 Whenever someone mentions the Mexican Metal scene, usually it's Brujeria that first pops up. But like any national scene, behind the leaders is a vast swathe of bands carving out their own stories, building up their own fan bases and acting as proponents in keeping the scene not only on it's toes, but to serve as the next crop of bands to step up to the plate. One such band is Velvet Darkness who released 3 new singles last year and have been around since 2014, now with big plans in 2020 on hold due to the COVID-19 pandemic, they have set their sights on 2021 on being the year they plant the bandera de México and the symbol of Tenochtitlan on European and British soil. During this interrogation we played nice with the los Mexicanos and indulged in a lavish serving of champurrado. The band spoke of the emergence of Mexican Metal on the international stage, how the lockdown has affected the band and Mexican peoples and why Europe is their first international destination.  For those who have not heard of Velvet Darkness, could you give us a brief history of the band and how you came up with the name? "The band started with Charles and Joe having this dream of making a life out of music. It took a while for them to find the final line-up and went through lots of changes, but finally… here we are! We are a sextet from Ciudad Satélite, Mexico who plays Heavy Metal. We recorded our first EP “Delusion” in 2015, then our first album “Nothing But Glory” in 2018 and then came up with 3 more singles: “Death Eaters”, “God of War ‘19” and the latest, "Insomniac," which will also be part of our next record. The name “Velvet Darkness” is a metaphor about the dark side we all have but don’t often let out." Tell us more about the quarantine / lockdown in Mexico, what are you allowed and not allowed to do? How is the band coping? "People are allowed to go out only for very necessary things. Supermarkets are closing earlier, malls are closed and there are driving restrictions as well. However, as many people in Mexico can’t work from home and can’t stop working, the risk is still high. As a band, we are staying home. We make video conferences each week to catch up and keep working on the new material. Of course, each one of us has been doing great job individually practising our instrument." 2018 was the year your debut album "Nothing but Glory" came out, what was the reception like? Where did you play in support of the album? "The album had a nice reception. We had a funny listening party and the album presentation at the “Foro Cultural Hilvana” in Mexico City. We also took part in two metal contests and went on two tour dates out of town with Lvto and Erszebeth, and later on with Lvto and Trágico Ballet. That same year, our keyboardist John was named 'Keyboardist of the Year' at the Osmium Metal Awards." Have you played outside of Mexico? If so where? If not, where ideally would you want to play your first international show(s)? "We haven’t yet, although we have travelled a lot within the country. Our goal is to play in Europe, especially Germany, the UK and the Nordics."  Torres De Satélite, Ciudad Satélite, Mexico / Source: Esoteric Survey What are the challenges most Mexican metal bands face these days (COVID-19) aside? Do you feel that Mexico is often ignored by the global metal community? "The fact that we cannot get together to practice has been the main problem, but we’ve been working online, and we are sure most of the bands are doing the same. Another big problem for the bands has been cancelling shows and postponing recording plans. We really hope this gets better soon. And yes, we feel that, but we have also noticed that it is changing as we already have some Mexican bands touring and rocking around the world! Hopefully there will be more of us before long." Kate, it's all too often we hear about sexism in the metal community, what is the attitude towards female musicians in Mexico? Are there / have there been any misogynist remarks? "Actually, I have never felt that. Lately I have noticed that people like seeing us women singing or playing an instrument. Nowadays, the media and fellow musicians work more in encouraging us to do what we love and that also makes us feel more confident when we go on stage or share something. Of course, I know misogyny is still a big deal, but luckily, I have been treated well in the Mexican metal scene since I joined Velvet Darkness." For metalheads visiting Ciudad Satélite and nearby city of Naucalpan, what sights / attractions and venues / bars could you recommend? "Satélite is a very tranquil zone, but still we rock. If you guys come here, you must visit McCarthy's Irish Pub, Rock Son Satélite, The Cross Tavern and ROCKSTORE Satélite." Do you have any greetings or thanks you wish to send out to friends, family, fans etc? "First of all, we would like to thank our families for always being there supporting us, no matter what (even if we get a little noisy sometimes). Our friends, who have been doing a great job sharing our music and supporting us on the shows. And our amazing fans, from whom we feel the love and great energy every time we go on stage and through our social networks. Our staff, they never fail, and we have been through a lot together. Thank you!" https://www.facebook.com/VelvetDarknessMetal/
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 "The fact that bringing a new genre for most in Portugal, sometimes it's kinda hard for everybody to accept it all at once" If you think of the Portuguese Metal scene, you tend to think of Moonspell (they aren't the only band)... for the best part it does seem at times like the Iberian nations of Portugal, Spain, Andorra and the dependency of Gibraltar become forgotten. Enter the new kids on the block in Downfall Of Mankind, who bring with them a totally new and fresh sound to the Portuguese Metal scene even if the sound is known more widely in the international metal scene. Slamming Symphonic Deathcore is the game and Downfall Of Mankind is the name, with this interrogation we tried to be tame, but in the end we were scorched by this Lisbona flame.  For those who have not heard of Downfall Of Mankind, could you give us a brief history of the band? "Downfall Of Mankind is a Slamming / Symphonic Deathcore band that was created with the purpose of bringing the best of both worlds together in trying something new. Bringing Slam and Symphonic Metal into Deathcore was something that we didn't expect to work out, it turned out to be something that we all enjoyed and doing, and we are super excited to show what we have got in store!" Given you play Slam / Symphonic Deathcore, how do you distinguish yourself from the hordes of bands in this genre? How did you come to play this style? "Our founding member (Lucas Bishop) was the one who came up with the idea of mixing the genres and seeing what comes out of it, given that pretty much all of the members were already fans of Slam and Deathcore, we've decided to come together and add the Symphonic sauce to it." You recently confirmed that you're playing the 2021 XXXAPADA Na Tromba festival, can you tell us more about this festival? Have you played it before? "Yeah, it's going to be our very first time at the festival, we are beyond excited to be part of such huge line up, sharing the stage with bands such as Stillbirth, Vulvodynia, Benighted and all the others its pretty much everything that a newborn could wish for, and we are more than happy to be part of the line up for this year's edition." How has the Portuguese people and bands reacted to the lockdown imposed due to COVID-19? What plans of yours were cancelled / postponed? "It's been difficult not just for the Portuguese people but for the whole world, see, the music industry suffered and is still suffering a lot from the outbreak situation, we are still trying to pick up the pieces from the damage done, standing tall and striving for the best we can get. We did have a couple of concerts cancelled and others postponed, luckily we are managing to re book most of it, all we want is to go back on stage and show what we are about!"  Downtown Lisbon, Portugal / Source: Booking.com Given the turn of events, what plans do you have going forward in late 2020 / early 2021? "We definitely will be releasing new material in 2020 still, maybe a new music video you never know, new merch, all i can say is we have got a lot of new stuff to deliver between 2020 and 2021, including tours." Tell us more about the Portuguese Metal scene, what are the challenges that bands face, is there a great amount of support? "Well the fact that bringing a new genre for most in Portugal, sometimes it's kinda hard for everybody to accept it all at once. Given for the time being Downfall Of Mankind has been receiving a lot of love from it's country; which is what's important, it feels good to bring not so new stuff into a country that never paid much attention to it." For metalheads visiting Lisbon, what sights / attractions and bars / venues could you recommend? "There's a lot of good stuff to see around town, sight seeing and walking around the city its definitely something you want to do while visiting Lisbon. Regarding venues and bars, we'd definitely recommend RCA, its a nice place to go if you want to enjoy some good music from time to time, it's our home and we love that place. If you want to experience different types of music you could go up to Bairro Alto where you can find a bunch of different bars for all kinds of tastes, overall Lisbon is a place for everyone." Do you have any thanks or greetings you wish to send to friends, family or fans? "We would like to thank everyone that has been involved in this band so far, everyone that has bought or will buy and support our music and merch, to all the fans out there that has been waiting for some slammy and juicy new tracks, all we gotta say is... They are coming.. Lucas Bishop / Claudio Melo / Sergio Pascoa / Alejandro Puentes / Franscisco Marques DOWNFALL OF MANKIND & CREW" https://www.facebook.com/DownfallOfMankindBand/  "the water... was real and so cold that we had to stop in between shots to try and warm up... I remember at some point I was like 'OK I'm going to pass out'" (on the 'Charles Francis Coghlan' music video) In truth the Dutch Metal scene is as complex as it's train network - remember that a 'Sprinter' train service is slower than 'InterCity' and oh that most trains are double decker, the quiet zone at the top and the trains as quiet as Black Metal... anyway moving on from the differences in train services and onto one of the most prominent metal exports in Carach Angren, who are gearing up to release their latest offering 'Franckensteina Strataemontanus' on 26th June 2020. But what is it exactly that makes this band run along smoothly, is it their inept ability to conjure up songs that are designed to make you sweat profusely or make you lose sleep at the rate of a thunderstorm's lightning strike? Whatever it is, it works and their own 'Horror Metal' style is not one for the faint hearted as Ardek explained to GMA. We spoke to him about how Carach Angren got to where they are now, the forthcoming album (guts, bones, the lot), the eloquency behind the outfits and the torture the band endured in filming 'Charles Francis Coghlin'.... prepare for some serious goosebumps reading this.  Carach Angren has been going 17 years or so, what is it that has kept the line-up so strong? "It always has been very natural, I remember when I started I played in a couple of bands and I started to write the composing part which was more than anything else, so with other bands I had to compromise of which sometimes would lead to really great stuff. But with Carach Angren I had my place as a main composer where I could make up compositions and Seregor, is really good at the guitar when it comes to the melodies and coming up with his act on stage; visuals, lyrics, but my brother was good with rhythm so all these things together were a natural combination; like a machine without discussion of who's doing what. This developed and I remember when we made the first release it would be cool to make one story and build everything around that - this stuck with us whenever we did research for a concept album. Unfortunately he (my brother) decided to leave this year, it's sad but I always say you have to like what you do, especially when it comes to music." Focusing on the lyrics, were these all researched or were some based on stories you heard / learned over time? "It differs per album I know that, for example "Lammendam" is a story that actually took place near Seregor's place where he lives in Schinveld, it's a very small town and the legend was really unknown, but it always has fascinated him, he even wrote one song about it in previous bands. So when we got the opportunity to sign with a record label in 2007 (Maddening Media), the idea of a full length came up immediately and this story was right in front of us; that's why we picked that one. After that I read about the story of Van Der Decken (Death Came Through A Phantom Ship) which came through on a completely different album, it felt completely liberating to do something different and so with all of our albums they connect with us through maybe a movie, or a book or an idea and that's the cool thing about our band - we can do whatever we want within the ghosts or horror genre, story-telling of course and sure it's not easy, because you cannot just pick something random and do it, it has to connect with you and focus upon something inside ourselves as a band. This echoes with the new album 'Franckensteina Strataemontanus' whereby Frankenstein has been done so many times in so many different ways, it's so popular that for me it wasn't the case of 'lets do an album about Frankenstein', you know? That's not going to cut it. But through a really great way, I found a connection to the story via a nightmare where I was floating in a house and I heard distant piano sounds so I walked towards what seemed to be a portrait of an old-looking man, he was really angry (laughs) and then I woke up and I wrote that down, I was fascinated by this dream; I even made a drawing of the face that I saw and basically ignored it, until later when when I started to read about Frankenstein and was fascinated by it. So much so I researched it and came up with this theory that Mary Shelley originally was inspired by Johann Conrad Dippel, so I googled this guy and a portrait showed up in google images of him and he looked exactly the guy I dreamt of (haha). So that for me and Seregor became a lead, you need a lead that pulls you instead of pushing yourself, this was something interesting what we had - no one knew who Johann Conrad Dippel was, so we started making up stories connected with Frankenstein. This is usually how it happens with every album, but I have to say every album becomes a bigger challenge as you've already done so much and it's easy to go in the same direction, so I like a challenge (haha)." Arguably with Carach Angren you've created your own sound in 'Horror Metal', do you hope that other bands will follow the same style? "That's a good question, I don't know but I see sometimes people are inspired by us and do covers, stuff like that which is really cool. The reason we choose 'Horror Metal' is because we didn't feel completely good with the 'Symphonic Black Metal' genre because especially to me, that genre has always felt like a big container of different kinds of things and bands. I felt we do several different things so 'Horror Metal' isn't really a genre in that sense, but if you have to give it a name then it's 'Horror Metal', but yeah we were inspired by bands and so we hope we inspire other bands and people, be it music, art, paintings, photography - there was no ultimate cause or effect, we invent all the time - art in that sense." Arguably bands say their next / latest album is their best or favourite, out of all of Carach Angren's albums, which is your favourite? "It's cliche but it's the upcoming one (haha) because it feels closest to your personal development as a musician, because we always give everything when we write. When I was working with the music for 'Lammendam' I was a different person, I was like 23 years old and now I'm 36. I'm proud of every album and I thing that we've really done everything we could possibly do at that point, but of course when you listen back you will always do things differently; but that would be wise things because probably you would f*ck up and I think that every album has it's charm. "Death Came Through A Phantom Ship" was nautical, it has an adventurous tone to it and so the production was more film-score like, "This Is No Fairytale" is much more in your face-like, complex and raw but they're super different in that sense. But yeah what makes me proud of the new one is that basically, we took almost like an extra year to work on it, because usually it's a two year cycle - play play play, writing an album, releasing it and now I felt like this is too soon, it would not be fair to hurry an album... I felt like I need that extra time as sometimes you feel that you've lost that perspective, sometimes you need time away from it to gain new ideas." Given that extra year, did that help you in researching ideas for the song titles too? How was the process? "It was a really in-depth process with what I did in 2018 and 2017, I started reading the book and other gothic novels and got fascinated by Frankenstein, the funny thing is in 2018 it was exactly 200 years ago that Mary Shelley wrote the book, so I found it to be my investigation. I went to a museum called Boerhaave Museum in Leiden, it's like a science museum and they had an exhibition about Frankenstein in an historical context; it was written in about Mary Shelley and also about the future of robotics, basically a projection of Frankenstein in this day of age and there was also a little exhibition of a woman called Ana Maria Gomez Lopez, she's a scientist but also a performing artist and she was planning an art performance of taking an organ out of her own body and bury it. This fascinated me so I wrote down her name and contacted her, had an interview with her discussing all these kinds of things and I got on a really deep trail; I started investigating laboratory experiments where they decapitated mice to find out brain functioning in the moment after death and I definitely found out that the separation between death and life is something that is mostly cultural, medically we say that the moment of death is when the heart stops beating and yet we see some cells in organ systems multiply after death; that was kind of fascinating that there's no clear line and that inspired me in the song-writing process in that I started writing some ideas, some fictional ideas - some ended up on the album like 'Operation Compass' and it was in that time that we slowly started gathering musical ideas and these ideas, but I never at the time had an idea of what this could become." Are you surprised about how global metal has become and seeing bands from the likes of Syria, Botswana, Indonesia emerge? "I think that's really great that we are as a world, since the internet and everything going to more globalisation, it has some worrying sides maybe, but there is a very good side and music... if you see how accessible music is these days from bands in difficult regions, who are outreaching to global audiences, it's really great. So I'm excited about that and it's a fantastic thing." The new album 'Franckensteina Strataemontanus' is to be released on black and glow-in-the-dark vinyl, was this your idea or Season of Mist's idea? "We worked together on these things and we will have a silver one on our web store, we also have a limited edition vinyl where we hand make little bottles of oil and I always try to come up with ideas to give the release something special, almost a four-dimension like we did with the last album - pitch black box, so we really try that but it's like an exploration because everything is possible, but not everything is a good idea, I think I have very good ideas but the label is like some of these aren't going to work commercially - we always have to find some kind of balance, but I am very happy what we have come up with altogether. By coming up with a great album it enables teams around us to come up with great ideas to match it - such as the artwork which is done by Stefan Heilemann, he's a brilliant guy and artist - I emailed him the entire concept story and before we even started recording he came up with this artwork." Some people on YouTube have commented that Carach Angren should do their own horror movie, or music should be included in one, what are your thoughts on this? "Well the cool thing is that it already happened, there was a Canadian horror film called "Pyewacket" and they licenced one of our tracks 'There's No Place Like Home' and it's in the movie, so that's really cool; there's also some key visuals from us in the movie, so that's something to definitely check out, so what you see is it's already happening. Some Dutch people ask us do you want to make your own movie and to be honest I really like what we do, I like to make sound for non-existent movies in our heads and to make a movie would be something completely different, so why not, but it's not something that we are trying to do." On the topic of videography, how demanding was it to make the music video 'Charles Francis Coghlan'? " (laughs) I want to forget about this, it was extremely demanding for everyone, we did it with Rick Jacops who is a film-maker from The Netherlands and a really great guy. But he is like us in his field, a perfectionist, it never ends with him nor us and basically we had to build everything ourselves; what you see there is built by the band, we did have some help from friends and family but besides that we did it over a period spanning 2 months. Literally the recordings you see we are in the water, that was actually real and was so cold that we had to stop in between the shots and try to warm up... I remember at some point I was like 'OK I'm going to pass out', like what are we doing here, we're crazy. To give you an example we had these shots like all day and then in the afternoon I was going to the other scene, to bury a hole for the grave because we needed to put a coffin and water in there and was also recorded in May - the weather was really nice and we only had very little time to record because we had to record at night as it was outside, so we were literally recording from like midnight to like 5am, stop and sleep for the next couple of hours and then wake up because we had to rebuild the set - it was basically horrible, I was dead at the end from sleep deprivation and all the crap. But I mean we were very proud of the end result, I don't know if we would do it again though, looking back at it it was too extreme, like a movie with a couple of people."  Maastricht at night, The Netherlands / Source: Consilium Europa It seems with each new album comes new on-stage outfits, what inspires you each time?
" (laughs), I could come up with a very elaborate story but a lot of things we do in the band happen naturally, I'll give you two examples like first we have a story in The Netherlands where we love to go to check out clothes... which we have done since the beginning as we go there, we check out what's there and for some reason there's always something really cool and during the latest years Seregor has been getting better at customising some of the clothes that we get, so his touch is definitely on there. What is really funny is that people always contact us asking where do we have it made, where do you get this stuff? The funny thing is just it's commercially available, but we know very well what we connect with. I remember when Seregor and I once went to the store and there were these PVC / latex pants and we looked at each other and we were like 'I think this could be cool' but at the same time we said we wouldn't have done this four years ago, we would be like 'this is too much' and for some reason we tried them and felt like OK this is weird and not a Black Metal purist look, but it worked with what we were doing and that also made us move in different ways live... like almost Michael Jackson kind of moves. But it all happened in a natural way, another example is like last year we needed something to promote the headline tour - something for an instagram video. I had no idea and was literally out of ideas and Seregor called me and said well come over and let's try something, so I came over to his and he had a couple of masks and was fooling around and also said he had this fake tongue, so I said yeah why don't you just cut it or something and so we were just goofing around and filming with my phone and it turned out to be really something strange. So I took it home and made it a little bit darker, adding sound effects and it turned into this gross kind of thing, I put it online and it went viral. I said why don't you do that live, everyday you cut your tongue on stage, OK so we ordered like 38 tongues (laughs) and we had ordered the wrong ones because they were too sticky and so had to order different ones - nowadays like the mouth piece crisis we had a tongue crisis." Regarding the masks we see around the 'Lammendam' and 'Death Came Through A Phantom Ship' era, are they still being made? "Yeah Seregor makes them and has his own web store, he sells them there and makes all kinds of masks - usually horror and that's like a little side business. He's extremely good at it and always comes up with new ideas in life and for the band as well sometimes, in the visual area he's very talented" Given the COVID-19 situation, looking towards the back end of 2020, what plans do you have? "We're working on touring plans for the Autumn, USA hopefully after that Europe, we already have Mexico's Metalfest confirmed so with the virus it creates a lot of uncertainty, but we have really great booking agents and management who would try to be on that; making plans which I am really happy about, because that was the initial plan, we are really lucky that the album is coming out. But some bands had tour plans which they've had to cancel which is really bad, but music is now a secondary problem and sits behind personal welfare, societal health, etc., but our tour plans are definitely being drafted right now and hopefully we can be a bit more precise when this is all over." For those metalheads visiting Landgraaf, what sights / attractions could you recommend? "This is actually a funny thing, Landgraaf is a town where we used to have rehearsals and our previous band, none of us actually live there. So somehow that name made it onto our Wikipedia page. But we are located in the province of Limburg. In general you have the town of Maastricht which is nice to visit, it's a nice town, that is something I would recommend." Where there any ghost / horror stories you were told as a child? "Well I always remember our father would tell us fairytales and stories, but I have a funny memory as a child, I was sitting in the bathtub and I called out to my mother that someone was under the water by my feet; I have a vague memory of that so it was a cool ghost story." "Franckensteina Strataemontanus" is out 26th June 2020 via Season of Mist on CD, vinyl and tape. http://www.carach-angren.nl/ https://www.facebook.com/pages/Carach-Angren/289371466833 Interview Interrogation: Alexander "Aor" Osipov and Jane "Corn" Odintsova from Imperial Age (Russia)27/2/2020  Russia, the largest country in the world has throughout the decades (and centuries) played hosted in delivering some stellar musicians in all walks of life. As for metal, first it was Arkona and now the call for Russian Metal has been heard once again, this time in the form of Symphonic Metal sextet Imperial Age of whom have developed and brandished their own unique sound. Set to embark on their forthcoming UK tour, GMA spoke to Alexander "Aor" Osipov (tenor vocalist) and Jane "Corn" Odintsova (mezzo-soprano vocalist) about said tour, the Russian Metal scene, the relationship between classical and metal music, as well as the ongoing discusssion surrounding sexism in metal; whether Symphonic Metal or in an overall purview with bands featuring female musicians.  "With the phenomena of reincarnation... everything evolves... Beethoven and Wagner would for sure be playing Metal today" For those who are not aware of Imperial Age, could you give us a brief history of the band? Jane: "Officially the band formed in 2012, though Aor and I had spent about 2 years preparing everything for the start. We work hard and the band is getting bigger with every year - slowly but consistently." Aor: "We have 2 albums and 1 EP to date and we are working on the third album. If you want something to start with, go and grab 7 free songs from our website. If you like those, buy 'The Legacy Of Atlantis' - our latest album. If you like it - buy all the rest :)" Arguably Imperial Age and Arkona are the most internationally successful metal bands from Russia, yet the scene is mightily huge, from your own perspectives, what are the challenges Russian Metal bands face? Aor: "It is true about Arkona and us, and we are honoured to be spoken of in such a way. It's a dream come true. The scene in Russia is actually small and is dwindling every year. We are not putting any effort into there. Instead, we focus on the entire world, especially the West, where everything happens. 90% of our fans are from the US, UK, Germany and France. We also have a strong fan club in Portugal and (surprise) a lot of fans in Poland. Because we love and respect our Polish brothers and sisters and we are not some political jerks. We would also love to play in Ukraine, but we are not sure its safe for us there because not everyone understands that we have nothing to do with our (or their) government - we play metal and metal knows no borders and bows to no politicians. We get a lot of interviews from Australia and we have a license deal in Japan. Our distributor is Swedish. I dont think it gets more international than that :)" Jane: "The biggest problems bands face in any country is their own laziness :) they think that it’s enough to just write an album. Then a fat guy called the “producer” should appear and make them the new Metallica. Most people (not only in Russia) are not ready to work hard, to put tons of their own money, time and energy into the band for many years before the band starts earning any cash. They are not ready to sleep in the van or not to sleep at all on the tour. They have a lack of persistence. They have too romantic a view on all this music business, thinking that its only about having fun - sex, booze and shows... forgetting that shows are very hard work, that there are tonnes of non musical work that has to be done in order to maintain the band. They are not serious enough about their intentions which means they don’t really believe in their own success. “I find your lack of faith disturbing.” (C) Darth Vader Your tour in April will be the 5th time you've played in the UK, each time must have been more successful than the previous? Aor: "Yes, this is our second headliner tour in the UK (previous times we played as support) and it has already sold twice more tickets than last year although last year it was 5 cities and this year its 4. It's going to be a fantastic tour and we will play songs from the upcoming album for the first time ever!" With respect to your three vocalists in Alexander, Jane and Anna, did you have classical training in the past or did you master your vocal levels respectively? Aor: "Jane & I have had no formal training but have been working a lot with vocal coaches over many years. Anna graduated from a classical music college. However, over time and while working with so many musicians, we have found that education is completely irrelevant and actually its not always good if you are in metal because more often than not it narrows people’s horizons and makes them think within set rules, while we need maximum creativity and artistic freedom. Classical music was made 200-300 years ago, and everything has changed since that time. Unfortunately, many people just don’t want to acknowledge that. We are very lucky to have had a classical coach with a very broad and open mind who understands metal music, although she has never been a metal fan :)." Would you agree that classical and metal music are very closely related? Aor: "Despite what I wrote above, yes! But not all genres. For example Death, Thrash and Black Metal are built on harmonies which are prohibited in classical music. However, in Heavy, Power and of course Symphonic Metal, if you look at melody, harmony, rhythm – they are extremely closely related to classical music - especially the 19th century romantic period: Beethoven, Wagner, Tchaikovsky etc. There are also a lot of 17th - 18th century Baroque influences in metal as well, especially in progressive metal genres – just play Paganini or Vivaldi on an electric guitar and you will have your familiar Heavy Metal solos and shreds :)" So much so would you say Mozart, Tchaikovsky, etc were metalheads of their time? Aor: "Outside music, we work a lot with the phenomena of reincarnation and I have a very strong suspicion that some great modern musicians are the reincarnations of classic composers. Time flies by, everything evolves, and so do the people. I’m not sure about Mozart, but Beethoven and Wagner would for sure be playing Metal today. Can you imagine those guys doing pop or trance? I can’t."  Red Square, Moscow, Russia / Source: Wikipedia Symphonic Metal at times is at the receiving end of sexist remarks; especially when female musicians are involved, is this something you've endured in Russia?
Jane: "This is a very good question. And I have quite a few thoughts on it. Why is Symphonic Metal associated with female singers so much? There are some really good bands with male vocalists, for example all three Rhapsodies :) When we are talking about sexism, why is it always about women? How are women different from men in Heavy Metal? Frankly, I have never seen or received any sexist remarks from anywhere, but there is this ‘objectification’, sexualisation and feminist thing going on, not only in music but in the film and modeling industries as well. And I dont understand it at all. They speak of equality, but for some reason it is ok for a man to use his sex appeal on stage and to promote the band and attract new fans through his looks, but if a woman starts doing it, it is called objectification and reducing her value to just her body. Why isnt anyone saying that Ville Valo was being reduced and oversexualized? His fans are mostly girls (myself included). Why is it ok for men to pump up their muscles and show off their bodies (Manowar, Rammstein, Misfits etc), and not ok for a beautiful woman to show off hers? For example I really respect Alissa White-Gluz for how she uses her appearance to promote Arch Enemy and herself, but some people critisize her for that. Why don’t they critisize her boyfriend Doyle, who plays half-naked and is a body builder? Alissa actually has much more clothes on! I am not only a producer of art but also a consumer and I find it much more pleasant to watch shows or music videos which have attractive people in them, as opposed to unattractive... of course it's about the music, but if you are adding a visual part - and shows / videos are precisely that - then make it look good! It's like wearing clothes or wrapping up your product. Of course the inside is what its all about but if you are wrapping it, do it beautifully so that the outside reflects the inside! Otherwise just listen to the CD or Spotify. When I watch movies, I prefer those with handsome male actors. Is that sexism and reduction too?? Should I force myself to enjoy less attractive guys instead just so they dont get pissed off? Most feminists whom I have seen are unattractive and unsuccesful in their love lives. I think that all this social activity, for example the ‘body positivity’ movement, is just an excuse for not starting to eat properly and start going to the gym. It's much easier to say “accept me the way I am” than it is to raise your ass and go pumping it in the gym. There are two types of people - those who blame others and those who blame themselves. Why do they put warning pictures on tobacco but not on burgers? Obesity is much more dangerous than smoking - 60% of deaths in developed countries are from heart-related problems. Trust me I have a degree in medicine and worked 2 years at the hospital as a doctor. What is the point in promoting ‘plus size’ while banning the promotion of drugs, tobacco and alcohol? Its just as unhealthy. Dont get me wrong - there is nothing wrong in being unhealthy. Actually there is nothing wrong with anything as long as its your conscious choice, you are ok with it and accept the consequences. Personal freedom is everything. But if you aren’t ok with what you have, don’t complain - go and change it! Make yourself what you want yourself to be! Become your better self! Thats what all our music is about. If you are doing something anyway why not try to do something great? Yes, some people are luckier than others and have a better body or other talents such as a good voice presented to them on a silver platter. But it is also well known that talent is overrated (there is a book with the same name) and attributes to just 10% of success - the rest is hard work, blood and sweat. There are tons of people who look better than Bella Hadid and play guitar better than Paul McCartney, but we have never heard of them and never will. Why? Because talent alone is never enough and hard work always beats lazy talent. For example - I'm too short to be a podium model. They only accept from 170cm and I'm 160cm. But I dont go around trying to change the modeling rules - because they are there for a reason! I'm also not trying to stretch my height. I'm cool where I am and with what I'm blessed to have and all I try to do is make the most out of it. I'm quite happy being a singer in my own metal band and occasionally a photo model (and I didnt get all of this from birth, I had to work my ass off for a decade and to limit myself in everything to get there, and this work will never stop), to tour the world and be able to answer this interview :) And whats even more important, it's not enough to just be born lucky, it also takes a huge effort to maintain what you have. There are multiple examples of really talented people who didnt look after themselves and lost those talents, people with great gifts who have never developed them and have never benefited the world with them just because they didnt put in the required effort. Also, if you have an asset, its stupid not to use it. If you have something to show - show it. Make people’s lives better. So, in short, I don’t see any sexism. I see men liking beautiful women - and it has always been like that, and always will. There is nothing wrong with that, I also like handsome and clever men." Would you ever be tempted to try and represent Russia at any Eurovision Song Contest? Aor: "Imperial Age does not participate in any contests, just out of principle - we shall not bend to any rules and we shall not be judged, because who the hell are the judges to judge us? Only our fans are allowed to judge us. Thats their sole privilege and everyone else is welcome to f**k off. We are an acquired taste, not a $100 banknote to be fancied by everyone. The only ones who benefit from rules are the ones who make them. The house always wins. Rock is all about rebellion and we shall not comply. It is all totally rigged in this country and the state only supports the local pop culture which has zero chances to break internationally. TaTu were close to it but that was looong ago…" Jane: "I’ve never been interested in any type of contests." What are your thoughts on the ESC? Aor: "Honestly, I have never watched it :) But I was happy when Lordi won it. That’s probably my only touch with this contest." Jane: "No thoughts." Should more metal bands apply for it? Aor: "I think every band should maximize its chances for exposure, so yes, if they get this opportunity, why not? But be careful not to lose yourself. Metal is all about authenticity while the pop culture is refined and artificial." For the year ahead, what plans aside from the UK tour does Imperial Age have in store? "We have enormous plans, which we can’t reveal right now because we need contracts to be signed and confirmations to be made, but watch us closely – its coming soon! However, we can say that we will tour more than ever before and the new album will come out before the year is out! https://www.facebook.com/imperialageofficial/  Demonic Resurrection are one of the leading metal bands from the Indian Metal scene, having been around since the turn of the millennium they have released 5 albums, 1 EP and 1 split and in that time played across Asia and Europe; most notably playing twice at Bloodstock where this year Sahil (vocalist/guitarist) had a chat with GMA about why he was putting not only the band to rest, but his other bands as well. He spoke about his YouTube channel, the scene going forward, what you can do in Bombay and what religion means to him.  DR around 2016/2017 "Religion is very good fiction; they're great stories and it's unfortunate that people have taken them literally " Demonic Resurrection has come to an end, could you tell us how this come about? "I don't know man I think after 18 years of doing this, I'm kind of a little tired and fed-up with the way things are. I don't mind the struggle and I'm happy to work really hard and put 110% behind what I am doing, but for me I feel like the struggle has been with the same things as opposed to being different struggles as you progress as a band. For me that's kind of where it sort of says it's not working; if you're struggling with the same thing you started 10 years ago then maybe you're doing something wrong. So I kind of need to at least for now just put this behind me and maybe focus on something that is really doing well for me right now, which is my Headbangers Kitchen YouTube channel, so that's the plan right now." Regarding your YouTube channel, you recently become certified correct? And you contributed to a book? "Yeah we got certified a while back but we just reached 230,000 subscribers, so it's pretty much become my full-time job now and has kept me quite busy. I was approached by a publisher last year to sort of edit a book rather than write one, I wrote some stuff for this book but mainly edited a lot of their recipes too make them keto-friendly. Keto is a sort of way of eating where you deprive your body of carbohydrates and it goes into burning fat for fuel, it's sort of become one of the hottest ways to lose weight because it kind of lets you do it in a more of a free-approach to it, rather than being restricting yourself in terms of what you can and cannot eat; though you are, but it doesn't feel as deprived as most diets do." Out of all of the dishes you have done, which is your favourite? "Oh that's a tough question man, I would definitely say one of my most popular dishes is the 'bacon bomb'; that is kind of my signature meat dish, but I'm also very proud of my buttered chicken. The 'bacon bomb' is half a kilo of ground pork meat seasoned beautifully with fresh herbs, stuffed with cheese, peppers, onions, wrapped in bacon, covered in BBQ sauce and baked. That would keep you going for the rest of the day." So your other bands Reptilian Death, Demonstealer and Workshop are being phased out too? "If anyone has been following me, I think it was about 2 years ago I put Workshop to rest and then a year ago I put Reptilian Death down as well. I don't know man just things stopped working for the band and like I said I don't mind working hard, but when all the odds are against you then you just need to know when to let go. With Workshop we just come to a point where we were just unable to book shows because whoever booked shows didn't like our music, so eventually we were not able to book anything and it just sort of died down because there were no gigs we could play and the other members became busy with their other musical careers, so we called it a day." With Kryptos carrying on, what does the future of the Indian Metal scene look like in your opinion? "Honestly I don't know, but what I do know is it will survive, it will go through it's up's and down's like it always has, I think as a genre metal still holds onto people in some way. Even though the Indian scene is not growing in the way it should, but you know we will have to wait and see the way it goes, but I do believe it will survive and have children always wanting to play metal, so you will always have some Indian Metal bands; whether they last or not, that's a different question."  Ajanta Caves, Bombay / Source: Trawell With the metal band Bloodywood mixing Bollywood music with metal, do you see this as a step forward? "Honestly, I don't know if that's a step forward but it is definitely a connecting point for people around the world to know that there's metal in India. I guess they've tapped into what I would call the 'YouTube Market' ,which is a huge platform for very creative content and creators to exploit, and I think they have found a formula what works for them. So I definitely think them as a band will do great things, whether they choose to go live or whether they choose to spend their energy on YouTube, it will definitely be and introduction for most people getting into the Indian Metal scene." So how did Demonic Resurrection come round to playing Bloodstock this time? Do you keep in touch with past members? "Yes I think Bio-Cancer dropped out and my agent said I could book in for Bloodstock, so I was like let me check the visa situation because the last time we came here we had to get a work permit, which is really expensive, but it turns out that there is a cheaper option and I was anyway planning to visit the UK for friend's wedding so it kind-of worked out. Especially as we have two members in the UK, so that's two people that actually needed to fly in now for the gig; myself and Virendra. As of now we have Shoi Sen and Arran McSporran from De Profundis who play bass and guitar, they're our live session members in the UK. I'm still in touch with most of them yeah, they're always doing something or the other. Nishith Hegde and Ashwin Shriyan play in Bollywood, they're session musicians and as is Daniel Kenneth Rego, Mephisto chills at home and writes some of his own music but doesn't really put anything out so." Could you tell us more about your last (and final) album "Dashavatar", what does it mean? "'Dashavatar' is basically about the the primary avatars of Vishnu, the Hindu god of preservation, it's actually funny that I even wrote something like this because I'm a staunch atheist and I have a lot of disdain for religion, but as stories there are interesting things here and my wife told me the story of Narasimha the man-lion, and the way it was told to me was... it kind of showed a very brutal side to the story and the truth is I think, religion is very good fiction; they're great stories and it's unfortunate that people have taken them literally and f****d everything up, but they are great stories and they were stories that I thought would be good to tell through our music and I made sure that we didn't compromise the music that we made. I know we do have Indian instruments in the album, but they are there with a purpose, they are not us suddenly going all fusion, trying to create something, so that was an interesting thing to do." For metalheads visiting India, aside from the Taj Mahal, what sights / attractions would you recommend seeing? "Well if you're coming to Bombay (Mumbai) it's always good to get a look at the gateway of India, there are these caves called the Ajanta and Ellora caves which are nice to visit as well, you can go to the beach, Juhu beach, Marine Drive, yeah you can go around and eat some good food in Bombay. Honestly I always never know what to tell people to go and see in Bombay because myself I don't really care for sightseeing and stuff, it's all about food." Signing off are there any greetings or thank you's that you wish to send out? "Thank you for having me and for doing this interview, thank you to anyone who has listened to any of my music and bought a CD or t-shirt, I appreciate it!" http://www.facebook.com/DemonicResurrection  Having previously been located around the Worksop / Birmingham area, Symphonic Metallers Aonia are now more or less based in Sheffield. The 'Experimental Symphonic' crew won their Metal 2 The Masses regional heats and laid waste on the fields of Derbyshire. Aonia spoke to GMA about their rise, playing Bloodstock and how sexism is STILL an issue to-date.  (on sexism) "big balls is what makes us... we have balls we wear them on our chest that are held in by our corsets." How did Aonia form and what does the band name mean? "A long time ago in a galaxy far away, James's band and my band split up, so his remnants and my remnants got together and made Aonia. There were a whole load of line-up changes and in 2016 we finally stabilized with the addition of drummer David Byrne and bassist Matt Black, but the biggest change happened in 2013 with the addition of Joanne Kay Robinson on vocalist, because it brought us into a whole sort of new genre and with Tim Hall coming on Keyboards as well gave the music a much wider dimension. As for the name of the band it refers to the place near Helicon mountain where the muses dwell. Which is pretentious but kind of sweet, like us. When we were trying to find interesting words in the dictionary, we didn't get past 'A', we just gave up and went 'Aaaa.... Aonia' that'll do. To be honest I'm surprised we got to 'ao', we could have been called 'Abyssinia'." Is it easy or difficult to create music, especially when there are effectively seven different elements to contend with? "You have no idea (all laugh), it's just time consuming more than anything else, but the nice part about having seven elements to a band, and we don't have one songwriter, someone will come up with an idea but it's the whole band that puts it together. Which means we have an original sound, we have a sound that really we don't get compared to, but there's no one element that really separates us and makes the other bands sound the same as us, we have an original sound because of that and it works. It takes time, there's a lot of arguing (all laugh). I think it's a really creative conversation we have over a couple of chords or lines, eventually over seven minutes... forty minutes arguing over a chord. When I say seven, we don't actually listen to him (Przemek). I suppose that makes it more interesting, considering how overloaded and over-saturated the Symphonic Metal genre has become? "Well that's why we say we're not symphonic, we're symphonic to a certain extent and the keyboards are an important element in the band, but we have a very progressive rock basis to the band as well - do you know some of our sound links more to Iron Maiden than it does to Dream Theater, than Dream Theater to Nightwish; we have Dream Theater elements in it as well, we have a lot of elements in it, we have good musicians in the band and we like to show that as well, we have two fantastic female-fronted vocalists, we try and get all of the elements into the songs". Speaking of having two female-fronted vocalists in Joanne and Melissa, do you feel sexism in metal still exists or has it lessened over the years? "Well it's about 3-4 years ago, we were playing a local pub and somebody tried to pull my corset down whilst I was on stage, I would say sexism is still very rampant. I've seen comments like 'oh female-fronted metal is pop with heavier guitars', I've heard people say 'oh I won't go see a band if they're female fronted', 'I won't go to see a band if there's a girl in' and then you do also get sexism the other way round. I've got a friend called Kris who's a bassist in FireSky and her band is excluded from a lot of female-fronted stuff ,because she only does backing vocals and that's wrong as well, so Joanne do you want to wade in with your experiences? Yeah I mean we get a lot of 'pull your corset down', I've not had as severe as that but I would like to say we've probably got bigger balls than most of the boys in the band so yeah (all laugh), big balls is what makes us... (just say testicles - you do have something bigger than us but it's not balls), we have balls we wear them on our chest that are held in by our corsets. In which case, they are a lot bigger! We've had a lot people say 'you're not really my type of thing' but after the gig have said 'f*****g hell, that was absolutely amazing I didn't think I was going to like you', when they say it's female then Operatic Metal comes to the fore and judgements are made, but as soon as they've seen us live then their opinions have changed. Can I just say when she says 'f**k she's spelt it 'phuq'... apologies for my language, another problem with the sexism is that people don't think about what they're listening to, they're just watching or looking at a picture - seeing the picture and seeing as girl in it makes them think they won't want to go see that band, this is stupid because we're not actors playing in movies, we're musicians playing music; listen to the band first and then see what they look like, what they sound like is more important than what they look like."  The Diamond Engineering Building, University of Sheffield / Source: New Steel Construction It's cliche but don't judge a book by it's cover; what are your thoughts on the term female-fronted metal? "Absolutely! Although we have a good cover (all laugh). Female-fronted is not a genre, it's a gender. It's a description, the band is female-fronted, they don't say the band is male-fronted. I think a lot people use it as an excuse for a deterrent, like I say it's a label... wow.... you said that? I did. Got 'an excuse for a deterrent', yeah it's good I like that. Well it is. Like you say a lot people in metal are very male-orientated and soon as they hear the word 'female', they kind of switch off... I've been guilty of that myself but through experience, through being in a band it's opened my mind to a lot of new things. Hopefully we can change other people's perceptions too." Surely playing Bloodstock is the biggest thing to happen to the band? "So far absolutely, we know we're good enough to get to this stage because we believe in ourselves, but it's still an unbelievable experience - when they call our name out it was still that kind of speechless feeling... I wouldn't believe it until we had done it. I've been in the music business since I was about 15, so that's what 10 years? I've been playing for 35 years and it's by the far the biggest and best gig I've ever done and that's before I've played." Are there any greetings / thank you's that you wish to send out to people? "All the fans that have been loyally to us, all the new fans... they're our Aonia family. Mary Berry, my inspiration. Thanks for all the baking! Simon Hall, Simon Cliffe and Rob Bannister from Bloodstock. Our amazing PR lady called Angel." http://www.facebook.com/aoniauk  Emphasis are not holding back nor are they slowing down, the Estonian Progressive / Symphonic Power Metallers have signed a deal with Japanese label Red Rivet Records. Thus giving the band the momentum to reach deep into the Asian market and help expose not only their music, but the rich vibrant sounds the Estonian Metal scene has to offer. It has been two years since the sextet dropped their debut album "Revival" and now they're revelling in their latest offering "Soul Transfer", deviating away from the structural guidelines laid before them in search of a truly inspirational sound for the album as the band go on to explain... it did not happen by sheer accident.  How does it feel to release your second album 'Soul Transfer'; especially on Japanese label Red Rivet Records? Where does this place itself in terms of the band's history and the wider Estonian Metal scene? Katya (bass): "Estonia is a small country and our metal scene is very small as well. Actually, there's only one metal label – Nailboard Records. Many years ago they signed bands, but now they work more as a distribution company. So it means that we have no choice and it's pretty common that Estonian artists sign deals with foreign labels. So, as you know, our previous album was released on the Italian label "Underground Symphony". This time we sent our record to a list of labels over the world and we were happy to get positive feedback from Japan. Red Rivet Records offered us reasonable conditions and we're still happy about our co-operation. And yes, for us every action and step forward is kind of achievement." Regarding the 'Soul Transfer' track-list, could you explain the meaning behind the percentages?; Assuming it ties in with the album title? Max (guitars): "Soul Transfer is a concept album, an entire complete original story where the order of the compositions are arranged in a certain meaningful sequence. All the tracks are combined through smooth transitions or short instrumental sketches, which underlines and complements the full picture of the idea. In order to understand what we wanted to convey to the listener, you need to listen to the disc from start to finish in one session: from zero to one hundred percent with a total duration of 73 minutes. So, in the album, three main lines are closely intertwined: the inner world of feelings and memories of the character, the world of virtual reality created by a super computer, and the real material non-industrial world and its society, manipulated by gadgets and social media.
Using non-tradtional metal instruments can sometimes be considered unorthodox (in this case a saxophone and trumpet). What gave you the inspiration to include said instruments? How was it working with Raul Sööt and Allan Järve? Can we call the album 'Avant-Garde' or 'Progressive Jazz Metal'? Pavel (guitars): "I expected such a question... creating music for "Soul Transfer", initially I did not think about jazz instruments, as well as about violins. The album was at the stage of mixing... there were a lot of instrumental parties and it did not sound boring. But one evening, when the light at the end of the tunnel was already close, I went to the shower. Standing under the hot water, I thought: damn! I want to add something else, why not the jazz sounds? After two beers I opened my computer, sketched out my ideas, and messaged one saxophonist. In the morning I got a negative answer from him. I was quite mad and decided to make a last effort. I wrote a message to one of the best musicians in Estonia - my former harmony teacher and tenor saxophonist Raul Sööt. Next morning he answered me that it will be interesting for him to take a part in this project. After that I was thinking about trumpet. Then I messaged to Allan Järve, who was my friend at the Viljandi Academy of Culture. He quickly came to my studio and we recorded a trumpet for two tracks in an hour. Raul Sööt took the task very responsibly. He recorded his parts at the studio with Cristo Cotkas, there were several sessions. When I mixed the album, including their parts, I realized that this is exactly what I would like to hear in the end. The other members of the Emphasis were shocked. They listened to the songs several times and said that it sounds cool, albeit unusual. Avant-garde it or not – let the reviewers to decide :) But for me this record is exactly what I always wanted to record, even at those times, when in our group were only three members - me, Katya and Vsevolod. Ten years passed and we did it! I want to say a big thank you to all the musicians who shared this work with us - Raul Sööt, Allan Jarve, my friend from Moscow - Oleg Lutskevich, and also my colleague Julia Mets and my student Alexander Smirnov."  Tallinn (Visit Estonia website) Assuming there will be a tour to support the new album, are there any countries you would want to target? Will there be a music video released in support? Anna (vocals): "Currently, we don't plan any tour activities. Our album release party took place in Rockstar's club in Tallinn on April 14. The most of the songs we played for the really first time in our lives and we really enjoyed that! The crowd was amazing. We decided to focus on promotional stuff. Yes, we have some great plans about music video .. but let's see! :)" For metal fans travelling to Tallinn and wider Estonia, what sights / attractions could you recommend seeing? Katya (bass): "Rockstar's club – the oldest rock club in town, actually! Hard Rock Laager Open Air, of course. If you want to discover more, I totally recommend you to visit Narva, home town of three of our musicians, and got Art Club "Ro-Ro“. Believe me, there's really special atmosphere :)" What plans does the band have for the rest of the year that have not already been indicated earlier? Katya (bass): "We are planning to open our online-shop, finally! There you can find our musical stuff and some really cool merchandise. As Anna said, we also have some plans about music video, but.... now we're not ready to discuss it. However, GMA will be the first source who'll get a link ;)" Anna (vocals): "In autumn, we plan to play more shows. This spring was really hard for us!" Max (guitars): "And we also plan to continue with the new material." Pavel (guitars): "... 3,5 of the songs done :D" Are there any greetings you wish to send out to fans, friends, family, etc? All: "We wish you to visit more live shows and support local underground scene!" https://www.facebook.com/Emphasis.Estonia/  Most people would associate Taiwan as one of those countries you could find labelled on the inside of some of the garments you own, but for metalheads it's known as a vibrant metal scene with ChthoniC as their leading export... following in the Oriental Black Metallers footsteps are a legion of metal bands who are ready to take the Taiwanese scene forward onto newer and greater heights. One such band is Frost Tears (冰霜之淚), whose blend of Symphonic Gothic Metal and Oriental Metal is so amazing that you would lost in trying to find a band who can be compared to this majestic group. GMA spoke to the group to find out what life as a Taiwanese Metal musician is like, plans for the year ahead among other things. Answers are gratefully and surprisingly received in both Taiwanese and English.  "'Joyous shout' is a song which returns to the pure combination of power metal and symphony metal" How long has Frost Tears been going and has any of the members been in previous bands? "冰霜之淚迄今已經㒟立八年，到目前為止，歷經三任鼓手᧤現任鼓手 Ibara 第ℛ任᧥；三任貝㠾手᧤現任貝㠾手 Mone 是第ℛ任᧥；吉他手 Dio 是第ℛ任᧤鍵 盤手 Yu 則在 2016 年離團，主唱 Len 與吉他手 Taku 一直是原始團員。目前並不 積極尋找㠿任鍵盤手，因為㒠們覺得改變樂器編制也許是個有趣的ℚ情。在 2017 年在演出的配置加入了一位大提琴手 Tetsu. It's been 8 years since Frost Tears was formed by Len (Vocal), Taku (Lead Guitar) and Ibara (Drums). The other present members include Mone (Bass) and Dio (Rhythm Guitar), who are the second members at bass and rhythm guitar. Tetsu, our current cellist, joined us in 2017, which may be an interesting idea or choice to change our band formation due to former keyboardists leave in 2016." What is it like being a metal musician / fan in Taiwan? What is the scene like and is metal supported well? "ྎ灣的金屬樂一直都᭷許多人在默默耕耘，但ᡃ想除了北歐以外，每個國家 都沒᭷幾個金屬樂團ྍ以ᡂ為主流，也因Ṉᡃ們在這八年來所學到的心態，便是 做ᡃ們想做的音樂即ྍ，要跟隨閃靈的 腳 ṉ並不是件容易的事，而即使像閃靈身 為ྎ灣最紅的金屬團，卸下樂手光環ᚋ， 還是要᭷另一份工作才能᭷穩定的收入ࠋᡃ們也不例外 ChthoniC as Taiwan's most known metal band has their own way of standing in Taiwan and so do we. In fact, few of Taiwan's (or maybe countries / religions besides Northern Europe) metal bands became famous. So even if we still try to fulfil our destiny in our own way, our conclusion for Metal in Taiwan is simply make perfect music, and THAT IS ENOUGH. " You're about to release your fourth EP 'Conscious Being' in a few weeks time, will there be a tour in support of the release? "目前還在企劃中，ྍ能在六᭶，因為ᡃ們沒᭷足 夠 的經費同時做 夠 多的ⓐ行 和ᐉ傳活動，所以也不急，一件一件的完ᡂ就好ࠋ Actually, we are planning for a tour in Taiwan to begin maybe in June, so things like funds searching or promotion activity is now in process." Have you played outside of Taiwan, if so where? What challenges as a Taiwanese band do you face when booking overseas gigs? "ᡃ們曾經在 2015 年到過日本，2016 年到馬來西亞演出ࠋ對ᡃ們而言，演出內 容與器材ࠊ場地並不是問題，觀眾也都 夠 多ࠋ其實對ᡃ們而言，最困難的是籌ࠋ措旅費 We've been to Japan in 2015 and Malaysia in 2016. Shows were perfect for their own when the most difficult part is still the operation funds."  Chiang Kai-shek Memorial Hall What did you differently for the new EP in comparison to your previous releases? "因為團員變動，創作方式自然也會改變ࠋ新的 EP 除了首支單曲 Joyous shout 回到像 power 或 symphony metal 那種比較直ⓑ的音樂型態之外，另外三首則是以 現在的編制去重新改寫第一張 EP 中的三首歌，᭷的偏重音色和層次感的提升，ࠋᡃ們或許只是想挑戰自ᕫ而ᕬ吧ࠋ的甚至連主旋ᚊ和歌詞都重寫了 The new single 'Joyous shout' from 'Conscious Being' is a song which returns to the pure combination of power metal and symphony metal. Others are remade versions of 3 songs from our first EP which has improved tones, path of mixing and in some parts a change of lyrics and melody. It's a way for us to face and challenge our past." For those visiting Taiwan, what sights / attractions could you recommend? What bars could you recommend? "對於訪問ྎ灣的遊ᐈ，你ྍ以推薦哪些景點 / 景點？你ྍ以推薦什麼酒吧 九份是個一日遊的好選擇，酒吧的部分ྍ以選則市區的͟ "Revolver" 'Jiufen' for 1 day touring and 'Revolver'͛ for alcohol." What plans do you have for the year ahead? "你對未來一年᭷什麼計劃？因為ᡃ們寫歌很慢，一年或許很難完ᡂ一張全新專輯，ᡃ們會盡力ࠋ The first priority is to complete our next new album despite our slow working progress, but we'll still make a try." Do you have any greetings you wish to send out? "你᭷沒᭷想要ⓐ送的問候？你們好ᡃ們是來自ྎ灣的冰霜之淚！歡迎至ᡃ們的官方臉書追蹤ᡃ們並隨 時得知最新的演出以及作品訊息！ Hey guys we are Frost Tears from Taiwan! We welcome you to subscribe to us on our official Facebook page 'Frost Tears 冰霜之淚' to get the latest information of us! We wish to see you, Thank you! https://www.facebook.com/frosttears/
Metal music is unmistakably global, we've seen the rise of metal bands from all corners of the globe, from Brazil's Sepultura to New Zealand's Ulcerate and all the countries in-between and... basically everywhere. However it's multinational bands and projects that just show the solidarity this music brings irrespective of religious, cultural, political or societal traits... Metal is the Mecca of open-mindedness. Akheth, a project generally central to Canada features members from American, Dutch, Iranian and Mexican backgrounds and as they drop their debut single it's only right that they get all the attention they deserve because Akheth are not just a band, they are a prime example of 'metalisation' (a portmanteau of metal and globalisation; I just made it up); that is the power of metal music bringing different nationalities together under one roof. Akheth gave us an insight into their world, their new single, their paths to metal and the challenges of being a project separated by vast lands and open seas.  How did Akheth come about? What does the band name mean and how did that come about? "The band started from the first demo of 'The Asylum' we did back in 2015. It was a song that I had written in 2011 for my band at the time. When I saw a few YouTube videos of Mahafsoun singing I asked her if she'd be interested in recording vocals for the song. We finished that demo but didn't create Akheth as a band until late 2016. The name of the band is an Egyptian hieroglyph that represents where the sun rises or sets. I chose this name for the band because I was looking for something original and short and Akheth was the name of the first song I ever wrote back in 2006, so it has a special meaning." Seeing as you all live in four countries, do you send recordings over the net or do you meet up on occasion? "Mahafsoun and I have met a few times but most of the work we do is through the internet. I send the guys complete demos with guide vocals or just the skeleton of a song when I'm still working on it. From there they learn it and add their own thing to it. There is also a new song that we are working on for the EP on which Mahafsoun wrote the main piano parts, it is the first song we are writing together. Next month (April) Mahafsoun and I will meet and practice the vocal lines for the new songs." What (apart from the previous question) challenges do you face as an international band? "Sometimes communicating ideas over the internet is difficult, you can't really explain for example a melody or a complicated section over an e-mail. Besides that recording everything separately, specially with a low budget is hard because you have to take all those different tracks recorded in different places and make them fit together. Of course with the technology we have these days it's a bit easier but some of us are still learning and getting more experience as we work more on recording music. Lastly the cost of getting all of us together in the same place, every time we want to do it one of us has to get a flight somewhere." Mahafsoun, what was it like growing up as a metal fan in Iran? What does your family think of metal music? "During the time I lived in Iran, I was only eight years old. Because of this I never got to experience what it's like to be a metal fan growing up in Iran. However my mum and dad nowadays enjoy some metal. In the beginning they didn't really care about it, but after I showed them the different sub-genres of metal, they each found one that they really enjoyed listening to. I believe that for each of them, they enjoy metal more nowadays especially because they know that I have such a strong connection to the music and the culture."  You released your debut single 'The Asylum' this year, what has the reception been like and how did you come up with the single title? "At the time of writing The Asylum and other songs I had the idea of making them all fit together in a concept album. The story is about the human mind and how insane it can sometimes be. So at the beginning of the story everything is somewhat abstract but getting to this song, The Asylum, you start to figure out what it was all about. At this point we aren't even talking about the full length, since we are working on the EP, so we'll have to see if we keep the same subject. So far the reception has been great! People from all over the world ordered our CD's and merch, as a new band we didn't really expect that so we are very thankful for the support. Not only that but people also liked our music and we were lucky to have Mark from Epica as a guest on the song! Will the single be included on your impending EP / debut album in the future? "Our EP will contain 5 new songs and we will include 'The Asylum' as a bonus. Although for our first full length album we talked about re-recording the song because this single was basically home-made and we had some comments about our production quality. So yes! we will have a much better version of 'The Asylum' but it'll have to wait until we record our full length." How would you describe your style of metal? Who influences you? "Right now we only have that one song out so it is still too early for people to really know what our style is. However in a review for Metal Injection they called us Progressive Symphonic Metal and we really liked that term because it doesn't limit us to play the same thing all the time. We have so many influences that go from Progressive Rock all the way to Black or Death Metal and everything in between. I think our music will definitely reflect that. Also each one of us has different tastes and styles of playing our instruments or singing. The good thing is that we are all open minded and so is most of the metal community, our core will always be metal so I think most people will find something that they enjoy in our music. For our EP we are working on a ballad, also other longer songs with middle eastern vibes and instrumental sections. Some songs have more orchestra and others are more riff oriented so you guys can get an idea. The beauty of Symphonic Metal is that you can do so many different things with it and when you throw in the progressive part you get even more variety. As far as specific bands that influence us I'd personally say Opeth, Dream Theater, Tool, Black Sabbath, Judas Priest, Evergrey, David Gilmour, Steven Wilson to mention a few. Mahafsoun likes Deftones, A Perfect Circle, Septicflesh, Moonspell. There would be too many to mention them all!" What plans do you have for the year ahead and are there any greetings you wish to send out? "Our plans for this year besides the EP are making our first official videos together! We'd like to thank you and everybody for supporting Akheth and we hope you keep an eye out for our EP towards the second half of the year!" https://en-gb.facebook.com/akheth/  It is an undeniable fact that Africa, along with Australasia / Oceania, are the last frontiers of metal music, with the exception to a handful of countries e.g. Australia, New Zealand, South Africa, etc. Of course in Sub-Sahara Africa and North Africa there are far more metal scenes than in West Africa. However with Gabon's Iron Sliver, Nigeria's Threadstone and Ghana's Dark Suburb making noise, it was only fair for Cameroon to join the metal music movement. Roar Of Heroes are a Symphonic / Gothic Metal unit who are comprised of two musicians - Azra-Freyja and Anarchist 1st), formed from the ashes of a previous moniker - 'Silent Echoes', a six-piece band whose activities did not last long and thus gave birth to this new entity. GMA caught up with the duo and asked them what it is like to be metal music fans in Cameroon, what challenges there are and where do they see the African Metal movement in the future.  "Our society has never stopped judging this amazing philosophy, they still think metal is one of the devil's creations."Could you give us a history of Roar Of Heroes, how it started and what challenges you face as a band? "Roar Of Heroes' story is so long that a message won't be able to tell you the entire story in detail, so we summarize: in the beginning, the band was called Silent Echoes and had 6 members; a complete line-up with 2 female vocalists. The band performed together twice in February and June 2016, but after the June show, the band split-up and 6 months later was reborn as Roar of Heroes, with only two members of Silent Echoes, and this has been the same since then. The Cameroonian Metal scene doesn't seem to have been around for a long while, when did it roughly start and what is the scene currently like? "Cameroon doesn't have a real metal scene. We had here, the "Festirock" which we believe started in 2014 and today it's at its 3rd edition. But the last one was more of a "simple live show" than "metal show", including all types of music. So we don't really know nowadays if we can still consider it as a metal scene. But, another scene is about to be born, "Silent Night", organized by A Black Card, the label which is producing our forthcoming album. We all hope this one will be great." Are you aware of any other metal scenes near you? Would you agree that Africa is fairly young in terms of metal music being produced? "Personally, we think Africa will have it's place in the future of Metal music (even though 90% of bands we know only do Death or Heavy Metal, excluding South Africa and the Arabic countries!! according to us). Of course, people do not really know about metal bands in Africa, but we are sure, when the occidental communication will give attention to this continent, things will quickly improve. People really have a metal soul here." How did you become interested in metal music and what do your parents, friends, etc think of it? How does society perceive it? Have you played any local gigs? "We used to say, "we didn't adopt metal, metal adopted us", meaning that we always had it in our soul. When you are young, and you have the "chance" to see Michael Jackson or Metallica on your parents TV, you definitely know that you won't do country or pop music in your life. Parents and friends encourage us just because they know that we play music, we prefer things to be this way, than them judging us too. Because effectively, our society has never stopped judging this amazing philosophy, they still think metal is one of the devil's creations." What are your main influences for your music and have you released any EP's, albums? "Influences? Revolution is for the moment our only influence. We think everyday that things should improve around us, not changing, but improving. We recently recorded an EP, and started recording our first studio album, but unfortunately, we had a "bad wind" in April 2017, which carried with him all our files, and we were obliged to restart everything... from nothing. We finally returned to the studio back in September, and we think all will be okay very soon." Would you agree that countries steeped in devout Christianity would perceive metal music as a threat? "Yes we do. According to us, we think that they are focused on past metal images, which was unfortunately dominated by Death Metal and other s (with the satanic side of the genre). But that's not our philosophy, we have one different from that. In our songs, we encourage people to build themselves, to go further, to be free, to exist and so on. We have a simple philosophy: The impossible is unthinkable." Given the location of your band, have you had any fans emerge from overseas on Facebook? If so where? "We sometimes receive greetings from Nigeria, South Africa, France, Italy, Belgium and USA. People telling us that they like what we do. So encouraging to read mails and sometimes messages on our Facebook fan-page. We will never thank them enough." Where do you see the Cameroonian Metal scene in 5 years time? What changes need to happen to support the growth of the scene? "We are convinced that, in less than five years, Roar Of Heroes will make the Cameroonian metal scene to be known in Africa and all over the world. First of all, people have to assume with a firm conviction their love for metal. Secondly, they have to eradicate every judgement, so according to us, the problem starts from metal lovers, only them can extend the philosophy. But, this is about to happen, our revolution started this way." Finally do you have any hello's, greetings, etc you wish to send out? "We would like to send a message to everyone reading this article:- "Firstly thanks for reading, secondly never forget guys that every second in your life is a chance to change your story!!! Never stop believing in what you feel! Revolutionary yours!" https://www.facebook.com/RoarOfHeroes/ |
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