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Corners Of Sanctuary have been rampaging throughout the East Coast and in their home city of Philadelphia for 15 years and the heavy metal / hard rock outfit show no signs of putting the brakes on anytime soon. Not only are the quartet gearing up for a tour spanning across 3 months on 9 set dates, but they are also a part of something monumental to the Philly metal scene, a documentary of it's rocking history. Founder and guitarist / keyboardist Mick Michaels gave Global Metal Apocalypse the low down on their historic milestone, what it feels like being a part of a unique regional documentary and the challenges American metal bands face nowadays.  Corners Of Sanctuary celebrate 15 years this year as a band, but over the years there have been many line-up changes amongst the 12 album releases, how has the band remained on course during the turbulent times? "At the end of the day the focus has always been the music and that’s what has driven this band from the very beginning. We have had several members come through over the years…some have only been here a short time and filled in when we were in a pinch… others stayed longer. But regardless the music has prevailed. Any time there is a line-up change those initial moments do seem like turbulent times. We are all too familiar with that situation. However, we always realized quickly in each circumstance that it was what was best for the band as a whole. Time does offer that perspective. We just need to be patient enough to weather out the storm and at times that can be difficult. In the end, Metal never dies and the music lives on forever." Considering your last album "Christmas Together: A Merry Metal Xmas IX" was released in 2022, surely a new album is in the pipeline, if so when is it slated for release? "We have been focusing on EP's the last few years with only selected singles releasing digitally. Since 2022, a number of EPs have released including: “This is Metal”; the “Metal Never Dies” compilation; “Metal Up”; the ”Monster Inside” compilation which was a collection of B-sides and deeper cuts and came with a comic; “Taking Cover” - our covers EP; and more recently the “Forever Metal” EP; with each release having six or more tracks per. Over the last few years we have also been reworking a couple of our early albums including the CD reissues of both our 2012 album “Breakout” and our 2015 album “Metal Machine.” Both include newly recorded tracks, as well as being completely remixed and re-mastered. We just released a new single July 7th called “Crimson Sky” via SODEH Records. “Crimson Sky” will be part of a forthcoming EP titled “Destined.” For the last 10 years we’ve worked on and off on an album titled “Vengeance Of The Fallen.” Will it ever see the light of day? We don’t know really. The hope is to complete it at some point and make it available. But for right now, we will keep going with the singles and the EP's. It’s working for us and seems that’s what audiences tend to gravitate more towards these days. You're part of the forthcoming documentary "When We Rocked" which centres on the Philadelphia Rock Scene - in your opinion what is it that makes the Philly Rock sound so iconic? Will this documentary be released in theatres or online only? "We are very excited to be part of the When We Rocked project as a band. We participated in the documentary’s title track and had the pleasure of working with Reggie Wu of Heavens Edge and Jaron Gulino also of Heavens Edge and Lynch Mob… both incredible players to say the least and the best of guys… real gentlemen. There’s a music video for the track out now as well. Plus a number of other Corners of Sanctuary songs will be included in the documentary’s soundtrack. We couldn’t be more honoured! For me as an individual, I am ecstatic that the book I co-authored last year is now being made into a feature length documentary about a city and music scene that was so impactful. The trailer has already been released. To me, music is magic and the opportunities it has offered me over the years are something that I count as blessings every single day. When I was a kid, Philadelphia was the big time for me. The bands that I followed came from Philly and made it and that was all I needed to know to keep pushing forward. What made it unique then and now is the attitude. That attitude is unlike any other city…it’s a take no prisoners, take no shit way of life and that’s what’s reflected in the music created by the city’s artists and bands…then and now. The When We Rocked documentary is slated to release later this year or early 2027 through March Baby Media. We’ve been entertaining several options for its premier including a select theatre release run, online streaming platforms and DVDs. There are a number of options to consider. But for now, we are focusing on delivering the best Philly Rock scene documentary to honour all these great artists who made it what it was… simply unforgettable! American metal as a whole is a non-stop conveyor belt of releases, so how hard is it nowadays for bands to gain a following outside of their own county or on a larger scale, state? "I think regardless of a band’s location, finding an audience is a task filled with endless challenges and obstacles. The music population is so vast these days that it is now considered over-saturated everywhere, not just the US. Unfortunately, most of us get lost in the noise. Even though the internet and social media and the like have somewhat bridged a gap, the divide to those bands at the top and everyone else has gotten much wider. I think since following COVID, many bands have focused on smaller, niche type audiences and some of those bands have definitely made headway with that model. Less is definitely more, which is another reason why we have chosen to focus on single and EP releases rather than full-length albums. There seems to be enough of the world to go around for everyone. The trick is to do it in a way that makes sense and stays true to the kind of artist you want to be."  Your going out on a 9-date tour late July, starting 07/23 in New York and finishing 09/26 in Pennsylvania, mostly focused on the East Coast - will this be a road trip or going by plane? At least one of those dates is a festival appearance - 'Coal Region Veterans Fest' - have you played there before? "We originally had discussed going back to Europe for a string of shows to celebrate our 15 year anniversary. But the climate just didn’t feel right. So then we decided to do a West Coast run of shows. We ran into a few snags along the way and that was cancelled. So, we decided to stay on the East Coast and do a few shows, making it a road trip in the process. We’ve been on a plane for tours in the past but nothing beats an old fashion road trip excursion with four guys and their equipment jammed packed into a vehicle for hours. It’s a true bonding experience like no other. And what better time to do it than in the summer months? We are excited about hitting the road. Most of the dates will be new venues for us. That is doubly exciting. This will be our first performance at the Coal Region Veterans Fest and we can’t wait. Anytime we have a chance to participate and support our veterans we jump on it. Our bass player, Matthew, is a veteran. We are also playing the Field of Screams event in September… twice actually. That’s a big event centred around Halloween with a haunted house and other related entertainment including a host of bands performing. Thousands of people attend it each year. This is our first time playing, so we are pretty excited. We look forward to seeing you there! Aside from the documentary which is slated for a 2027 release, touring plans, and (if happening) a new album coming out this year, what plans do you have for the year ahead going into 2027? "More music for one… including another new single scheduled for September and of course our annual holiday track in November. We have a few other projects currently in the works including an acoustic album, some more CD and maybe vinyl reissues of older albums, and an autobiography on the band that we have been working on over the past couple of years. We had plans to release it for the 15-year anniversary but people usually put these sorts of things together when they are coming close to the end and ready to take a bow. But I don’t think this band is there yet. So, with that in mind, we intend to take our time with it…chapters are still waiting to be written! Do you have any greetings or thanks that you wish to send out? First off, thank you for talking with me and allowing me to share a little about Corners of Sanctuary with your readers. And we definitely want to thank everyone who has supported us over the last 15 years. It means so much to us and we are truly grateful that we have been given the opportunity to share our music with so many people. That truly is a blessing. In this business, people come and go in a blink of an eye over the long haul. Life often has other plans of us. But we have never forgotten what those individuals have done for us… both big and small. They are the ones who made it all possible. We really do hope to be doing this for a long time to come. So thanks again and we will see you at the show… COSnROLL\m/\m/ www.cornersofsanctuary.com www.facebook.com/CornersofSanctuary www.instagram.com/cosnationmetal COS on Spotify
Get Rocked at www.WhenWeRockedPhilly.com
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Sub-Sahara Africa has seen many metal scenes being born over the past few decades and despite the vast amount of talent that resides over there, it's taken so long for the metal music industries across North America and Europe to open their doors to these bands. We have seen Overthrust (Botswana) play in Germany, Arcana XXII (Namibia) release their compilation "A Return to the Darkland / The Untold" through the German label Einheit Produktionen and of course Wacken Metal Battle seeing bands like Zombies Ate My Girlfriend (South Africa) win and play Wacken. Not that Germany is the only European county to support Sub-Saharan metal, Kishi from Angola released their EP "Khaos" via Portuguese label Nightfear Records. Hoping to fly the Angolan flag higher is Silk N'Roots who released 3 singles last year and are already causing a buzz in the metal scene, the quartet introduced themselves to us and spoke about the band history, the documentary "Death Metal Angola", plans for the year ahead and the future for African Metal. Answers are from the band and bandmembers (where mentioned).  "Most African metal bands aren't even getting recognition in their own countries. I think they get heard more outside of Africa than inside."First of all let me (Animal) introduce the members of the band and provide some background on each one: Busa - Our mentor and guitar hero was born in Angola in the early 80s and was member of the band The Crystals by the late 90s; already playing hard and heavy rock at the time in Luanda. He spent 18 years in Europe (Portugal and France), away from his love for guitar playing and music. After his return home to Angola he was a founding member of another heavy band largely active in Angola (Dikamba) and about a year later started the idea of Silk N'Roots in 2018. Vamp - The smooth bassist that lays the groove was born in Portugal in the late 80s, and through his teens was already into hard and heavy music, he was part of a couple of bands during those years but with nothing much to show for. He moved to Angola to join his parents in 2012, and has been an active member of the rock movement in Luanda ever since, having been a founding member of Silk N'Roots as well. Although he left the band in 2020, he returned to the fold at the start of 2024. Mag Oga - The vocalist and frontman with a large fanbase, born in Angola the early 90s, he became interested in rock and heavy music with the advent of MTV back in the 90s, and was for several years the vocalist of the band Ovelha Negra. His vocal and charismatic stage presence earned him several invitations to participate in other projects, most noticeably at the festival Orley back in 2019 in which he was on stage with almost every band on the flyer singing at least one song with each one. He joined Silk N'Roots in the end of 2023. Animal - The guy that bangs the drums, born in Portugal in the late 70s, only discovered his love for rock in 1990 with the enormous amount of huge records bands released that year. He spent the whole decade participating in several garage projects with friends, while curating his own project (Faceless Story Tellers) and was the bassist of a covers band that played every other weekend in small venues. He came to Angola in 2009 to work, and was invited to join Silk N'Roots in 2020 after more than 20 years without playing the drums. Currently he is physically away from the band due to professional reasons. Sy - The stand in drummer that bangs the drums harder than Animal, he was born in the same year as Mag, and as soon as he learnt to play some grooves he started being invited to be a part of several projects. He played with Surviving in Hell and Crazy Feeling amongst others, before eventually joining Ovelha Negra as well. After the latter's break up he spent 2 years away from the drum kits having been invited to step in for Animal in the first half of 2025. Talk to us about how Silk N' Roots came about, is it true that you initially wanted to play melodic metal? Silk N'Roots was formed in 2018. And yes the initial idea was melodic metal, the original vocalist was a young lady called Kira, if you search our YouTube channel there's a first recording of our song "Zungueira" with her. What happened in 2020 was a series of events - the former drummer decided to leave which led to Animal being invited and the subsequent time needed for him to fit in the group and re-learn how to play drums. A few months later both the bassist (Vamp) and the vocalist (Vamp's sister Kira) decided to leave as well, leaving Busa as the only original member, forcing him to rethink the goals for the band and so he invited 2 mates from his "sister band" Dikamba (which halted at the time due to COVID), Carlos (bass) and Tiago (vocals) to join and work as long as they wanted to. The original idea of melodic metal made sense with the original line-up and with a female vocalist (Kira was also the major lyricist at the time) but with the new line-up the idea kind of became a little off, especially with the new male vocalist (which can be heard on all 3 singles released since) being deeper and raspier, which prompted new compositions to pivot away from the melodic style and more into the more traditional heavy metal style. The old material was kept with just slight alterations and we still play those songs, whilst we started working on creating new music with this new vision. Again, if you have the time you can dig deeper in our YouTube channel and you will notice the difference between old compositions with the initial idea (ex: Battle, Zungueira, Wolf, Sick Reality, Inesperado, Parasitas da Sociedade) and the newer compositions (ex: No Escape, Ego, Utopia Social). Although we only have 3 studio recorded songs, we have several videos of live shows that we published on our YouTube channel. You released 3 singles in 2025 - 'Battle', 'Caso Mixa' and 'Zungueira' - can you talk through each single, what they mean, how you came up with them? Will this lead onto a debut EP or album in 2026? We need to clarify something, those 3 singles were not released in 2025, that was the year that we managed to gather the conditions to release them on to the streaming platforms. We are a self made band with zero support from sponsors, producers and / or labels, all we have done so far has been paid out of our own pockets which makes any progress harder and slower. We spend several hours weekly practicing, rehearsing and creating in our own rehearsal studio, but translating that into studio recordings is a whole different ball game. We have more than 17 original songs that we already played live, between older and newer material, plus 5 or 6 lyrics with composition ideas to work in the future, but it's very expensive to get into the studio to record and mix more songs.
Talk to us about the Angolan metal scene - it seems there has been some progress since the dark days of the civil war, that rock and metal was born as a result? Busa - In my opinion rock and metal in Angola, specifically Luanda was not the result of the civil war. But yes there were some progress since those dark days, but also with some ups and downs. Animal - From what I have heard, there is history of rock n roll in Angola way back in the 60s, during the colonial times. Civil war is always tragic to mostly all civilian activities, and culture usually becomes a luxury in dark times, but as Busa said, back in the 90s whilst civil war was still raging, there were rock and heavy bands in Luanda paving the way for future generations. In the years I have been in the country, I noticed that COVID and it's limitations brought the rock movement to a halt... at least two big yearly festivals (Orley and Rock in Rio Catumbela) that were taking place regularly, after COVID never happened again... In a broader sense, African metal has come a long way over the past 2 decades, do you feel that African metal is getting the recognition it has been long for? Busa: I agree that African metal has come a long way, but I still think that we don't receive the proper recognition worldwide. There are a lot of talented musicians on the whole continent, most struggle and leave their families to go abroad and seek recognition. Vamp: Most African metal bands aren't even getting recognition in their own countries. I think they get heard more outside of Africa than inside. How did you individually get into metal music and what do your parents think of it; are any of them into metal music? Busa - My parents weren't into metal / rock music. I started hearing some rock and metal music on the MTV channel around 1994-95 and after I went abroad I had more access to metal and started to identify this more as my main music genre. Vamp - I can't tell for sure when I started hearing metal, but rock was always present in my life, both my parents are rock lovers. I inherited my taste for progressive rock from my father and later on started hearing heavier sounds. Mag - I started hearing rock and metal on MTV and on an alternative radio station. It sparked a curiosity in me and I started searching for more bands and sub-genres. I love metal music. Sy: - I started listening to rock and metal from my father, he was a big influence in my musical taste. Animal: - Mum and Dad were into rock when I was a child, but also other genres, so I had lots of good music influences, but my love for hard rock and heavy metal came in 1990. Plenty of great bands and better albums came out that year, grunge popped off, different kinds of metal genres started to appear on my radar as well. In 2012 the documentary 'Death Metal Angola' was released, what was the reception like in the metal scene and wider public? Busa - I didn't have access at all to this documentary. I heard about it in 2022, but from what I have seen, there were some things that I disagree with and that is why I didn't gave much thought about it. I didn't even knew the title of the documentary. Vamp: - I have only watched a short version of this documentary, and from what I have seen it was more related towards Huambo than any other Angolan cities. It didn't receive much feedback from it. To me it showed only one side of the whole metal scene in Angola. What plans does the band have for 2026, any final comments? We are currently in a creative phase and are working internally to provide new tracks for the future. We are also doing gigs whenever we can and we're also participating in the Angolan heat of the Wacken Metal Battle, but it isn't our main focus for now. https://www.facebook.com/silknroots  Fiji is not one country you would associate with rock or metal music and yet it seems there is one band set out to change that, bring forth The Relativ. A six-piece band playing rock/metal music on the tiny island nation in the Pacific Ocean. With a population of just under 900,000 which is just above the populations of Newcastle and Liverpool, you would think they would be celebrated as legends in their own right, in which case you thought right as Benjamin (manager and drummer) Seniroqa goes on to tell GMA... with a surprise regarding the Fijian Metal scene.  "There’s a couple of Heavy Metal fans out here as well and we are one of those people who listen to Heavy Metal". Can you give us a brief history of The Relativ, how did you meet? What are you aiming to achieve? "The band was initially formed on November 2015. We all started out recording covers on YouTube then just continued from there. The funny part about this is that we are all cousins hence why we named the band TheRelatiV. There are mainly 6 of us that make the band work, 4 band members and 2 roadies / stage coordinators. When we started the band, we actually had a dream of making it big and be the first rock band from Fiji to make it overseas, we’re still working on that and there have been good responses from our fans and hopefully one day we’d make it." Names of Band Members: Josh Tukana - Lead Vocals Johnny Seniroqa - Lead & Rhythm Guitarist / Backing Vocals / Music Director Nahshon Fong - Bassist Benjamin Seniroqa - Drummer / Music Director / Band Leader & Manager Filipe Lalauvaki - Backing Vocals / Synth / Stage Coordinator Nelson Cokanasiga - Backing Vocals / Drum tech / Stage Coordinator What can you tell us about the Fiji Music scene, as you play rock music is the rock / metal scene well supported? "The music scene in Fiji is quite unique, we were shocked that we had people who loved rock when we started out. If you play it right, people will love it because Fiji is a very talented country in terms of music, the only problem is that there is no proper platform of exposure for many bands out here and hopefully one day there would be a good platform for younger bands to start off from. We play at a club called Traps Bar and they’ve been very supportive with the band, mostly tourists, volunteers and exchange students go there to dance and listen to us play when they get a chance which is so awesome." Are there any heavy metal bands in Fiji? Any metal music fans? What are your thoughts on Heavy Metal? "There used to be a Metal band a couple of years ago but most of their members have parted ways to continue living their normal lives. You could also say there’s a couple of Heavy Metal fans out here as well and we are one of those people who listen to Heavy Metal." Given Fiji's isolation, as a band have you performed outside the country? Do you tour the island or are most concerts held in Suva? "We’re hoping that one day we’d get to tour the world and play out side of the country but at the mean time, we’ve only played within the country. Mostly for Concerts and Festivals."  Suva Fiji Temple - The Church of Jesus Christ of Latter-day Saints Are you aware of any rock or metal bands in other countries in Oceania other than Australia, New Zaland and Papua New Guinea? "Not that we know off but I’m pretty sure there should be a couple of them. Australia and New Zealand would probably have a lot of Metal Bands for sure." How did you become interested in recording and playing music? Are there any music schools? "Most of us were brought up through musical family backgrounds, our parents and uncles used to play for their bands and we used to watch them as we grew up. All of us were brought up and played at church so you could say the interest was always there ever since we were young. All of us love music and we’ve come to a stage where we appreciate all sorts of styles of music. The Seniroqa brothers who also run a media company called Only Idea Studios are the ones who usually record & produce our Music & Music Videos (both covers & originals. There are a couple of music schools here in Fiji where musicians go and learn how to read music. None of the band members has ever attended music school but are all self taught. which is nothing new to most musicians here in Fiji." What plans do you have for the year ahead? What was 2017 like for you guys? "This year we’re planning on taking things slow and hopefully get everything right, being in a band is not as easy as it sounds, if you’re not organised well, things will be really hard for you. Last year was pretty crazy, we really enjoyed every moment of it, I’d say we’ve never played so much shows compared from last year than the year before that." Finally do you have any greetings you wish to send out? "We would like to thank everyone who has supported and believed in us and our dream through out all these years. Mostly we’d like to thank God for always being there for us, our parents and our families, to Traps Bar for always providing us with a venue to jam all the time and to all our fellow musicians who have become a part of our family."  We already know Australia and New Zealand are the most prominent metal scenes in the whole of Oceania, with the addition of smaller scenes in Papua New Guinea, New Caledonia, French Polynesia and Guam... but one surprising scene has sprung up thanks to the Groove / Rock / Heavy Metal band Dropvkal from... Vanuatu. It seems that metal music is finally touching the hearts of the most isolated island nations on earth, having won a music competition with their song 'Dangerous' (which is about climate change) and seemingly causing a buzz in that part of the world, GMA caught up with band member Braxton Cooper to find out how the band started and what their role in the Vanuatu Music scene is.  "Our aim is to get attention around the world... we have like not more than a thousand fans of heavy metal / rock in Vanuatu." How long has Dropvkal been going? Who came up with the band name and what style of music do you play? "Dropvkal is like 3 words joined together:- 'Drop' is for tear drops that our ancestors shed during the blackbirding in the 18 and 19 centuries, 'V' is for vision, the band has a vision of creating something unique that will touch the heart of peoples when they listen to our music. 'Kal- kalja', that's in our local dialect, which means culture, we are trying to mix up today's music with our culture, we even have some local instruments in our music that our ancestors used, we used that too to add some flavour to our music... we the band members came up with that name, We play any type of music, reggae, rock, latino zouk, African zouk, pop music, easy listening, blues, etc., we even have some songs written in local dialect..." Is it relatively easy being a music in Vanuatu? What challenges are there as a band? "It's a little bit hard back here, with our style of music tourists enjoy it, cause we played a lot in hotels back here, most of us are unemployed youths and we earned just a little to support us. The two main challenges that we usually face is money and families, we tried our very best in our gigs but we get just a little. Families sometimes they don't support us, we even get cursing words from our wives saying we are wasting our time with music, but its what we love so none of that stops us, we are still together till today for almost eight years." What are your thoughts on rock and heavy metal music? Are there any rock / metal fans in Vanuatu? "We have mixtures of music, we even try to mix rock with another type of music, but yes we have a lot of fans back here. They love our music. In Vanuatu we have a lot of bands, mostly reggae bands, and we decided to play rock, heavy metal; we have few fans here but our aim is to get attention around the world with our acoustic rock. We love rock because it easily gets peoples attention and because it is a way you express yourself or how you do campaigns or fight for something, e.g. like our single 'Dangerous' which was released in early 2016 is about climate change; we won a music competition with that single. You can watch that on YouTube. We have like not more than a thousand fans of heavy metal / rock in Vanuatu." Have you had any fans outside of Vanuatu get in touch with the band? Surely it would be hard to perform outside of the country? "We have a lot of fans outside of Vanuatu, we played mainly in hotels so tourists enjoy our music, we have fans in the Solomon islands, Fiji, New Zealand, Australia, Japan, China, USA, Mexico, Argentina, Caledonia, Germany, England, and many more."  Are Vanuatuans encouraged to learn music? What styles of music are most popular? "In Vanuatu we have a music festival, called Fest'Napuan music festival and it happens in October every year, and during this festival we try to make it gender-balanced in our music, we don't have too many females in music so we trying to encourage females to take part in music, we don't have any proper music schools in Vanuatu we just learn music anytime or anywhere we feel like we want to, but yes we are encouraging people to learn music in Vanuatu. Reggae music is the only popular music in the whole of Vanuatu with our local music, called string band." Do you feel music brings the world together? That it speaks a common language? "Yes I feel that music brings the world together, the way we see when we play in the hotels we meet people from all around the world, we even feel the love and joy we share together with our fans, and even just between us the band members. With music, it is a common language that we musicians speak even if we are from different places around the world with different cultures but with that we understand each other very well, and with that you can see that music always brings people and the world together.." What plans does the band have for the year ahead? "One of the main plans for this year is an album. We are already practising for going into the studio by next month and with that we will be looking forward to touring in Australia, New Zealand, and New Caledonia. We really want to expose our music to the world.." https://www.facebook.com/Dropvkal-Groove-Band-698490606835574/  Ever since Sepultura emerged on the scene, Brazil has been churning out metal bands left, right and centre and whilst a vast majority rarely break out of the wider South American Metal scene, they do in the own right build a name for themselves on their own continent. Mind, one could argue that with globalisation as it is, the novelty of discovering the first ever metal band from a country soon dies off when the scene reaches the echelons that the Brazilian Metal scene has done. However bands like Leatherjacks are ensuring that the vibe doesn't die and that rock / metal carries on thriving. GMA spoke to vocalist / guitarist Mauro Cordeiro about the band's history, their debut album, challenges of being a Brazilian metal musician and what sights / attractions should metalheads check out in São Paulo.  "I keep on persisting and fighting for what I believe, ´cause THIS is Rock ´N´ Roll!" What was the inspiration behind the band, what does the band name mean? Why Modern Hard Rock / Metal? "Hey Rhys, hello everyone at the Global Metal Apocalypse and all of our readers! Nice to meet you all! Well, the inspiration behind the band name, came from lots of names I was trying to experiment during my name elections, you know? At first it was something with Hawks. Then something with Leather... LeatherHawks, Hawkstones, LeatherBones, woof... lots of names ha-ha! Finally I reached LeatherJacks. It´s the abbreviation for Leather Jackets. It came from the most obvious and simple idea. It was right in front of me ahah! I always used a brown leather jacket. All of a sudden, the little cartoon light popped out in my mind, and it came on. Step by step, I got the idea for the Jacker Army, the Go Jackers scream, hashtag, slogan and stuff. Modern Hard Rock / Metal, is a term that I use when I define my project. I mean... It´s Hard Rock and Metal. But it sounds modern. So I always entitle LeatherJacks as a Modern Hard Rock / Metal band / project. Dunno if it´s right or not. But it´s cool, isn't it? haah!" You released your debut album "The Lost Arks Of Rock And Roll" last year, what was the reception like? Was there any attention from outside of Brazil? "Absolutely, Rhys! It´s been amazing! The album is having a bigger reception outside then inside Brazil, unfortunately. Here, people are not listening so much to Rock or Metal. And those who do, only search for little cover bands, and don't open themselves up to NEW bands you know? But everything is going very well outside Brazil, and people are receiving so much well. I feel very thankful and honoured for it, and it´s extremely gratifying to have this amazing repercussion." What are the challenges of being a metal musician in Sao Paolo let alone Brazil? Are the authorities supportive of metal music? "It´s tough... It´s really tough. Because as I said previously, the genre is kinda "dead" here in Brazil, ´cause people don't care about original bands, and the crowd don't search for new stuff. Of course there are people who do like new things and stuff, but... It´s really really rare and difficult. The authorities respect metal and rock music, but they always say it´s not a Brazilian thing and stuff, so... It´s not a priority genre here, you know? But... I keep on persisting and fighting for what I believe, ´cause THIS is Rock ´N´ Roll!" Are there any areas in São Paulo you would suggest for metalheads to visit; what sights and attractions are there? "Here In São Paulo, we have great places to visit to listen to a great Rock music. I love these pubs: Manifesto Bar and Stones Rock Bar. Both are really amazing places, great bands, great drinks, and amazing girls (the best part haha!). I also like to go sometimes to Augusta Street, ´cause sometimes there are some cool spins to do. But... Only to drink some stuff. If you guys love IPA or another hand-crafted beers... I totally recommend a place called Cervejatorium. Simply AMAZING!"  What are some phrases metalheads should be shouting at a Brazilian Metal concert? Any phrases you could teach us? "Yeah! Lea ther jacks! Lea ther jacks! Go Jackeeeeers! Oleeee ole ole ole, Leather, Leather - Kiddin´ hahahah! But I always scream things like: AAAAEEEEEEEEEEEE PORRAAAAA / CARAAAAAALHOOOO (it´s like: OOOOOOOOHHH FUCK! but it´s dirty words haha)" What do your parents think of your music? Are any of your relatives musicians? "Yeah! My mom doesn´t play piano any-more, but when she was younger, she was an amazing classical piano student. My grandpa never played any instruments, but he loved jazz and drums. And me too! Then my mom´s cousin (I call him "uncle") - He is responsible for teaching me acoustic guitar, MPB, Bossa Nova and stuff. I was 10 years in 1996, and I never stopped! Here I am now haha!" What plans do you have for 2018? "I´m searching for musicians to make a definitive line-up and I think I will write more songs, and release a new album, but nothing 100% sure. Only some thoughts, ´cause I need to tour and to promote the first album. But any news, you will be the first ones to know, for sure!" Finally are there any greetings you wish to send out? "I´m really thankful to you Rhys and everyone for the interview! It´s an honour, ´cause I like Global Metal Apocalypse a lot! I thank all of your readers too, and I really hope you guys headbang with LeatherJacks! Let´s F***ING ROCK!" https://www.facebook.com/leatherjacksofficial/  South America is awash with many metal bands, some of which have become established in the international arena:- Brazil's Sepultura (of course), Venezuela's Culture Tres, Argentina's Skiltron, etc., but even in the lesser known metal scenes there are bands making a name for themselves across their respective continent. And of course those bands who do make it internationally aren't always the best sounding, some of the most underground bands are better than the successful, ironic no? Anyway the point is the underground has a breadth of talent that most of the time gets ignored by the masses in favour of established bands and that's why GMA prides itself in giving coverage to bands on all six continents. Anima from Peru are the latest band to be interrogated by GMA, fresh on the block this quintet sing in Spanish and English and play Hard Rock / Heavy Metal. But what makes this band tick exactly? Alvaro Bueno Triveño [AT} and Diego Adrián Bueno Triveño [DT] were more than happy to share their world with us... from Lima with love. 
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