 Multi-talented, award-winning artist, actress and activist Kate Nash announces the 10 year anniversary of her platinum selling debut album 'Made Of Bricks'. Kate will be touring the album over the summer including a show at London's Shepherd's Bush Empire, tickets will be available for pre-order Wednesday 29th March and on general sale 31st March. A limited run of original pink 'Made In Bricks' vinyl will be available on the tour. Kate on 'Made Of Bricks':- "I am so excited to celebrate my 10 year anniversary of Made of Bricks. This was a life changing record for me. At the time of making it I had no idea what to expect, what making a record even was, and how much this would open up a world of art and music to me. After a decade of creating, recording, performing and living I feel more confident about my abilities than ever and I look forward to approaching these performances from where I am today. I can’t wait to share this with fans old and new, I’ve honed my performance skills and this will bring new life to old material, mixing a sense of nostalgia with a shiny bright future. I’m so proud of how far I have come and I actually feel like I have a stronger connection to the songs now than I did then. I’m more in tune with myself and I think that translates through my performance. I also feel like this album keeps me connected to why I create music. It's an important reminder to me to stay creative, open, imaginative, to have a sense of fun and remember the London streets I grew up in. It's amazing to be fortunate enough to have a career as an artist. So hashtag blessed. I’m as ever grateful to my beautiful fans!! And I’m excited to invite them to something extra special this summer!" In other news, Kate Nash has been confirmed to play Rhonda is the upcoming Netflix Original series “G.L.O.W.” Produced by award winning Jenji Kohan (Weeds, Orange is the new Black), “G.L.O.W” (aka Gorgeous Ladies of Wrestling) was created by Liz Flahive (Homeland) and Carly Mensch (Orange Is The New Black) and is a 10-episode comedy inspired by the real story of the 1980s female wrestling league. MADE OF BRICKS TOUR 1st August - Edinburgh, Queens Hall 3rd August - Leeds, Church 4th August - Manchester, O2 Ritz 5th August - Nottingham, Rock City 6th August - Bristol, O2 Academy 8th August - Brighton, Concorde 2 10th August - London, O2 Shepherd’s Bush Empire Website / Facebook / Instagram
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 Regina, Saskatchewan (CA) Metallers TMHM will embark on their Eastern Canadian Tour August 5. TMHM (formerly The Man and His Machine) is a four-piece metal band. The group combines punk, hardcore, thrash metal, and rock with gritty word-heavy vocals to produce a chaotic and dynamic sound. On August 17 the band will mark their sixth release with their debut full length album Stage Names, recorded at Rain City Studios in Vancouver, BC with Stu McKillop (Daggermouth, Youth Decay) and his team of engineers.   Multi-national newcomer sensation Blues Pills have announced tour dates throughout UK and Ireland for this November! Front woman Elin Larsson commented 'UK get ready to be dazzled! Looking forward coming back to see you all - we missed you. Put on your best pair of dancing shoes and join the Blues Pills party!' The soulful rockers will release their highly anticipated second album 'Lady In Gold' this summer, produced once again by Swedish producer Don Alsterberg. Tickets go on sale this Friday 6th May from 10am, available from the links below: 1st November – Wolverhampton – Slade Rooms http://www.livenation.co.uk/artist/blues-pills-tickets 2nd November – Classic Grand – Glasgow http://t-s.co/blu00 4th November – Voodoo Lounge – Dublin www.ticketmaster.ie 5th November – Club Academy – Manchester http://www.livenation.co.uk/artist/blues-pills-tickets 6th November – London – Koko http://www.livenation.co.uk/artist/blues-pills-tickets 8th November – Bristol – Marble Factory http://www.livenation.co.uk/artist/blues-pills-tickets Welsh fans need not dismay as Blues Pills will be playing Steelhouse Festival in Gwent on 23rd July - tickets available here: http://www.steelhousefestival.com/tickets.html https://www.facebook.com/BluesPills/ By Ali Nichol-Way Support came from Nic Wood and Second Place Hero. Recently D.E.A.D has been making waves in the underground Alternative scene. After near-constant touring as a support act since Christmas and having a recent festival appearance at Camden Rocks, they have made a name for themselves with their energetic, punk-infused live shows. Naturally everyone was intrigued to see what they would bring to their own headline show. Opening to a sparse crowd of roughly thirty, Nic Wood stepped up to the plate with a cry of “Hello Think Tank”. Armed with only an acoustic guitar, the feeling of ashamedly expecting an acoustic set made up of three-chord songs that sounded the same was there. Surprisingly Nic could shred on an acoustic guitar. Whilst amazingly talented at playing, (he never dropping a note) he seemed to have a Jekyll and Hyde effect with his singing going from a laid back, classic acoustic style vocals in to raging screams that could fill the venue without the need of a microphone. There may well be some philosophical depths as to why he does this but it gained only disinterested and various jumps from the crowd who quickly turned back round to see talk to others. Going through the songs, you couldn’t doubt his passion in his performance. However it seemed that the acoustic tone did not fit well at a show headlined by a band known to jump into crowds. Nic retired off stage to a polite applause from the milling audience. Next up were Newcastle’s own Second Place Hero. There was initial excitement for the Pop Punk quartet and their catchy hooks soon gained some excitement from the audience, but this soon died down as they turned into pretty much a boring act. You would think vocalist Graeme Costello had left the oven on at home due to his disinterested performance. His lack of eye contact and bored walking on stage screamed that this was a show they didn’t want to do. However their songs were quite tight, showcasing tracks off their E.P “Year of the Underdog” with some skill. The most interaction that was had with the crowd was when they got them to clap along to their '1000 miles' cover and hit 'our time is up'. They then proceeded to leave the stage as fast as possible, leaving nothing but an awkward atmosphere. When headliners D.E.A.D said “all aboard the Tourtanic” they weren’t joking. Celine Dion’s “My Heart Will Go oOn” filled the venue as the band piled on stage. Within in minutes the lead singer Alex Mountford had the whole crowd doing jazz hands, successfully showing the supports up. As they went into the bouncy tune “Phantom” the audience were literally bouncing up and down which they continued to do for the whole show. As they went from 'Verona' into 'Alaska', you could see them develop into a tighter and more powerful sound. This was also evident in their live show as you could see the difference in their live act, seeming more focused even from when they were here supporting Ashestoangels on Wintour. They also showed a strong connection with the audience, with all of the members making eye contact, thanking the crowd for coming out tonight, even laughing when some dedicated fans pulled out lighters and phones during 'Alaska'. However they still have some way to go after they messed up a bit on 'Cowboy', but that is probably a part of the classic D.E.A.D experience of "all out, uncaring rock". Fan anthem “Beautiful Broken Bones” closed the set and ended with Mountford in with the crowd and then them screaming for one more song. Pretty much, if you want a great live show with lots of jumping and sweat, then D.E.A.D are definitely a band to check out. Nic Wood [6] + Second Place Hero [6] + D.E.A.D. (8) https://www.facebook.com/NicWoodMusic https://www.facebook.com/SecondPlaceHero?fref=ts https://www.facebook.com/StayClassyStayDead On a warm summers evening, in the concrete jungle of Camden's abyss, three bands were about to let rip on the unsuspecting local civilization. Two wallowing figures soon emerged on stage being watched by those attending The Fiddlers Elbow, this duo were 5 Lives left whose unique style of rock was running wild with different influences here and there. Sure the drummer was giving his all as if he was high on matured crack, hitting everything in sight and luckily not breaking the drum kit. Whilst the crowd clearly appreciated their performance with the unsuspected encore, the vocals at times were dire and seemingly need a lot of work done to improve this, not only that but the guitarist who was also in charge of vocals lacked motion and to some extent emotion. It was a hard time to decipher what this duo were capable of and frankly some nearby felt they would find answers in downing a bottle of beer, it was going to be a long night. [5] RHYS STEVENSON Suddenly the temperature seemed to drop greatly, as if outside the sun had blown out or the fridge door was left wide open to allow a cold and bitter atmosphere to freeze everything in sight, literally the crowd were rooted to the spot when Melodic Death / Doom Metallers Spectral Darkwave shafted out their cunning and eloquent dramatis persona that welcomed them to induct impromptu after impromptu via extravagant music playing. This may well be a huge step for the London boys but the best is sure to come in the future, it is early days but this trio could well be a promising act from the deepest and darkest sewers in the underground algorithm that is leading many unsigned bands in the UK to being justly recognized. [8] RHYS STEVENSON  < One Final Stitch message was black and white, they were born to rock The final act of the evening was One Final Stitch, a no-nonsense hard rock band tinged with what they call 'Girl Metal', hailing from the back streets of Ockendon, they brought another killer performance given due this was their first live show in London, accidentally headlining (headliner pulled out) and 2nd gig overall. Since their first gig at Southend Chinnerys a couple or so weeks back, the fearsome foursome have excelled in making their music more tighter, more meaningful and with added grit, grisliness and good ole fashion rock 'n' roll. During their set they unleashed now tracks, some of which were so powerful Camden was lucky not to suffer window explosions let alone earth tremors let off by this Teutonic musical machine. As they ground into the dirt and delivered sting after sting, the crowd roared with excitement and appraisal, not only had the band done the remarkable at performing sensationally well at their second gig, but more so in London as their 2nd overall gig. However the show was not complete as it did not feature any 'this is what happens when the lights go down' jokes. [9] RHYS STEVENSON |
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