Global Metal Apocalypse
Connect With Us
  • Home
  • News
    • Alternative Music News
    • Metal News
    • Live News & Reviews
    • Other Music News
  • Reviews
    • Alternative Music
    • Film Reviews
    • Metal >
      • Metal II
      • Metal III
  • Interviews
    • Alternative Music Interviews
    • Metal Interviews
    • Music Related Interviews
  • Metal Scenes
    • Africa
    • Asia
    • Europe
    • North & Central America
    • Oceania
    • South America
  • Blogging
  • Extras
    • GMA Awards
    • GMA In The Press
    • Projects
    • Testimonials
  • Contact

M2TM Interview Interrogation: Callus (Lancashire)

14/4/2017

2 Comments

 
Picture
Photo Credit: Daniella Beswick Photography


Lack of money, lack of time... [are] the testing stages and they need to be like this. (On being an unsigned band)


As the Metal 2 The Masses (M2TM) kicks into full swing with heats across the breadth of the UK and abroad taking place, bands progressing whilst some fall by the wayside, it's once again time for GMA to probe the bands who have entered this prestigious competition that allows the eventual region winners to earn a slot at playing the New Blood Stage at Bloodstock Open Air Festival near Burton-Upon-Trent.

Third up is Callus from Lancashire; questions answered by guitarist / vocalist Louis Clarke.

Picture
Debut EP out now

For those not in the know, please explain how Callus formed?

     "Callus formed in early 2013 in Lancaster, Ben and I had been friends since high school and enjoyed the same bands and getting pissed together, so it was only natural that we wanted to form a band. We encountered Mark shortly after and that's when things really clicked for us and when we knew we had the proper line-up. I think we played our first show with Mark in Barrow, Cumbria."


Is this your first time in M2TM? If no when did you previously enter? If yes what are your emotions like?

      "This will be our second stab at M2TM, we played last years event in Burnley. We are like a caged violent demon-boar at this point... ready to bust loose and launch an assault on all of your senses."


How important is the M2TM initiative for unsigned bands? Irrespective of whether they win their regional heats?

    "I do think M2TM is pretty important for unsigned bands, obviously it gets them in there with a chance at playing the main event. Not only that, but with all the attention that the heats get it makes the nights pretty awesome in themselves, which is still great if you are like us last year getting knocked out in the first round (!). The nights always end up being heavily populated as far as we can tell."


What is the Lancashire scene like? Please tell us about local bands, venues, etc.

    "Lancashire's scene is pretty good, we try not to take too much notice on what everyone else is doing in scenes though. We like to do our own thing really, if people enjoy it then that's amazing and that makes our night, if not then that's cool as well we enjoy it all the same.

    As far as local bands go Lancaster can boast some pretty meaty bands especially with the likes of Bloodyard (who of course won M2TM a couple of years ago) and Insurgency really starting to break out and make a name for themselves. A favourite band of ours is Boss Keloid although they probably don't know it... it blows my mind that something so original and moving came out of Lancashire, Wigan I think to be precise. Of course Manchester seems to be "Where its all happening" though.

    As far as venues we love the Yorkshire House (Lancaster) to bits, and we have grown especially fond of The Dark Room at Roper Hall, Preston. Both killer venues."



Will you be going to Bloodstock even if you don't progress to the finals?

      "I think at least one of us may go to Bloodstock this year, but last years line-up was outstanding and pretty hard to top for us... A bunch of us went though even though we didn't get through our round of M2TM. With the likes of Boss Keloid, Foetal Juice, Rotting Christ, Gojira, Mastodon and Slayer it was too good to miss. We also made sure to catch After The Abduction who we have played with before at The Alma Inn, Bolton and The Star and Garter, Manchester (two more awesome venues in Lancashire), who won last years M2TM... those guys bossed the New Blood stage."


What are the hardest challenges of running an unsigned band these days?

     "One of the hardest challenges of running an unsigned band has to be a matter of time and money... two of us each have kids, all of us have jobs and responsibilities yeah it can be tough. Lack of money, lack of time... its all a test but that's life its just how it goes. These are the testing stages and they need to be like this. Although if someone wants to sign us and pay for our shit then we will have a chat right?"


What plans do you have for the rest of the year and are there any messages you wish to send out to people?

     "The plan for the rest of the year is play as many shows as we can and try to reach as many people as we can. We just released our first E.P. as well called Through, Blood, Sweat, Piss and Pain so we want to support that as much as we can and drill that into as many peoples heads as possible. We have something really big planned for early next year so we are trying to build up as much momentum as possible.

     Come to a show if you haven't already, you might be surprised... you might not... still reading?
Congratulations if you got this far! Through, Blood, Sweat, Piss and Pain."



https://www.facebook.com/Callus.band/

2 Comments

M2TM Interview Interrogation: Black Atlas (Luton)

9/3/2017

0 Comments

 
Picture

As the Metal 2 The Masses (M2TM) kicks into full swing with heats across the breadth of the UK and abroad taking place, bands progressing whilst some fall by the wayside, it's once again time for GMA to probe the bands who have entered this prestigious competition that allows the eventual region winners to earn a slot at playing the New Blood Stage at Bloodstock Open Air Festival near Burton-Upon-Trent.

Second up is Black Atlas from Luton; questions answered by guitarist Peter Hunt.


How did Black Atlas form and what is the meaning behind the band name?

     "Black Atlas formed through a want to get back out on the local scene and play music we enjoyed. We had all been in previous bands at one point with one member or another. We gelled together pretty quickly, working on a few song ideas which have stuck with us since the beginning.

     The name came through the normal pain of us passing ideas around. Black Atlas was an idea Peter had knocked about for a while. As a few of our favourite bands are Black Sabbath and Black Label Society we went with it. The idea behind it is a simple combination of Black signifying the music as it simply defines Heavy Music. Atlas is to show we pull influences from a range of bands, and that we don't want our music to be defined by borders."


What range of influences do you take? Band-wise and sound-wise?

     "This question would have a massive list of bands, but I guess our main core influences fall as;
Kyuss; Corrosion of Conformity; Fu Manchu; Black Sabbath; Black Label Society; Alice in Chains. Those bands show what we are about and capture the sound we want to put across."



Is this your first time participating in M2TM? (If yes are you / were you nervous? If no what emotions were / are you feeling?)

     "We actually took part last year as well. It was great fun. Even though we were did not progress we really enjoyed it. The mix of bands was great, showcasing all varieties of heavy music.

     We are also fortunate to know previous winners in bands such as Scar City and Countless Skies. That makes it a lot more real, seeing local bands we've played with or know from the scene. We've all seen BOTB competitions, and with rubbish on TV like X Factor and the Voice manufacturing bands and artists, M2TM is something which is a lot more relatable and to us will have a greater longevity and meaning than the others. It's just what real music needs."



What is the Luton / Bedfordshire Metal scene like? 

     "We've been knocking around the scene for a few years now. We once got refereed to as the 'old guards' even though we consider ourselves still young. Overall the scene is healthy, there is always young blood coming in so there is never a shortage of bands. I think the main struggle we've seen is the willingness for venues to support heavy music. Getting a crowd down and making nights successful for a venue has been what has hit the scene the hardest. We've seen a few venues close, and some fortunately open up again. 


     Too many people would prefer to pay money to see someone play a cover of a song someone else sings, and was most likely written by another person. The best thing about metal though is it doesn't die. With ongoing support from promoters like Luton Lives and Bedford Alternative Music it has all lived and will always live."



What hobbies does the band have outside of music?

     "We've all got a collective mix really. Peter is into his cars, running a Japanese car club and probably spending too much money on them. He also enjoys his photography and is a keen cinema goer. Wilson also has a passion for cars, and usually if you don't find us playing music we will be tinkering on our cars. He also has his own business. SWFX (swfxpedals.co.uk) He designs and builds custom stomp boxes/pedals. We actually use a lot of them in our sound. From fuzz pedals, to custom wahs and delays. 

     Mikey recently became a father for the second time. So he has his hands full looking after a the little one currently. Aside from that he enjoys his 5 a side football. He used to also scout bands back in a previous life, working with Basick Records finding some great new artists. Jimi is a big horror fan and a prominent gig goer. He used to support the local scene by putting on gigs around Luton and support Luton Lives in its early days. We all like to keep fit as well, through either the gym or running. 


What plans do you have for the rest of the year? 


     "Our main goal for this year is to be gigging more, building up a solid fan base and then spreading too some wider locations. We're working on some new material as well, writing new songs and developing our overall sound. 

     We are also looking to do some more recording to follow up our debut EP, and then hopefully tie that in with a video. And while all that's going on we will have a right old laugh as well. As you've got to enjoy what you do."


https://www.facebook.com/BlackAtlasBand/

0 Comments

GMA Interview Interrogation: Melancholic Orchestra (The Ukraine)

6/9/2014

0 Comments

 
Picture

Possibly one of the more controversial interviews we have done, given the current crisis in the eastern half of The Ukraine.

Melancholic Orchestra are a duo who play Gothic Doom Metal in it's instrumental form, the band formed in Donetsk, The Ukraine in 2009 and to date have one demo and two albums out. The most recent album "Forest of Insomnia" was released online in August 2014 and features ten tracks.

GMA sat down with
Viktor Chelgy and spoke about the Ukrainian Metal scene, including current problems and the lack of exposure alongside the band's history

Picture

Hi Viktor, could you give us a brief history behind Melancholic Orchestra?

Hi!!! The start of our creative path originated back in 2009, when we had a different name. It is not easy to determine the style, in fact we wrote songs in different genres ranging from Ambient to Gothic. But in early 2013, we decided to release a demo album and create it by using different styles, in fact it was an experimental release to see how our people and fans would react.


Since Melancholic Orchestra are from The Ukraine, could you give us an insight into the metal scene (places to gig, the scene history, problems faced there, etc)

Yes we are from The Ukraine, and we have a very difficult situation within the metal scene, especially in our hometown of Donetsk, rarely are there any concerts, the television channels do not broadcast or promote any metal bands, instead they mostly cover pop and rap, I find it difficult to even call it music.


The conflict between Russia and The Ukraine, how is this affecting the scene? Are there less gigs?

The conflict does not affect the scene because the music is not linked to the policies.


Melancholic Orchestra have just released their second album "Forest Of Insomnia", can you tell us the background behind it?

It was very hard work when recording and producing the album "Forest Of Insomnia", as there were technical issues. Currently we decided to take a break and start writing new material for the next album.

Picture
"Forest Of Insomnia" is available as a download

You play Gothic / Doom Metal, but of the instrumental kind, what made you choose this?

Basically it's just that this style is closer to us in spirit at present.


How did you get into playing music and who influences you?

I personally have been going long in the music scene, I work as a teacher at the music school. My colleague Vitaly also soon began to play music but only as a composer.


What can fans of Forest of Insomnia expect from you in the near future?

From us you can expect anything, so expect more experiments and good music


Are there any greetings you wish to send out to fans, friends, etc?

I would like to convey a message to all of the fans of our music, a huge hello and listen only to good music!!

Rhys, thanks for the interesting conversation, good luck to you!!


https://vk.com/melorchestra
0 Comments
Forward>>

    © 2011-2022
    Global Metal Apocalypse



    If you enjoy reading this content, please consider a donation

    Donate


    Archives

    October 2021
    August 2021
    April 2021
    March 2021
    February 2021
    December 2020
    October 2020
    July 2020
    June 2020
    May 2020
    April 2020
    March 2020
    February 2020
    January 2020
    December 2019
    October 2019
    September 2019
    August 2019
    July 2019
    February 2019
    January 2019
    December 2018
    November 2018
    September 2018
    August 2018
    July 2018
    June 2018
    May 2018
    April 2018
    March 2018
    February 2018
    January 2018
    December 2017
    November 2017
    October 2017
    September 2017
    June 2017
    May 2017
    April 2017
    March 2017
    December 2016
    November 2016
    September 2016
    August 2016
    July 2016
    June 2016
    May 2016
    April 2016
    March 2016
    February 2016
    August 2015
    July 2015
    June 2015
    November 2014
    October 2014
    September 2014
    August 2014
    June 2014
    May 2014
    April 2014
    February 2014
    January 2014
    December 2013
    November 2013
    October 2013
    September 2013
    August 2013
    July 2013
    May 2013
    April 2013
    February 2013
    January 2013
    December 2012
    September 2012
    August 2012
    July 2012
    June 2012
    May 2012
    March 2012
    December 2011
    September 2011
    August 2011

    Categories

    All
    Algeria
    Alternative
    Atmospheric
    Australia
    Bangladesh
    Beautycore
    Belarus
    Belgium
    Bhutan
    Black Metal
    Bloodstock
    Brazil
    Brutal Death Metal
    Burma (Myanmar)
    Cambodia
    Cameroon
    Canada
    Cello
    Celtic
    Chile
    China
    Christian
    Cinematic Metal
    Classical
    Colombia
    Costa Rica
    Croatia
    Crossover
    Crust
    Cuba
    Cyber Metal
    Cyprus
    Czech Republic
    Dance Metal
    Dark Metal
    Deathcore
    Death Metal
    Denmark
    Djent
    Djentcore
    Documentary
    Dominican Republic
    Doom Metal
    Drone Metal
    Dsbm
    Ecuador
    Egypt
    Electronic
    England
    Epic Metal
    Estonia
    Eswatini
    Experimental Metal
    Extreme Metal
    Faroe Islands
    Female-fronted
    Festival
    Fiji
    Film Score
    Film-score
    Finland
    Folk Metal
    France
    Funeral
    Gabon
    Germany
    Gibraltar
    Glam Rock
    Golden Gods
    Gospel Metal
    Gothic Metal
    Grindcore
    Groove Metal
    Grunge
    Guam
    Hardcore
    Hard Rock
    Hard Rock
    Heavy Metal
    Horror Metal
    Hungary
    Iceland
    India
    Industrial
    Instrumental
    International
    Iran
    Iraq
    Ireland
    Israel
    Italy
    Japan
    Jordan
    Kazakhstan
    Kenya
    Kosovo
    Kuwait
    Label Video
    Latin Metal
    Latvia
    Liechtenstein
    Lithuania
    M2TM
    Madagascar
    Malawi
    Mali
    Malta
    Medieval Metal
    Melodic
    Metal
    Metalcore
    Metal Hammer
    Mexico
    Modern Metal
    Moldova
    Music Video
    Namibia
    Neo Classical Metal
    Neo-Classical Metal
    Nepal
    Netherlands
    New Caledonia
    New Zealand
    Nicaragua
    Norfolk Island
    Northern Ireland
    Norway
    Nu
    Nu Metal
    NWOBHM
    Operatic
    Oriental Metal
    Pagan Metal
    Pakistan
    Panama
    Parody Metal
    Peru
    Pirate Metal
    Poland
    Pop Metal
    Portugal
    Post Hardcore
    Post-Hardcore
    Post Metal
    Power Metal
    Prog Metal
    Punk Metal
    Ragga Metal
    Rapcore
    Record Label
    Rock
    Romania
    Russia
    Samurai Metal
    Scotland
    Screamo
    Serbia
    Shred
    Singapore
    Slam Metal
    Slovenia
    Sludge Metal
    South Africa
    Southern Metal
    South Korea
    Spain
    Sri Lanka
    Stoner Metal
    Suriname
    Sweden
    Switzerland
    Symphonic Metal
    Syria
    Taiwan
    Technical Metal
    Thailand
    The Bahamas
    Thrash Metal
    Tour
    Trance Metal
    Uganda
    UK
    Ukraine
    USA
    Vanuatu
    Vatican City
    Vedic Metal
    Vietnam
    Viking Metal
    Violent Pop
    Visual Kei
    Wales
    Yemen
    Zambia
    Zimbabwe

    RSS Feed

Proudly powered by Weebly