The Polish grindcore veterans Antigama are proud to announce a brand new video for "Division of Lonely Crows" taken for their latest EP "Depressant" (Selfmadegod Records). This unique flick has been directed by David Sherbrook of Infested Films - an independent horror movie company based in Los Angeles. It tells an allegorical story of a man trapped in a horrid and unexplained experience. Its symbolic visions evoked by the lyrics leave space for interpretation and tease your mind. Starring: Daniel Button, Stephen Craig and Heather Higginbotham, with outstanding FX created by Scott Dawson.
The video can be seen here: https://www.youtube.com/watch?v=gdMP5ExA-Ik
Sebastian Rokicki (guitars) comments:
"I am totally blown away by the work of David & crew. It is completely different from what I've expected and from what I've known as a big movie fan I am. I hope I won't be alone in my opinion because the music and the pictures make a perfect match and leave you with unanswered questions, the true essence of life".
Here is what the director David Sherbrook says:
"I've been a big fan of Antigama's for a while now. I think their music evokes really unique imagery and emotions, and their affinity for Sci-Fi themes is right up my alley, so it was an honour to make the video. I wanted to make something that visually embodies those qualities and leaves the viewer with a sense of dread and unease, while also getting to play around with some really off-the-wall ideas. It was a blast to make and I hope it resonates with the fans as much as it does with me."
Antigama currently promote the new EP "Depressant" and will headline the "Crazy People's Right to Grind" UK tour in September and the "Depressant Over US" tour in October starting at the California Deathfest 2018 in Oakland.
Poland's Ape To God have signed to Deformeathing Production. The band and label plan to release their debut album, “The Head Meets the Tail", in October 2018. A new song, “Pseudocyesis”, is available to stream ahead of the album's release.
Stream “Pseudocyesis”: https://youtu.be/ZvsVT4Kx-y4
Ape To God were established in 2011 in Lublin, Poland and combine elements of thrash, grind, death and groove metal. Their lyrics follow dystopian and anti-religious themes with social and political commentary. The music and the overall concept are inspired by bands such as Bolt Thrower, Napalm Death, Slayer and Celtic Frost. The debut album follows the 2013 release of their self-titled EP.
Ape To God online:
Deformeathing Production online:
Long running Polish grind/crust band Means Of Control have just signed a deal with Selfmadegod Records to release their second full length!
The newest album includes 13 songs of fierce grindcore influenced by classic bands of the genre like early Napalm Death, Terrorizer, Defecation, Righteous Pigs.
“Cena zbawienia” was recorded sometime in 2017 in several studio locations like Sound Division Studio, Noise Art Studio and Komoda Studio while Arkadiusz "Malta" Malczewski (Behemoth, Azarath, Decapitated) mixed and mastered entire material.
“Cena zbawienia” is now available on CD and digital download through Selfmadegod Records. You can listen to “Robactwo” song at the label’s SoundCloud profile or YouTube channel.
Means Of Control started back in 1992 in Radom, Poland playing crustpunk with some grind parts influenced by Concrete Sox, Heresy, Doom, Righteous Pigs, Defecation, Assuck. After 20 years of activity the band released their debut full length. Several years later with some new members and more grindcore sound the quintet recorded second one entitled “Cena zbawienia”.
Black / death mavericks Temple Desecration stream the entirety of their highly anticipated debut album, Whirlwinds of Fathomless Chaos, at heavily trafficked web-portal NoCleanSinging.com. Set for international release on July 13th via Iron Bonehead Productions, hear Temple Desecration's Whirlwinds of Fathomless Chaos in its entirety exclusively HERE.
Since Temple Desecration's beginnings in 2011, this mysterious Polish cult have been a study in refined ugliness. Prizing quality over quantity, each release has been exacting, yet executed with animalistic abandon. It began in 2012 with the very-aptly-titled Abhorrent Rites demo - which Iron Bonehead later released on 12" vinyl, in 2015 - and carried forward to the dread expanses of the Communion Perished EP in 2014. There, at just two songs in a swift 13 minutes, Temple Desecration indeed desecrated by-now-passe "bestial metal" conventions into something angular and truly overwhelming, incensed by the form's latent power but focusing it into an ever-roiling maelstrom that was worlds away - and suggested, even, other worlds.
With the stage thus set, a whole four years later, Temple Desecration return to maximize that enviable potential with their first full-length, Whirlwinds of Fathomless Chaos. Massive in every measure, Whirlwinds of Fathomless Chaos is indeed a whirlwind, but any chaos extant in the band's sound has been excised for locked-in, monged-out hypnosis. It's a trade-off that works in spades, as Temple Desecration's vile, virulent pulse becomes more patient and yet more mesmerizing, eventually devouring the listener whole - or at least sucking said listener into a black hole, many worlds away. The more expanded song structures first explored on Communion Perished are here finesse even further, building new pillars of pustulent terror and crushingly physical tension: at five songs in 38 minutes, the sheer density and solar weight of Whirlwinds of Fathomless Chaos feels far more expansive than its compact runtime suggests.
These advancements aside, Temple Desecration have also managed to make their mangling of the bestial idiom more ritualistic, more ceremonial. That pulse may still be tethered to black/death traditionalism - it is METAL, after all - but the way this cult warps their riffs into slithering sensations of sound elevates Whirlwinds of Fathomless Chaos above the mongrel hordes listlessly flying that "bestial metal" banner. In short, there is transcendentalism coursing through every minute of the album, and Temple Desecration have hereby unlocked its boundless enormity.
Gaze into its cover art - faintly, deeply, whichever - and begin to contemplate the enormity of Temple Desecration. For these Whirlwinds of Fathomless Chaos stretch beyond The Beyond... Stretch fully exclusively HERE, courtesy of NoCleanSinging.com.
Maynard James Keenan received the Icon Award at Monday night’s Metal Hammer Golden Gods’ ceremony.
The award was presented to Keenan by Daniel P. Carter, host of BBC Radio 1’s Rock Show, recognizing a lifetime of contributions to heavy music, with past lifetime achievement winners including Black Sabbath, Judas Priest, Lemmy and Alice in Chains. Keenan was celebrated for his work with his trio of bands: A Perfect Circle, Puscifer and Tool.
Keenan is in the midst of a European tour with A Perfect Circle, supporting the band’s recently released album, Eat The Elephant. A Perfect Circle kicks off the first of three consecutive, sold out shows in the UK beginning this evening at the O2 Apollo in Manchester followed by back-to-back performances at the O2 Academy Brixton.
A Perfect Circle tour dates:
June 12 Manchester, UK O2 Apollo Manchester SOLD OUT
June 13 London, UK O2 Academy Brixton SOLD OUT
June 14 London, UK O2 Academy Brixton SOLD OUT
June 16 Landgraaf, Netherlands Pinkpop Festival
June 17 Berlin, Germany Zitadelle SOLD OUT
June 20 Zurich, Switzerland Halle 622
June 21 Dessel, Belgium Kastelsedijk
June 22 Clisson, France Hellfest
June 23 Esch-Sur-Aizette, Luxembourg Rockhal
June 24 Dessel, Belgium Graspop
June 26 Paris, France Olympia SOLD OUT
June 28 Madrid, Spain Download Festival Madrid
June 29 Barcelona, Spain Be Prog! My Friend Festival
July 1 Verona, Italy Rock The Castle
October 20 West Valley City, UT Maverik Center
October 22 Morrison, CO Red Rocks Amphitheater
October 24 Austin, TX Austin 360 Amphitheatre
October 26 – 28 New Orleans, LA Voodoo Music + Arts Experience
October 29 Atlanta, GA Fox Theatre
October 30 Orlando, FL CFE Arena
November 1 Charlotte, NC Bojangles’ Coliseum
November 2 Nashville, TN Bridgestone Arena
November 3 Lexington, KY Rupp Arena *
November 6 New York, NY The Theater at Madison Square Garden
November 7 Baltimore, MD UMBC Events Center
November 9 Detroit, MI Masonic Temple Theatre (WRIF Radio Show)
November 11 Minneapolis, MN Armory (93X Radio Show)
November 13 Cedar Rapids, IA U.S. Cellular Center
November 14 Park City, KS Hartman Arena
November 17 Anaheim, CA The Theatre at Honda Center
November 18 Las Vegas, NV The Cosmopolitan of Las Vegas – The Chelsea
November 20 Phoenix, AZ Comerica Theatre
December 2 Glasgow, Scotland Glasgow Academy
December 3 Manchester, UK Victoria Warehouse
December 5 London, UK Wembley Arena Pavilion
December 7 Antwerp, Belgium Lotto Arena
December 12 Copenhagen, Denmark Forum Copenhagen
December 13 Hamburg, Germany Sporthalle Hamburg
December 15 Kraków, Poland Tauron Arena Kraków
December 16 Vienna, Austria Wiener Stadhalle
December 18 Milan, Italy Mediolanum Forum
December 19 Rome, Italy Palalottomatica
Poland's Orphanage Named Earth to release “Re-evolve” on April 20th; album streaming via Echoes And Dust
Polish Post Metal / Sludgers Orphanage Named Earth will release their anticipated album “Re-evolve” on April 20th via Argonauta Records.
Today the band unleashes the exclusive album streaming in collaboration with Echoes And Dust.
Listen to “Re-evolve” here https://www.echoesanddust.com/2018/04/exclusive-album-stream-orphanage-named-earth-re-evolve/
“Re-evolve” is a story of a romantic thinking about the world of peace, respect for human and animal life and earth liberation, meeting the brutality of metal, crust d-beat and harsh but atmospheric guitars. Lyrically, the band touches important sociological issues evolving around one main topic: human greed and selfishness, as according to the band, human thinking needs to re-evolve unless we want to live in the world of wars and exploitation.
“Re-evolve” orders are active here.
More about “Re-evolve”
Monuments of Tomorrow https://youtu.be/_XSE_5Y0XTU
Piss On Your Parade https://youtu.be/NC9XhasTDx0
Double LP will be released in collaboration of several DIY punk labels in April/May 2018:
Dilapidated Records (USA) https://www.facebook.com/Dilapidated-Records-488736094509442/
Distroy Records (Ireland) https://www.facebook.com/distroyrecords/
DIY Koło Records (Poland) https://www.facebook.com/DIYKoloRecords/
Hasiok Records (Germany) https://www.facebook.com/hasiokrecords/
PHR Records (Czech Republic) https://www.facebook.com/Papagajuv-hlasatel-records-241696125352/
Sanctus Propaganda (Poland) https://www.facebook.com/sanctuspropaganda/
COVER ART BY Andy Lefton (WAR//PLAGUE, TAU CROSS)
This April and May, Chicago post-metallers Snow Burial will embark on an eleven-date European tour with Cornwall doom outfit Monolithian. Beginning in the United Kingdom on April 23rd, circling through the continent, and closing with London's acclaimed Desertfest on May 5th, this tour will be Snow Burial's second trip across the pond.
Snow Burial recently recorded at the famed Electrical Audio in early 2018, crafting a split 7-inch with Iowa City’s doom maestros Aseethe (Thrill Jockey). The tapes and vinyl will be released courtesy of Hand Of Death Records.
The band commented, "We are beyond excited to get back to Europe and hit the road with our good friends in Monolithian. The opportunity to be a part of Desertfest and spend two weeks getting loud across an ocean is amazing and humbling. Add to that the chance to bring with us a brand new split tape with Aseethe from Hand of Death Records and we're on top of the world. "
Formed after a Shiner reunion show, Snow Burial established themselves in the American Midwest scene and released twin EPs Oxblood Siren (2013) and Oxblood Tides (2014). Through promoting the EPs and extensive regional touring, the band earned a reputation for their crushing sound and performances.
Following positive reviews, tours, and airplay, the band released their inaugural LP Victory In Ruin in January 2016. Snow Burial continued touring the US and UK in 2017, featuring an opening slot for Scott Kelly and Sanford Parker’s project Mirrors for Psychic Warfare, with coverage from Metal Hammer Magazine and multiple blogs. In spring 2017, they proudly released a new song “Burn Down the Crown,” on the Unpresidented: DIY vs. Donald Trump benefit compilation.
*with Quietus (FR)
23.04.18 Portsmouth UK @ The Festing
25.04.18 Saint-Etienne FR @ The Thunderbird
26.04.18 Lille, FR @ Bobble Cafe*
27.04.18 Plzen, CZ @ Divadlo Pod Lampou
28.04.18 Kolin, CZ @ Bar Pod Hodinami
29.04.18 Biansko-Biala, PL @ Rudeboy Club
30.04.18 Jena, DE @ Cafe Wagner
02.05.18 Barnbury UK @ The Wheatsheaf
03.05.18 Plymouth, UK @ The Underground
04.05.18 Nottingham, UK @ EARTHMOVER Festival (Angel Microbrewery)
w/Primitive Man and Bismuth
05.05.18 London, UK @ DESERTFEST (The Dev)
Denmark's Taphos sets release date for debut album; reveals first tracks, to tour with Degial in May
Blood Harvest Records and Helter Skelter Productions set June 8th as the international release date for Taphos' highly anticipated debut album, Come Ethereal Somberness, on CD and 12" vinyl formats.
Hot on the heels of Blood Harvest's compilation of the band's first two recordings as Demo MMXVI & 7" EP MMXVII, garnering widespread acclaim and heightening anticipation for their first full-length, at last arrives Taphos' Come Ethereal Somberness. As a debut LP, Come Ethereal Somberness does everything it should: stay consistent to a band's sound established on their demos whilst pointing toward new avenues. Here, Taphos do both, and then some.
Hailing from the same Danish scene as Undergang and Phrenelith, Taphos create a classic - and classically gutted - style of Metal of Death. Their first recording, Demo MMXVI, possessed a darkly thrashing sound highly reminiscent of turn-of-the-'90s death metal on both sides of the Atlantic, as resolutely Scandinavian as it was American, its filthy propulsion as palatably fresh as it was authentically ancient. On the subsequent two-song EP, Taphos' sound becomes more world-eating, their songwriting aims more epic whilst not losing the raw fury of their beginnings.
Now, with Come Ethereal Somberness, they synthesize the two stylistic shifts into something both berzerker and epic, manic and finesse in equal measures. Indeed, Taphos are firing on all songwriting cylinders here, as the energy literally bursts off the charts but retains a sense of composure and daresay class rarely scene in full-blooded death metal. Hammering and hideous yet nevertheless invoking a clarity that never castrates their attack, the quartet render each of these seven central compositions (bookended by moody instrumentals) a story unto itself. Hell, the titles themselves tell that story - "Ocular Blackness," "Insidious Gyres," and the equally telltale "Thrive in Upheaval" and "Impending Peril" among them - and that story is horrific.
New nightmares are here, then, and Taphos will be taking them on the road with a full European tour this May alongside Swedish comrades Degial (dates after the jump). Until then, as its title ominously proclaims, Come Ethereal Somberness! Hear two new tracks off the album, the aforementioned "Thrive in Upheaval" and "Impending Peril" HERE at Blood Harvest's Bandcamp. Pre-order info can be found HERE.
"The Preditorial Siege of Europa" tour dates with Degial
[more tour info: www.killtownbookings.com]
Following the announcement of their signing to Pagan Records, black metal band Varmia have released more details about their follow-up to the outstanding debut, “Z mar twych”. Entitled, “W ciele nie”, the second album will be released on 20 April 2018 through Pagan Records in CD, digital and cassette formats. The artwork and graphic design was done by Piotr Leszczyński. A “making of” clip is available to view below.
WATCH the “making of” clip: https://youtu.be/8p9Q9mXMKSc
Varmia favour the natural and authentic sound. That is why the new album was recorded in a makeshift studio in an old barn, while the vocals and ethnic instruments were recorded live in the forests in Warmia, a region in northern Poland. The result of this is black metal loaded with wilderness and heathen spirit.
Polish doom-death veterans Mordor announce the release of their first album in 21 years. Entitled “Darkness...” the new album will be released through Pagan Records on 20 April 2018. The artwork has been created by Arkadiusz Zając, and the graphic design was done by Mentalporn.
View “Darkness...” teaser: https://youtu.be/6L6C-l9MXnk
Mordor are one of the precursors of Polish doom metal. Established in 1990 in Częstochowa, they have quickly become one of the most respected Polish doom-death bands. This was confirmed with the favourable response to their “Nothing” (1992) demo and the debut album “Prayer to…” (1993), both receiving positive reviews from around the world.
The comeback album, “Darkness…”, was recorded at No Solace Studio with production duties taken care of by M. of Mgła fame. Consisting of six tracks, it is a return to the band’s roots, naturally continuing from the band’s days in the early 90s when Mordor where one of the first representatives of Polish doom-death metal. Listeners should expect heavy riffs, strong, deep vocals and a massive sound. In short, it is a return to the old atmosphere with a much stronger sound.
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