Spanish blackened technical death metal horde Thirteen Bled Promises will release "Foundation" on October 22nd via Lacerated Enemy Records. The EP's first single, "A Humanless War," is available now at youtu.be/BMFDeoTly08. Visit this location for single availability on other digital platforms.
Lacerated Enemy share their thoughts:-
“We are very pleased to announce that Thirteen Bled Promises has joined Lacerated Enemy family. Hailing from Madrid, Spain. Thirteen Bled Promises formed in 2006 creating their brand of technical brutal death metal. After releasing two successful albums, "Heliopause Fleets" (2012) and "The Black Legend" (2015), the band established a strong fan base in Europe and received great reviews for both."
While supporting numerous well known acts since the creation of the band, Thirteen Bled Promises was ready to enter the studio again to record another masterpiece of blackened technical death metal. The record brings its influences from progressive and technical song writing, while still accompanied by a blackened atmospheric quality that keeps the listener intrigued about what will come next.
Three years after the release of The Hunt for White Christ (2018), iconic Swedish death metal legends Unleashed return with their new studio album, No Sign of Life, out November 12, 2021 via Napalm Records – once again setting the ultimate standard of death metal!
The Swedish crew is led by founding frontman Johnny Hedlund, and features drummer Anders Schultz and two guitarists Tomas Måsgard and Fredrik Folkare – delivering and defining supreme death metal for over 32 years. On No Sign of Life, the band formed of Viking descendants transports the listener straight into an outraging battle with 11 forceful tracks that revive the essentials of death metal, facing the sheer brutality of war. Unleashed are back to defend their throne, forging another uncompromising musical weapon that continues the marvellous legacy of Vikings.
To satisfy the bloodthirst, Unleashed just released their staggering brand new track from No Sign of Life, entitled “The King Lost His Crown”, alongside a sharp lyric music video. The track dives right in without mercy, dominated by destructive guitars, blasting drums and the well-known chunky and brutal screams of genre-carving vocalist Johnny Hedlund.
Johnny on the first single:
“In the aftermath of the battle of Jorsala, where the Midgard Warriors stood victorious, White Christ is now being hunted from the once so holy city. The enemy flees towards the desert, and his armies are about to lose faith in their leader. It seems that the king lost his crown”.
Watch the new lyric video for "The King Lost His Crown” HERE:
The silence gets crushed right within the first notes of the album opener “The King Lost His Crown” and invents a paving rage that leaves no time to catch your breath during its entire playing time. The album unfolds with “Where Can You Flee” as an unstoppable war battalion and builds upon Unleashed’s well established trademark sound and strong lyrics. Bare boned screams are accompanied by epic shouts praising Odin and heavy guitar riffs as the journey of clashes continues in “The Highest Ideal”, until the album reaches its glorious peak with “Here at the End of the World” as a fading hymn for the victorious march that leaves the battlefield behind in ashes.
The chief Vikings of Swedish death metal leave no doubt that they are still true to their roots after 32 years of existence. Unleashed proves that they indeed are and will stay the unchallenged leaders of Sweden’s death metal forefathers!
UNLEASHED on the album:
“It is our hope that our warriors all over the world will enjoy the new album just like they have our previous ones. We have, as always, tried to stick to our roots while testing our steel to develop the genre of Viking Death Metal even further. Hail Odin!"
No Sign of Life will be available in the following formats:
There are many brutal death metal bands around and it's hard to find ones that have their own sound or are attempting to do their own thing. After a point it does get quite repetitive if not redundant and there's little that stays with you long after the onslaught is over. Cutterred Flesh here however are unlike any of those bands. Their approach is not only markedly different but refreshing. The songs often start deceptively and you're wondering how is this brutal death metal but then the music kicks in and you know it's all over. It's time to call the closest funeral home. Two songs are streaming on Bandcamp and our YouTube channel and even they may not be enough to give you a complete idea of the music on this outstanding album.
Defying all expectations, Czech brutal death metal band Cutterred Flesh give birth to an album that can be regarded as an anomaly in the style, an aberration for a band sounding this heavy and brutal. Their constant variations, shocking mood changes, and tempo fluctuations belie the impossibly wide girth and ponderous gait of this band. And yet, they’re nimble and inventive, deceptively fast and catchy, emotive and thoughtful, and will invariably pound your skull into the ground and mercilessly at that. The strange juxtaposition of the slower, plaintive tunes with the bone-shattering blasting parts is as fascinating as it is lethal - it will catch you off guard and won’t play nice.
It’s akin to a deranged psychopath killer showing overwhelming tendencies of remorse for his victims, but then killing them all anyway. It just has to be done. Cutterred Flesh aren’t fucking around; they mean business but the way they do it is revolutionary and extremely effective. This album is loaded with all the death metal riffs you need, all the diversity to not only set the songs apart but also keep things interesting, and that warm, comforting, bludgeoning heaviness that will put you to sleep, perhaps permanently. And you won’t see it coming. This is as good as a brutal death metal album can get being progressive without betraying its core sound and values.
Line up -
After shaking the world in its foundation with the announcement of their 13th manifesto, "Existence Is Futile", that will see the light of the day on October 22nd, Cradle Of Filth gather again to bring their next sacrifice to the devilish forces of Dark Metal: Today, the band reveals the second single of their new album to come – “Necromantic Fantasies.”
Watch the video here: https://youtu.be/PiV5XupV-TI
Directed by Vicente Cordero, this video was shot back-to-back with his previous work for the band, the horribly apocalyptic “Crawling King Chaos,” though both are remarkably contrasting. Dani Filth had this to say of the latest video to enter the CRADLE catalogue:
“This is a very different video from its predecessor, sporting more of a narrative amid leaning back toward a dark Victorian gothic vibe, showcasing the second of many unique tracks on this, our 13th album. It’s very cinematic, much like ‘Crawling King Chaos,’ but walking a much more 'dark faerytale' path. The director Vicente has done such an amazing job bringing the storyline together with the band and the incredible sets. It looks gorgeous. And the song is pretty good too!”
Pre-order Existence Is Futile here: https://bfan.link/existence-is-futile.ema
Pieced together in isolation, at Grindstone Studios in Suffolk with studio guru Scott Atkins (Devilment / Benediction / Vader), the band's latest chef-d'oeuvre is a pitch-black, perverse and at times absurdly brutal and extreme masterpiece following a truly nihilistic concept:
Dani Filth explains:
“The album is about existentialism, existential dread and fear of the unknown. The concept wasn’t created by the pandemic. We’d written it long before that began and it is really but the tip of the mountain as far as the way the world is headed, you know? I guess the title, ‘Existence Is Futile,’ does sound a little morbid. But again, it’s more about recognising that truth and saying that everything is permitted because nothing really matters, which mimics the occultist Aleister Crowley’s maxim. We all know we’re going to die, so we might as well indulge life while we possess it. The final track on the album – 'Us, Dark, Invincible' – really drives that point home. Also, the artwork for this record was created by the Latvian visionary Arthur Berzinsh, who also dressed the last two albums, and that reeks of the exceedingly beautiful yet apocalyptic too.”
Diehard fans will be thrilled to learn that horror icon Doug 'Pinhead' Bradley makes a welcome return to the CRADLE fold, lending his dulcet tones to the band's most politically astute song to date, the epic “Suffer Our Dominion” as well as the album bonus track “Sisters Of The Mist,” which is the conclusion to the “Her Ghost In The Fog” trilogy that started over 20 years ago on the infamous and classic Midian.
CRADLE OF FILTH, 2021 A.D., are:
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Polish symphonic / power / prog metal band Imaginature have set October 2, 2021 as the international release date for their long-awaited debut full-length album Imaginature.
Recently the band released their second single "Near the End"; which is available on band's official YouTube channel here: https://youtu.be/Bs3LSxujyXA
Pre-order album here: https://imaginature.bandcamp.com/album/imaginature
The music of Imaginature contains heavy guitar riffs and bombastic drum section, with keyboards, whistle & pipes in the style of symphonic / power / prog metal.
The name Imaginature comes from mixing the words “imagination” and “nature”, which refers to composing style of the band. Despite of the keyboardist, the rest of its members has no musical education, but creativeness and imagination are something more desirable for them. Coming up with such band name they combined two opposite things, yet each of them bares great power.
The band worked with guest appearances of musicians from such renowned bands as Sunrise, Pathfinder, Thermit, Moyra. You can hear them on upcoming debut album Imaginature, which is set to be released 02.10.2021.
Hertfordshire-based alternative metal band Defences release their brutal and confrontational new single ‘IN THE BLACK’. The track is taken from their new album ‘In The Balance’ which is set for release on 15th October 2021. Fans can pre-order / pre-save the album HERE.
Defences latest offering sees the band looking inwards, tackling loss and grief head-on.
Vocalist Cherry Duesbury comments:
"In The Black dives into the darker side of loss and the effects it can have on us. Unexpectedly losing important people can feel like the end of your world, or like a part of or all of you has been taken with them. This song explores the thoughts and feelings that can come while grieving. Even when at our lowest points, there is something that drives us forward, wakes us up every day and keeps us breathing... There's still sunlight, even behind the darkest of clouds."
‘In The Balance’ arrives as a snapshot of primary lyricist and vocalist Cherry Duesbury’s experiences over the last few years; glancing over the inevitable difficulties of a global pandemic as well as several pivotal cultural events. "We wrote this because we need to" exclaims Cherry. ‘In The Balance’ is the result of Defences looking for hope in the stark realities of life, facing them head-on to find positivity.
“A lot of the lyrics are based on internal struggles,” notes co-vocalist William Alex Young. It’s a snapshot in time, looking at humanity in both its glory and its struggles. “It’s incredibly honest”, Cherry adds. “It’s the most honest I have ever been in terms of lyrics.”
There’s a universality to this honesty with the band's recent single ‘False Gods.’ Inspired by the Black Lives Matter movement, Cherry used her personal reaction to comment on all humanity. Hope bubbles under the surface of ‘In The Balance’ and underpins Defences’ attitude as a band. The songs emerge as a celebration of how humans deal with things that happen in their lives, how they understand and acknowledge those experiences, and what ultimately can be learned from them. And they do so with a powerful energy that perfectly blends the dual vocals with down-tuned instrumentation.
Joining several strong contemporaries, it continues their evolution from any norms in alternative metal. The guitars are heavier, the screams louder, but there’s still space for the melody to drive it forward. The album revels on both its energy and passion, yet lands on genuine positivity. Cherry looks back at the hourglass, the heart, and the scales of justice emblazoned on the album's artwork commenting “It’s a time capsule of this moment in our lives, in any life. It’s about the experiences, the difficulties, the struggles that we all go through, and the eventual hope that we find.”
Criminal have released their new album, "Sacrificio", via Metal Blade Records. To celebrate the album release, the band has launched a video for their latest single, "Sistema Criminal". Directed by Carlos Toro of Abysmo Films (Kreator, Arch Enemy, Rob Halford), the video can be viewed at: https://www.youtube.com/watch?v=pdbK9CO2eaQ
Sacrificio is Criminal's ninth full-length studio album: a twelve-track bludgeoning that harks back to their roots - both literally and metaphorically. Whilst writing for Sacrificio, Criminal's home country of Chile saw a social uprising that has impacted the lives of Chileans in immeasurable ways. Protests against corruption, inequality and the poor standard of living saw citizens take to the streets to make themselves heard.
This civil action and vehement anger seeped into the creative process of the four members of Criminal - three of them being Chilean. Although there is a deep personal connection to the lyrical content, the events unfold from the perspective of a spectator - albeit one who has also experienced tyrannical leadership and witnessed the divide between ordinary citizens and the social elite.
Chilean culture weaves its way into the album in other ways too; though suitably heavy, there's a percussive element to the sound of Sacrificio that reveals its Latin American roots. Coupled with an unapologetic nod to the 90s in terms of both composition and production, this album sees Criminal finding their groove in more ways than one. The resulting sound is celebratory, rhythmic, organic, and captures everything that was glorious about the flourishing extreme metal scene in the 1990s.
For a band that originally formed out of the ashes of 80's death metal legends Pentagram Chile, the album highlights the benefits of embracing the band's origins; writing and recording took place in Chile for the first time since the 1990s. Criminal continues to prove that South America can create powerful death metal on its own terms. For Sacrificio, much of the material was written in the old-fashioned way - jamming in a sweaty rehearsal room, refining as they went. The old school vibe is further enhanced by the natural sounding production of Seba Puente, which adds to the immediacy and live feel found throughout Sacrificio.
The past 30 years have seen twists and turns in the Criminal tale, but Sacrificio finds them sounding more compelling than ever. The sole original member, vocalist / guitarist Anton Reisenegger (Brujeria, Lock Up, Pentagram Chile), allows plenty of room for the newer and younger members of the band - Danilo Estrella (drums), Danny Biggin (bass), Sergio Klein (guitar) - to add their personal touches to the band's missives.
Italian symphonic folk metallers Aexylium release video for title track off upcoming album "The Fifth Season"
Italian symphonic folk metallers Aexylium have unleashed their latest video for the title track from their forthcoming album "The Fifth Season" due out October 29th, 2021 via Rockshots Records.
The title track tells through the lyrics and the music an initial restlessness, which leads to a feeling of hope and rebirth towards the end. The song also expresses doubts about the future, also considering the human impact on the planet. Watch the video featuring Arianna Bellinaso as a special guest on vocals at https://youtu.be/uL0YN1JIyVc
Digital stream - https://spoti.fi/3A5znzK
"The Fifth Season" is due out October 29, 2021 via Rockshots Records and is available for pre-order at the following links:
Mixing traditional folk instruments (Flute, Violin, Bouzouki) with the modern symphonic metal, Aexylium's sophomore full length follows 2018's "Tales From This Land" (Underground Symphony Records) and their 2016 self-produced EP “The Blind Crow“. "Tales From This Land" has had over 110k streams on Spotify along with its powerful single "Revive the Village’ placing on the top 200 metal song charts in Germany on Apple Music. Aexylium has also released fan-praised covers of Game of Thrones and Vikings main themes with reinterpreted folk metal sounds.
Since their inception in 2014, the Italian band has performed at renowned festivals in Europe such as Dumeltica International Music Festival, Montelago Celtic Festival, Malpaga Folk & Metal, Rock Inn Somma, Druidia and Strigarium along with sharing the stage with Elvenking, Wind Rose, Nervosa, Furor Gallico, Temperance and more. In August 2020, despite Covid restrictions, Aexylium was chosen by the city of Milan to perform at the historical Castello Sforzesco.
Their new album "The Fifth Season" is a concrete step towards growth and musical maturity with its offering of festive ballads, tighter riffs, advanced orchestrations and heavier dark songs that are all inspired by Norse Mythology. The record also features guest vocals from Samuele Faulisi (Atlas Pain), Arianna Bellinaso and the members of Coro Facoltà di Musicologia Vocal Ensemble.
The album was recorded at Twilight Studio by Davide Tavecchia with the artwork done by Jan Yrlund (Manowar, Testament, Korpiklaani)
Band Line Up:
Swedish epic doom crew Sorcerer release cover single & music video for Rainbow's classic "Gates Of B"
Swedish epic doom metallers Sorcerer have released a new single - their tribute version of Rainbow's 1978 classic "Gates Of Babylon" - through Metal Blade Records! Watch the video for this cover song here: https://www.youtube.com/watch?v=njPeQpBRmUk
Since Sorcerer's latest release, Lamenting Of The Innocent (2020), the pandemic restrictions have impacted the whole music scene and interfered with promotional aspirations and touring. While Sorcerer's main focus lies on creating new material for a fourth record with Metal Blade and moving forward, the vacuum of the pandemic offered the band some spare time for a fun side project.
Sorcerer had been playing with the idea to do a tribute cover for quite some time. But finding time to make an arrangement, record and even choosing a song always seemed challenging; many epic tracks appealing to the members had also already been covered. To bridge the period to their new album and also to shine some light in these dark days, Sorcerer felt the time was now to put that idea into action. Once they committed to it, the song choice was actually a no-brainer. Rainbow had always been a huge inspiration for all and influenced Sorcerer since the beginning, so it felt like an obvious choice to go for their anthem "Gates Of Babylon" - a track that hasn't lost its magic decades after its release.
Regarding this cover project, Sorcerer guitarist Kristian Niemann says:
"When trying to come up with a way to arrange 'Gates Of Babylon' and give it a different spin, I tried to imagine what it would've sounded like if Tony Iommi wrote it instead of Ritchie Blackmore. It probably would've been slower and heavier, possibly down-tuned a bit. We skipped the keyboard intro because it would be impossible to capture the magic of the original. We had a great time recording this single at SolnaSound Studios, and overall we are very happy with how it turned out. We hope our fans will dig it too."
Sorcerer's "Gates Of Babylon" is now streaming on all digital platforms: www.metalblade.com/sorcerer
It's finally here, and transgresses borders of all imagination! Ukrainian modern metal giants Jinjer have only just released one of the most anticipated metal albums of the year on August 27, entitled Wallflowers, and are already breaking the charts worldwide with the game-changing fourth offering. Wallflowers, the successor of their critically acclaimed third album Macro, is currently ranked at #7 on the German charts – marking their highest position in Germany so far – in addition to entering at #5 on the official UK Rock & Metal Album Charts. Plus, the band entered both the US Billboard Top New Artist Albums chart and Canada’s Hard Music Albums chart at #1, in addition to landing at #2 on the US Current Hard Music Albums chart and scoring several other top positions. Wallflowers has also gone on to gather numerous top spots in several other international territories. See all chart entries of this modern metal manifestation below.
Eugene on the new album:
“Growing creatively has always been a major goal for us. The day JINJER stops reaching for new musical horizons will be our last day as a band. We could have churned out what our peers expected us to do, or produce ‘Pisces’ clones without end, but we’ve never done that and we never will. Instead, we wrote an album whose level of emotions range from the fiercest aggression we’ve ever had, to the most intricate melodies and melancholic vibes you could ever get from our music. We decided to rip apart all possible stylistic boundaries without regard to financial success or competing with our previous albums. Wallflowers is a different kind of album musically and visually. It’s about our identity as a band, as individuals and a clear statement that we are different from most artists… and that it is OK to do your own thing.”
Get your copy of Wallflowers NOW
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