christmas tour with another artist and Sharon has privately a lot of stuff on her plate, so she's not available either otherwise I'm sure she would be very open to guesting".


Over the years many people have labelled you as a Symphonic Gothic Metal band, would you agree with that genre-tagging?

          "Well this is where you will get the cliche type of answer for this kind of question, I don't really care that much about the genre-labels, I never understood the term 'Gothic' and I also don't like the term 'female-fronted' because what does it actually apply? That there is a female fronting a band? Well there are a lot of females fronting a band and there are a lot of males fronting a band, why don't you say 'male-fronted band'?

So I never understood this terminology in general anyway, I do understand the 'Symphonic' part because this is really applying to the music itself, there are a lot of 'Symphonic' elements and melodies in the music and of course also 'metal'; although some people would not agree to that because they are into 'true metal' - they would say "this is not really metal, this is just pop", but if you look at the kind of guitars used and that we make riffs based on rhythm, that's definitely metal.


So I think Symphonic Metal is a very accurate term, the only thing with Symphonic Metal is that it doesn't cover other sounds in the music, for example there are a lot of electronic elements in the music and this doesn't cover that. We also have got a lot of pop influences in the music, in the themes, in the structures of the songs; how they are built, so I do think 'Symphonic Metal' is a better term to use but it doesn't cover everything".


Do you agree the term 'female-fronted' could be considered sexist?

          "I think Charlotte would say yes. I don't really care about that, I'm so feminist that I would say that for me it's given that both sexes are equal, I just don't understand the whole terminology of 'female-fronted' because why say 'female-fronted'? It doesn't even say what kind of music it is, you can even say that Janis Joplin was an artist of a 'female-fronted' band, it doesn't say anything and I do have some people who want to say "we mean a metal band with a female singer", but still that doesn't mean anything... I think it's a stupid term and on top it's not all about the singer, it's about the music and personally I don't really care if a male or female does it, just as long as it is done well and I like the voice, that's of course that's a matter of taste.

Take Nightwish for example, what makes Nightwish 'Nightwish' for me is the guy writing the music, of course you need a good singer and I think Floor [Jansen] is a really good singer, I think Tarja (Turunen) was a really good singer, but to me that doesn't make the charm for it, to me the music makes the charm".


With that crossover of electronic and pop elements with metal, do you feel metal needs to tap into other music genres in order to constantly evolve?

          "Well it needs to do nothing, I think people should make what they want to make and if they like to make music that has been there a long time, then that's fine, there will always be people liking that. If you want to have something brand new then yeah you have to think of crossover combinations and this is still done today with really modern approaches, you see bands tapping into that and with that way it does evolve. I don't have a judgement about either way, but if you want it to develop into new things you have not heard before, then of course it's really good to use new elements."


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On the new album 'Moonbathers', Delain did a cover of Queen's song 'Scandal', are you personally a Queen fan? How did this come about?

          "Absolutely yeah I love Queen, Queen has been a childhood thing of mine; discovering Queen end of the 80's when I was like 8-9 years old, the song 'Scandal' I noted that in the early 90's so far after the release of 'The Miracle' and that song really appealed to me. It wasn't a well-known song - not a lot of people know this song from Queen and then I lost track of it, but then later on I rediscovered it again and I thought it has a really good Delain vibe, but I actually don't like touching Queen songs because I think it's musical suicide by doing that, and if you take Freddie Mercury's voice it's one-of-a-kind. Don't try to get to that level, his voice is not of this world (and he is not any more of this world either man, of course). 

The only thing I wanted to do was to take this song; I actually asked Brian May for permission and we got it, that was fantastic and was such an honour and we just tried to give it the Delain 'sauce' without trying to 'cover' a Queen song by respecting all the elements in there, that's what we did.


The contact was from the manager and he didn't know the band (Delain), he checked us out and said it's really good, I'll give you permission up-front. Normally a label or publisher will say 'well let us first listen to the song', because if they don't like it then you've spent all that time, money and energy in doing a cover for nothing and Brian May said he liked the band (Delain) so much that he you already get permission up-front and the only thing the publisher can do is follow. I recently sent the result to him, but I don't have a response yet so I'm very curious... but he will get it still (laughs)".


As 'Brexit' is such a hot topic at present, as a band are you worried about possible issues arising when coming to the UK to tour?

          "Nah not at all, I'm very interested in politics and look for example Norway, Norway is not in the European Union but there a lot of treaties that we don't even notice when crossing the border and I think it will go the same way with the UK.

I do wonder if there is going to be a separation between Scotland and the UK, if that's that the case then of course Scotland would enter the European Union again I think, but I do think that this is not a very likely scenario and that it will stay more or less the same in terms of immigration, visas and stuff, i don't see that happening because of treaties that I think will be the same or similar to those in Norway".



Surely with that in mind, countries would keep borders open for musicians because of the revenue that they generate?

          "Yeah that too, although I wonder if this is even on the agenda of politics, probably not I don't think so... this is peanuts in comparison to other industries but ah it will be OK, we even toured the US and the US has a very elaborate Visa application system and with the UK I don't see that sort of thing happening anytime soon".


With 2016 coming to a close and 2017 beckoning, what plans does Delain have for the rest of the year and beyond?

          "Well this year was the most crazy hectic year ever for Delain, we did so much - toured the US, Europe, released an EP and album, a headline tour across October and November. What we have left is an anniversary show in December at the Paradiso (The Police and Nirvana played here) in Amsterdam. This show is going to be recorded both in audio and video formats and is going to be released on DVD next year so we will be preparing for that, it's kind of a birthday party as it's the 10-year anniversary since our first release, so I'm really looking forward to that.

We deliberately haven't booked any support because we need all the day, the time to prepare for the show as we have a lot of guests and effects in the show, so we didn't want any distractions with support bands.


2017 will be festivals and tours, we will be doing a couple of Dutch shows in the Spring I think six. We are going to tour Russia, Greece and Italy will follow and then indeed it's the Summer season and so we are going to do festivals, so we're busy with that right now. The past festival season was fantastic, best festival season we've ever had with Download, Hellfest, Graspop, a couple of big ones in Germany, we went to Finland, Spain, so yeah next year I expect a festival season with big festivals, really looking forward to that".


Obviously touring is strenuous and a tiring lifestyle, so how does Delain chill out and keep calm when on the road? Any advice for smaller bands?

          "That's a very good question, last tour for example I think was the most heaviest one I ever did and I've done a lot of tours; think about over 20 tours in my career. It was really heavy because it was long, it was a headline tour, it was a very successful one but often was very demanding, a lot of production things had to happen that had to be decided every day and so the 'off-days' were really needed, and on those days for example I take a hotel room and be asleep in the room all-day, watching a film or playing a game and for the rest absolutely nothing (laughs) and that really works, but sometimes an off-day we use as a travel day in the tour bus so it's sleeping time.

Very boring actually but it's nice, sometimes when you're in a nice city for example I can remember being in Madrid and we went to a restaurant, eating tapas in these classical Spanish dishes which was really nice. However, whilst touring you don't really get to see much because what you see is another venue every single day, when you wake up you're at a new venue and you don't have time to see the city, you only have time for that on off-days. To give you an idea on this tour we had 9 off-days, of which at least half were travel days and so that means in 5 weeks you have about 5 days to see cities and that's not that much, also most of the time those are cities you've already been to on previous tours.


For example, Budapest I've already been there about four or five times, so if you really want to see something for example we did Dublin for the first time, so I saw Dublin for the first time it was really, really nice and so next time I will have to hire a rent car and drive through the countryside and there you really see something, but the thing is you need those days to rest so much for the time you take in the hotel and do absolutely nothing, and again you don't see much then (laughs)....".



          I love my job, I think it's the best job in the world for me at least, it's fantastic I really really enjoy it very much, I appreciate it very much and feel spoiled and privileged. But it's very, very hard work and people only see the glamour part of it, they don't see the problems they don't see the building up part and so if you have ambition to tour, yes go for it it's fantastic it enhances your experience in life, meeting people from different cultures, etc, but you have to really work hard for it and it's not a given that you can earn money from it, it's a very crazy job and so don't expect to drive a Porsche with it, anyway expect to have a huge debt and if you're lucky your band will do well and then you can earn a little bit of money with it.

But that's the thing, you're not a musician for the money (at least some aren't), you're a musician for the kind of job you want to do and if you achieve that then really appreciate it, because you're there because of the fans, they pay your sandwich, your meal let's say, treasure them because without them you can't do what you do".



Regarding culture, Delain's fanbase in particular, are there any countries you were surprised at for having a huge support for Delain?

          "Well the UK for a start, I remember when we were at Roadrunner they didn't want to release our first or second album and they said 'you're also not playing here', but when I said I wanted to play there, they said 'but you don't have a release, it doesn't make any sense' so it was kind of the chicken and the egg story and at a certain point we thought 'you know what, screw it, we're going to play there (UK) and I don't care if we have a release or not' and so we played there and were received so warmly... leading onto Roadrunner releasing our debut album. So in the UK it really took off really fast and I love to tour the UK, so that's an example of a country where we're special and has a huge support... I also experienced this in the US; they're very enthusiastic there as well...

Most of the the time the venues are of poor quality and there is not a money supporting system like there is in The Netherlands for example where the venues are really new and really luxurious, so that's another cultural aspect difference, but it doesn't really matter in the end because it's about the fans and if they support you then you can come there and play there.

We did a support tour for Nightwish last year in South America and we were received really warmly there as well which was fantastic, so you are surprised that how truly widespread the support is and how far people travel to see you. It's absolutely astonishing, we had people from Korea coming over to Europe to see us, and Japan, Chile etc., so yeah it's fantastic.


It shows that metal music has a very loyal fan-base too, there are not a lot of other styles of music that you can say something like that to so we should really cherish that".


What hobbies do you and the other members of Delain have outside of the music world?


          "I love to watch documentaries about history, I'm a big history addict. I love to play games, especially strategy games like Total War which is a big favourite of mine. I also love to ski, I'm into winter sports - I remember last year we toured the USA and I managed to ski in the Rockies which was fantastic and near Calgary in Canada. Oh by the the way I'm also a Trekkie, I love Star Trek and Star Wars as well, so I'm a sci-fi geek.

I know that Timo & Ruben (respective guitarist and drummer) are very much into gaming, Ruben is also a big food fan, he loves to eat and Charlotte loves to read... that's it really.

Speaking of Star Wars actually I thought that 'Star Wars - The Force Awakens' was fantastic, it has a little bit of the vibe of the first three films (Ep 4-6), I personally don't despise the films that came out in the last decade (Ep. 1-3) I like them too, but I do understand why some fans really like this one (Force Awakens), it has captured part of the vibe which was missing in the first three of the trilogy (Ep.4-6)... which is of course the last three actually (laughs). 

Moreover Kylo Ren struck a chord in my heart because I'm curious to see how the character will develop.
Maybe you could write a song about him on the next Delain album? (laughs) well yeah of course because what inspires you, you start making music about so perhaps I should!"


Martijn wishes to express his gratitude to thank readers and fans for taking the time in following and giving support and interest to Delain. Without them Delain cannot do what they do so you might actually call our fans our 'boss' when it comes to our job so they are very important to us.

https://en-gb.facebook.com/delainmusic
www.delain.nl
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GMA Interrogation: Charlotte Wessels (Delain)

20/5/2013

1 Comment

 
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On about Symphonic / Gothic Metal:

" We do have a lot of bands in this genre and when we play in South America, everybody is like 'Why do all these bands come from Holland?' And I'm like 'Yeah, I don't know... something in the water, I don't know'. "


I caught up with vocalist Charlotte Wessels of Dutch Symphonic / Gothic Metallers Delain about their history, talking about the change of record labels that has been going on, festivals and tours they are playing at or have played in the not so distant past and questions about the Dutch Metal scene. Apologies for the unwanted noises in the background, I believe it was due to connection issues.

The interview can be heard above.

https://www.facebook.com/delainmusic?ref=ts&fref=ts
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INTERVIEW WITH BODYFARM

11/8/2011

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Emerging Dutch Death Metal mob Bodyfarm got a good stripping over when I spoke to their guitarist / vocalist Thomas Wouters, this band are looking set to be the natural successor to Hail of Bullets, check it out.

1. Who came up with the band name and what does it mean to you personally?

When Quint (drums) and I just started Bodyfarm, we named our very first song after the band’s name. We didn’t have a band-name yet and Quint thought it would be a good name for our band. I was skeptical at first, but Quint convinced me. It’s catchy and short. That name is part of our lives ever-since, haha.

2. How did you guys form and were their any line-up changes since the beginning?

In the late summer of 2009 I asked Quint if he were interested in starting a death metal band together. We were both in other bands back then and those bands didn’t please us any more. Quint was interested, and a few beers later we had a new band! A few weeks later Winfred Koster joined (ex-Pleurisy, ex-Bloodphemy) us. He rehearsed with us a few times but then he kind of magically disappeared and never showed up again. So we went looking for other musicians and we found them, Bram Hilhorst (guitars) and Mathieu Westerveld (bass) who were already friends of ours.

3. You signed to Abyss Records, can you explain how this came about?

Yeah we did. Abyss Records contacted us through MySpace right after we uploaded our very first tracks. They offered to release our EP in jewel case and booklet. We’re still waiting on that though. The slipcase is already for sale at the Abyss Records web-shop.

4. With Dutch Death Metal concerned, do you feel it has become a common genre in the Netherlands?

The metal scene here is pretty big and I think there’s a lot of death metal fans amongst us. Outsiders don’t have clue what death metal is about but I think that counts for pretty much every country. I’m glad The Netherlands have a pretty big metal scene. There are a lot of festivals here, and a lot of club shows for major death metal bands to play. The death metal underground is less popular. That sometimes frustrates me. I think we are a bit spoiled, hahaha.

5. You're currently in the studio preparing for your debut album, how long has this taken, how many songs will there be and what other information can you give us?

Yes! The drum recordings are planned for late September. Writing this album has taken a lot of time. We’ve been doing a lot of gigs, so most of the time we’ve been rehearsing for shows, but all the material is done now and we’re ready to enter the studio. There will be 10 tracks on the album, including a cover from a legendary U.S. death metal band. The artwork will be done by Erik Visser, who also did artwork for the latest Severe Torture album and our friends I Chaos. This album is gonna kick ass if I may say so myself, and we’re looking so forward to the result! The material on it will be in the same style as on the EP, but my vocals have changed in a good way. They’re lower and aggressive.

6. Your self titled debut EP, what was the general response you got from it?

The responses where surprisingly good from all over the world. People seem to like it that we only do what we love, and not trying to be innovative or technical or something. I think our music is ‘honest’ death metal. The responses we got really motivate us to continue with this band, and make a killer album.

7. Does any of the band members play in any other bands, if so which ones? If not, who would your dream band be to play with?

Quint plays in a punk/streetcore band, Bram has his own brutal death metal band called Cavitation and Mathieu plays in Baatezu. I don’t want to play in a second band, I’ve got my hands full on Bodyfarm.

8. Finally what can we expect from Bodyfarm in the next few months or so?

In the next few months you can expect some video footage from the studio! Quints drumming, vocals, guitars, etc. Maybe some rough samples from the mix. For all of you who care: checkout www.myspace.com/bodyfarmnl, but mainly: hook up with us on Facebook! We’re not that hard to find, haha.

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