Interview Interrogation: Iris Goessens & Steven 'Gaze' Sanders from Spoil Engine (Belgium / Netherlands)
Spoil Engine have been rampaging in the Belgian Metal scene for 15 years and yet it's only in the recent years that they caught the attention of the more well-known labels, Arising Empire (owned by Nuclear Blast) in this case.
Their unique slant on the Melodic Death Metal / Metalcore crossover has made them distinguished guests in the world of metal and yet despite their original vocalist leaving in 2014, they've maintained their brutality through Dutch vocalist Iris Goessens. Word of warning, don't let the fact being the new vocalist is a female overthrow you or undermine this new instalment of Spoil Engine, because her vocals and charisma is ferocious enough to leave you spit-roasted inside and out.
Here Iris and Steve spoke to GMA about their crushing new album 'Renaissance Noire', it's meaning and origins. How they come to meet at their rendez-vous point of Antwerp (as Iris and Matthijs both live in The Netherlands), the Dutch and Belgian Metal scenes respectively and why the single 'Riot' has arguably come at the right time for the band...
"I think music is a beautiful way to make people aware of important topics."
You must be stoked to release your fifth album 'Renaissance Noire', could you tell us about the meaning behind the album title and give us an overview of the album topics?
"Yes we are! We’re very proud of what the album has become. The title translates as “Dark Rebirth”. After our last “Stormsleeper” shows Bart had to make the decision to leave the band (work & family were too difficult to combine with SE). We decided that we would move on as a 4 piece band and started writing. This whole process was a “rebirth” for the band. Also we felt inspired by the “Renaissance” age, which you can see in the artwork. We think this album is darker than the previous one so that’s why we added the “Noire” in the title. The song topics are very diverse but they are all about evolving (as humans and/or as a society) so it basically became the overall topic though the album."
Iris, having come from Maastricht would it be OK to assume you moved to Belgium instead of travelling to and from The Netherlands?
"No. I still live in The Netherlands. Our drummer Matt is also from The Netherlands. For rehearsals we meet in the city of Antwerp which is in the middle of where all the band members live. Before we do this we arrange as much as possible online & everyone rehearses and writes songs at their home studio’s."
Steven do you feel the Belgian Metal scene is often overlooked by the music industry as a whole? Iris the same for the Dutch Metal scene?
"I think there are many Dutch bands and musicians who made it big in the international metal scene. So I don’t think we’re overlooked… It just takes lots of time to build a brand."
"Well, I guess the scene wouldn't be overlooked if we had bands who really get all the promotion. We have some great Belgian bands (Aborted, AmenRa, Evil Invaders, Carnation,...) but these boys must work very hard to get something done in the global scene. If you compare with our Dutch friends (Epica, Within Temptation,..) they get much more support and credit from the bottom-up, meaning from their own country and their promo channels like BUMA. Dutch bands tend to help each other more where Belgian bands are more lone warriors. But it's good to see the Belgian scene is rising!"
Do you feel your single 'R!ot' has come at the right time when climate change protests, social unrest across the European Union and hatred towards the Trump administration is rife? Is the single a political statement?
"Yes, it just came together like that. We wrote this song at the beginning of 2019. I think music is a beautiful way to make people aware of important topics."
With that in mind, do you feel metal music offers itself as a way of venting fury, anger and discontent in a constructive way?
"For sure. Metal has a great energy to spread messages. I think most metal fans are conscious people who think for themselves. So it’s nice to spread messages through our music for a better world. "
For metalheads visiting Maastricht, what sights / attractions could you recommend? Any good bars, clubs?
"We got some nice pubs here in Maastricht. Most of them are overflowed with students though. Same for the “clubs”. I’d rather recommend Maastricht for day visiting than overnight partying. We have many nice restaurants and a beautiful city centre."
What plans have you got for the rest of 2019 (along side the album launch) and into 2020? Do you have any greetings or thank you's that you wish to send out to friends, fans, etc?
"We’ve launched the album and we’re ready to hit the road! Thanks for the interview. And to all the fans who read this: We hope to CU soon on tour!"
In a series of posts, GMA will be speaking to bands worldwide about film soundtracks they feel that could have been written using metal music. Up first is Gothic Metallers Winter Storm who hail from the West Midlands, England.
1. Silence of the Lambs - https://www.youtube.com/watch?v=W6Mm8Sbe__o
"I don't think this soundtrack gets the credit it deserves. It's some of Howard Shore's best work by far; it's not all about Lord Of The Rings. I would love to have his insight when putting together a piece of music to set the tone for a scene / movie."
2. A Clockwork Orange - https://www.youtube.com/watch?v=vN-1Mup0UI0
"I adore this soundtrack and the approach Walter (now Wendy) Carlos brought to it. I'm a huge fan of neo-classical music, so to have a soundtrack that so heavily relies on reworked Purcell and Beethoven pieces is fine by me! To bookend a film of that nature with Queen Mary's funeral march and then Singing in the Rain is a touch of genius."
3. The Lion King - https://www.youtube.com/watch?v=hY7xBISLBIA
"I'll be 34 in February, but listening to this soundtrack takes me back to being a fascinated 8-year old kid watching the film at a local cinema for the first time. It is, in my opinion, quite possibly the best soundtrack ever written."
4. The Never-ending Story - https://www.youtube.com/watch?v=UeFni9dOv7c
"Who doesn't love a classic cheesy, 80s film? This is another film that fascinated me when I was a kid and that was largely down to the soundtrack. It's the first time I remembered paying specific attention to character themes/leitmotifs, and how certain instruments used in certain ways can evoke particular emotions: the joy of riding Valkor, the sadness of losing Artax, the fear being stalked by Gmork..."
5. Saturday Night Fever - https://www.youtube.com/watch?v=tyJDYTG5leQ
"The Bee Gees are literally some of the best songwriters of all time. Sadly, they're mostly lost on my generation, but some of the material they wrote - especially before their disco phase - is incredible. It's not surprising to me that they went on to write, what was then, the most successful soundtrack of all time."
Winter Storm have also released the first single 'Astral World' today, here is a link to the video.
One of the UK's finest melodic metal bands, Winter Storm, are back after a short break with their third full length album. Their latest offering, 'Relapse in Time', follows on from the story that began with their second album, a concept album, 'Within The Frozen Design'. The story begins with the protagonist believing he is designing his own universe, but, as events unfold, it turns out it was all a coincidence and he spirals into madness. The story continues in "Relapse in Time', where the protagonist awakens with no idea of where he is, in a strange land of deserted plains, and a Mars-like terrain.
After forming in 2008 Winter Storm have moulded and changed their sound to make their own unique form of Melodic Metal, which is displayed in the new album. They wished to fuse metal (including 7 string guitars) with melodic keyboards and vocals. Winter Storm have been seen supporting the likes of Delain and Leaves' Eyes as well as performing at Bloodstock Open Air, Hammerfest, HRH Metal and Wizzfest Belgium.
Quote from Hannah, the vocalist of Winter Storm:
“I am very pleased to announce Winter Storm will be bringing out our long anticipated third album Relapse In Time on the 11th October. First of all I would like to thank all of our friends and fans for waiting so long to hear this album. With this record we are planning to bring a new sound forward; fusing our melodic metal sound with a symphonic and more technical edge.”
‘Relapse In Time’ will be released at The Slade Rooms in Wolverhampton on Friday 11th October and will be available on all digital platforms.
Winter Storm on the run up to the release of ‘Relapse In Time’ will be releasing a teaser trailer every Friday until the release date, you can check out the first teaser here: https://youtu.be/XbM4f3iGhSM
Whenever you think of Canada, the usual stereotypes come into being. Maple syrup, South Park (Blame Canada), the vast forests and of course ice hockey. But among all of that is a metal scene that has been chugging along nicely, just like their railways, their metal scene is vast, widespread and as solid as the rails their trains travel on. One band who over the years has grown and improved themselves to become one of Canada's most exciting exports in the past decade is Unleash The Archers. This Heavy Power / Melodic Death Metal leviathan is roaring and ready to unleash their latest EP 'Explorers'. Vocalist Brittney Slayes filled in the details of the new EP, their journey to where the band is now, their home city of Vancouver and what films she would have loved to written metal soundtracks for.
"Don’t you feel like in these new [Star Wars] films there should have been heavier riffs? Imagine if Kylo’s theme had been metal!"
Ten years have passed since your first album 'Behold The Devastation' saw daylight, the band has come a long way since then, what is it would you say has driven the band to where they are now?
"To be honest, there was never some grand scheme for greatness, never a plan or even a purposeful direction, we just keep writing new music and getting out on the road to tour it. We have always taken it day by day, album by album, just seizing the opportunities when they come and working as hard as we can to create something new and exciting each time we hit the studio. Music is our passion, we will continue to play as long as we can and if a little success comes along with it then that’s great, but it’s not why we do it. We just want to play our songs live in front of an audience that enjoys them as much as we do."
Canada seems to keep producing exciting and fresh bands, is it safe to assume the Canadian Metal scene is buzzing right now?
"Absolutely! The advent of digital music has allowed a lot more bands to get their music out there in front of a lot more people, whereas in the past it would have been up to the labels to pick and choose which bands get recognition and which don’t. I think Canada has always been full of killer musicians, it’s just hard to be noticed when you have huge markets like the USA and Europe constantly getting all the attention. You do have to go the extra mile in order to get your name out there, you have to tour those major markets as much as you can and look for coverage wherever you can get it, and I think a lot more bands are doing that nowadays. You have to be willing to put the time and energy in, no one is going to do it for you, and there are a lot of young bands up here that are finally understanding that."
If you had the choice of writing metal soundtracks for 5 films, what 5 films would you choose?
"When I was watching 'Aquaman' I felt like the soundtrack was so wrong, it should have been way heavier, it should have been metal, so I suppose that would be my first choice. I think Annihilation and the new Predator movie should have had metal soundtracks too. Of course, Star Wars has some of the best song writing of all time, but don’t you feel like in these new films there should have been heavier riffs? Imagine if Kylo’s theme had been metal! So perfect. Lastly, I would love to do the soundtrack for the Alien franchise, I think the last two films were so fantastically dark and would pair well with some progressive or even djent-y riffage. Could you imagine that in theatres? Just awesome."
What have you done differently for 'Explorers' in comparison with 'Apex'?
"The biggest difference is that ‘Explorers’ is just a two-song covers EP, not a full length, so we didn’t do any original writing, just some rearranging. ‘Apex’ is full of imagination, but ‘Explorers’ is full of heart. We are heading into the studio pretty soon here to do another full length, a sequel to ‘Apex’, so we will be returning to the same writing and recording style for that one. This EP was just a little something to keep the fans engaged while we write the next album."
You've covered Stan Rogers's 'Northwest Passage' for the EP and said it (quote) 'brings us right back home', do you feel it's important for bands to turn to musicians who epitomize a cultural identity in context with Stan travelling nationwide through the Rockies, forests, etc?
"We are all really big fans of Stan, and not just because he toured the same highways that we do, but because he has such a strong sense of Canadian identity inherently surrounding him. All of his songs invoke a reverence for our Canadian heritage that make you almost want to explode with pride for the beauty of it. He reminds you of where you’ve come from, and inspires you to use that as fuel for the fire. We knew that there were going to be tons of people that had never heard of Stan before, but we didn’t care, we wanted the metal community to hear the song and love it just as much as we do, all the naysayers be damned ;)"
Speaking of which, for metalheads visiting the city of Vancouver, what sights / attractions could you recommend? Any festivals, bars, also?
"Number one on the list should definitely be to stroll the seawall through Stanley Park, from Coal Harbour all the way to English Bay and beyond if you can make it, maybe rent a bike because it pretty much surrounds the whole of down-town Vancouver and keeps on going! Granville Island is cool too, but save that for a weekday because weekends it’s PACKED. The Vancouver Art Gallery is worth it if there is an interesting exhibit going on, and there is tons of shopping around there as well so it’s easy to make a day of it. The Musuem of Anthroplogy out at UBC is worth checking out, as is the grounds of the university in general. Oh and you definitely want to check out the Capilano Suspension bridge! Super rad, unless you’re afraid of heights and a wobbly bridge packed with people ;).
As for festivals, we have Hyperspace each spring which is all power and melodic bands, and then we have the Modified Ghost festival in the summer that is all super heavy death and technical bands. As for bars, you definitely want to hit up the Moose! Cheap, tasty food and heavy metal music all day long!"
Aside from the EP, what are your plans for the rest of the year?
"We have begun the writing process for the next album and will be hitting the studio at the end of the year. We are hoping for a late spring 2020 release, and after that it will be tour, tour, tour! Plus, as many festivals as we can get our hands on."
Do you have any greetings, thank you's, etc you wish to send out?
"Just wanted to say thanks to our fans for their amazing response to the ‘Explorers’ EP so far! We can’t wait to share the second track with everyone on October 11th! Keep an eye on YouTube ‘cause we’ll be releasing another cool video for that track as well J If you haven’t checked it out yet, the video for ‘Northwest Passage’ is up on YouTube right now, and make sure to bring your thinking cap because it’s a wild ride ;)
Thanks for your time everyone!"
Having won Metal 2 The Masses - South Wales this year and slaughtered their set at Bloodstock, GMA felt it was time to grill the quintet known as Democratus. Stepping up to the plate was frontman Steve 'Moomin' Jenkins who divulged into the rapid resurgence of the South Wales Metal scene, what it's like being at Bloodstock, how important it is to support unsigned bands and the love for the Metal 2 The Masses initiative.
"Metal is like football, it's a universal language; there's always someone you can go up to in any country and go 'Judas Priest?'.... 'YES!!!', 'Iron Maiden?'... 'YES!!' and that's beautiful"
Steve what was Democratus's set like having played Bloodstock?
"It couldn't have gone much better to be fair, we kicked in and it just all sort of clicked together. We had plenty of people watching us, I do think the rain made a better promoter out of it because it had just more people in it that were trying to get out of the rain, but then I think once we got them into the tent they were like 'ooh I like this' and yeah it just went absolutely off the wall. We had pits, we had walls of death... when I said 'jump' they said 'how high?'; I love that because I love my crowd participation - I've always preferred putting on a show, I can't be one of those people who just plays staring at their feet throughout a set, so I like it when we get the crowd involved."
And what does the band name Democratus mean? When did you first get into metal music?
"I go by 'Democritus' and the reason for that being early incarnations of us thought right we need a band name and I suggested we need a couple of names to say what we're on about and they were like 'eeh not fussed' and I turned round and said that we all need to decide on something, we're in a democracy not a dictatorship. Our guitarist at the time turned round and said 'what about Democratus'? We all looked at him and went 'wooooh', so it stuck and given the nature of some of my political lyrics and stuff like that, it kind of ties in. I did a search to check there were not other bands with that name and it turns out it was a Greek philosopher; he was the foundation as it were of how democracy was set up.
I was a bit of a latecomer to it, I had friends who would try to play Korn to me when I was 13, 14, and at that point I didn't quite get it. I started to get into Hard Rock and then tiptoed into metal when I was around 18, 19 - I found Killswitch Engage and Slipknot and so it went all downhill from there. It's a kind of ongoing process because the people who say metal is dead, there is always new stuff to discover - you're just not looking hard enough if you think it's gone stale because it has not."
Do you feel at times that politics and music should not mix?
"Not at all, for starters you wouldn't have bands like System Of A Down or Rage Against The Machine, to be honest metal, rock, blues, it was all born out of the frustration of being angry at the man in question. If it's all about your art and when personal leanings come into it, then everything is open - if people don't want to listen to political lyrics, that's where free speech comes in, in that the choice of listening to something political or not comes into play. But the message is there, if people like it and want to hear it, if people want to respect or disagree with it, then I'm open to debate and it's a case of I do what I do.... A. because I enjoy it and B. because for me personally I prefer having lyrics that have some kind of meaning. I can't write throwaway nonsense, it's not me."
What sort of metal style does Democratus play?
"When I started us out I had the definition of wanting to go into Melodic Death Metal, that's where my favourite bands lie, the likes of Soilwork, Insomnium, In Flames (well early In Flames, they're not a Melodeath band anymore), but's that where my love lies and so that's where I kind of wanted to stick us. Since then with the line-up we've got, the music we've written since the first EP has branched out and is not strictly Melodeath, it's still heavy and brutal and still has it's melodies, but it opens us up to more options on where we want to go with writing music and more potential offers from promoters wanting to work with us and I'm happy with that. "
Tell us about the Welsh Metal scene, what's it like?
"What do you want to know my friend? At the moment it's good and buzzing, Sodomized Cadaver, Cranial Separation and us are at Bloodstock this weekend alone; Cranial finished as runners up to us at the Metal 2 The Masses final, straight-up Brutal Death Metal. As far as it goes there is a bit of everything for everyone, over the last couple of years (3-4) it's felt like a proper community; it wasn't always like that, there was a lot of bitching, a lot of sniping and that's just the way scenes fall apart basically.
With the closure of venues and things like that, it made a lot of bands realize that actually we're probably better off getting along with each other, support each other in order to get ourselves ahead of the game. The whole Metal 2 The Masses thing, I'll give a shout out to my boys in Incursion, Blind Divide and Cranial Separation who absolutely walloped us in terms of how they played, they pulled out sets of their lives."
Do you feel Bloodstock are leaders in supporting the underground by giving bands opportunities to play to vast numbers?
"Absolutely! I can't thank Simon Hall, Rob Bannister, all the crew here enough for helping us, even today and through helping us plug ourselves in terms of getting media sorted and things like that. There is no other festival that I can think of in the UK that gives unsigned bands and self-signed bands that platform, and it absolutely sets Bloodstock apart. What intrigued me the first time I came here in 2008, was the potential of seeing one of my local friends The Dirty Youth; I used to go to school with their bassist and I've seen bands like that who small at that time but have grown. It's always something that's intrigued me at Bloodstock, and they've got the Metal 2 The Masses stuff going.
I've entered it with previous bands for years and I've always tried to see the positive in terms of yeah we haven't got through until this year, but I've always networked and made friends, got new likes out of it; it's always the additions that some bands may struggle in taking the advantage of, I'm fortunate in the fact of I've pestered enough people and kind of think I know what I'm doing to make the most of opportunities I get. I hear of bands who win Metal 2 The Masses and think that things will come their way, no way, this is just the start of it and I just hope now that the opportunities keep coming.
Do you believe Bloodstock brings people together regardless of culture, politics and social differences?
"Absolutely, you only need to look at the list of bands who are playing this year, you've got Demonic Resurrection from India, Lovebites from Japan, bands from all over the place. Metal is like football, it's a universal language there's always someone you can go up to in any country and go 'Judas Priest?'.... 'YES!!!', 'Iron Maiden?'... 'YES!!' and that's beautiful, I love it, this festival in particular as well just has the good sense of community. Like I said I've been coming here since 2008, and there were friends who I've made in 2008 that I still see and came out to see us yesterday, that's humbling for me as a band but also it's really nice to know that the place that I know I can guarantee you'll make friends ever year."
Could you ever see a metal band sing in Welsh about Welsh mythology?
"I believe one of my friends from Agrona is already working on a project that does exactly that, I can't remember the name of them because it's a really complicated Welsh pronunciation, but yeah there is something actually in the works so again it's reason to keep an eye on the Welsh scene. (Most people trip over Llanfair PG in it's full name right?) I was born in Southampton, but moved to Wales when I was 2, I'm actually OK with Welsh pronunciations, so you're referring to 'Llanfairpwllgwyngyllgogerychwyrndrobwllllantysiliogogogoch' (just rolls off the tongue), it's lovely when drunk haha (I can imagine!!) - don't ask me to say what it means, that I can never remember.
Welsh is a great culture, I'm proud to be in Wales but I don't do the nationalism type of stuff unless it's in sports, but at the same time there's always cultures and heritage that's always interesting to look at."
Are there any hello's, greetings, etc you wish to send out?
"Massive thank you to everyone who has bought Democratus t-shirts over the months and years, everyone who has supported us to get through to the final. Massive shout out to Rachael Harrison for doing our media / PR stuff, also the usual Bloodstock crew; loved you for years and being behind the scenes has given me more respect for what you guys have done. To my friends who have turned up to watch us play, thank you, and for the rest, they know who they are :)."
Chile on the western side of South America has always had a vibrant metal scene with some notable musicians and bands making their names known far and wide, with bands like Mar de Grises and Criminal ending up with record deals with European labels in Season of Mist and Metal Blade, it's no surprise that the Chilean Metal scene goes on with bolder and greater ambitions. Leading the next wave is Weight Of Emptiness, a Doom / Melodic Death Metal outfit who released their debut album "Anfractuous Moments For Redemption" last year physically by themselves and digitally through the British label Sepulchral Silence. It was then later reissued through the Mexican label Sun Empire Productions. Thus showing their never-ending attempts to explore markets outside Chile.
Drummer Mauricio Basso (also plays in the Melodic Death Metal band Letargo) agreed to talk to GMA about the band's history, their complex sound, touring Mexico and life as a Chilean Metalhead.
"The main obstacle is that there is not much formality and guarantees for musicians in Latin America"
For those who do not know of Weight Of Emptiness, could you please give us a brief history of the band?
"Three individuals from Buin (a town near the capital of Chile) plus two friends and musicians from Santiago gave shape to Weight Of Emptiness, all of the members came with experience from being in other bands, we came together to give shape to this new experience."
You've only been going two years and yet released an EP and an album, surely that's a dream start?
"It has been a lot of work and focus, besides that it is not our only activity, but there is always strength for what we want to achieve and everything so far has gone well. It has been a lot of work these last couple of years."
Your debut album "Anfractuous Moments For Redemption" was released last year, what was the reception like?
"It has been quite good from the public and the media in general, we are very grateful for that too. We have played many shows to promote it and the reception has been incredible, even with many interesting proposals going around."
You toured Mexico last year, how hard is it to tour Chile let alone organize a Mexican tour? What difficulties can you face?
"Well, the main obstacle is that there is not much formality and guarantees for musicians in Latin America in terms of contracts and that kind of thing. Everything is based enough on trust and goodwill, especially if you're not very well known, but with great effort they put on a lot of shows and quite a few producers were interested in the band.
In Mexico, there were also previous contacts with friends from a radio program there. It was an incredible experience, lucratively speaking it was not something important, but the experience was magnificent, the people were wonderful and there were very good vibes."
What would you say Weight Of Emptiness brings to the table that other bands have not? What makes you different?
"In truth I think that influences that are not very common together in the same band can be something that distinguishes us, and the other thing is that we care enough about the sound and the effect it has on the perception of the listener."
How did you get into metal music in the first place? Are any of your family members musicians?
"Well since I was little there was a lot of music in the house where I lived, the radio was always on in the morning where there were also radio theatre programs. My uncle's had enough vinyl's and cassettes with plenty of bands from the 70's and 80's era's, and that was what I was trained with. My dad is a drummer too and that's where the drummer comes from as an instrument of worship."
For those visiting Santiago, what sights / attractions would you recommend to metalheads?
"There are quite a few shows of national Metal bands playing. Locals like the Oxido Bar are frequented almost every day of the week. I recommend Pablo Neruda's house, that has a very special vibe and is full of beautiful objects. There are also interesting museums and parks, the restaurant El Hoyo and especially outside Santiago there are interesting landscapes."
With 2018 closing up what plans do you have for the rest of the year?
"A lot of work. Another album is waiting, a new process is coming full of interesting things, new people on this trip, presentations outside of Chile, video's, we hope to surprise you with this new stage of Weight Of Emptiness"
Are there any greetings you wish to send out?
"A special greeting to all those people who take the risk of looking for new sounds and forms of expression and take them to extreme metal. Also to all the people who read your media I propose to know our band and join us on this trip. Cheers"
Beneath the upper echelons of the likes of Slayer, Metallica, Slipknot, Lamb of God, etc., (there are far too many big-name American Metal bands to mention) is a vast swathe of talent that stretches across the American Plains and has greater velocity than a F5 tornado. One band who is set to shake the establishment is Begat The Nephilim, whose infectious blend of Black Metal and Melodic Death Metal is enough to keep anyone orgasmic. Having dropped their debut album "Begat the Nephilim I: The Surreptitious Prophecy / Mother of the Blasphemy" last month and set to go on an East Coast tour, it was only right for GMA to interrogate this quintet.
For those who have not heard of Begat The Nephilim, could you please give us a history of the band?
"I (Cameron Dupere - Guitar) began writing music in late 2011 / early 2012 with intentions of getting a band going after several failed attempts. Later in the Summer of 2012 I came into contact with our soon to be drummer, Josh Richardson and we began jamming regularly. Within a month or so Josh introduced me to Tyler Smith who then became our vocalist and we began playing shows in the fall of that same year. After years of playing shows and several self funded tours, line-up changes (primarily rhythm guitar and to a lesser degree, bass) and a few unsatisfactory recording attempts we are ready to release our first album and play anywhere we possibly can."
What do your families think of your music, and when did you get your first taste in metal music?
"Our families have varying interests in our musical pursuits. They are all supportive in the sense that they don't discourage what we are doing and understand that it is what makes us feel happy and alive and that alone makes it worth it. I believe I must have been 11 or 12 when I received a burned CD with a Slipknot song on it and it blew me away, I couldn't have been less ready for the radical tones of metal since no one in my family had any interest in that style it made it much more appealing to my young prepubescent self."
What enticed you to mix Black and Melodic Death Metal together? How would you define your sound?
"The intention was to simply create a band that had elements of everything I enjoy about metal music. I refer to it as simply "Extreme Metal" since it combines elements of the most extreme genres i.e. Death, Black, Melodic Death, Slam, Deathcore etc."
How does it feel to be soon releasing your debut album "Begat the Nephilim I: The Surreptitious Prophecy / Mother of the Blasphemy", will there be a album launch party?
"It feels nothing short of amazing to finally be unleashing 'The Surreptitious Prophecy' upon the world. It took many long years and even more sacrifices to make this album happen but we never deviated from what we wanted to do and never compromised and I couldn't be more proud of that. We are hosting several album release shows through the North Eastern US and touring the east coast in support of the record in July."
Will you be looking to do an international tour in support of the album?
"We would love to tour internationally. I'm not in a position to say what is in store for us just yet but it is our intention to tour anywhere we possibly can after the album is released."
What challenges as an American band do you face when touring across the country?
"The main problem I personally face on tour is getting adequate rest and nourishment. Other challenges include ensuring we get from point A to point B in a timely manner and keeping morale high because nothing makes a tour drag more than shitty ego / attitudes."
What is the metal scene like in New Hampshire (NH)? What venues, bars, etc are there? What sights / attractions could you recommend to metalheads to go and see?
"There are a few bars and clubs in NH worth checking out such as Bungalow, Jewel, etc., NH was very dead for a while but it finally seems metal is returning to granite state and that is very exciting to see. The thing I would recommend most to anyone visiting NH would be to check out a local hiking trail or to visit the sea-coast, the outdoors and wildlife in NH is by far my favourite part."
What plans do you have for the year ahead?
"We had our album release shows in June and are touring the East Coast in July and after that we are working on plans for the fall that are still up in the air. Our intention as previously stated is to hit the road hard as much as we can and use any downtime to begin work on Begat II"
Whenever attention is directed towards the Americas, we usually as metalheads think of USA, Canada and to an extent Brazil. But it's the countries in between the northern and southern ends of the vast continent that we tend to forget about. Bordering the USA, Mexico has a vibrant metal history with a plethora of bands coming and going, with perhaps Brujeria being the most internationally-recognised bands to emerge. But like all scenes, the hive of activity resides on the streets i.e. the underground. One such band Doxa MX (originally called Doxa) knows all about this and as they prepare to release their latest album in 4 years, GMA spoke to Manuel Rojas (Vocals / Lead Guitars) to understand what makes this scene tick, what the bands plans are, challenges within the scene and a taster of what torta ahogadas is like.
"It (C3 stage) is in a street filled with bars and restaurants to which you can go before and after seeing some great international bands."
For those who have not heard of Doxa MX, could you give us a brief history of the band? Were you in bands previously?
"The band started in 2012 with my friend Erick (Doxa's bass player until this day) and I, one day in college we decided to form a metal band, I had been playing guitar and working on my harsh vocals for a few years up to that point and he was already a very talented multi-instrumentalist. After that we recruited the rest of the group and after a couple of line-up changes, we had a stable formation. We started playing regularly in the local circuit and managed to record and digitally self-release our debut album in 2014.
In early 2015, we had to put the project on a forced hiatus due to various personal problems that needed attention at the time, until late 2017 when we reformed with a new line-up (with Erick and I as the original members), an updated name and logo (in order to avoid confusion with other bands with very similar names), as well as an updated cover for our first album. Currently we are getting ready for our second LP and playing a few warm-up shows before returning to the live setting with full force."
You play a blend of Heavy and Melodic Death Metal, who or what gave you the inspirations to play such music?
"Honestly, that tag doesn't apply 100% to us, but it is the closest I could think of regarding our sound, as well as "Experimental Death Metal". We chose it because, well, we had to have one tag associated with our music and we play Death Metal-based music, while our biggest influences are Heavy Metal giants like Iron Maiden or Judas Priest, although we like to seek and gather influences from everywhere inside and outside the metal realm. We basically do what we like, without worrying about sounding a certain way in order to fit a certain mold, to me that is just limiting your creativity, and I don't want to do that, besides, it would become boring for us after a short while to play straightforward death metal, thrash, or whatever style all the time."
It has been 4 years since your debut album 'Aniquilación', will you be releasing a new one very soon?
"Yes! We are almost done with the composition process (I would say around 90% done) and hope to record it and release it sometime in late 2018 or early 2019. It's about time!"
You sing in Spanish, would you consider singing in English to expand out into the wider metal scene?
"It is something we are not completely against, but I as the lyricist, decided to write the lyrics in Spanish because it seems like a more honest approach, as well as a more distinctive one. Basically I asked myself "Where is this band from?", "What language is spoken here?" however, we are all bilingual to different degrees and don't rule out making entire albums in English in the future, it depends on what feels right at the moment."
What is it like being a Mexican Metal band? What challenges do you guys face these days?
"Basically there are two kinds of challenges: economic challenges and scene-related challenges. Regarding the economy, Mexico is one of the countries with less average vacation days a year and more average hours worked per week, so there are lots of times it becomes really hard to find the time to focus properly on a project like this, due to the fact that we all have jobs and bills to pay, and we are young and... well, everyone knows that it is really hard for our generation to come by these days all around the world and here is a bit more rough, I think. Also the costs are an issue, it takes a really high percentage of one's pay if you wish to book a studio, buy a new amplifier or get a new microphone here, basically because salaries are way lower that those in the U.S. or Europe, among other places; and the cost of them is even higher than in those countries, so it is a considerably bigger sacrifice.
Scene wise, I have read comments stating that it is very similar in most places, in the sense that here there are very few venues for local metal bands and many of those require you to sell a lot of overpriced tickets and / or bring your own amps, microphones, P.A. and everything, and even those who don't do such things usually never pay, not even with a few beers. It is easy to say "well, just don't accept it" but without that we simply wouldn't play a lot. Also, one huge problem is that most big opportunities (I would say around 95% of them) of opening to big bands, playing big festivals and so on, are only either for a couple of bands who are family members and friends of people organizing the gigs, people who can give favours to the promoters or simply pay-to-play scenarios."
For metalheads visiting Guadalajara, what sights / attractions would you recommend seeing? Are there any customs that tourists should be aware of (so not to cause offence)?
"I would recommend to them to eat some Torta Ahogadas (a delicious meal only available in this state [Jalisco]), some good tacos and basically spend all day eating, because Mexican cuisine is one of our biggest prides and is recognised as one of the best in the world. You can also check ahead which gigs are going to be happening in the city those days, there's a venue, the C3 stage, that every month has really good metal shows and it is in a street filled with bars and restaurants to which you can go before and after seeing some great international bands.
Tourists should take the precautions of planning their activities well, because it is very easy to get lost due to the fact that our traffic signals are very bad and, in many places, non-existent, so, if you bring your car, try to stay on the highways most of the time to avoid getting terribly lost. Also, avoid the yellow cabs, they are not reliable nor safe at all, just take Uber everywhere, it is cheaper anyway."
What plans do you have for the year ahead?
"We are currently working on our second album, which is our main focus for these year. We'll also play a few shows here and there."
Are there any greetings or thank you's you wish to send out?
"To all the people reading this, please keep on supporting Global Metal Apocalypse."
The Caribbean, along with Africa and Oceania, is one area where metal music is arguably still in it's infancy in terms of presenting itself globally; it's presence is on the rise with Trinidad & Tobago's Lynchpin having performed at Wacken Open Air, a documentary about the Puerto Rican Metal scene being released and Wacken Open Air: Caribbean Metal Battle which determined what metal band from The Caribbean was going on to play Wacken.
But our attention turns to a fledgling scene, one that is being spearheaded by Avante Guarden. Global Metal Apocalypse spoke to Vallon about the magical journey this band has had.
"I hope that more bands come forward to make the world aware that we exist here"
How did Avante Guarden get started and what challenges (if any) have you had to overcome?
"Lisa Bullard (Jayne Doh) and I (Vallon Thompson) were introduced through a mutual friend from the local music scene. She was writing songs without music and I was writing them without a singer... so we were the solution to both our problems! The biggest challenge we faced at the time was finding like minded (or at the very least interested) musicians from a scene that was mostly Bahamian Calypso, Reggae and Gospel performers."
As you're from The Bahamas, could you tell us more about the music scene over there in general? Are there any rock / metal bands out there, what is the likelihood of a scene emerging?
"As mentioned, the live scene is mainly Bahamian Calypso (known as Rake and Scrape), Reggae, Gospel and some Jazz. There is a rock scene over here that seems to be slowly growing but with limited venues. Lately I've seen new bands emerging like "Foreign Sounds" "The Core" and "We The Few," I'm loving the fact that these guys are keeping the music alive!"
You participated in the Global Battle of the Bands competition, what was this like for you? Tell us your experience, was there any other Caribbean bands participating?
"The year we participated in GBOB we were the only Caribbean band present so we felt the pressure! It was a great experience, we all had such an awesome time and were exposed to international bands (some of which I am still in contact with) and the wonderful culture of Thailand. We travelled halfway around the world... what can I say, it was AWESOME!!!"
Geographically speaking, The Bahamas is in direct line of hurricanes - has Hurricane Irma had an impact? If so what can you tell us? if not, what were the preparations?
"Irma effected the southern islands of The Bahamas, central and northern didn't really get that horrible weather. There was serious flooding and winds that destroyed a great deal of homes and property but Bahamians are no strangers to hurricanes and so we know how to prepare for storms. Also there were evacuations planned, and many relief efforts made after Irma had passed."
As a band have you performed outside of The Bahamas? If so where.
"Its just been Thailand actually, shortly after GBOB unfortunately the band started to drift apart"
Last year Lynchpin (Trinidad & Tobago) played at Wacken Open Air. Regarding The Caribbean as a whole, could you see metal scenes emerging from the likes of St. Lucia, St. Vincent & The Grenadies, Antigua & Barbuda., etc?
"Lynchpin? Really, wow that's great! Honestly I wasn't aware of that and didn't know that a metal scene even existed in those more "conservative" countries. As a scene metal has always kinda been underground, a silent scream waiting to happen and so I hope that more bands come forward to make the world aware that we exist here :) !"
How did you as musicians become interested in music? Who influences you?
"My influences were in my family actually: I had an aunt (who passed away when I was like 16) she was a soprano in the national choir and a theatre actress. Also my grandfather played guitar as a hobby so I grew up around lots of music from them. I headed in the rock direction after listening to a special about Queen on VH1, then Black Sabbath and it was all down hill from there lol!"
Finally do you have any plans for the year ahead? Are there any greetings you wish to send out?
"I'm always working on music but since AG split up I been trying to put a proper band back together (AG technically still exists but as a cover band with only myself and Treco Johnson - the bassist - still around) so I'd like to get back into doing hard rock and metal so I'm searching for another singer... or maybe I'll just screeeeam it out myself lol. Hopefully I'll have some good news for you about that soon :)! Cheers, Keep it Rocking!!!"
Essex is known for many things, some of them and some bad. It's metal scene is one of the good things and then there's TOWIE (The Only Way Is Essex) which is the worst thing to happen since My Chemical Romance being classed as a metal band.
But focusing on the metal scene, it's had the likes of Tides of Virtue, Forged In Black, Sanctorum, Dismanibus, etc grace the fertile soil from Southend and Colchester respectively. However when one speaks of Basildon, one thinks of Depeche Mode, chavs, Basildon Bond paper, Denise Van Outen., etc, and now there is Raze The Void.
GMA caught up with the Essex mob to find out how they fared with Bloodstock, the Essex Metal scene, debut EP and plans ahead.
"the title itself 'Obsolescence' covers what the current state of the world really is; the system is obsolete"
Raze The Void has only been going a year, were you all in previous bands prior? How did Raze The Void come to be?
"We have all been playing together for around with each other for 15 years nearly and just managed to get together and start a band from that after realising we all wanted to start playing and touring and seeing the world. RTV literally came from out of a dustbin a few years before we started playing the scene."
The Essex Metal scene seems to be a little quiet at the moment, could you tell us the current state of the scene?
"From Essex, apart from it being quiet, to really. There are some amazing acts in and around Essex, but you just have to sift through the venues and have a look out there and see for yourself."
Having played Bloodstock, what was your experience like? How did you end up winning a slot? What advice could you give Metal 2 The Masses bands next year who are vying for a slot?
"Bloodstock and everyone who we met from it and regarding it were amazing, very supportive and the feedback from everyone and all the reviews have been awesome and extremely positive.
For anyone out there who is going to go into it; be serious but have fun. If you believe what you do it the best thing you do, you have fun doing it and you all have fun playing with each then do it, go for it, be the best band you can band!
If you doubt anything you say or do or if you're not professional enough or not having enough fun, the crowd will sniff you and not like what they are smelling. They are as much a part of you as you are of them, so be there with them, get them involved. That okay?"
As a band are you worried at the lack of local venues with only Chelmsford's The Asylum, Southend's Chinnerys, Harlow's The Square and the Colchester Arts Centre being the sole main ones?
"It's not a worry when you can book outside of Essex and in fact, to just book in Essex, from experience, people then just seem to feel like that they will miss that one and go to another one as it's only up the road or whatever. Bra chin out into other places and leaving home has not only proved well for us, but is something that everyone should do and we in fact recommend. The live music scene is dieting but it's not dead."
Outside of music, what other hobbies or interests do you have?
"We all work full time and between that and the band; writing, playing, re-writing and down time there isn't a lot between, but some of use do things like cycling, rock climbing, wind surfing, extreme ironing; mainly physical activities. We are all very involved in quizzes and chess and some of us have other music projects going. We are generally very busy."
Tell us more about your debut EP, where was it recorded? What does the title mean?
"We recorded the EP with one of the most talented and hard working men we have ever worked with who we honestly consider family now, a man named Dan Kerr or Avenue studios; absolute genius!
The EP and from that flowing into the upcoming album is all conceptional, revolving around human error, greed, the rising of the underground movement, corruption and the title itself 'Obsolescence' covers what the current state of the world really is; the system is obsolete."
What plans do you have for the year ahead? Are there any greetings you wish to send out?
"The album is being written literally as this being typed out to you....now. We will continue gigging and getting the RTV name out there to people and then launching the new album along with more media stuff and hopefully some new merch. It's all going UP!
Shout out to Quimby, everyone who has helped us get this far, turned up and sung along with us, Nick Plews, Bob from Club 85, Ross, Phil and the boys for all their support and love and physical moves and to Neil- we hope you recover soon. "
Australia. The very mention of the country's name sparks off the thoughts of sandy beaches, BBQ's, stray kangeroo's and the Sydney Opera House. Underneath all the glitz and glamour of this glorious nation known colloquially as 'down under', Australia has a savage metal scene that has seen the likes of Ne Oblivicaris, The Berzerker, Buried In Verona, Thy Art Is Murder and Destroyer 666 among others break out into the wider international metal community over the last 2 decades.
But despite the success of the bands above, the scene as a whole seems rather isolated when it comes to touring. It's down to bands like Aetherial who look at the challenges ahead, take them head on and forge their own path to progress forward. For Aetherial this is through the concrete metropolis of Melbourne, famed for it's Grand Prix circuit. GMA spoke to Cassandra, the band's bassist to unearth what the band is all about, what the scenes down under are like, their new single, visiting local attractions and 2018 plans.
As Fosters put it. Good Call.
"I don't see why metal [bands] can’t emerge from smaller nations like Fiji or the Solomon Islands - they would have to be creative [with music exposure]. If bands can emerge out of countries like Saudi Arabia where it is illegal to play metal, I'm sure we will see some coming out of places like Fiji - metal doesn't have boundaries!"
Hi guys, for those unfamiliar with Aetherial could you give us a brief history of the band? Were you / are you in previous / current bands?
"Hey, thanks for having us Global Metal Apocalypse! I’m Cassandra, bassist in Aetherial.
Currently, we are based in Melbourne, Australia. Aetherial was formed by Shep and myself in 2013. Previously, we both played in a stoner / metal / grunge band called Cave Of The Swallows which also featured our friend and original Aetherial drummer Mr Paul Gatt. Shep was also the former vocalist in the South Australian-based Stoner / Southern Rock band Mammoth, with ex-Suffocation / Autopsy member Josh Barohn.
We recorded our album, 'The Still Waters of Oblivion' over a two year period at Everland Productions. In 2016 we signed with New York-based management company Extreme Management Group and most recently this year to Imminence Records in the US and Truth Inc Records over here in Australia, who will be jointly releasing the album worldwide November 10th."
What is the Melbourne and wider Australian Metal scene like? Do most bands do a tour of Australia and New Zealand than SE Asia?
"From a Melbourne perspective, the scene is pretty small, there are a handful of good venues to play at in the city and some good regional venues that work hard to keep live music going outside of the city. Unfortunately over the past 5-10 years quite a few great live music venues have closed down in Melbourne due to residential developments and noise restrictions, which has made it difficult for smaller bands to get a gig. A smaller population in general will always impact audience size and peoples interest and engagement in metal, particularly as its not common in mainstream culture here.
It is common for bands over here to tour the East Coast in the main cities, Melbourne, Sydney and Brisbane with a few stops in-between. But the sheer distance in-between and cost that is involved with getting to these places often prevents many bands embarking on a full national tour. You see a few bands heading over to New Zealand and Asia, generally larger more established bands though."
What are the challenges of being an Australian Metal band?
"Getting your music seen and heard!! There is a lot of really good music over here, if people would take the time to listen to it! Getting people to shows is another massive hurdle over here. People will have no hesitation paying $150+ to see established bands, but will not pay $10 to see 4 local acts?
Breaking through to reach people outside of the country, even reaching new fans interstate is also very challenging. It is important to utilise social media to try and get out there and engage people, it is a continual and ongoing aspect of being in a band now, particularly with reach being limited on Facebook and now Instagram for bands unless you pay for it. Many Australian bands head overseas to Europe or the US, simply because they can reach more people and play more shows!"
You just released your new single 'The Fallen Mark The Way' from your forthcoming album, what has reception been like?
"Great thanks! We have had a lot of good feedback from our fans and made a bunch of new fans too! It’s always great to hear positive words from people who get inspired from hearing our music."
Check out the lyric video for 'The Fallen Will Mark The Way' (taken from Aetherial's forthcoming debut album 'The Still Waters Of Oblivion') below.
Seeing as Oceania is slightly isolated, could you see metal music ever emerging from countries like Fiji and the Solomon Islands? Is metal music in Australia widely accepted?
"Yes, it is rather isolated over here! We don't get a lot of bands touring here. It is a long way to come and quite expensive to travel here. Due to our smaller population the audiences are a lot smaller compared to overseas as well.
Metal music generally is not part of the everyday culture over here, like it is over in Europe. It’s accepted by those involved in the scene and other musicians, but in the general population it’s not particularly well known, well received or publicised. For example metal or even hard rock is not played on commercial radio, it’s really only played on dedicated metal or hard rock community radio shows. People over here still have a lot of preconceptions about the music, artwork and general themes of metal; most people don’t / can't understand it, they seem to find the content too confronting and don't want to be involved. Hopefully though with some amazing bands coming out of Australia now more people are becoming interested in the genre.
I don't see why metal can’t emerge from smaller nations like Fiji or the Solomon Islands - There’s probably already some killer bands over there! However, I think they would have to be creative with how they get their music out there. If bands can emerge out of countries like Saudi Arabia where it is illegal to play metal, I'm sure we will see some coming out of places like Fiji - metal doesn't have boundaries!"
For metalheads holidaying in Melbourne, aside from the Grand Prix, are there any attractions / sightseeing locations you would recommend?
"Yes!! You could seriously spend months here and not see everything - the great thing about Melbourne is that there is always something going on and to discover! There are some amazing music stores where you can pick up some vintage and / or rare guitars / amps / pedals like Found Sound or The Swop Shop. For art lovers, there are so many tiny galleries all over the city showing local art and The National Gallery has killer diverse exhibitions from Van Gogh to Dior to Mid Century Modern Furniture.
For wine lovers, you can take a day trip down the coast to the Mornington Peninsula or The Yarra Valley, for amazing wine and scenery. You can visit boutique spirit distilleries like Starward Whisky in Port Melbourne or Four Pillars Gin in the Yarra Valley - which seriously gives some of the English Gin a run for it money! Melbourne is paradise for lovers of good food and coffee!! With markets like South Melbourne and Prahran Markets and amazing restaurants on every corner. There are festivals for Beer, Cheese, Salami and now even a chicken nugget festival. The Great Ocean Road makes for a good drive- for beautiful rugged coastline, Healesville Sanctuary for meeting kangaroos, koalas and other native animals. And of course you can catch some local bands at The Brunswick Hotel, The Bendigo Hotel or Cherry Bar, folks over here are always up for a chat and a beer."
With your debut album 'The Still Waters Of Oblivion' out in a week's time, will there be a tour supporting the album?
"There definitely will! The Australian Tour will take place early next year with hopefully some International dates to be announced as well! But you’ll have to stay tuned to our social media pages to get the details."
What plans have you got leading into 2018? Do you have any greetings you wish to send out?
"Lots of touring and promoting our record! We currently have some killer merch available now at Merchnow and there’s some brutal new merch coming out soon! Shep and I have been co-hosting a heavy metal radio show once a month on Melbourne’s 3CR called The Heavy Session, so along with our friend and host Chris we have some awesome plans for the show as well.
We’d love to send a massive hello, to all our friends and fans over in UK - we’re working hard to come over and play for y’all in 2018!!! Thanks very much for the support!"