Metal Music Interviews

Interview Interrogation: Agni from Black Spikes (Lithuania)

13/9/2026

For those who follow the Lithuanian metal scene, they will have noticed a force that has deviated away from the black and death metal genres of which has made the scene fervent on. This force comes in the shape of Black Spikes, who have delivered their 3rd opus "YDOS" (their 1st with Napalm Records).

Black Spikes are no strangers to staking a claim on the international stage, having first turned heads in their homeland with their debut album "Šesėlių Vedami", to attempting to represent Lithuania at Eurovision Song Contest 2021. Undeterred from the unsuccessful attempt, the quartet returned with their 2nd effort "Nil" (2025) which set the wheels in motion for their breakthrough route... 2026 saw them nominated at the M.A.M.A music awards (Lithuania's equivalent of the Grammy's) and ultimately pen a record deal with Napalm Records. Needless to say we interrogated vocalist Agni to the fullest.

"Our goal is to take something that belongs to our cultural identity
and put it into a completely modern context."

The trajectory of Black Spikes has gone onwards and forwards, from your formation in 2018, to your attempt to represent Lithuania at the 2021 Eurovision Song Contest, and now releasing your debut album “YDOS” (3rd album overall) via Napalm Records. What challenges have you had to overcome throughout the long journey?

"I think the biggest challenge has always been believing in our own path when it wasn’t necessarily the obvious or easiest one.

We started Black Spikes in 2018 with a very strong idea of what we wanted to create, but Lithuania is a relatively small country and the heavy music scene here is not huge. We also never wanted to simply follow what was already happening around us. From the beginning, we wanted to combine heavy music with visual art, performance and storytelling, and that sometimes meant taking risks and doing things without knowing whether people would understand them."

"The Eurovision attempt in 2021 was hard on us, and I believe it also contributed to two band members leaving the band. We put a lot of effort into it, but in the end we were deeply unhappy with the results, which were not even within our control. Since then, we have decided not to participate in any similar shows again."

"There were also the usual struggles: finding the right people, financing everything ourselves, producing ambitious videos and shows, and simply continuing when things didn’t happen as quickly or as well as we wanted. But every obstacle pushed us to become more professional and more determined."

"Signing with Napalm Records and releasing "YDOS" feels like the result of all those years of work. It didn’t happen overnight, there are almost eight years of persistence behind it."

The Lithuanian metal scene is most known for it's black metal and death metal music. However, Black Spikes positions itself with a unique sound within the scene, mixing progressive metal, metalcore and electronic elements. Correct me if I am wrong, but are there elements of traditional Lithuanian music in the background?

"Yes, absolutely, although we don’t necessarily approach it by deliberately saying, “Now we are going to add a traditional Lithuanian element.”"

"Lithuanian music and the language are part of who we are, so they naturally find their way into our music. There are moments inspired by Lithuanian folk melodies, vocal traditions and the darker atmosphere that you can find in our folklore. "YDOS" also has songs where we deliberately used an almost folk-like lyrical approach."

"But we don’t want to make “folk metal” in the traditional sense. Our goal is to take something that belongs to our cultural identity and put it into a completely modern context. That’s why you can hear progressive and alternative metal, metalcore, black metal, electronic and even trap influences living next to each other."

With your new album “YDOS”, there is only one song with English lyrics (the rest being in Lithuanian). Was it easy to convey the messages you wanted to express in the only English song, ‘Zelvar’?

"Actually, it wasn’t about making the message easier for an international audience. While writing 'Zelvar', some English lyrics kept repeating in my head, so I gave them a try and they worked.
I love that this song feels different from the others, and English gave it that particular character.
Of course, Lithuanian is much more natural for us when we are writing. But we don’t see language as a barrier. Even if someone doesn’t understand every word, they can still feel the emotion, aggression or atmosphere of the song."

"And that’s something we really like about metal — you don’t always need to understand every lyric to understand what the music is trying to tell you."

Regarding the writing process for “YDOS”; given that there is a story going on whilst addressing humanity’s flaws, and offering a thought-provoking insight into the world of Black Spikes, how did you choose which topics to include on the album?

" "YDOS" was created as a concept rather than simply a collection of songs. We imagined a kind of “pure land” where human vices are born. They take different forms and eventually move towards people, whispering to them and influencing their choices.

From there, each vice became its own character and story. Pride, greed, revenge, apathy, lies and other human weaknesses all have different faces, and we wanted to explore them without simply saying that they are “bad”."

"The writing process was therefore very visual. Sometimes an image, character or story would come first and the music would grow around it. Other times the music created the atmosphere and we would then discover what kind of character belonged inside it.

The album begins with 'Motina', the mother who gives birth to the vices, and ends with 'Dulkės' — dust. So there is a complete journey through the album. It’s almost like entering another world and then slowly finding out that this world is actually a reflection of ourselves."

"When Black Spikes says we’re going to do something, it probably won’t be particularly conventional."

Focusing on yourselves as musicians, how did you get into listening to, and then playing, metal music? Are any of your family members musicians, and what do they think of your music?

"We all came into music from slightly different directions, which probably explains why Black Spikes has never sounded like a straightforward genre band.

I personally discovered metal music quite late — in my twenties, when a melodic metal band accepted me as their vocalist. I didn’t know much about the genre at that time, but it gradually drew me in."

"Our backgrounds are different, and not everyone in the band comes from a family of musicians. Some of our families understand our music more easily than others! But over the years, they’ve definitely learned that when Black Spikes says we’re going to do something, it probably won’t be particularly conventional."

We are now two-thirds of the way through 2026. What are your plans for the rest of the year and going into 2027? Could we see Black Spikes heading out on a festival run in the summer?

"2026 has already been a huge year for us. We released "YDOS" through Napalm Records on 28th August, and earlier this year we completed our first proper European tour with Infected Rain and Butcher Babies. That experience showed us exactly where we want to go next."

"For the rest of 2026, we want to continue pushing "YDOS" internationally. We are also working on presenting the album in Lithuania in a way that reflects the whole Black Spikes world — not just playing the songs, but combining music, fashion, visuals and performance."

"In 2027, we would love to do a proper festival run, especially across Europe. We are also looking for more support opportunities and, eventually, headline shows where we can bring the complete Black Spikes production to the stage.

After the first European tour, we’re hungry for much more. So yes — if the right festival promoters are reading this, we are ready."

Do you have any greetings or thanks you wish to send out?

"First of all, a huge thank you to everyone who has listened to "YDOS", shared it, come to our shows, bought our music or simply told someone else about Black Spikes.

We also want to thank Napalm Records for believing in us and helping us bring this new chapter to a much bigger audience.

And to everyone discovering us for the first time: don’t expect us to fit neatly into one box. We don’t intend to."

'YDOS' is out now via Napalm Records

https://blackspikes.lt/

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Interview Interrogation: Farhan Rathore from Primaeval (Pakistan)

6/3/2022

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Pakistan's metal scene has fluctuated over the past 2 decades since it's first emergence way back in the late 90's, but despite this the scene has grown and grabbed ever-expanding attention from the wider global metal community... and now, is perhaps one of the most exciting scenes to emerge on the international stage, further enhancing the need for the western metal music industry to take note and a chance on the flagbearers of the Pakistan metal scene.

One band who carries the flag is Primaeval, a mixture of heartfelt experimenting and ritualistic heavy metal, quite the contrast to many other bands in this part of Asia; whose extreme metal faction is unsurmountable.

Farhan Rathore spoke to Global Metal Apocalypse about the band's humble origins, international recognition following their debut EP launch, sexism within the scene, the origins of the metal scene and the challenges bands faced, among other topics.

"Our love for metal won't die because this is a genre that has saved many lives."

Tell us about your band name Primaeval - why and how did you choose it? After all it relates to the earliest times in history.

"So it's a funny story. The band is founded by one of the oldest active metal musicians in Pakistan, Farhan Rathore. Who has been a musician since 2010. He approached a couple of his friends in 2020 with the idea of creating this band, after taking a break in 2017. They thought it was a great idea and we had named the band Nephilim, but we found out there are a dozen more bands with this name, so we started working on coming up with new names, and then medieval popped into my mind, but I thought what can be more earlier, so that's where Primaeval came into my mind. Basically signalling to the fact that we are old school metalheads."

You released your debut EP 'Horcrux' at the back end of 2021, how was it received locally and overseas?

" 'Horcrux' was not as well received as we'd have wished for locally, but outside of Pakistan the response was good as always. Mostly because of the quality of listeners is far better outside of Pakistan. Nothing to take away from our loyal fanbase here locally who have been brilliant always. But generally it didn't do well as good locally as it did overseas."

As it's your first release, how did you come up with the song tiles and lyrical content? Was the EP's creation straightforward?

"It's actually quite interesting. 'Doom' and 'Bleed' from the EP were written by Farhan in 2013 when he was with his old band, but we got the chance to record those songs now since he wanted those lyrics to be used. Nocturne (alternate version) is our full length album's title track basically (a small chunk of that) used in the EP in a toned down way. It was a pretty personal approach with the material because we are emotionally attached to the songs in the EP. To round off we covered 'I Long' from one of our favourite bands Saturnus. And yes the process was very straightforward because we had recorded the instruments before even planning to put these songs in the EP."

Has Byzma Aref your female vocalist, received any sexist comments by those in the Pakistani metal scene? Generally speaking, what is the attitude towards female musicians in Pakistan?

"First of all, Byzma is talented. A voice that our metal scene hasn't witnessed, you'll be hearing brilliant work from her end soon. And about anything negative being thrown her way, we can confidently say NO.

Females are generally mistreated in the local scene, but with our female vocalist, this hasn't been the case luckily."

What challenges do metal bands in Pakistan face? Is there an established music industry in Pakistan (focusing on the mainstream)?

"Metal has never got the recognition it deserves unfortunately. One band recently made it to a mainstream music show, only to upset the fans because it was a pop themed show. The mainstream industry is more established around pop and hip-hop, and it looks down upon metal like it's a bad genre or something and doesn't give equal opportunities or exposure to a lot of metal musicians.

So it's a day to day struggle building up your audience and putting out original music which is self funded. Not to forget arranging gigs from your own money with free for all entries. Which demotivates us all. But our love for metal won't die because this is a genre that has saved many lives."

Have there been any well-known international bands play in Karachi or elsewhere in Pakistan? If so, who?

"To our knowledge, no well known rock or metal bands from the international scene have been here. Mostly because of the hostile situations and the religious fanaticism. Religious extremism still exists but we've learnt to stay away from it now. But we don't see any big acts coming here to play. Not like India where many big bands have played shows and festivals. We probably will never get to see that sort of thing here unfortunately."

Tell us about your day jobs, what do you do (if employed) and do you talk to colleagues about metal music?

"Farhan is a Senior Customer Success Manager at a multinational company and works at night (as they work according to the US time zones). Byzma is a Data Analyst for a Canadian company (remotely employed), Athar is in the lead HVAC designer for a construction company and Rumi is an Architectural Engineer.

We all talk to our colleagues and friends about metal all the time. We are trying to build a large scale community so that Metal can thrive. We engage with like minded people to discuss ideas and share knowledge where needed. It's well received too."

How did you get into metal music and what do your parents think of the genre?

"Farhan has been into metal since the 9th grade of school, so that makes him a metalhead for 18+ years now. Athar and Rumi got into the metal scene after being hardcore Metallica and Opeth fans for a long time, deciding to make music of their own and have been active musicians for 10 years now. Same goes for the other members, all have been metalheads all their lives and just stepped into the music scene when they felt like it basically.

Initially all of us got some stick for this loud, aggressive music that we listened to. But now that we've grown up, we get little to no stick for it hahaha."

2022 is upon us and so what plans does Primaeval have for the year ahead? Could we see the EP be physically released?

"Good question. We're looking for a label that can sign us and distribute our music physically. Though we're in talks with a local distribution label that might do it digitally, it's not done yet though. It's very hard to find a label or publications that might help you market your work.

About 2022, we can promise a full length album is on the way, it is something Pakistan has never witnessed. It's progressive and very dark. We've put all of our emotions and experience into it. The album will bring the wow factor for all of our listeners locally and overseas. The album is named "Nocturne". We are in the recording phase, it'll be out later this year."

https://www.facebook.com/PrimaevalBand
https://primaeval.bandcamp.com/releases

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Interview Interrogation: Turbyne (Scotland)

24/8/2018

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When you think of the Scottish Metal scene you tend to think of the likes of Alestorm, sure their Pirate Metal sound is popular among the masses but they aren't the only Scottish Metal band with a sumptuous sound. Entering the affray is Dumfries' own Turbyne, whose mix of Melodic, Death, Prog and Metalcore have left the Bloodstock faithful in awe, with their sound not like anything that has been heard before but yet use the very basics of said metal genres, what they done with those genres is bent and snapped them to pieces, to create something they can call their own.

After rampaging on the New Blood Stage, GMA caught up with the now sextet and explored their past, what two vocalists bring to the band and the current status of the Scottish Metal scene.

Answers given by various members; indicated where possible.

Credit: louisetodd.com

(on song lengths):- "It's nothing to do with how long the song is, it's all about the ideas and how well you get them across".

Hi guys, firstly tell us who you are, what you play and how did you become involved in Turbyne?

     "Hey I'm Calum, I'm the guitarist and I was here at the start; started the band with a few of my friends. Hey I'm Gary, I joined the band in 2012, I sing and I also play keyboards.

     Hi I'm Brian, I play bass and I think I joined around like 10 years ago or something, I'm not quite sure, but through a friend; they were looking for a bassist and so I joined.

     I'm Kyle the drummer and I'm co-founder with Calum here as creator of the band, the one and only. Hey I'm Keith, I'm the vocalist and I joined way way back in the day in the beginning.

     I'm Jamie, I was the last to join and I kind of just invited myself into the band, I didn't actually be asked to join, I just sort of said I'll come along and play keyboards for you, so yeah that's what I do now."

So you have two keyboardists? Who is best at playing them?

     "Absolutely Jamie, I (Gary) just pretend to play the keyboards, ah he's just started. It's a new addition that we're actually bringing to Bloodstock tomorrow, so it's the first time that it's done properly and Jamie holds the whole fort in terms of solo's and proper synth, I just kind of fill in with my backing strings, so hopefully its goes well tomorrow - I'm not nervous at all... I absolutely am.

     Before I played keyboards you had two vocalists, so erm Keith and I were full-time vocalists so that's something we introduced when I joined the band really. But yeah we're trying it out to see if we can push ourselves to make a bigger sound and push ourselves harder basically to add more on the stage show or to the live sound as well, so we're going to be adding more live guitars as well, we're all going to be very busy."

What's it like being a sextet when recording music? Hard and tricky surely?

     "Ages, ages and ages. We do all what we can before we hit the studio, there's a lot of demo's, a lot of kind of coordinating... maybe I'll have a practise with Jamie and we'll go over what we're going to do and the singers will get together and they'll practise their bits and then it all kind of comes together in the practise space. So yeah it takes a long time before we're ready to record anything, but it works for us."

Who came up with the band name and what does it mean?

     "....erm, (silence), Kyle can answer that one. I believe it was actually Kyle who came up with the name, there was a bit of a catch of course we created the band during the Nu Metal years when it was invoked to spell your name incorrectly (laughs), hence the 'y' rather than the 'i' but at least it makes it original. There's not a literal meaning to what it is, we like to leave it interpretable, but it means certain things to us, there's not a concrete origin if that makes sense?"

What was going through your minds when you were confirmed to play Bloodstock? What did you parents say?

     "I was actually at work, which is quite a formal job - I wear a suit, I won't mention what I do, but I was sitting with a client at the time and I think I made some sort of an excuse to leave the room to do a small to big lap of the office, kick over one of the desks and go back to the client and finish the interview that we had. I couldn't contain myself, I couldn't send enough text messages at the same time, not to mention we couldn't actually tell anyone at the time. So yeah it was insane to be fair, because we got the invitation as oppose to you know winning on our Metal 2 The Masses night, so to actually be asked to come along and play we feel is an absolute privilege and pleasure, to have someone say we want you to come along and showcase what you can do. It was a magnificent moment for me anyway, it was almost like a mark of approval from people we've been waiting to hear from for a very long time.

    They were happy aye, they've supported us through... well my parents have supported us through Metal 2 The Masses heats and have been gutted when we didn't get it so they were chuffed.

     I think my mum had to ask what Bloodstock was (laughs), it took about 45 minutes to explain, I probably went through the whole roster of the bands that are playing and not one rung a bell, so we just ended up with 'it's a big thing mum, be happy for me' (laughs), so she was.

     My parents are into music anyway, so they were happy for us yeah.

     Aye they were chuffed, my family have always been big supporters of what we do and they travel to come and see us at gigs, and yeah just happy.

     I'm adopted... (laughs), no my parents were over the moon as well and I think as well as our close family and friends who were elated just as much as we were.

     Yeah I've been getting congratulations from around the world, people all over the place and well none of them know what Bloodstock is, but you know it's the words festival, stage and playing that hit the net, so yeah they're really thrilled for the band. Lot of support from people who talk to us and are with our music so that's really good to have."

Sum up Bloodstock in two words and no more.

     "Big deal", "enough said", "f*cking awesome", "pretty decent", "i'll take three - ask me sunday", "I really have no idea, all that can come to mind is 'pretty decent', 'f*cking awesome', so yeah I'll go with 'f*cking awesome' too" (laughs all around).

Town of Dumfries / Source: IAIS

Can you tell us more about your eclectic style of metal?

     "It's heavy and kind of based in experimental progressive metal, but with this kind of NWOBHM stuff going on as well, there's a lot of metalcore... basically it's what we've come up with, with a kind of collective styles of music that we all like and that we're all into. We just play the kind of music that we want to do and that we think would be interesting and new, it's very hard to describe as there's a lot of different substances in there. It's all very diverse and we keep ourselves guessing never-mind, there's nothing off-limits when it comes to the style of the band, nothings off-limits with us. The best way to define it is to listen to it and then decide for yourself what you actually think it is, and then if you put a label on it then you can identify it easily.

     For the six years I've been in the band, we've been called how many different genres? We've tried different genres... but we bring out the next song and then all of a sudden they'll define us as something else, so as Jamie said it's best to listen to it and decide what part of it's new and pick your own genre, we don't mind - we've been called a lot of things.

     Turbyne Metal?

     I like that... (all laugh), if somebody else started to play 'Turbyne Metal' I think that could become a thing, yeah that would be nice if that was a thing to kind of lead a trend or something by everyone."

Most Prog Metal bands tend to deliver 7-10 minute songs, what are your thoughts about that?

     "To be genuinely progressive I think that sounds about right, there's a lot of ideas and in our case anyway there's a lot of ideas in one song and it's difficult to pick the ones that are right from the ones that are wrong, so in our case yes we do tend to be a bit longer, but we do try and chop them down so they don't seem indulging you know what I mean? I love prog music but some of it is drawn out, we try and be cautious of not making item seem too much for what we're going for.

     I think we try and find a balance between your heavy part and as that starts to draw out, we'll change it up for something that might suit someone else in the same song and I think that comes across really well with us, I think you can really break it down into a nice clean sound and then bring it right back as heavy as you want to... as long as it doesn't betray the song, as long as it feels right and feels natural in the progression of the song.

    To be fair Turbyne has always been known for the length of it's songs but I don't think when Calum our main songwriter is writing a song that the clock is a big factor, I think the narrative of the song and what he's trying to express is more important than how long it's going to take to do it. But yeah having said that songs reach between 3-10 minutes, maybe over, there's a real diversity in what the band plays.

     I'm used to playing classical music as well so I also play 45 minute symphonies and two-and-a-half musical theatre shows, so a 5-7 minute Turbyne song is a pretty short space of time (all laugh) to fill in with noise so I'm quite glad that they just end nicely, it doesn't matter anyway as long as the idea is strong, that's the main part - it's nothing to do with how long the song is, it's all about the ideas and how well you get them across in delivering them to your audience - if it takes a while, it takes a while."

What challenges do Scottish Metal bands face these days?

     "Getting out there really, we're from quite a small town so the biggest obstacle we often face is getting onto bills and expecting to bring in people, that's a problem because you know we're from a smaller town, it can sometimes stand in our way. I'd say getting a fan-base and getting out to new people, new fans, new areas is the hardest part for our fans from Scotland.

     I think our biggest problem is locations, so even if we head northwards (we're on the borders of Scotland; 45 minutes from Carlisle) up to Glasgow, Edinburgh, then Dundee and Aberdeen, but even driving up to Aberdeen takes us four and a half hours. Don't get me the wrong the band is completely committed so we will travel everywhere, anywhere that wants to hear us, we'll bring the sound to them, but it is the hardest part is getting on bills, finding that niche market where people are doing to appreciate what we're doing and finding out bands that are similar to us which is very, very difficult with the type of music that we are.

     Because of the music we play as well we don't really fall into one category or the other, we're not the heaviest metal band but we're too heavy for non-metal music as well, so I think that is another obstacle as well is that exactly where we sit in the market and bills that we can play on, bands that are likewise with the fans that might go out to see, bands like us.

     I think playing this festival is exactly what we need though because you're playing in front of people that would never see us otherwise, so this is the best opportunity you've got."

Have you had any fans from outside of the UK get in touch with you?

     "Yeah there's a Finnish guy, I could probably name a bunch of Australians who listen to our music now, but yeah erm remember... was it Finland or Norway that guy was from?

     I think it was Norway, his named sounded Finnish but was from somewhere up there, yeah he got in touch through Facebook saying he came across us and really appreciated what we done and hopefully we would go over there soon and play and we were like alright, that's good stuff.

     It's always nice to hear from people that are that far out and either have stumbled across us or someone's told them about our music, it's nice when they feel they have to message us and say they enjoy it; it's crazy to have a few people from the USA, mainly Florida just to say they love the music, so if anybody wants to give us a contract to Florida (laughs), I'm due a holiday so anytime.

     Business class right?

     At least business class and I'm expecting our own private jet, maybe Air Force One, I might settle for that."

What are your plans after Bloodstock?

     "We've got a few more gigs mostly in Scotland and north of England, we're just going to keep padding for shows, we're preparing for our second album so the song's are nearly there, we're still kind of writing and perfecting them - we're hopefully going to start tracking by the end of the year, hoping for a 2019 release so that'll take a lot of attention, a lot of energy, but yeah just keep looking for shows and stuff like that, see if we can chase this and hopefully get a few things out of it as well. Trying our best to network over here as well, see what comes."

Finally guys are there any greetings, thank you's or hello's you wish to send out?

     "Yeah just to everyone that has supported us, those who get us here you know we had a lot of help from the people down our way, we owe them a lot of thanks, all the fans back home as well and everywhere else. Everyone that has supported us, watched our videos, listened to our music, bought our album - yeah it's all for them, we just hope we can do them proud.

     Thanks to every single person who went out their way to give us that one step up or just spread our music about, talking about and supporting us. Thanks to everyone around us, they're always supportive and it's a nice environment to be in.

     Same again thanks to everyone for supporting us, every listen counts so.

     Aye just everybody, everybody who has ever been to a gig or has supported us.

     Perhaps a big shout out to Simon for taking a chance on us, it's beyond appreciated and we plan on to corner him and tell him that in person. To take a risk on a band who is kind of different as us, it's a big leap of faith but we fully intend to live up to and exceed his expectations.

     Simon and also anyone else who has seen the band live and just take a chance with, we know these guys are good, but will they be the right act for the stage. Our road manager deserves a shout out too."

https://www.facebook.com/pg/turbyneuk/about/

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Interview Interrogation: Manuel Rojas from Doxa MX (Mexico)

5/5/2018

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Whenever attention is directed towards the Americas, we usually as metalheads think of USA, Canada and to an extent Brazil. But it's the countries in between the northern and southern ends of the vast continent that we tend to forget about. Bordering the USA, Mexico has a vibrant metal history with a plethora of bands coming and going, with perhaps Brujeria being the most internationally-recognised bands to emerge. But like all scenes, the hive of activity resides on the streets i.e. the underground. One such band Doxa MX (originally called Doxa) knows all about this and as they prepare to release their latest album in 4 years, GMA spoke to Manuel Rojas (Vocals / Lead Guitars) to understand what makes this scene tick, what the bands plans are, challenges within the scene and a taster of what torta ahogadas is like.

"It (C3 stage) is in a street filled with bars and restaurants to which you can go before and after seeing some great international bands."

For those who have not heard of Doxa MX, could you give us a brief history of the band? Were you in bands previously?

     "The band started in 2012 with my friend Erick (Doxa's bass player until this day) and I, one day in college we decided to form a metal band, I had been playing guitar and working on my harsh vocals for a few years up to that point and he was already a very talented multi-instrumentalist. After that we recruited the rest of the group and after a couple of line-up changes, we had a stable formation. We started playing regularly in the local circuit and managed to record and digitally self-release our debut album in 2014.

     In early 2015, we had to put the project on a forced hiatus due to various personal problems that needed attention at the time, until late 2017 when we reformed with a new line-up (with Erick and I as the original members), an updated name and logo (in order to avoid confusion with other bands with very similar names), as well as an updated cover for our first album. Currently we are getting ready for our second LP and playing a few warm-up shows before returning to the live setting with full force."

You play a blend of Heavy and Melodic Death Metal, who or what gave you the inspirations to play such music?

     "Honestly, that tag doesn't apply 100% to us, but it is the closest I could think of regarding our sound, as well as "Experimental Death Metal". We chose it because, well, we had to have one tag associated with our music and we play Death Metal-based music, while our biggest influences are Heavy Metal giants like Iron Maiden or Judas Priest, although we like to seek and gather influences from everywhere inside and outside the metal realm. We basically do what we like, without worrying about sounding a certain way in order to fit a certain mold, to me that is just limiting your creativity, and I don't want to do that, besides, it would become boring for us after a short while to play straightforward death metal, thrash, or whatever style all the time."

It has been 4 years since your debut album 'Aniquilación', will you be releasing a new one very soon?

     "Yes! We are almost done with the composition process (I would say around 90% done) and hope to record it and release it sometime in late 2018 or early 2019. It's about time!"

You sing in Spanish, would you consider singing in English to expand out into the wider metal scene?

     "It is something we are not completely against, but I as the lyricist, decided to write the lyrics in Spanish because it seems like a more honest approach, as well as a more distinctive one. Basically I asked myself "Where is this band from?", "What language is spoken here?" however, we are all bilingual to different degrees and don't rule out making entire albums in English in the future, it depends on what feels right at the moment."

Torta Ahogadas (source: hispanickitchen.com)

What is it like being a Mexican Metal band? What challenges do you guys face these days?

     "Basically there are two kinds of challenges: economic challenges and scene-related challenges. Regarding the economy, Mexico is one of the countries with less average vacation days a year and more average hours worked per week, so there are lots of times it becomes really hard to find the time to focus properly on a project like this, due to the fact that we all have jobs and bills to pay, and we are young and... well, everyone knows that it is really hard for our generation to come by these days all around the world and here is a bit more rough, I think. Also the costs are an issue, it takes a really high percentage of one's pay if you wish to book a studio, buy a new amplifier or get a new microphone here, basically because salaries are way lower that those in the U.S. or Europe, among other places; and the cost of them is even higher than in those countries, so it is a considerably bigger sacrifice.

     Scene wise, I have read comments stating that it is very similar in most places, in the sense that here there are very few venues for local metal bands and many of those require you to sell a lot of overpriced tickets and / or bring your own amps, microphones, P.A. and everything, and even those who don't do such things usually never pay, not even with a few beers. It is easy to say "well, just don't accept it" but without that we simply wouldn't play a lot. Also, one huge problem is that most big opportunities (I would say around 95% of them) of opening to big bands, playing big festivals and so on, are only either for a couple of bands who are family members and friends of people organizing the gigs, people who can give favours to the promoters or simply pay-to-play scenarios."

For metalheads visiting Guadalajara, what sights / attractions would you recommend seeing? Are there any customs that tourists should be aware of (so not to cause offence)?

     "I would recommend to them to eat some Torta Ahogadas (a delicious meal only available in this state [Jalisco]), some good tacos and basically spend all day eating, because Mexican cuisine is one of our biggest prides and is recognised as one of the best in the world. You can also check ahead which gigs are going to be happening in the city those days, there's a venue, the C3 stage, that every month has really good metal shows and it is in a street filled with bars and restaurants to which you can go before and after seeing some great international bands.

     Tourists should take the precautions of planning their activities well, because it is very easy to get lost due to the fact that our traffic signals are very bad and, in many places, non-existent, so, if you bring your car, try to stay on the highways most of the time to avoid getting terribly lost. Also, avoid the yellow cabs, they are not reliable nor safe at all, just take Uber everywhere, it is cheaper anyway."

What plans do you have for the year ahead?

     "We are currently working on our second album, which is our main focus for these year. We'll also play a few shows here and there."

Are there any greetings or thank you's you wish to send out?

     "To all the people reading this, please keep on supporting Global Metal Apocalypse."

https://www.facebook.com/DoxaMetal

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Interview with Deeptaroop Basu of Exiled Sanity

30/12/2011

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BAND: EXILED SANITY
MUSICIAN: DEEPTAROOP BASU
COUNTRY: INDIA
GENRE: PROG / EXPERIMENTAL METAL

1. How long has Exiled Sanity been going and how did the band form?

The band has been around 6 -7 months (formed in 2011) I was playing for another blackened death Metal band which i left, so these guys who have been playing under a similar name, but they left soon and asked me to play, so i checked them out. It was initially like a class, where I was guiding them how to focus on a new sound, then about 6-7 months ago we started playing officially and we released 2 self-produced original compositions 'Twisted Route to Salvation', and 'Redesigning Humans'!

2. How big has the Indian metal scene become and who are the most notable bands?

India has been doing alright, but not that great, because I want to see Indian bands go on world tours, there are numerous great talented bands such as Scribe and Undying Inc. But I guess some negotiations are to be done with international gig organisers and tour coordinators, for making not only the old bands which are big already outside India but also emerging bands like ours and our buddy bands such as What Escapes Me or Yonsample from Kolkata

3. Are there any problems playing Metal in India and what is the media press like?

Yeah Metal is still considered taboo here in a lot of places; people tend to think it's a bunch of crazy guys, banging their heads like they have gone bad to music, where the words are not understandable. The press and media level is getting better as there are a few online websites coming up but there is metal being talked about in the daily newspapers, only reviews of international acts are presented sometimes, that's about it.

4. Do you feel with bands like Demonic Resurrection getting signed to Candlelight, that this has opened the gateway for Indian Metal to be globally recognised?

Yeah Demonic Resurrection has been in the circuit for over a decade now and the band has helped in spreading Indian metal to a certain extent as it's the only band which has a fair amount of international gig experiences and a few tours.

5. Out of the metal genres, is Black Metal shunned upon in India due to religion?

I have doubts because I haven't yet come across any black metal bands from India who are doing it spiritually, I mean if you are comparing black metal bands from Norway, then India is very far behind. I guess the music needs to be spread and understood more because the concepts are deep and everyone cannot change their lifestyle due to these kinds of music, only feeling this kind of music to a great extent will encourage the person to play black metal religiously.

6. Does Exiled Sanity have any plans for 2012?

Yeah we are planning to release our self produced EP, we will be coming out with a new song probably end of January or in the 1st week of February, the EP would be in the late end of mid 2012 hopefully before 21st December 2012.

7. Finally do you have any tips for musicians looking to improve skills and/or get into a band? What do you have to say to the global metal scene?

Ahh.. II have always wanted to play an instrument so as to channel my emotions, I play heavy music so as to get my aggression out of me as its immature to act randomly when you are angry so music is the best way to channel emotions, therefore I would like everyone in this world to play an instrument because it helps you take out whatever you are feeling and music does a lot of things to you. Which beginners will get to know better as they start learning music and the global metal scene is doing good, new bands with newer sounds are coming up, and music is evolving; now people have more choice of listening to whatever kind of music they want to listen to.

RHYS STEVENSON

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Interview Interrogation: Agni from Black Spikes (Lithuania)

"Our goal is to take something that belongs to our cultural identity
and put it into a completely modern context."

"When Black Spikes says we’re going to do something, it probably won’t be particularly conventional."

Interview Interrogation: Farhan Rathore from Primaeval (Pakistan)

"Our love for metal won't die because this is a genre that has saved many lives."

Interview Interrogation: Turbyne (Scotland)

(on song lengths):- "It's nothing to do with how long the song is, it's all about the ideas and how well you get them across".

Interview Interrogation: Manuel Rojas from Doxa MX (Mexico)

"It (C3 stage) is in a street filled with bars and restaurants to which you can go before and after seeing some great international bands."

Interview with Deeptaroop Basu of Exiled Sanity

© 2011-2026 Global Metal Apocalypse

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Interview Interrogation: Agni from Black Spikes (Lithuania)

"Our goal is to take something that belongs to our cultural identity and put it into a completely modern context."​

"When Black Spikes says we’re going to do something, it probably won’t be particularly conventional."

Interview Interrogation: Farhan Rathore from Primaeval (Pakistan)

"Our love for metal won't die because this is a genre that has saved many lives."

Interview ﻿Interrogation: Turbyne (Scotland)

(on song lengths):- "It's nothing to do with how long the song is, it's all about the ideas and how well you get them across".

Interview Interrogation: Manuel Rojas from Doxa MX (Mexico)

"It (C3 stage) is in a street filled with bars and restaurants to which you can go before and after seeing some great international bands."

Interview with Deeptaroop Basu of Exiled Sanity

﻿© 2011-2026 Global Metal Apocalypse﻿​​

Archives

Categories

"Our goal is to take something that belongs to our cultural identity
and put it into a completely modern context."

Interview Interrogation: Turbyne (Scotland)

© 2011-2026 Global Metal Apocalypse