Global Metal Apocalypse
Connect With Us
  • Home
  • News
    • Alternative Music News
    • Metal News
    • Live News & Reviews
    • Other Music News
  • Reviews
    • Alternative Music
    • Film Reviews
    • Metal >
      • Metal II
      • Metal III
  • Interviews
    • Alternative Music Interviews
    • Metal Interviews
    • Music Related Interviews
  • Metal Scenes
    • Africa
    • Asia
    • Europe
    • North & Central America
    • Oceania
    • South America
  • Blogging
  • Extras
    • GMA Awards
    • GMA In The Press
    • Projects
    • Testimonials
  • Contact

Interview Interrogation: Mwango Lunda of Poisoned Blood (Zambia)

4/1/2026

0 Comments

 
Picture

    Zambia is not necessarily a country you would associate with metal music, despite existing in it's infancy, like other scenes across Africa it faces challenges daily that those in say Europe could not fathom. Despite Zambia having rich heritage in the Zamrock movement, the attitude towards metal music has been lukewarm, and so GMA decided to speak to one of the flagbearers of Zambian metal to find out why this is, we present to you the Melodic Doom / Death Metal band Poisoned Blood, who released their debut album "Artificially Alive" in 2025.

    From humble beginnings to working with Batswana metal legends, and from taking the debut album title from a Breaking Bad quote to prospective 2026 material, Poisoned Blood is going places. 



     ‎Please give us the history of how Poisoned Blood came to be, the current line-up (both studio and live).  ‎How did you discover metal music, what were the first bands you heard and what pushed you towards creating Melodic Doom / Death Metal?
‎

‎     First off would like to thank you Rhys for having us on your interview and giving us a chance to talk about the band. Poisoned Blood's line up started off as a two-man band, with Mwango Lunda on guitars and vocals, and Costa on guitars; all songs having composed and recorded by Mwango Lunda. After issues with relocating from the copperbelt to the capital Lusaka, currently its a one man band: Mwango Lunda.

     The history is mainly rooted in my experience of growing up in a neighbouring country where the metal scene is more alive and bigger! Botswana. As a kid I had always been drawn to music made with live instruments. My late father had a huge collection of the old rock legends: Bon Jovi, Bryan Adams etc. From these I forged a connection with the rock sound. Of course MTV and VH1 also had a huge role to play. Coming of age I was drawn to my tastes in Nu-Metal.

  
   Years of junior high were filled with listening to bands such as Linking Park, Limp Bizkit and alternative rock bands like Nickelback and Puddle of Mudd. High school opened a whole new door to different genres. There in the 11th grade I met a young lad who probably shaped what I am right now in the music sense. His name was "Maiden", a nickname given to him because of he's love for Iron Maiden! Needless to say, he introduced me to Iron Maiden and I immediately fell in love with the 'Brave New World' album.

     Tracks like "Blood Brothers" and "Brave New World" hit hard. Maiden listened to something else that I wasn't a fan of at that time, DEATH METAL!!!! I couldn't comprehend the screaming, shouting and louder instruments. Plus the images and images of one of his favourite bands Cannibal Corpse disturbed me.


     After high school I decided to pick up the guitar in 2005 at the age of 18. I was mostly interested in writing alternative rock. I managed to get with some garage bands here and there (with some ex members of Skinflint, Purity Of Sebek). In 2006 / 07, Maiden introduced me to other metal heads in the local scene. It was through him that I met the likes of Starks Deamon and Lawd Master of Wrust. Through these new connections I was introduced to bands like In Flames, Amon Amarth etc.

    Some bands I discovered on my own. Killswitch Engage in particular I discovered at the end of a Resident Evil 2 movie. In Flames, who are the greatest influence on my style of play, were introduced to me by another long-time friend of mine, Purity Of Sebek (whom I taught a few guitar-playing skills hahaha). Now, finally I found something that blended my love for ballads, melodic and heavy guitars. I finally found a reason to listen to the screaming hahhahahahhaha!


     Since I was already playing guitar I was intrigued by the way Death Metal guitarists played their riffs, and wanted to learn that. As a result I expanded my scope to other genres such as Old School Death Metal, Thrash Metal etc. Oh by the way, I was already a huge Metallica fan by this time! The band Death is one band that I got very fond of. And that is how my love for and composing Melodic Death Metal came to be.

‎

‎     Zambia is not the first country people would think of when it comes to metal from Africa, so could you discuss more about the fledgling scene, it's challenges, was it built from the foundation of the Zamrock music genre? How many metal / rock bands exist in Zambia - are Stasis Prey active?
‎

‎    "Yes you are definitely right! The Zambian metal scene is what I would define as being "DEAD"! It's a very very unpopular and uncommon culture here. The early scene of the Zamrock era just faded away. Most metalheads keep to themselves or just in some circles. Once there was some efforts to make the scene grow by putting up some gigs and social media groups but these eventually died off.

     Zambia is a very barren ground to grow a Metal project. To be honest with you at this point I don't even know how many metal / rock bands exist in Zed! You asked about Stasis Prey. Funny thing is I recently just received a new song by them sent to me by a radio presenter asking for my opinion on it. Truth be told, THE SONG HITS HARD!!!!! It is such songs that can get people liking the scene more, cos unlike Poisoned Blood, their music appeals to a more wider audience. I am hoping something gives.


‎
‎     Back in August 2025 you released your debut album "Artificially Alive", please talk us through the creative process - from start to the finished release, who designed the artwork?
‎
‎     After relocating back to my home country in 2012, I had tried putting up some projects but to no avail. At some point between 2012 and 2016 I completely disappeared from the Metal scene. In 2017 I began working on a project called Ductone with Lawd Master (ex Wrust) and Vulture (Overthrust). It was a long distance collaboration. We managed to put up some demos and even performed two live shows. But due to the COVID era we went into a hiatus. In the years that followed I composed music on my own.

     So in 2025 I decided to work on a solo project which I involved Costa as a supporting artist. "Artificially Alive" is an album that is largely based on myself, my beliefs and life experiences. It was recorded in a bedroom studio setup and mixed and mastered by myself, and thus the poor quality production (something I had never done before, It was my first attempt at production). But despite that, it managed to have 3 tracks in the African Metal Top 10, and I was proud of that!

Picture
     
​     The artwork was done with the help of AI hahahhahhaha. But I specifically fed it a concept which it gave out. The woman in bed is on a life support system and is "Artificially Alive". That's the literal sense but it has got different meanings to it. To be 'Artificially Alive' can be simply passing through life, without joy, purpose and hope. This was my disposition when I worked on this album. Unfortunately. The idea was born in my mind after watching an episode of Breaking Bad and Walter White says "I don't want to be hooked to machines and be Artificially Alive....."

‎

     ‎Talk to us about the "African Metal United Project" - is this a compilation release featuring musicians across the African continent, how did the concept come about? Will this be released on CD?

‎     Initially right after completing the "Artificially Alive" album I began writing stuff for a planned 2026 album release. I remember one time coming across a Nuclear Blast album called Nuclear Blast All-Stars: Out of the Dark, produced and written by Peter Wichers of Soilwork, who wrote tracks and featured different vocalists from different Nuclear Blast signed bands. I really thought that was a cool idea and that's how I thought to myself "well....this can also be done with African Metal bands!" I had not known nor even spoken to most of the vocalist on this project by then.

     I remember looking at the African Metal Top 10 bands and checking their profiles trying to see who can fit in for which kind of song. Im going to be honest with you. It wasn't an easy sail. I was met with mixed responses, from very welcoming conversations to outright bad attitudes or just total silence! But I decided to work with whomever came aboard. One of the first if not the first person I hit up was Akram Soliman from the Egyptian band Anemoya. We were total strangers to each other but we became very good friends. We worked on a track called 'Fragile Minds'. It took months, cos of life busy routines of our individual lives.


     Karim the guitarist came on board and as did Mustafa of Maddox Theory. After almost 7/8 months of working on it, it finally came out on December 25th! There were certain individuals who instantly agreed to work on the project and did not delay to record and delivered! The likes of Van Zyl Roberts (Architecture Of Aggression), Vulture (Overthrust), Chelsea (Surdus) and Frank Taljaard (Ave) just to mention a few. And I'm thankful for their support! Because of the current demographics of users preference of streaming platforms, the album will be released first on these platforms and maybe, just maybe later on CD, depending on demands etc. But each song as being given a release on its own to acknowledge and honour the supporting individual vocalists.



     ‎Outside of the metal music base in Zambia, what is the general perception by Zambian society - is there interest from the mainstream media outlets for metal and rock music?

‎      Hahahahahaah! Zambia.... Zambia.....Zambia. It's a world of it's own. Cos just even the people who listen to rock music are perceived to be nut cases. How much more so Metalheads....! Its simply seen as a "Satanic movement"! Or insane culture!


      ‎‎2026 is upon us - so what are the plans for Poisoned Blood in the coming year? ‎Are there any greetings you wish to send out, any final comments?

      Well the majority of 2025 saw me focus my attention on production works. I literally put down my guitar for such a long time. But hopefully early quarter of 2026 will see me get some inspiration and write new stuff!!!!! So in shot, YES!, DEFINITELY THERE WILL BE A RECORD FROM PB!!!!!!

https://www.youtube.com/@PoisonedBlood-s8i​
​https://www.facebook.com/profile.php?id=61575539544993
0 Comments

Interview Interrogation: Stasis Prey (Zambia)

26/5/2020

0 Comments

 
Picture

"The Zambian metal scene is pretty underground. We conjured it here, in 2013 ha ha. There was a Zamrock movement in the 70's, but that was mostly made up of psychedelic and acid rock sounds."


Zambia during the 1970's was bustling with what was then known as 'Zamrock', however that has sadly died away and faded into the background of music history. However one band has set out to bring it back albeit a lot heavier, the first ever metal band from Zambia, their name? Statis Prey.  Having released their debut album "Sanguine" last year, the quintet are continuing improving what they have built up since 2013 and are sure to put Zambia on the international metal stage. Much like their brothers Dividing The Element in Zimbabwe, they have a DIY attitude towards it all, after all they're the leaders of the scene and as such hope to lead the way for other potential bands to follow in their wake.

Stasis Prey survived their interrogation, we were kind to them. The Victoria falls however were not.

Picture
For those who have not heard of Stasis Prey, could you give us a brief history of the band? What does the band name mean?

     "It all started with Tumelo (vocalist) meeting Lerato (bassist) who then asked Joshua (lead guitarist) to join the band. Then Joshua's cousin Sina (rhythm guitarist) joined later on. The band name is a metaphor developed by Tumelo in relation to the idle mind philosophy, which says that the mind that is in stasis / not in motion, is likely to be prey. So the name is pretty much an anthesis to that."


Last year you released your debut album 'Sanguine', what was the reaction like? Did you have anyone outside of Zambia check out it?

     "The reaction was moderately well received online... the fun part was playing the songs on the album live. The energy was raw, organic, honest, and more heartfelt."


How would you describe your sound without the use of genre tagging, given you play Alternative Metal; such a broad genre?

     "That would be a different answer from everyone... blurring heavy distorted guitars with raspy hyper-tone vocals, and blurring powerful grounding bass with regimented drums..., for the most part."


What do your parents think of your music? Are any of your family members musicians?

     "They have mixed feelings about it. Yes, some of our family members actually ARE / WERE musicians. Just not Rock / Metal musicians. Ha ha."

Picture
Lusaka, Zambia / Source: Pinterest
Tell us more about the Zambian Metal scene, when did metal arrive in Zambia? What is the public opinion of metal? Is the scene active?

     "The Zambian metal scene is made up of a minority movement. It's pretty underground. We conjured it here, in 2013 ha ha. There was a Zamrock movement in the 70's, but that was mostly made up of psychedelic and acid rock sounds. The public opinion of metal around here is mixed. Genuinely loved OR hated. No two ways about it. The scene is currently active in university dorms and male and female bedrooms laden with angst. Ha ha."


Do you feel there is a current trend of people outside of Sub-Sahara Africa paying more attention to bands from the region?


     "Yes there is. A great Zambian band called W.I.T.C.H has been touring Europe for a while now and also had one of their songs featured as the opening soundtrack on an American TV show called "Watchmen" so... "


For metalheads visiting Lusaka, what sights / attractions and bars / venues could you recommend?

     "We would recommend the Victoria Falls (the city of Livingstone in general), the sinkhole and bongohive in Lusaka... and any dynamic live music show / event / platform... you'll most likely stumble upon interesting bands there."


Do you have any thanks or greetings you wish to send to friends, family or fans?


     "We don't have fans... only friends... in many places.... here and across the globe. Ha ha. So a huge shout out and thanks to them for their support. And also a HUGE thank you to you too for your interest in us as well as your support! Cheers!"

https://www.facebook.com/StasisPrey/
0 Comments

    
    © 2011-2026 Global Metal Apocalypse

    ​​


    If you enjoy reading this content, please consider a donation

    Donate


    Archives

    October 2022
    September 2022
    August 2022
    May 2022
    March 2022
    October 2021
    August 2021
    April 2021
    March 2021
    February 2021
    December 2020
    October 2020
    July 2020
    June 2020
    May 2020
    April 2020
    March 2020
    February 2020
    January 2020
    December 2019
    October 2019
    September 2019
    August 2019
    July 2019
    February 2019
    January 2019
    December 2018
    November 2018
    September 2018
    August 2018
    July 2018
    June 2018
    May 2018
    April 2018
    March 2018
    February 2018
    January 2018
    December 2017
    November 2017
    October 2017
    September 2017
    June 2017
    May 2017
    April 2017
    March 2017
    December 2016
    November 2016
    September 2016
    August 2016
    July 2016
    June 2016
    May 2016
    April 2016
    March 2016
    February 2016
    August 2015
    July 2015
    June 2015
    November 2014
    October 2014
    September 2014
    August 2014
    June 2014
    May 2014
    April 2014
    February 2014
    January 2014
    December 2013
    November 2013
    October 2013
    September 2013
    August 2013
    July 2013
    May 2013
    April 2013
    February 2013
    January 2013
    December 2012
    September 2012
    August 2012
    July 2012
    June 2012
    May 2012
    March 2012
    December 2011
    September 2011
    August 2011

    Categories

    All
    Albania
    Algeria
    Alternative
    Atmospheric
    Australia
    Bangladesh
    Beautycore
    Belarus
    Belgium
    Bhutan
    Black Metal
    Bloodstock
    Brazil
    Brutal Death Metal
    Bulgaria
    Burma (Myanmar)
    Cambodia
    Cameroon
    Canada
    Cello
    Celtic
    Chile
    China
    Christian
    Cinematic Metal
    Classical
    Colombia
    Costa Rica
    Croatia
    Crossover
    Crust
    Cuba
    Cyber Metal
    Cyprus
    Czech Republic
    Dance Metal
    Dark Metal
    Deathcore
    Death Metal
    Denmark
    Djent
    Djentcore
    Documentary
    Dominican Republic
    Doom Metal
    Drone Metal
    Dsbm
    Ecuador
    Egypt
    Electronic
    England
    Epic Metal
    Estonia
    Eswatini
    Eurovision
    Experimental Metal
    Extreme Metal
    Faroe Islands
    Female-fronted
    Festival
    Fiji
    Film Score
    Film-score
    Finland
    Folk Metal
    France
    Funeral
    Gabon
    Germany
    Gibraltar
    Glam Rock
    Golden Gods
    Gospel Metal
    Gothic Metal
    Grindcore
    Groove Metal
    Grunge
    Guam
    Hardcore
    Hard Rock
    Hard Rock
    Heavy Metal
    Horror Metal
    Hungary
    Iceland
    India
    Industrial
    Instrumental
    International
    Iran
    Iraq
    Ireland
    Israel
    Italy
    Japan
    Jordan
    Kazakhstan
    Kenya
    Kosovo
    Kuwait
    Label Video
    Latin Metal
    Latvia
    Liechtenstein
    Lithuania
    M2TM
    Madagascar
    Malawi
    Mali
    Malta
    Medieval Metal
    Melodic
    Metal
    Metalcore
    Metal Hammer
    Mexico
    Modern Metal
    Moldova
    Music Video
    Namibia
    Neo Classical Metal
    Neo-Classical Metal
    Nepal
    Netherlands
    New Caledonia
    New Zealand
    Nicaragua
    Norfolk Island
    Northern Ireland
    Norway
    Nu
    Nu Metal
    NWOBHM
    Operatic
    Oriental Metal
    Pagan Metal
    Pakistan
    Panama
    Parody Metal
    Peru
    Pirate Metal
    Poland
    Pop Metal
    Portugal
    Post Hardcore
    Post-Hardcore
    Post Metal
    Power Metal
    Prog Metal
    Punk Metal
    Ragga Metal
    Rapcore
    Record Label
    Rock
    Romania
    Russia
    Samurai Metal
    Scotland
    Screamo
    Serbia
    Shred
    Singapore
    Slam Metal
    Slovenia
    Sludge Metal
    South Africa
    Southern Metal
    South Korea
    Spain
    Sri Lanka
    Stoner Metal
    Suriname
    Sweden
    Switzerland
    Symphonic Metal
    Syria
    Taiwan
    Technical Metal
    Thailand
    The Bahamas
    Thrash Metal
    Tour
    Trance Metal
    Uganda
    UK
    Ukraine
    USA
    Vanuatu
    Vatican City
    Vedic Metal
    Vietnam
    Viking Metal
    Violent Pop
    Visual Kei
    Wales
    Yemen
    Zambia
    Zimbabwe

    RSS Feed