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Interview Interrogation: Masoud Moghaddari from Integral Rigor (Iran)

29/5/2020

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"If you want to release your music legally in Iran and be able to sell it or perform live, you have to get permission from multiple religious authorities for every single release and live show. "


There are so many unsung or largely forgotten (overlooked at times) metal scenes worldwide, one of these is Iran. To think the country has over 80 bands and projects active and yet can anyone name any major ones? Might be worth for the rest of the metal media in the west to focus their coverage more on said scenes, but in the spirit of metal it's bands like Integral Rigor who take the D.I.Y. approach and do what they can to enjoy metal as much as they can.

The band have big plans to try and release their music through a label, potentially tour outside of Iran and in doing so put Iranian Metal on the international stage.

Guitarist Masoud Moghaddari filled us in with the details.

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For those who have not heard of Integral Rigor, please give us a brief history of the band, what does the band name mean?

     "Hi! I'm Masoud, guitarist of Integral Rigor, the band was formed in 2009 by Reza Rostamian (Guitars,Vocals) in Sari, northern Iran. Inspired by ancient Persian music, Integral Rigor released it's first album "No More Room In Hell" in 2011 and the second one "Alast" was released in 2018 in which our bassist Shahriar Rajabpour and I joined the band. Very briefly, the title of the band means the maximum purity and absolution of everything, in our case extreme music and art."


You released your 2nd album "اَلَست " back in 2018, what was the reception like and did you get attention from outside of Iran?

     "I think we received good feedback especially in Russia and eastern European countries despite not promoting and advertising the album that much. I think oriental music sounds interesting to Russian ears. Also almost every blogger and reviewer who we sent our music to, enjoyed it. It takes some time get more attention from the metal fans worldwide."


What instruments or scales do you use to bring Persian / Oriental flavours into your own form of Death / Thrash Metal?

     "Well, there are lots of scales in traditional Persian music which we call "Dastgah" or more anciently "Magham" - that are closely related to classic major / minor scales. These can be used to create cool sounding elements which could be unique to western ears. For example there are some scales that have different ascending and descending patterns, or there are some quarter notes in some scales."


Speaking of which you switched to being instrumental, what was the decision behind the change? Will you bring vocals back?


     "If you want to release your music legally in Iran and be able to sell it or perform live, you have to get permission from multiple religious authorities for every single release and live show. Originally, the album had lyrics and vocals, but we were forced to remove it due to restrictions from said authorities. I think they do not like growl / scream vocals!"

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What is it like growing up as a metalhead in Iran? Are restrictions not as harsh as they used to be? What challenges to bands face these days?

     "The most noticeable restriction I think is that no bands tour or do live shows here. So as a kid you would grow up wishing to see your favourite bands live, but this wish would hardly be granted. It used to be harder to even listen to metal music back in the days as there are no metal music stores here! But it's not a problem any more thanks to the Internet. As I said earlier, bands have to get permission from various organizations in order to release albums or do live shows (which rarely happens) and it makes it very difficult for the bands because most of them cannot earn that much to continue doing what they love to do."


For metalheads visiting Sari, what sights / attractions could you recommend? Any bars or venues also?

     "Iran is a great country for tourists, especially for those who are interested in historical sites.
Sari is located in the north of Iran in the Mazandaran province, which is popular for being the most green province in Iran with having many amazing natural landscapes. There are various forests & mountains like "Badab Soort" which is a stepped travertine terraces and very unique in the world. Moreover, there is the "Shah Abbas I Mosque", "Fazeli Hotel", "Dasht Naz & Miankaleh Wildlife Sanctuary" and many more!



What are your plans for late 2020 / early 2021? Were any cancelled or postponed due to COVID-19?

     "We are currently in search of a record label to help us reach a larger audience worldwide. Until then, we will release single tracks every few weeks to stay active and be seen on social media.
Also we have plans to tour outside Iran if possible and are really looking forward to that. About the COVID-10 situation, we had arranged some live events in 3-4 cities in Iran but had to cancel all of them. The annoying fact is that we have to go through the permission process again for future plan."



Do you have any greetings or thanks you wish to send out to friends, fans, family, etc?

     "I would like to thank you for this interview and all your efforts, it means a lot to us. Just want to say that do not judge Iranians by what you see in the media. Iranian people are separated from politicians are very lovely and welcoming and love all the people around the world. Hope to see you someday soon! Stay safe!"

https://www.facebook.com/IntegralRigor
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Interview Interrogation: Paul Rutkovsky from Stagnant Project (Latvia)

29/5/2020

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Latvia, one of Europe's forgotten metal scenes is alive and well in the underground, however it's on the surface that it lacks international recognition albeit for their torch-bearer's in the Pagan / Folk Metal band Skyforger. Focusing on the underground and you have bands like Stagnant Project, whose Modern Metal sound may be miles apart from the core Folk Metal sound that seems to engulf the national scene, but united they are with their fellow Latvian brothers and sisters. The quartet are not resting on their laurels having released their 2nd album "The Age Of Giant Monsters" back in 2018, they are in no doubt poised to release new material within the coming year, we will just have to sit and wait.

We therefore had to interrogate them, they elected Paul Rutkovsky to be the spokesperson. We spoke about the band's origins, the challenges that Latvian Metal bands face and have to overcome, their scene and what cool phrases fans tend to shout out at their shows.

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For those who have not heard of Stagnant Project, could you explain how the band came into being and where the name came from?

     "A long time ago in 2010, when we were teens we had a dream to play in a bad ass band without any metal sub-genre limits or something that can cut off our music ideas. We were rehearsing hard and took up a sudden Punk Rock festival participation offer. But we had no name for our band and so we decided to name ourselves Stagnant Project - almost like "just another music project without future". Right after the first show, the next day another gig offer came and we decided to leave it as it is."


Could you tell us more about your latest single 'Khuemraz'? Will it also be re-released in Latvian given it's in Russian?

     "Actually, we had some thoughts about English version re-release in nearest future."


How would you describe your sound without the use of genre tags? What seems to be the more prominent metal genres in Latvia?

     "The most prominent genre in Latvia is definitely Folk Metal, then Progressive Metal. But I would say we are influenced by bands from the Industrial, Death, Thrash, Nu and Metalcore genres, I think that it is one of the points why we are not really popular on the local stage. But our last release  'Khuemraz' made us really unique because of the Russian lyrics, that as far as we know, is one of the most popular languages in the world after English. And as we know, the Russian language has a huge poetry base that we can use to express ourselves from."


What has the band been doing at home during the pandemic? What other hobbies / interests do you all have?

     "We are very careful under the restrictions and maintain all the distance suggestions, because we really want the live shows and touring to come back. So, the best way to reach the result is to be disciplined and begin with yourself. All of us are working from home and keep the distance. We are working on some ideas separately. Talking about myself, I found the isolation is a very nice time for my family and relationship, I dedicated a lot of time for my guitar tone, mixing / mastering skills and vocals. Also, I have found a lot of time for my comic book collection to be read. Talking about the guys - we have got a constant chat with memes and discussing our future plans and sharing thoughts on random thoughts. But nether the less we managed to print our new merch and continue to write music."


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Riga, Latvia / Source: Nordic Jobs Worldwide

Are there some Russian or Latvian phrases fans tend to shout out at gigs? If not what are some cool Latvian / Russian sayings?

     "Really cool question because we have got one like this. This phrase is "ebash", in the Russian language it is a swear word meaning 'working f**king hard', and actually our local fans scream the word during our live shows and to be honest it is more like a motivation word, no matter whether you are a pure Latvian or Russian, the spirit is the same. Also, Stagnant Project is to complicated to shout :)"


Tell us more about the Latvian Metal scene, when did metal arrive in Latvia? What is the public opinion of metal? What challenges do bands face?

     "Actually we have got a lot of cool and unique sounding bands here and live shows are at a very professional level to be honest. But unfortunately the biggest part of them don't cross the borders of the country in meaning of international popularity. I bereave each of us, Latvian musicians, we try our best, but only a few names have got the popularity outside the country. But we, as Stagnant Project, really believe in ourselves and we will brake the wall saying "ebash" on our way."


For metalheads visiting Riga, what sights / attractions and bars / venues could you recommend?

     "The first venue you should visit is Melna Piektdiena, there were a lot of shows by big metal stars like Meshuggah, Vader, Arch Enemy, Cannibal Corpse, Decapitated etc. and even Little Big were here. I don't mean the giant bands stadium calibre, but have to say, it is the legendary metalhead place here in Latvia. Also, Latvia is one of the most green countries in the world, I suggest visiting our castles, ethnographic museums, parks and I have to say Latvia is a very small country, you can cross it in 4 hours by car, but most part of the roads will be across the woods; we are proud of this. "


Do you have any thanks or greetings you wish to send to friends, family or fans?

     "We wish everyone to take care of yourself and your relatives, the most important thing in your life are your family and your friends, because in hard times those are the closest people who will help you and care for you. Don't be lazy or too introvert, call your mum, dad or your best friend no matter what, just keep in touch with people who care for you."


https://www.facebook.com/stagnant.project/

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Interview Interrogation: Redsphere (New Caledonia)

21/5/2020

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"I know that a festival is held every year in Tahiti (French Polynesia). Why not a festival in the South Pacific, this is great! ;)"


When it comes to Oceania, we're fully accustom to the presence of Australian and New Zealander metal bands, but what about the other islands in this part of the world? Well New Caledonia has a metal scene, trouble is it's so small... 6 or so bands. One band has made particular waves across Europe due to their touring and having released music through the French record label M&O Music. GMA spoke to the quintet about the challenges of living on an island 2,000 odd miles away from Australia, how well their debut album "Immortal Voids" fared after it's release last year and why the thought of a South Pacific Metal festival would be awesome.

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For those who have not heard of Redsphere, could you give us a brief history of the band? What does the band name mean?

    "Well, Redsphere was created in 2015. At the time the band consisted of 4 people. We worked on a dozen compositions and we chose 6. Then we went back to the studio to record our first EP "Facts" which was released in January 2016 through the label M-O Music. After several concerts in New Caledonia, in 2017 we went on headline tour in Europe with the band Master. In 2018 Redsphere changed line up (current line up) and returned to the studio at the end of 2018 to record "Immortal Voids" released in September 2019 under the label M-O Music once again.

     This has to do with anger, an entity that devours everything in its path, like a black hole ;)"


Your debut album "Immortal Voids" came out last year, could you tell us how the album was created; the time it took to make?


     "After coming back from touring, we were in an intense dynamic, that can be understood. We wanted to produce other songs in order to make an album. That's what we did. One year of work to compose and produce "Immortal Voids". In hindsight we would have to take more time. I'm sure it would have been even better."


It must have been challenging in the beginning to find a record label to release your music on, how did you come into be signed to M & O Music?

     "The meeting with M&O Music was done before the release of "Facts". We were already in touch in 2015. This allowed us to anticipate and prepare well for it. The search for a label is not obvious, it takes time and energy. When we search we find!"


Can you tell us more about the New Caledonian Metal scene, when did metal first arrive, challenges bands face, the metal community, etc?

     "Well, I don't know when metal arrived in New Caledonia, what I can say is that New Caledonians love AC/DC and rock in general. Regarding the current Metal scene it is composed of 5 or 6 bands of which 3 are serious; unlike a few years when there were about ten active bands. The difficulty is to endure over time, there may be an audience for this style of music that must represent about 250 to 500 people around. Then there are the places where to perform that disappear more and more. Currently there are 2 clubs where we can play and a rock / metal festival where we can play."


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Anse Vata beach, Nouméa, New Caledonia / Source: Ceetiz
Have there been any bands from outside of New Caledonia come over to play? Have any New Caledonian Metal bands gone to play in Vanuatu and Australia?

     "We had the honour of hosting Scorpions twice, the French bands Lofofora and Mass Hysteria, and the Israeli band Viscera Trail. The New Caledonian band Burst has been able to make some dates in Australia and no one so far has gone to play in Vanuatu."


Aside from Australia and New Zealand, are you aware of other metal bands across Oceania? Could you envisage an Oceanian Metal festival?

     "Not for my part, I do not know of any other metal bands in Oceania. I know that a festival is held every year in Tahiti (French Polynesia). Why not a festival in the South Pacific, this is great! ;)"


For metalheads visiting Nouméa, what sights / attractions and bars / venues could you recommend?

     "I recommend as a bar the 3 brewers where the beer is good, Australian tourists love it. I recommend the Anse Vata beach for classic tourists. If you are looking for authenticity you have to go to the bush or the islands loyalties, it's beautiful and we eat well."


Do you have any thanks or greetings you wish to send to friends, family or fans?

     "Redsphere thanks all the fans for your support. Be curious, attentive to what's going on around you. The world is changing! Be patient, after the rain comes the sun."


https://www.facebook.com/Redsphere.Official/
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Interview Interrogation: Drops Of Heart (Russia)

6/5/2020

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"Do not think that there was no heavy music in the USSR at all. Groups such as "Aria" and "Master" were prominent representatives of heavy metal and due to the fact that it was difficult for people to get albums of foreign bands, they became incredibly popular."

Promising Russian Melodic Death Metal outfit Drops Of Heart are set to unleash their second album "Stargazers" on the 22nd July and arguably is a huge step up from their debut, not just in terms of writing as the band went on to explain, but also the fact they recruited well known Swedish vocalists in Richard Sjunnesson from The Unguided (on "Frost Grip") and Bjorn Strid from Soilwork (on "Starlight"). 12 years have past since the bands inception and with this new album on the horizon, it was only fair for GMA to give the band a grilling... vodka was involved.

They divulged about the album writing process, challenges Russian Metal bands face in terms of recognition, touring and networking and how heavy music existed back in the Soviet Union era.


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Guys you must be excited to drop your 2nd album "Stargazers", what (if anything) was done differently in comparison to "New Hope"? Will the new album be released on vinyl? Is Vinyl popular in Russia?

     "It’s hard to explain, how much we are excited! Honestly, work on “Stargazers” was fundamentally different in comparison with “New Hope”. When we wrote our previous album, we suffered from a lack of professional experience. We didn’t know exactly how to do this. We tried to blindly imitate a sound of bands that influenced us and didn’t pay enough attention to the arrangements. Now the situation has changed radically. In “Stargazers” we wanted to reach the maximum of songs arrangements, make the whole album diverse and as entertaining for metal fans as it possible.

     We can’t say anything about vinyl right now, but situation may change in the near future. If we talk about attitude to vinyl in Russia, it’s not as popular as in Europe or the USA, but this market is developing now, in comparison with CD."



Obviously COVID-19 has put a halt on a lot of events bands had planned, what events did you have planned that are no longer going ahead?

     "Of course we planned a tour in support of the album, but the world situation made us stay home and deprived some of us of work."


On a greater scale can you tell us what the COVID-19 situation is like in Russia? What have you been doing outside of music in the mean time?

     "The situation sucks. Not only because the number of infected is growing rapidly but also people's scepticism and dubious decisions of the authorities (the Government didn’t declare a state of emergency and made people stay home without salaries). Some of us work remotely, some stay home and have to wait."


Do you feel that Russian Metal has come a long way since the fall of the USSR? Do you know if rock / metal existed during the Soviet era?

     "Metal in Russia was under a lot of pressure. The censorship of the USSR didn’t allow this genre to fully develop until the second half of the eighties, therefore, after its collapse, the bands had to create everything from scratch.

     But years passed, globalization did its job, and the genre raised its head. But do not think that there was no heavy music in the USSR at all. Groups such as "Aria" and "Master" were prominent representatives of heavy metal and due to the fact that it was difficult for people to get albums of foreign bands, they became incredibly popular.

     Unfortunately, there’s no world famous modern metal band from Russia nowadays. It’s really sad and we tried our best to make the world talk about Russian metal scene."


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Ufa, Russia / Source: Aegean Airlines

Looking towards the back end of 2020 and into early 2021, what plans do you have?; COVID-19 depending.

     "After release of the album we will promote it online as possible. New merchandise, online live shows, maybe b-sides album. And, most importantly - due to the lack of tours, we plan to to record new songs as soon as possible. We recorded “Stargazers” for 3 years, and during this time we have accumulated a bunch of new material, which we are already eager to record and release."


It must be challenging to do a tour of Russia; do such tours exist? Given Moscow is 18 hours away?

     "This is the biggest problem for beginner bands in our country. Big cities are located at a distance of 500 kilometres or more, and even a small tour can turn into a real adventure, for which new people in the field may simply not be ready. At the same time, problems can carry on if you have already covered this distance - today metal in Russia is going through difficult times, and it is sometimes very hard to gather a sufficient number of people in a not-so-well-known group."


For those metalheads visiting your city of Ufa, what sights / attractions could you recommend? Any venues, bars, etc?

     "Our city is full of Bashkir folk influences and bars with pop-cover-bands, so it’s probably the most difficult question, huh. But we have a really nice historical centre and some really good pubs like “Harat’s” or “Jagger”. By the way, our vocalist Denis brews great beer himself!"


Do you have any greetings, thanks, etc that you wish to send out to friends, family, fans etc?

     "First of all, we want to wish all people in the world to be strong and brave in this hard time. It’s important not to bow down and support each other. And we will try to make you a little happier with our music. Stay metal!"

www.facebook.com/pg/dropsofheartmetal
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Interview Interrogation: Sammy Sayed of Scarab (Egypt)

29/4/2020

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"It's better for us to stay underground, it might turn really hostile if we went big in our home town"


It goes without saying that alongside Crescent, Scarab are spearheading the Egyptian Metal scene on the international front, although they are definitely humble in their origins and yet pushing harder than ever to reach new heights. Having released their 4th album "Martyrs Of The Storm" back in March via ViciSolum Productions, it was only fair for GMA to interrogate their frontman Sammy Sayed about the band's humble origins, the challenges bands in Egypt face, the lack of a fully functional scene i.e. barely any venues, media or market as such, why the album being released on vinyl was a dream come true and something about a word made up by guitarist Al Sharif Marzeban - that word? 'Verminejya'.

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What was the reception like for "Martyrs Of The Storm"? What was the feedback like in Egypt; was there any resistance?

      "I think it's very contradictory because somehow people related to it as it was something a little bit different to what we are doing; songs are heavier, shorter and more complex. So some people didn't really feel it, maybe it takes a while for it grow on them, and on the other hand we have also been showered with an intense positive feedback. But I believe that it is mainly controversial and that's a good thing; it got people to think and that's a good thing, perhaps it's not just music the you can listen to it and enjoy it, you have to dig deeper into it I believe.

     And in regards to any resistance in our home town... Not at all, because anyway this kind of music is underground and I don't believe there will be any kind of market for metal - we try to push for this to happen, but it didn't happen and I don't think it will happen on a major scale. But for the Egyptian Metal scene itself, so far I think people are really digging the album, especially in Egypt because the inspiration comes from here, it comes from what we're going through energetically and it just speaks to them I guess, so they can relate and feel it."


"Martyrs Of The Storm" was released through ViciSolum Productions, will you sign with another label in the future?

     "That is not something we have in mind right now, what we have in mind right now is working harder. With the album, we believe that it's not just music any more and the message has to artistically expand in the sense of more material to come in order to support the release, more things that we should say in order to explain what this album may represent or what it may mean for us. I don't know about expanding, so far ViciSolum have been really good to us and that's all what we need and this is something I would leave for the future; basically we are very happy with ViciSolum anyway."


Would you say this is the most ambitious album Scarab has ever done?

     "It is to me, not just because of how musically it would sound, but the process itself of creating the album was much different to what we've gone through... we've learned a lot through this album and it's like... we were trying to perfect something and I believe there is nothing like called perfection but it is as perfect as it can get, I believe this is the most sacred work that we have done so far and it's an evolution of anything that we have attempted to do in all ways shapes and forms. "Martyrs Of The Storm" is the purification of Scarab's past."


From "Martyrs Of The Storm" which is your favourite song and why?

     "This is a very hard question because we come up with the concept and I interpret the concept later on after the work has been finished, because our way of working (Marz and I) in terms of writing and composing music, it's like channelling or something - so for me when I started to write the lyrics it was also a from of automatic writing. I would unite with the energy of the song and Marz would give me the song titles mainly and I would start to contemplate and follow synchronicities of writing lyrics for the song depending on what it feels like. In the end what I want to say is to choose one song is hard because to us and to me, it feels like the Egyptian tree of life where the leaves are our chapters and every leaf is so important, it's like the human body.

    But if you insist on me choosing then I would go with the first song 'Martyrs Of The Storm', because I think it speaks of what the album is going to be about, what the other tracks would be about - like a good introduction." 


Can you tell us what the word 'Verminejya' in the song title 'Circles Of Verminejya' means?

     "Ha-ha it doesn't mean anything, the title and concept of the song came from Marz and he was like telling me about the 'Circles Of Verminejya', so OK it's not English, it's not any language, it's a made-up-word and so I was like OK so what does it mean? What the f**k does Verminejya mean? He's like 'Verminejya' means danger, it's a magical word, you get the point? It's not something that linguistically means anything but the energy behind it means something. So we started to interpret it and he's like I think it's about Africa, it's about the tradition, the religion and the magic of Africa. We don't like to stick to gimmicks in the sense of trying to act like we are something from 4,000 years ago, so with this song it's like a magical mix between Voodoo in Africa and Ancient Egypt, what it would be like if we mixed both into one thing... that's what Verminejya is, it's a kind of a realm where the magician or priest would hop into a dance ritual for the gods; it's like a magical war. That's what Verminejya is, it's dancing in magical wars furiously, manoeuvring dangerous. It can be taken as a mantra and that's what I think it means for us."


What do your parents think of Scarab's music? Are they very supportive?

     "They are very supportive, no one interfered; I'm lucky, there is a lot of freedom when it comes to my family. They never had a problem with the idea of 'what the f**k are you doing, why are you singing like that?' or anything like this. From my father or mother or any member of the family, they always thought of me as this weird kid who was an artist and is crazy, just leave him be." 

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Saint Catherine's Monastery, Sinai, Egypt / Source: Wikipedia
Do you feel that it's becoming ever more important for bands to reflect their national culture?

     "I guess so, but I have to say that I'm not sure if we fell into this idea of acting, the idea of music not being honest would lead it turning into a gimmick. But at the same time I think it's very important for bands to reflect their culture through their music, but it's not an obligation - if you don't feel it, do what you feel. There is one thing that I really hate, how can I explain this, it's not kind of a product where you are going to manufacture and represent, you know this kind of thinking? I hate it because for me, music is very spiritual and if you feel it, do it. If you feel that you have a message to be spoken about, then go ahead and do that, don't think that 'oh because I'm from Egypt, what is it that would make me different from others, I have to stand out' and then sell yourself as a manufactured product... that way of thinking for me, I am really trying not to judge but it's too commercial for me. And it is easy to spot it, simply honest music will always reach the heart."  


Over the years you've had a number of line-up changes, were these all amicable or were there discrepencies?

     "A little bit of both. We've been together as the same line-up until 2014, so from 2006 until late 2014 / early 2015 we started to have different views, interests, things like this. You know when you have had a relationship for a long time, that's how it is. I think we needed a break and some people just needed to break-up from this thing and I wouldn't say musical differences, it's about losing an interest somehow. The people who left had lost the interest in the essence of what they're doing and lost love towards the entity of Scarab itself, so they left; only Tarek Amr took a break and returned back again.

     The only hard thing to do was to replace them, for Scarab it's not business but more of a friendship; we grew up together and have been through a lot, it's friendship before musicianship and so it was really hard to find the right people to replace them; that is the hardest thing we've been through, it was only Al Sharif Marzeban and myself whom were left to serve the band and in terms of writing the music that's fine, but in terms of finding people that can give the right energy, dedication, chemistry, just everything - that's really hard to find until Stephen Moss from the UK (who is a very good friend of ours) helped to record "Martyrs of the Storm" with Al Sharif Marzeban, then he departed.

     We're still friends until now, the only reason I think this is not happening between us any more is actually the distance, that's the main problem; but now we're fine, Tarek Amr is back as a guitarist again and we have a new bassist Ahmed Abdel Samad, after another great bassist from the UK helped to record "Martyrs Of The Storm" (Arran McSporran from De Profundis and Virvum) as a recording musician. 

     It took us from around 2015 until 2020 to find the right people that we could feel right to us, because being a Death Metal band in Egypt is like 'swimming against tides', 'going through the abyss', something like that."



With exception of say Scarab, Crescent and say Mythos, do you feel the Egyptian Metal scene has yet to be fully recognised on the international stage?

     "I believe so very much because, speaking from my own point of view when it first started, when I first started in trying to perform, most of the bands were cover bands and very early on you would find some who would make their own music. But right now it's the other way round actually, which is a very positive thing, there are a lot of bands right now writing their own music, playing and recording their own music. Back in 2009 there was this disbelief about the idea that any band that plays metal music would be able to break through internationally anyway, it was not possible at that time because there was no one else that had done it as far as I know.

     I don't know if we were kind of lucky but we worked hard and luck served us, and we won 'battle of the bands' in Dubai and therefore played Desert Rock Festival alongside Nervecell (The UAE) who are our long-time friends and on the main stage of With Full Force Festival (DE) 2009 and that was the turning point, because for us it was a dream come true and was unbelievable like what the f**k is going on, it's how it felt like 'what was going on, is this magic?'. At the same time, it was an eye-opener I believe for a lot of great bands in Egypt, because there is not only just Scarab, there are other bands that are really good at what they do... the eye-opener is that 'yeah it can happen.'


     I wouldn't say that Scarab is the reason why, maybe we were just mediums for this to happen, it could have been anyone else, it was bound to happen anyway, but Scarab was ready and that is why it happened to us. Also there are two bands who I feel are very successful right now, they are Crescent (Black / Death Metal); back in the days they were playing Black Metal and then they changed their theme into Ancient Egyptian theme and are now their music is being distributed through Listenable Records and have also performed a lot abroad - big festivals...

     Also Odious who are a Symphonic Black Metal band from Alexandria, they've also performed abroad and they do tours, and their music is distributed worldwide. This is a good thing and there are a lot of other good bands that are coming up and I think that the more of this happening, the more it will lead the scene to expand at least internationally, not here... maybe I'm pessimistic OK? But I believe that if this kind of music went big and there was a market here, if you could actually tour Egypt and things like that, I think it's going to be negative, I'm really sorry but I think this is what's going to happen for the time being.

     It's better for us to stay underground, it might turn really hostile if we went big in our home town I believe so - that's my own opinion."



Given the COVID-19 situation, what are some of the plans that Scarab had that are still intact (if any?).

     "Now that everything is cancelled for everyone, so no shows, no tours, nothing, I think what we will be doing is writing new material... but before writing new material we will try to serve the album and maybe do more video material for every track... that's mainly what we are going to be doing and trying to figure out how 2021 would go, and if we're going to be booking shows... I think that's what we will be working on, but mainly since there is a lot of time we will be working on more video material."


For those metalheads visiting Cairo or indeed Egypt as a whole under normal circumstances, aside from the Pyramids, would sights / attractions could you recommend?

     "Well man that's the problem, there are no metal bars in Egypt, not as far as I know and metal shows happen every now and then; it depends on the luck or the research the person who listens to metal is going to visit Egypt in the hope of finding metal stuff, I don't think that's possible unless there's a show. There is Metal Blast Festival, I believe that's a great festival in Egypt because they host international acts like Swallow The Sun, I don't remember what else but they bring decent international acts and make local Egyptian bands open for them. So this is a very positive thing and I hope there is more of this. There are no venues, there is only El Sawy Culture Wheel, in Zamalek, Cairo and there is also, it depends but there is also the Cairo Jazz Club in Agouza, Giza which you can play at as a metal band.

     I would recommend anyone to visit south Sinai to see Saint Catherine's Monastery as well as the beach on the red sea, and also would recommend them to go on to the complete otherwise in Siwa - there is a lot of magic there. I believe these are the the two places that really speak of the essence of Egypt."



Given the resurgence of vinyl, what are your thoughts on Scarab's music being pressed on LP?

     "I'm very happy for it because for me I've always had this as a dream to have Scarab's music on vinyl or record, however cheesy that may sound, but it is to me, the band, Al Sharif Marzeban - Marz was like I wish "Martyrs Of The Storm" would go on vinyl. We didn't ask for it, actually what happened was that Thomas from ViciSolum, as soon as I sent him the final master he was like 'this has to go on vinyl' and then that's when I started to think, I wanted to make the vinyl a bit different than the CD and also the digital version.

     The CD is like a seamless kind of run, it feels like if you are listening to one song; all the tracks enter each other, but with the vinyl it's 5 songs on Side A and the other 5 on Side B - the energy of the first 5 songs on Side A is lighter before it gets darker on Side B with the last 5 songs. Like Side A is rage and anger, Side B is evil. Metaphorically speaking Side A would be the sun, Side B would be the moon. Side B has more of this Black Metal touch to it hidden inside somewhere."



Do you have any greetings or thanks you wish to send out to friends, family, fans etc?

     "Yeah of course I want to thank everyone who supported us throughout the years, and all the musicians that have their energy in some way or shape in the album, the guitarists that Marz invited - Karl Sanders, Joe Haley to name a few, and basically everyone that had their hands into this collaboration. All of our fans, their patience, believing in us, Thomas from ViciSolum for believing in us and being patient for 5 years for us to actually put this together during this hindrance and hardships that we were going through in finding the right members. I wish everyone will stay safe through this process of transition in 2020, wish them peace, growth and wisdom".

https://www.facebook.com/Scarabegypt
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Interview Interrogation: Theodor Kapnas from Hamferð (Faroe Islands)

29/4/2020

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"There's stuff happening (on band releases), and hopefully 2020 will end up being a golden year for Faroese metal."


Having released their 2nd EP 'Ódn' last year to widespread acclaim, the Faroese Melodic Doom / Death Metallers Hamferð are eternally grateful for the achievements they have made during the past 12 years. Sadly however 2020 marked a tricky time for the band as guitarist John Egholm left the band, that but also the global pandemic the whole world is grappling with in COVID-19; putting a halt to the vast majority of the bands plans. We speak to guitarist Theodor Kapnas about the reception their latest EP attracted, the challenges Faroese Metal bands face, the inspiration behind their on-stage attire and the COVID-19 situation on the Faroe Islands.

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You released your 2nd EP 'Ódn' last year, what was the reception like and will there be a new album in 2021?

     "The EP has been very well received. It does feel different from our other records though. One of the songs is a live recording of "Deyðir varðar" from 2015 which we did during the total solar eclipse, and the second one is a live recording from our release show in 2018 of our oldest song, "Ódn", which we've performed live extensively but have never released until now. So even if we released it as a new EP it's technically older material. People seem to have enjoyed it, and we're really happy to have the tracks out there.

     We are working on new material and have quite a bit written, but it's too early to promise any release dates. I do hope that it'll be in 2021 though."


You may well have been asked this many times, could you tell us about the idea behind your stage attire (being suits) - who came up with it, etc?

     "The stage suits are part of the original idea behind Hamferð. John founded the band because he was inspired to create Doom Metal in Faroese, and one of the main ideas was that our live show should be inspired by the atmosphere of a funeral. Traditional funeral wear in The Faroe Islands is either traditional Faroese clothes or a black suit, white shirt and black tie to a funeral. So the suit idea came quite naturally. It's something we feel works well for our shows, so we've stuck with it and probably will keep on doing so for the foreseeable future."


For those who cannot speak a word of Faroese, can you offer some tips in how to sing along to your music?

     "That's a tricky one. I guess you can just learn the songs phonetically. We've all sung along to songs while having absolutely no idea what the lyrics were about. One way would also be to make your own version of misheard lyrics of the songs. And if someone does that please let us know, we'd love to see them!"


Are the Faroe Islands in lock down? If so what have you been doing at home both musically and in other hobbies?

      "First and foremost, The Faroe Islands isn't in lockdown. Large gatherings are banned and social distancing rules are applied, but shops are open and a lot of people are still going to work. But it does of course leave you with more alone time than usual. This has given me time to be able to finish a few musical projects which have been laying around for too long, which now lets me focus fully on continuing with writing the next Hamferð record. I was supposed to do quite a bit of touring as sound engineer during the spring, but that has obviously been cancelled. The rest of the guys live in different places and have been affected in different ways, but this situation affects all of us.

     When it comes to hobbies I've done the usual, I love being outdoors and now I suddenly have time for a lot of hiking, fishing, diving etc... The main difference is that people are now trying to avoid seeing other people and are therefore heading out of the towns. So hikers have appeared absolutely everywhere."


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Tórshavn, Faroe Islands / Source: Flickr @ Erik Christensen
Would you say the Faroese Metal scene is growing stronger each year or has it been a rocky journey?

     "The Faroe Islands is a very small place, so the metal scene moves in waves. A few years ago we had a lot of active metal bands, but as our generation has been getting older more and more guys have stopped playing that has obviously affected things. I don't think kids feel that it's as cool to be in a band as we did when we were teenagers, so there have been fewer new bands popping up.

     Having said that, we still have some really good bands in The Faroes, and 2020 is looking like a very strong release year for Faroese metal. I can recommend checking out the band Ótti, which features two Hamferð members. They just released their debut album, definitely worth a listen. Impartial and Asyllex have also released new stuff, and I know that Goresquad and Iron Lungs are releasing new stuff this year. So there's stuff happening, and hopefully 2020 will end up being a golden year for Faroese metal.



What (in your opinion) are the biggest challenges facing the new crop of metal bands coming up the ranks in the Faroes?

     "The challenges are the same as they have always been. The audience in The Faroes is limited, and it's harder than ever to find a rehearsal space which is a challenge for a lot of bands. However, the work that Upp Við Hornunum has done with local events and the Wacken Metal Battle competition has really helped. Bands have been given an incentive to perform live, and it has never been easier to get in contact with people from the international metal industry."


What plans for the year ahead do you have (COVID-19 depending); did you have before this pandemic?

     "We have a few shows coming up later this year, if that will be allowed by that time. But apart from that this year is set aside to write a new record. We can hopefully start recording that later this year or early next year. So that's where most of our focus lies at the moment."


Do you have any greetings or thanks you wish to send out? Any final words?

     "Stay safe out there everyone, wash your hands and we'll hopefully see all of you when this virus situation is over..."

https://www.facebook.com/Hamferd
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Interview Interrogation: V.I.T.R.I.O.L.: from Anaal Nathrakh (England)

20/4/2020

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"In the end though, nepotism will always be the most effective tool. So be good friends with someone influential, butter up or pay the appropriate people to get into the frame for the big tours"


Arguably you can place Anaal Nathrakh in the same bracket as Australia's The Berzerker and Canada's sorely-missed Strapping Young Lad, for being pure fucking extreme metal. For a duo who have been serving up nihilistic and downright filthy albums since 1999, Anaal Nathrakh have shown no signs of slowing down and with the forged relationship between V.I.T.R.I.O.L.: and Irrumator, they are unbreakable; no matter how many pieces of equipment they go through by harnessing their beautifully dark minds in synchronicity.

Album no.11 will see daylight sometime this year but due to the ongoing COVID-19 pandemic, there is no clear cut release date, but what is clear cut is that it's destined to leave you needing fresh underwear. It was then only fair for GMA to interrogate V.I.T.R.I.O.L. about the unmovable partnership the band has, what he has been doing since the UK went into lockdown and how music distribution has changed in context with what challenges the band faced years ago to what newer bands could face these days... oh and having a question about the new wave of British Extreme Metal being answered in a unique way; the interviewee asking the interview; much love Dave :).

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Album #11 is coming out this year, is there a definitive title yet or are some ideas being bounced around; what stage is the album at?


     "Hello. Yes, everything is completely finished, we handed the whole album over to Metal Blade Records a while back. But then immediately after we’d done so, the COVID-19 pandemic kicked off.  So we’re in limbo to some extent now, and we don’t know what’s going to happen next. Presumably MB want to continue to release music, because people out there in the world in lockdown can still seek out and listen to new music – in fact music might be a particularly important thing for many people at the moment. I’ve been listening more myself, certainly. But at the same time, presumably the people at the label, the pressing plants, the distributors and so on are mostly working from home or furloughed. So yeah, the album is complete, but we’ve no idea what will happen with it next."


What can you tell us about the new album that has no relation to the previous album? e.g. themes, differences between this and "A New Kind of Horror"?

      "Well the last album had a lot to do with the First World War because of the time we were writing it, which obviously isn’t the case with this one. So in terms of subject matter it’s very different in many respects. There’s a lot in it, but I suppose you could say that a lot of it focuses on the position of the person or individual – basically, you or I, or a person we could very easily have been – in the world. That’s especially the case with the cover art, too, which is particularly striking this time. I’ve been thinking a lot more about art over the last year or so, and in working with Mick [Kenney] on the artwork for this album, we’ve really outdone ourselves. 

     But art aside, in general, I think we humans are increasingly subject to manipulation, for example even to the extent that the Government’s responses to the coronavirus crisis here in the UK were initially dictated not by experts on viruses, but by behavioural scientists. And it’s turned out that in many respects, even though the album was written before the virus came along, it’s just as applicable in the new updated global context. Musically it’s more direct, I think. For the kind of music it is, I think it’s probably more accessible – obviously I don’t mean it’s pop music, and something filled with blast beats and screaming can only be accessible in a relative sense. But even by our standards as a band you can latch on to despite the viciousness of the music, I think it’s even more immediate than before. But we won’t know whether that’s borne out in other people’s experiences until the things is finally fucking released!"



As a band you've been going 21 years now, (how time flies) would you agree the British Extreme Metal is experiencing a new wave of bands?

     "Haha, I’m not sure how the two halves of that question go together! When you’ve been doing something for ages, it usually means you have less of an idea what’s going on with people who have just started doing it, not more! I think perhaps your question would be better answered by a journalist like you rather than by me."
[Rhys: Touche Dave, got me there; the UK Extreme Metal scene is amidst a new wave for sure]


As the UK is in lock down, what have you been doing at home both musically and in other hobbies?

      "It’s a weird mixture of intentions and inertia. I think a lot of people have found themselves expecting and fully intending to get on with all the little projects they’d not got around to, but then in reality sitting in their pants eating shit in front of the TV. My mental escape has always been games, so I’ve been playing quite a lot. I’ve also been thinking about some philosophical stuff – I recently finished a really big piece of work, and it’s possible that I could polish some parts of it and seek to publish them, so I’ve been thinking about some problems that I’d have to solve to get them to publishable quality. 

     It won’t make sense to many people, but if you’re into that sort of thing, basically it’s about the roles of cognitive vs. conative elements of a hybrid metaethical position. But mostly I’ve been sitting on my arse and festering into an ever greater loathing of my fellow humans and the twats on the telly and the radio who act like they know what they’re doing, but who are actually incompetent, self-serving, arse-covering fuckwits. Just like everyone else."


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Birmingham skyline, England / Source: MeetBirmingham

Arguably you're one of the strongest metal duo's to be still active and so what is it that makes you both tick along nicely?

     "Tick along nicely? This is Anaal Nathrakh, not a long-running car boot sale or someone’s happily married grandparents. We do what we do together because when we get together and work on this stuff, the results excite us. We specifically don’t have a trick or formula that makes things smooth and easy. That would be boring, and alienate us from any creative satisfaction. There’s never any thought of ‘ok, back to the old job, and this time around…’, because every new thing we do is ad hoc and vital and expressive, not mechanistic. We have a significantly optimised approach to recording, for example, because we know what we’re doing, but despite that we haven’t recorded in the same place twice in a row in nearly a decade, we usually use different equipment, and the cares and concerns we have at any given time are fresh and immediate. 

     A band like Bolt Thrower could perhaps approach an album and say to themselves ‘OK, how do we talk in a slightly different way about war this time?’. And it worked brilliantly for them. But that’s just not how our minds work. Yes, when we work together on Anaal Nathrakh there’s a similarity or continuity with our previous stuff, because it’s us and it’s Anaal Nathrakh. But beyond that there’s no trick or method – we do what we do because we know who we are, we know we get on well, and we know if we focus and work as hard as we possibly can, we will think the results are fucking brilliant.  Even if nobody else did, haha!"



What (in your opinion) are the biggest challenges facing the new crop of metal bands coming up the ranks in the UK?

     "I have little idea, to be honest – you’d have to ask someone who’s in that position. If anything I’m sick of the solipsism that makes people feel entitled to comment on the predicaments of others without actually understanding the peculiar difficulties of others’ situations. It’s like an MP saying they could live on universal credit when they haven’t got a fucking clue about life outside their privilege.  Having said that, one of the big things must be how to adapt to the fact that the world has moved on in terms of distribution and performance channels. Nowadays a lot of music culture revolves around Instagram and so on in a way I find distasteful, but which is simply the norm to most people. That’s an issue for all bands, but it must be especially acute for those trying to build some initial recognition and rise among the plethora of others on Bandcamp or wherever. 

     It still applies if you have significant recognition among potential fans, of course, but if hardly anyone has ever heard your band name yet, it’s got to be harder. We had early success on mp3.com back in the day – it was more like an early YouTube kind of thing back then, not the corporate pop shit thing is it now – but nowadays you have to navigate a much more complex network of genre tagging, big-data-style keyword heuristics, game search results, all that kind of shit. In the end though, nepotism will always be the most effective tool. So be good friends with someone influential, butter up or pay the appropriate people to get into the frame for the big tours, and in the UK, be from London. Then you’ll soon be doing better than us and be more able to answer that question than we are."



What plans for the year ahead do you have (COVID-19 depending); did you have before this pandemic?

      "Well, it’s basically impossible to answer that question. As it happens, we were planning on keeping a somewhat lower profile in terms of shows, just playing key events. But now we don’t even know when the album is likely to come out, everything’s cancelled, and no one can book shows and tours at all. For example, just as the virus blew up in the West, we were in talks about a really big festival show in South America, possibly along with some tour dates on that side of the world. But that’s completely out the window now. Depending on how the prognosis for society develops, perhaps we’ll have to think of something innovative and unconventional to do. But for the time being, it’s a waiting game to see what will happen."


Do you have any greetings or thanks you wish to send out? Any final words?

"Thanks. Remain indoors."

https://www.facebook.com/Anaalnathrakhofficial
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Interview Interrogation: Heidi and Rikke from Konvent (Denmark)

19/4/2020

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"Don't think that you are anything, don't think that you're better than me, you're not special... that's the law of Jante."


Konvent are one of the newest and exciting metal bands to emerge from Denmark in recent years and having unleashed their thunderous album "Puritan Masochism" via Napalm Records back in January, it was only fair that GMA gave the ladies an interrogation... of course we played nice, after all their own brandished style of Death / Doom Metal should not be taken lightly, nor should the musicianship of this fearless foursome. Bassist Heidi Withington Brink and vocalist Rikke Emilie List spoke to us about the fortune they've had with the debut album, the label signing and the growing international fanbase they have. In addition to this they spoke about what the whole Jante law concept is about, why vinyl is a gemstone of Copenhagen and how the Danish Metal scene is embracing a new wave of bands.

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Heidi, Rikke, can you tell us how the band name 'Konvent' came about?

    "It came about because Heidi suggested the Danish word 'kloster' which means 'monastery' or a 'convent', but that name was already taken by another band, but we really liked that word and we kind of fell in love with the 'k' in the beginning. Then I [Rikke] suggested what about the English word 'convent' and then just replace the 'c' with a 'k', we thought about it for I think about 3 months; we just tried to brainstorm band names and in the end Sara was like "what about that word 'Convent'"? I kinda like that and we all agreed that we actually like that, so yeah that's how the name came to be. I really like the idea that Heidi suggested because I think it's funny to have a word that indicates an institution; monasteries and convents, there's no storytelling in that word."


How did you choose Death / Doom Metal as your sound, what or who inspired you?

     "[Heidi] It was never something we decided upon, it was just when we got together; at the time Sara and I were jamming riffs together and this is what just sort of come out, we never decided that we're going to play Death / Doom Metal. We all knew that we wanted to play something heavy, something evil sounding and we wanted to use grow vocals, that was only the few things we thought about. So it was a little bit accidental that this is is what came out, Sara and I will always agree a lot when it comes to riffs, I feel like we've never been very against things when it comes to music; we agree a lot upon the genre, what we play and the different things we want to explore."


     Being an all-female metal band, do you feel there is as much stigma towards female musicians or has it lessened over the years?


     "[Heidi] I wouldn't know how it was before, I can only of course talk about how it is now and I feel like the stigma is the thing that people want to call it 'female" and put that in as a genre as well; but it doesn't really define the genre. A lot of people don't even know that we are girls when they listen to our music and I feel like maybe it's getting better because more women are getting out there and doing it; showing other women that it's normal and the more we normalise it, the more people hopefully won't see it as something special.

     But of course we as only most girl bands do, we were just on tour and I experienced a few times getting called some kind of sexist remark - trying to sell out my gear and stuff like that, that's annoying... that's really annoying because you're trying to do your job and what you love the most and it's kind of like, it hits you, gets you out of the bubble of how awesome it is being in doing this and then suddenly someone says something, and you just have to go out and just breathe and be like OK it's just one jerk and the rest of the audience is really nice, so you still have to go out and do your best, and not let it affect you.


     [Rikke] It is a hard question to answer, but I feel like personally I'm seeing more and more women in metal, mainly as the lead vocalist or bassist or keyboardist. But I think that more and more women are popping up on bands you would stumble upon through social media, metal blogs, whatever I think it's becoming more open, or I think that more women are thinking 'hey we can actually do this as well, this is not just a boys club'. So I think that we're seeing a slow but steady increase on women in the metal scene."


Having released your debut album 'Puritan Masochism' earlier this year through Napalm Records, this must have been a dream start for the band?

     "[Rikke] Absolutely and the album has been received so well, we've had a lot of positive reviews and have sold a lot of our records on tour this February and we honestly cannot believe it (laughs), it's been a very overwhelmingly positive reception of this album, so we couldn't be happier."


Can you tell us more about 'Puritan Masochism', how you came up with the title, the song titles, the creative process duration, etc?

     "[Heidi] Regarding how long it took to put together, it's been a process ever since the demo which was recorded back in 2017, back then we already had one extra song which was too new to put on the demo... I can't remember which one but it's one of the songs on the album, ever since the demo we've been working on and writing more material for an album, but it wasn't really before we got in contact with Napalm Records that we really started being more serious about 'OK we really now have to get started', even that took us a while because it's not always easy; especially if you're new to making music and you have to figure out 'how am I best creatively?'; what do I do when I feel a lack of creativity?

     So it's been a process, but I feel like the guitar and bass have gotten into a really good rhythm where we write riffs at home and then we send it to each other, trying to get a feel for it and then we try and record it into a program on the computer and then we send it to the guys, and then try and go into the rehearsal space and soon as we have a song it usually goes fast, because Rikke is very fast at writing very good lyrics and Julie is also good at finding drums when we're set. It's been... I'm excited for the next album, because I feel like we know each other better now, but regarding 'Puritan Masochism', the title would you like to talk about that Rikke?

    [Rikke] Initially it was just the title of the song, but we really really liked that and we decided that we also want to use that title as the album title and then maybe change the song title, but we couldn't just come up with another song title and so in the end we just keeping it as both. I think it's just us not being organised and taking the time to think about all these things (laughs), because you know when we were recording the album there were so many things to keep a track of and plan, suddenly you've reached your deadline and [panic]."



What do your parents think of your music?

     "[Heidi] They are very, very supportive; all of our parents and I think our parents are our biggest fans because they've been with us from the beginning. They were some of the first people to hear the first few songs, they're at our our shows. My mum and Rikke's dad have been with us on tour as drivers from the recent tour and we've had several of our parents as drivers heading to different gigs. So they're very, very supportive.

     [Rikke] As for them liking the music, my mum has been very open and was like... 'no' (laughs), but she still supports what we do so (laughs)...

     [Heidi] Actually the other day, my mum was sitting outside in the garden in the sun and she was listening to music and I just came out and thought she was listening to some of the music she likes listening to, then she took her earphones out and gave it over to me and she was listening to our album!!! So she likes it, I think she likes because she knows it's her daughter who made it because you wouldn't listen to it otherwise I think [her mum starts shaking her head]."



With that in mind do you feel that people who don't listen to metal, sometimes just don't understand it?

     "[Rikke] Absolutely, I think that a lot of people who don't usually listen to metal hear a song and they completely shut down because all they can hear is someone screaming, and that it's an uncomfortable noise, but the thing is with metal you need to invest time in listening to it and listening to it again in order to try and get into it. When you do, it just becomes great, not all the music I listen to now is from the first time I heard it, but you've just got to give it one more shot and one more shot again and suddenly you get it; that's how I feel about it. It's about giving it a chance." 

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Copenhagen, Denmark / Source: Getbybus

Would it be easier to do Death / Doom Metal in Danish or English in your opinion?

     "[Rikke] Actually we're working on a new song right now where I've incorporated some Danish...

     [Heidi] What? I didn't know that.


     [Rikke] Yeah well maybe actually get with the programme? (laughs)

     [Heidi] I've been sick and doing my exams just for the record (laughs).

     [Rikke] But yeah so everything is kind of up in the air right now, maybe we'll change it, maybe we'll keep it, but that was just a feeling I got when I wrote the riffs for this new song and I was just like 'Ok I feel like singing to this in Danish, let's try it out', but yeah I feel like it depends on the song and not necessarily the genre."



Denmark has had a long history in metal with the likes of King Diamond, Hatesphere, etc., do you feel that we're nowadays experiencing a 'New Wave of Danish Metal'?

     "[Heidi] I definitely think so, I think that there are so many bands right now doing really great both in Denmark and outside of Denmark as well; I haven't seen a time like this since I've been listening to metal. I think it's unique and I think it's very, very and really cool that we're [Konvent] able to be a part of that because there are so many other great Danish bands right now... it's insane, so many different genres as well.

     [Rikke] Yeah I agree actually, I feel like we can really see new bands want to experiment and not fit into a certain genre, I think people are sick of seeing bands just trying to sound exactly like Cannibal Corpse or Slayer or whatever, so I feel like a lot of bands right now are really trying to do their own thing and are succeeding in doing a really good job. It's a great time to be in Denmark, except for when there's a lockdown and you can't actually go to concerts."



With that in mind, are you discussing new music and merch ideas for Konvent frequently during the lockdown?

     "[Rikke] Yeah I think we're in touch almost everyday, talking about new riffs and keeping each other updated on what we're working on at home, trying to plan as much as we can; getting inspiration and seeing how much we can do from home. It's very frustrating at not being able to be at our rehearsal space.

     [Heidi] Yeah we actually just last night, Sara and I updated our riff library where we share the riffs that we have made and we just updated it with all the new riffs that we've had on our phones and it was actually quite long all of a sudden, all different riffs and was almost like an album that we have here, we just have to like put the puzzle together; that's the hard part. But yeah it's going to be fun to get to play together and try some new things out, because 2 weeks before the lock down I was at home and not in the rehearsal space because I had an exam. So I really, really are longing to get out there again because the other guys started doing a new song and I really wanted to be there as well, it's going to be good."



Have you had any instances where you've had fans reach out to you from unsuspecting places?

     "[Heidi] (laughs) yeah from all over the world, it's crazy. Especially, this is something we had happen a long time before the album, we would get contacted by several people from around the world but especially with the album we have gotten a lot of attention from North America because Napalm Records has a base out there who are really good at doing PR and getting reviews, interviews, etc., so we're getting a lot of attention from over there. But also South America, Asia, Russia, Australia, all over Europe."


For metalheads visiting Copenhagen, in your opinion what are the best sights, attractions and venues to go to?

     "[Heidi] Loppen in Christiania is a very good venue for music, they have put on a lot of metal as well, then there's Pumpehuset where we played our release show and then there's a lot of smaller venues also - places like Amager Bio, Basement, Vega... [Rikke] - you can go for the building alone, it's just so beautiful (around the 14th-15th century) and is protected by the Government, meaning it cannot be knocked down.

     [Rikke] I've seen a lot of concerts at Vega, such as Gojira, pop bands also play there, it's a venue you can go to for everything. But when it comes to the sights, I feel like that there's a lot of craft beer, bars in Copenhagen and it's like, just pick one and its going to be great (laughs)."



Could you please explain to non-Nordic people the concept of Jante law?

     "[Rikke] That's if you feel like another person is showing off, or bragging and you get a feeling inside that they shouldn't do that or that they should be humble, I think that that's what it means. Or it's a feeling that you can't yourself be ambitious or aim for the stars, it's about knowing your place and staying humble, not bragging, keeping quiet I think.

    [Heidi] Which can be good and bad in different settings, it's kind of like don't think that you are anything, don't think that you're better than me, you're not special... that's the law of Jante."


Is Jante law still very much engrained in Danish society?

     "[Both] Yeah.

      [Heidi] Of course there's always going to be people who like to tell the world how great they are, you will always have those kinds of people, but most people in Denmark I would say are pretty humble, you don't think about how much you make, you don't really speak about it if you have a lot of wealth - you keep that to yourself because you don't want to try and make the other people feel bad or inferior. So we're like the opposite of the USA, here it's like don't think you are anything.

     [Rikki] But I think it can also apply to bands as well, like some people think it's not OK to go out and say 'I want to go play on the other side of the world, I want to do this where I am living, travel the world and tour and be a professional musician and just aim for the stars, go 100% out on this idea - this could result in bands holding things back in case they're concerned about what other people might think. So they're lowering their own ambitions because they don't want people to think that they're bragging, when you look at the band Volbeat - they have made it, they're doing this for a living and are touring the world; people worldwide love their music, when you hear Danish people talk about them, sometimes it can be a bit negative and you just want to feel like, is it because of the music? Do they not like it or have you actually not heard of the music, but you just don't like the idea of them succeeding, which one is it? I think there is a bit of Jante law when we're talking about a band like Volbeat."



Your debut album "Puritan Masochism" was released on Vinyl, are you into Vinyl yourselves and are you used to it?

     "[Heidi] Yeah we're all so used to it because, I feel especially in the metal genre here in Copenhagen, vinyl is a pretty big thing if you're into this genre, I have collected vinyl since I started getting into the music business since 2013, I don't have a lot but I always used to buy the ones from the bands I was always putting on as a promoter and I used to have a vinyl club, where I would meet up with 3 of my friends; we would have some vinyls with us and discuss about music, so it's definitely not a new thing to me."


Do you have any greetings or thanks you wish to send out to friends, family, fans, etc?

     "[Rikke] Since we played in the UK about a month ago (around February), we just want to say thank you to the people who gave us a warm reception in the UK; we're so surprised that people actually showed up, yes OK we played along with a bunch of local bands, but it was packed when we got up on stage and people were just awesome. I think we just want to say thank you to everyone who showed up, we can't wait to come back and see more of the UK.

     [Heidi] Yeah we're coming back in November to play in Sheffield at the HRH Vikings Festival, somehow we ended up playing a Viking festival (laughs), but the UK was so much fun. Other than that we would like to send thanks to all of our colleagues at Napalm Records because they've done such a great job, we know they must be having a lot of work these days with the cancellations and everything so, keep up the good work."


https://www.facebook.com/konventband/
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Interview Interrogation: Numa from Two Face Sinner (Peru)

14/4/2020

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Put the date in your diaries... 24th April. Amidst the COVID-19 pandemic, Peruvian Black / Death Metal outfit Two Face Sinner unleash their third torrent of barbaric and bestial compositions through Non Serviam Records. The group has been around since 2006 and have had a few line-up changes, most recently the recruitment of bassist Set, but with each new member comes a new lease of life.

For Two Face Sinner, they feel that they are ready to smash the international metal market wide open and let the world know that the Peruvian Metal scene is alive and kicking. With their impending album, they hope to push onward and break new ground, GMA spoke to vocalist / guitarist Numa about the new album, what support they have in their national metal scene and the challenges Peruvian Metal bands tend to face.

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Guys for those who have not heard of Two Face Sinner, could you give us a brief history of the band?

     "Everything started in 2006, recording stuff that we were writing since 2004, after several rehearsal sessions we entered the studio to record and release a digital demo through MySpace at that time. After listening to 3 songs that we had posted, we received a proposal from this local producer to release our first record, after some changes in the line up, we completed 10 songs that would be included in our debut album. We had our debut show in 2008 supporting Rotting Christ and several local dates followed that, like some great supporting shows for Belphegor, Nargaroth and God Dethroned. Our debut album was released in 2010, we had an uninterrupted path since the beginning, with two more releases to our credit."


Your set to release your 3rd album "Spiritual Nemesis” at the end of the month, what did you do differently compared to your previous album?

     "I think we have reached the sound level needed to hit the worldwide market, musically it is a challenging album because we tried to be as darkest, melancholic and brutal as possible; you will notice that as soon as the first song starts playing on the CD - I feel our past album is like strong tentacles, but "Spiritual Nemesis" would be the main carcass. This album took two years to be created, we faced a lot of difficulties and we learned a lot about musical production facts, it was a very enriching experience."


Tell us more about the Peruvian Metal scene, what challenges are there, when did it start, what venues, labels, distro's, festivals, etc are there?


     "We have good bands in Peru, some of them have toured Europe over the past few years. I think the most challenging aspect is the lack of empathy in the scene, most of the bangers are divided, we are not a too big scene and all that division is not good for us. We have labels such as, Austral Holocaust, Gate Of Horror, Thrashirts and many more, two of them released our past albums. We have this metal zine called Cuero Negro, that comes from the 80’s and some big festivals like Lima Metal Fest or Metal Worldwide."


What are the challenges that Peruvian Metal bands face nowadays (excluding COVID-19)?

     "There are a lot, the main one would be that there will be no shows in Peru this year, plus some rehearsal rooms are not opening due to this social distancing thing, like all is being reduced to social media exposing, releases, sales and propaganda."

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Machu Picchu, Peru / Source: Forbes

It seems that the more extreme styles of metal are popular in Peru, what is your opinion on that?

     "Peruvian metalheads are very traditional when it comes to metal, I believe it is because of the huge influence that South America had in early worldwide extreme metal, it’s more like a collective subconscious."


For metalheads visiting Lima, what sights or attractions could you recommend (under normal conditions)?

     "I would recommend the Catacombs, Machu Picchu and Chan Chan ruins, fully historical places."


What are your plans for the rest of the year (COVID-19 dependant) and were there any plans postponed / cancelled?

     "We planned a couple of videos, we had already planned a release concert for the new album that will not be possible at least for 2020, we are already writing new music in this lockdown period, and this tear marks a decade since our debut album so we plan to do something special too, let's see what it could be."


Do you have any greetings / thanks you wish to send out to friends, family, etc?

     "We mainly have to thank Ricardo Gelok at Non Serviam Records for honouring us with this great opportunity to reach the world across his label and you, for putting your interest in the band, it means a lot to us, we appreciate it, thank you so much. Ave Sathanas."

http://www.twofacesinner.com
https://www.facebook.com/twofacesinner/
www.instagram.com/twofacesinner
www.youtube.com/numa2fs

https://www.facebook.com/nonserviamrecords
https://www.instagram.com/non_serviam_records/
https://non-serviam-records.bandcamp.com/
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Interview Interrogation: Henri Sattler from God Dethroned (The Netherlands)

13/2/2020

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No one could have imagined that 30 years ago in the small village of Bielen in The Netherlands, that a very successful Black / Death Metal band would emerge. 30 years on and God Dethroned unleash a barrage of hellish brutality with their 11th album 'Illuminati' having completed their 'War Trilogy' (Passchendaele, Under The Sign Of The Iron Cross and The World Ablaze) with such aplomb, especially with the latter album being a struggle as Henri went on to explain in our interview with GD's front-man, he divulged into the challenges of music recording, the Dutch Metal scene and customs checks they had to face, when visiting the UK...

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[The] 'Illuminati' were basically a secret society fighting for freedom, it's not so mysterious as it looks to many people."


Given God Dethroned's longevity and line-up changes, what in essence has kept the band going?

     "It's because I like to play live and of course make new albums, but for me especially nowadays the reason to make new albums is to be able to play live. Recording an album is OK but it's not the thing that I like the most, I like to go out to play at festivals and shows at the weekend, some cool tours here and there... yeah that's the main motivation and that's still there after all these years"


Having completed the 'War Trilogy' (Passchendaele, Under The Sign Of The Iron Cross and The World Ablaze), what convinced you to shift away to different lyric topic entirely?

     "Hehe well you know, back in the day I decided to write a concept album about WW1. I came to that idea because our guitarist Isaac Delahaye lives in a part of Belgium where a lot of the fighting went on; there's a museum, war cemeteries and monuments and things like that, it really intrigued me and so I decided to write 'Passchendaele'. That album was received very well by the media and fans alike, so I made the 'stupid' mistake to announce the fact that I would write a trilogy about WW1 and it all seemed to go very well. We did the second one 'Under The Sign Of The Iron Cross' and then I discovered it was a lot more difficult to write lyrics about WW1, because as you know most of the time people were just shooting from trenches to the enemy's trenches, so not much was going on.

     So by album two I covered most of the topics that I could find and then I still had to do album number three, so it was really difficult to write lyrics for 'The World Ablaze' and I was really happy that I could finish that album... but in the mean time our fans started requesting that we would go back to the dark side so-to-speak, to write lyrics about religion, occult themes, etc, so it was a no brainer to do that again and it felt like a relief, to be able to write lyrics about said topics; one topic per song instead of one topic per album, let alone three albums."



With respect to your new album 'Illuminati', could you give us the backstory behind each song title?

     "The track 'Illuminati' refers to the organisation from Germany, they were basically a secret society fighting for freedom, it's not so mysterious as it looks to many people. They were a society who wanted to read certain books that were forbidden at that time by other religious organisations at the time, they secretly fought against those religious organisations in the name of freedom in order to read those books that were forbidden, that's basically who the illuminati were. I created a story where it takes a mastermind to infiltrate and replace a new world without religion and that's the story I created around the illuminati."


What was it like working with artwork designer Michal Xaay Loranc (Nile, Evocation, etc), engineer Ortrun Poolman and Hugo Alvarstein?

     "Oh yeah pretty good, I mean Ortrun is our live sound guy so he basically did the setup for the drum recordings. Michal Loranc is the Polish guy who did our album cover, the management sent me a list of artwork designers and I liked his the best, so I contacted him and he wrote back to me saying that he is a long-time God Dethroned fan... what an honour it is to ask me to do the album cover. So he came up with this album cover right away which is really beautiful and said 'Henri, this is possibly the most beautiful artwork that I have ever did in my life' and then Hugo is the guy who did the mastering, he is also one of our live sound guys and has his own studio which is really good; the mastering turned out really great."


Focusing on the track "Eye Of Horus", did you dabble in Egyptian mythology for it?

     "Yeah I did, I read about the god or half-god Horus and basically the story is about the battle between good and evil, from which I made my own version of it. This is the song that our guitarist Mike Ferguson wrote and when I listen to the composition, it gave me this Egyptian feeling and I thought OK I'm going to write some lyrics that fit the feeling of this song that it gives me, that's how I came up with the 'Eye Of Horus'."


Out of the whole album 'Illuminati', was there any tracks that you could consider challenging and / or ambitious?

     "When it comes down to recording drums, bass and rhythm guitars, all of the songs are really doable, I mean when we record the basics, they are finished within a couple of days no problem. But usually when it comes down to trying different things with the vocals, like this album we have of course my main vocals, Jeroen's backing vocals and then we have the choirs (something I did myself together with some other people); that was challenging, along with the grunting and singing at the same time which was challenging. So you have to try different things and that it's not that you don't know how to do it, but if it's something you haven't done before on the songs and you are trying so many different things, then it takes a lot more time.

     It's the same with the keyboards, we decided to put a lot of keyboards in the music but not in the foreground, it's all in the background so to lift up the atmosphere and add more layers to the music; making the songs more interesting to listen to in the long term because you will discover more and more things in the music, again those are the challenging things because you're trying something and then you're trying something else here and there, and then decide what you're going to use, this takes a lot of time because this is something you cannot prepare beforehand."



Was the music video 'Spirit Of Beezlebub' easy to create and what is the story behind it?

     "Well we wanted to do something different instead of just a regular band video, so we looked at the lyrics and looked at the songs... lyrics that would be easy to put into a music video, so we chose three songs: 'Illuminati', 'Spirit Of Beezlebub' and 'Book Of Lies', all of these have been released with the latter in conjunction with the album release.

     What you see in the music video is a short movie which represents the lyrics of the songs and 'Illuminati' was already discussed earlier; in this case you see a priest who shows he wants to abuse children so we bring back to life a mummy who is going to kill the priest. 'Spirit of Beezlebub' is about trying to change and kill evil, but then it comes back to kill you. 'Book Of Lies' is more of a band video but features aspects of the illuminati and is more so about the bible."


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Beilen Railway Station, The Netherlands / Source: Wikipedia
Most bands form in either towns or cities, but for God Dethroned's origin is in the village of Beilen, what was it like in the beginning and what can metalheads do there?

     "Haha, there's nothing to do there at all. I guess that's why it was so worthwhile playing in a band because nothing was going on there and yeah I found my first musicians back in the day in the area. Nowadays I have to drive all across the country because everybody lives in a different corner of the country, but that's what you get when you get bigger, you get better musicians who live in different places. But for me it was a relief to play in a band back in the day because for the rest, you have just a few pubs and that's it. You just start a band and are not that good in the beginning, finding musicians who are on the same level and from there it develops and along the way you find better musicians; resulting in travelling a bit further."


Regarding the Dutch Metal scene, would you say it's strengthened and grown over the years?

     "Yeah I mean there are a lot of bands that are big, back in the day there was us, Asphyx, Sinister, Severe Torture and probably Pestilence, some of those bands sort of disappeared, are still on the same level or have gone up in the world. But in the meantime we have a new wave of bands such as Epica, of course they existed for many years but they grew slowly and steadily and now are a huge band. Another big export band so-to-speak is Within Temptation who are also huge, we have other bands like Carach Angren who play Symphonic Black Metal and are getting rather big at the moment internationally. So I guess we're doing quite well in this country and there's old bands and new bands, but luckily those new bands are getting big as well because one day they will need to fully replace the old bands. Overall I guess we have a pretty strong scene."


With regards to Brexit, are you concerned about the challenges you may face coming to the UK?

     "No I'm not, I mean OK we will be checked by customs but that's also the case now, even though the UK is still a part of the European Union (EU). Last year when we visited the UK on tour with Belphegor, we had to go through customs so it was already the case. I guess if we were to go again after Brexit, nothing's changed and I'm not worried about you guys, I'm pretty sure that the UK will manage to get new trade deals with all the other European countries again, the USA and places like that. I think you guys will be fine, of course it will feel like a new beginning but after that it will be business as usual."


Are you surprised about the global impact heavy metal has made, seeing bands emerge from far-flung countries?

     "No I'm not, you know in the past you wouldn't know if there were bands in Iran, Iraq, Indonesia or some other far away country from us. But of course there are people there who love to listen to and play metal, maybe for them in the past it wasn't a natural type of music to play... they have become modern societies, they listen to Western music and I guess as there are people who like to play metal, that's what they like now. I think it's great! Why not? You know the world has become smaller because of the internet and so I guess it makes sense."


Outside of God Dethroned do you have any other hobbies or interests?

     "Yeah I build guitars through my company Serpent King Guitars, that's what I do most of the time I don't play (The song 'Serpent King' was taken from Henri's company name). One of my friends always called me 'serpent king' instead of Henri so he would be like 'hey serpent king how are you doing', this is what he has said to me for many years, so when I founded my guitar company I thought 'OK what am I going to call it?' and then I thought 'of course, I am the serpent king so it's going to be 'Serpent King Guitars'."


Are there any guitars that you have made that you're specially proud of?

     "Basically all of them, but I have made some really special ones: one is called 'The Anubis', which is a really beautiful one... I play them all every once in a while and build a new guitar for myself, which I can show off by playing live and people see that, check out the website and give feedback and say they want to buy a guitar like that and that's how we do it."


Any finals words? Greetings you wish to send out?

     "I just want to thank the fans in the UK for following God Dethroned all these years and hope they will check out the new album and hopefully we will be able to play in the UK soon again."


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