India, Pakistan, Bangladesh and Sri Lanka, they all have a lot in common. Historical connotations, geographical locations, seasonal conditions, cricket, religious festivals among others... but nothing as striking as the sheer size of their metal music scenes. Sure not many people in the West know that these scenes exist with India being the exception, after all Kryptos and Demonic Resurrection have been gracing the UK and European shores many times. As for the rest of the subcontinental contingent, there is Orobas from Bangladesh causing a buzz, Pakistan's Black Warrant perhaps being one of the oldest bands from there and Sri Lanka's Dhishti leading the Sri Lankan Black Metal wave... overarching all of that is a passion for extreme music, a passion for metalheads expressing themselves and a passion for thriving in an 'Extreme Nation', this is what Indian director Roy Dipankar's latest documentary is called and is about. He gladly spoke to GMA about the documentary, the troubles funding and filming such a feat and what it means to be a metalhead in this part of the world.
"The subcontinent now has her own flag-bearers in extreme metal being recognised worldwide thanks to the internet, supportive distributions and record labels."
Roy, what gave you the idea of doing a documentary about the Indian subcontinent's extreme underground metal scene?
"My affinity for independent and alternative music has traversed a long way, a decade plus later, manifesting itself as a film via videos and documentaries capturing the panorama of non-mainstream music and emerging voices from the Indian subcontinent. The professional experience in the commercial and institutional sector of record labels eventually left me not so satisfied in terms of creativity, progress and space to showcase emerging sub-cultures and alternative voices of the youth. I began to feel (and see) the societal fissures and cultural bias (injustice) which ran from pillar to post, within mainstream culture, be it the case in India or Bangladesh, Pakistan and Sri Lanka. The more I searched, the more I discovered concurrent narratives of musicians, fans and propagators from far corners of the underground subcontinent.
The fledgling emergence of an unique subculture against the backdrop of religious radicalism, rising nationalism, traditional hegemony makes this documentary loaded in contrast, conversations and controversy. This led me to develop a first-of-its-kind attempt to document and showcase voices, the prevailing conditions and questions raised by metal musicians from the fringe communities based in India, Pakistan, Sri Lanka and Bangladesh. Almost five years in the making, 'Extreme Nation' is now debuting at various film-festivals, media outlets and panoramas in India and outside."
What challenges did you have to overcome to deliver the documentary? How long did it take to create?
"Several! Especially when one embarks upon an independent task towards creative art which is all about subversiveness and anti-creation. Be it the interpersonal relationship of the countries, or the highly elusive or inert nature of bands and characters involved in the underground. Finding the right people and convincing them to be a part of a bigger spectrum was a massive deal.
Financial hurdles were / are the most difficult ones. Especially when the international documentary world is looking at India to produce more apparent hard-pressed issues related to environment, gender identity and equality, caste-based politics and such, a feature film on subculture takes a second or rather a second-last silver lining on the path to fruition.
Security was another concern regarding the cast and 'politically sensitive' content due to long term internal disputes and border-territory issues across the subcontinent. Diplomatic problems like visas have always been a chimera for extreme musicians to travel across our borders for performances. Struggling against the pre-fixated mindsets towards music that is metal, noise, power electronics, hardcore, is tough. But I took this as an anti-morose challenge which is both exciting and satisfying as the awareness spreads... a film about dark music! A film about the seething yet fragile voices within nations of the Indian subcontinent."
Do you feel that Sri Lanka, India, Bangladesh, and Pakistan (along with Nepal, Bhutan and The Maldives) are being noticed worldwide as forces within the extreme metal scene?
"Very much. The subcontinent now has her own flag-bearers in extreme metal that is being recognised worldwide thanks to the internet as well as supportive distribution and syndication by record labels."
What have you noticed about the scenes there, that at first came as a surprise to you?
"More than as a surprise, the feeling was that of a kind of discovery. The bands, their message, performances and imagery came across as crisp and sharp. It was both unique and seminal that would lay the path of an organised scene is what became clear to me."
Do you feel it will come to a point where a lot more Western labels take note of bands in this region; with Demonic Resurrection and Kryptos leading the way?
"Further to the aforementioned bands there are substantial releases of Indian subcontinental bands like Genocide Shrines, Konflict, Tetragrammacide to the now recent Kapala that has gained severe international recognition by release through 'Western labels' in the extreme underground."
What was life like growing up as a metalhead in India? What does your family think of your choice of music and your film-making?
"Growing up in the early 90's, the only two unique distinctions in sound for me was AR Rahman's music and Heavy Metal. Don't get me wrong, I mean, I grew up in the Bombay heartland (thus being) exposed to Bollywood, devotional cacophony of loudspeakers blaring during festivals, cassettes and LPs of international artists like ABBA, Boney M, Kraftwerk, Creedence Clearwater Revival, Rabindra Sangeet published by Polydor, Columbia, HMV (my grandfather's lifetime as an Exports Manager at HMV, Calcutta). But the teenage angst in me would be satiated by metal music alone and a bit of Bruce Lee films maybe. What attracts me in metal or extreme music (as currently what I listen to might not easily be identified as metal: 8MM, mz412, Bell, Black Cilice, Qrixkuor), it probably is that naked, unabashed and true openness of expressionist art that needn't adhere to a form, method or general formulae. My family is fine with me whether be it choice of profession or passion."
Will people in Europe get to see this documentary? Will you look to release it on DVD in the future?
"The film is completed and is making its way through film and music festivals. 'Extreme Nation' had her world premiere at the prolific Jecheon International Music Film Festival in South Korea this August. It was also screened at Wacken Open Air 2019, Germany and FICIME, Bogota, Colombia. The film is scheduled to screen at more avenues like Infierno Fest, Peru and a possible screening at Brutal Assault, Czech Republic next year. More announcements to follow. Currently I am in talks with a record label in Europe for a DVD release of the film later this year!"
Any final thoughts? Greetings you wish to send out?
Sigh on to you my friend,
Might be, is this the end,
The pain hurts the fear inside,
Kill be, the weak to ride."
By GMA's Bangladesh Correspondent Nabil Abaddon
Global Metal Apocalypse has always been at the forefront in covering undiscovered talented Metal bands from the obscurest of places. In the past, we have covered some really talented and uprising bands from India, Bangladesh, Nepal, Pakistan, Thailand etc.
This time our attention turns towards the Sri Lankan Black Metal quartet Serpents Athirst, who are causing quite a stir in the Asian Metal scene. Formed in 2011 and performing regularly at local venues with a demo tape released through Eternal Transmigration Records (Bolivia), the band gained widespread attention when they played at Trendslaughter Fest IV (India) and shared the stage with the likes of Impiety and Orator.
They recently signed to Irish label Invictus Productions to release their upcoming EP. Serpents Athirst are going to tour Bangladesh and play at the Banish The Posers Fest 2014 on November 7th.
Banish The Posers Fest is the biggest Extreme Metal festival in Bangladesh and was established by the local cult organization Primitive Invocation. The festival started last year with the bill comprising of
Thailand's Savage Deity, Bangladeshi bands Morbidity, Orator, Nafarmaan and Warhound, India's Purgation and Malaysia's bands Lobotomy and Kathgor,
This year Primitive Invocation took the next big step in their existence by announcing the first ever major Asian Metal band Impiety (Singapore) to perform at this year's Banish The Posers Fest. The rest of the line up includes Serpents Athirst (the first ever Sri Lankan band to play in Bengal), Orator, Nafarmaan, Morbidity and Enmachined.
Click here to read about the event.
Returning back to Serpents Athirst, GMA caught up with their drummer / main composer Obliterrator and he had a lot to say.
Infernal hails Obliterrator, can you tell our readers a few things about the first period of the band?
Hails Komrade! Serpents Athirst formed in 2011 by two members in order to spread our message to the select few through live rituals and releases. Our influences from the start varied from savage acts like Venom, Blasphemy, Sarcofago, Black Witchery, Bathory and Immortal.
How does the band name depict the ideologies of the band?
Trends have caused a countless number of blemishes on this world and in order to project our hate towards trends, organized religion and weak monuments, we’ve chose the best representative to invoke that flame and spread our message: the serpent. A vile horde of serpents growling in thirst of the bloodshed of the weak. Our lyrical themes include death worship, theistic satanism, blasphemy, war and violence.
This is the very first time that a Sri Lankan Metal band is going to play in Bangladesh. How excited is the band in terms of performing at Banish The Posers Fest 2014? What should the Bengal hordes expect from Serpents Athirst?
We’re absolutely stoked. We have played with a few hordes previously at Trendslaughter. Impiety and Orator are just a few who shared the stage with us. It’s an honor to share the stage with more Asian bands. Serpents Athirst will promise to deliver the most destructive performance at this bastard of a ritual!
It seems that Serpents Athirst's compositions are velocity driven; its hateful and bestial. How does the band write its songs? Does the guitarist come up with the basic structures or are the lyrics written first?
I, stand as the composer of the band. However, at our own ritual sessions / rehearsals, there are instances where the rest of the brigade puts a mould together and is then sharpened and ready to spread like venom at the next live ritual.
Check out the song ‘Ritual Vomitting’ from their upcoming EP here
Serpents Athirst's upcoming EP "Heralding Ceremonial Mass Obliteration" is to be released through Irish label Invictus Productions. How did this record deal come about? Speaking of the EP, can you tell us about the songs in it? How much time did it take to make the entire EP?
We were offered a deal for the EP. Considering the fact that Invictus Productions is a pioneering establishment, we got hold of the deal and are currently working with Darragh from Invictus to get this EP released. The EP features 3 Songs + samples / interludes which were all put together within a period of 3-5 months.