 Photo credit: - Elizabeth D’Aprano Agonia Records is pleased to announce the signing of Australian black / death metallers, Denouncement Pyre. The band is currently working on its fourth album, follow-up to "Black Sun Unbound" from 2016. Denouncement Pyre was established in 2003 in Melbourne, Australia, as an underground black / death metal act. Prior to signing with Agonia Records, the band released a string of various EPs & 7”s, and conjured three full-length albums through Hells Headbangers Records; "World Cremation" (2010), "Almighty Arcanum" (2013) and "Black Sun Unbound" (2016). Amidst extensively touring throughout their native Australia, they brought their live show to New Zealand and USA, during Maryland Deathfest in 2016. D (guitar & vocals) comments:- "Denouncement Pyre stands for the destruction of the limitations of man. Drawing inspiration from the darkness that lurks beyond the boundaries of flesh and mind. Through doorways to Daath. Forever unbound!". On the new record deal, D adds: "We are stoked to be joining forces with Agonia Records for our forthcoming album. So far the recording sessions for the new record have been the most intense yet. With ever burning hunger we look forward to unleashing this beast upon you all soon!" Line-up:
Denouncement Pyre on-line: Facebook: www.facebook.com/DENOUNCEMENTPYRE Instagram: www.instagram.com/denouncement_pyre Agonia Records:
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 Melbourne metalcore risers Drown This City have released their earth-shattering EP "Colours We Won't Know" yesterday via UNFD. Following their earlier music video for single “New Burn Order,” the band are celebrating today's release with the reveal of a music video for EP standout “Carbon14.” “Carbon14” was written lyrically by DTC bassist / vocalist Toby Thomas, who shares that the track is a comparison between carbon isotope (or, Carbon 14) and himself – where the former is an atom known for being in a constant state of decay, Thomas describes how he has often felt this way in relation to his mental health journey as he goes on to explain:- "The lyrics are a personal expression of the inner turmoil I have felt between the fight for positivity while also not believing it is something my atomic structure would ever allow me to experience. "The story is told from the perspective of a man who has spent years working at his mental health only to feel a sense of failure and constant short comings. It describes the mental turmoil the character is experiencing whilst trying to stay on track to better himself instead of giving in to his demons and settling into the comfort of a darker state of mind." Drown This City boldly tackle further conversations concerning mental health, grappling with childhood trauma and healing returning wounds on their new EP "Colours We Won't Know". Fuelled by references to metalcore, hardcore and other heavy sub-genres, CWWK finds Drown This City at their absolute heaviest, offering dynamic instrumentation among stark lyrical imagery and elevated clean / unclean vocal delivery. Despite its darkness, the release ultimately offers a glimmer of hope with the message that it’s never too late to tackle your mental health head on, even long after you think you’ve beaten it. With their own personal wounds truly laid bare and continuing to heal, ultimately Drown This City hope to stir up the courage in everyone to dig deep and fight their buried pain. To date, "Colours We Won't Know" has garnered over 90K streams, meanwhile the band found themselves gracing the playlist cover for Homegrown & Heavy. "Colours We Won't Know" is out in full now via UNFD. Drown This City play the Melbourne leg of Full Tilt Festival alongside Northlane, Hands Like Houses, Thy Art Is Murder, Luca Brasi, Slowly Slowly, Make Them Suffer, and more in July and are set to support In Hearts Wake on their national tour in November. Drown This City are:-
 Melbourne metalcore risers Drown This City have announced their new EP "Colours We Won't Know" will be released on Friday 28th May via UNFD. Following their new single and video 'New Burn Order' last month, the band are following up with a fierce new cut from the EP titled 'Borderline Existence' today. DTC vocalist Alex Reade shares how the track's haunting scenario – depicting a person's out of body experience watching on at themselves trapped in an asylum – represents the agitation and anger she’s experienced feeling forced to pursue a certain path due to external pressure placed on her:- "I've found myself wearing thin because of this, wondering what I was fighting against and how long could I keep going for. This song reflects the battle I feel to succeed against all odds, fuelled by sheer terror that my life will be for nothing. The line ‘I really thought that I’d amount to something, I should have known you’d get me in the end’ really reflects the exhaustion I feel wondering if I can keep going with this fight to be heard and understood. I’m exhausted, always pushing against, trying to win, trying to get ‘there’ and I just don’t know where that is any more.”
Drown This City's Alex Reade describes the band's 2021 EP as the ultimate purge of darkness. While their 2019 release "Alpha // Survivor" had been the proving ground for her strength and overcoming, "Colours We Won’t Know" finds the vocalist winding back the clock and standing face to face with the past torment she thought had been put to rest. “I think being in lockdown in Melbourne left us no choice but to face whatever we were running from, and that time drew every bit of honesty with myself out of me. It was very confronting to feel such sadness in me again, but I worked through all of the disgust and shame I’d been suppressing, and we’ve written our saddest and bleakest songs to date because of it.” Musically, DTC find themselves at their absolute heaviest and collaborating on themes and ideas as a band and team more than ever. With a freshly formed core writing group at play — comprising Reade (lyrics), guitarist Josh Renjen leading instrumentation and new bassist/vocalist and co-lyricist Toby Thomas — together the band push every boundary possible. Fuelled by references to metalcore, hardcore and other heavy sub-genres, CWWK offers dynamic instrumentation, stark lyrical imagery and elevated clean/unclean vocal delivery. Thomas joined the DTC family just prior to the writing and recording of the release and listeners will find his particular influence over belters ‘Carbon14’ and ‘Time Won’t Remember Us’. On his debut project with Drown This City, he shares how he and Reade quickly formed a bond and drew from their similar experiences to bring the release to life. “Colours We Won’t Know is an exploration of cognitive distortions depicted from different perspectives and stories, ultimately derived from our experiences. The songs discuss the results of trauma and mental illness, along with the effects this has on our own environments and those around us. It both embraces and challenges hope in the face of personal awareness and growth.” Despite its darkness, CWWK ultimately offers a glimmer of hope with the message that it’s never too late to tackle your mental health head on, even long after you think you’ve beaten it. With their own personal wounds truly laid bare and continuing to heal, ultimately Drown This City hope to stir up the courage in everyone to dig deep and fight their buried pain.  One of the earliest Australian bands to play thrash/speed metal, Nothing Sacred was conceived in Melbourne, Australia in 1983. Unleashing their debut EP "Deathwish" in early 1985, launching the band as one of the most sought-after pit makers with the record's title track becoming a classic within the Australian metal scene. In 1988, the band unleashed their first full-length entitled "Let Us Prey" on Cleopatra Records. Unfortunately a year after the LP's release, the band disbanded in 1989. Lead guitarist Mark Woolley, bassist Karl Lean and drummer Sham went on to contribute to Hobbs' Angel of Death's early work in the late 1980s. Woolley also appeared on Hobbs' first self-titled album in 1988. Vocalist Mick Burnham later joined short-lived Melbourne band Seizure in 1993. Although their tenure was short-lived, Nothing Sacred still remains an underground metal phenomenon in Australia. Songs from the Deathwish EP still get airplay on several Australian metal radio programs. In 2012, Nothing Sacred performed a series 30th anniversary shows with Ross Percy (Ion Drive, Little House Godz) joining George Larin on guitar that included a support slot for the ex-Iron Maiden vocalists Paul Di'Anno/Blaze Bayley Australian tour. Despite the success, the band agreed not to continue and returned to retirement. In 2015, the band decided to re-activate with a line-up of Sham, Karl Lean, George Larin, Ross Percy, and new vocalist Chris Stark. A slot on Melbourne's Brewtality Metal Festival received positive reviews before the band embarked on a short tour of Japan, which inspired them to continue and lead the band to headline day one of the Steel Assassins Festival in Sydney. Line-up changes again slowed the band, but with the addition of James Davies now on vocals and Stu Bedford on guitar, the band spent most of 2019 and 2020 writing and recording, what is now to be their first full length in over 30 years. Entitled "No Gods", the record is the Nothing Sacred's resurrection to the thrash world. With a wealth of experience, a bucket load of riffs, and a renewed energy for one of Australia’s longest-running metal bands.
The band adds: "We think our return with this new album will be received well. We've made a conscious effort to not be one-dimensional. We picked a cross-section of tracks we thought would make the album interesting. Though eight of the tracks are brand new, we decided to add two tracks 'Final Crime' and 'Oracle' we wrote for our 2nd album in the late 80's, but never released." To give fans a preview of what's to come, Nothing Sacred is sharing their music video for the first single "Final Crime". The band comments: "This is one of the two tracks we'd chosen for the No Gods album from our archives that we'd written many moons ago. I saw acid rain and smog, you saw the sunset and a rainbow. There’s no tomorrow just a blank, you’ve only got yourself to thank. Don’t tell me that you never knew, you thought that hope would pull you through. I think those are our favourite lines from Mick Burnham. There's nothing like stupid people doing nothing till it's too late. Though this is one of our favourite tracks for some reason, it was never properly recorded and released. Here she is in all her glory, enjoy!" Watch the music video for "Final Crime" on Rockshots Records YouTube channel - https://youtu.be/uq27JF_5pXI "No Gods" will be released on July 16, 2021 via Rockshots Records and available for pre-order at the following links: ALBUM PRE ORDER - http://bit.ly/NoGodsCD PRE SAVE - http://bit.ly/NoGodsDIGITAL Album Line Up
More info: Rockshots.eu Nothingsacred.com.au Facebook.com/NothingSacredMetal Instagram.com/nothingsacredaustralia 
Australian modern heavy metal powerhouse Temtris are releasing a lyric video as an appetiser for their sixth studio album. They have chosen the album's title track, Ritual Warfare. The album Ritual Warfare is due for release on 30 April 2021 via Wormholedeath. The band also announced the Ritual Warfare Across Australia tour dates to promote their release. Ritual Warfare Across Australia Tour Dates
Temtris combines the best elements of heavy metal and brings them to life with a modern feel. Ritual Warfare delivers powerful and soaring vocals, twin guitar harmonies, blazing solos and a crushing rhythm section that drives a catchy chorus leaving you hungry for more. Ritual Warfare single is available on all digital platforms. Temtris are a five piece act from the south of Sydney, Australia. They formed in 2000 and have released their albums Threshold (2003), Masquerade (2007), Shallow Grave (2014) and Enter The Asylum (2016). They have played shows all over Australia and supported Accept (GER) in 2014. In to 2018 Temtris released their 5th Studio Album Rature and toured Australia in support. 2019 saw Temtris play with bands such as Loudness, Ensiferum, Girlschool, Tank , Raven, Metal Church, Marty Friedman and a one off acoustic show with Michael Sweet. In 2020, Temtris headlined Smashfest in NZ and opened the show for Geoff Tate in Sydney. Now the powerhouse band is about to release their 6th studio 'Ritual Warfare' album in April. Temtris are:
 On the 20th of June 2020 Temtris released the powerful single and film clip “Forever” as a taste of what was to come on the highly anticipated, 6th studio album “Ritual Warfare”, that will be released through Wormholedeath records. "Ritual Warfare" features the outstanding musicianship and songwriting skills that Temtris deliver with every album. With 8 blazing tracks, over 45 minutes, full of catchy riffs and choruses, dynamic and dominant rhythm sections and powerful vocals that set this band apart from any other. ‘Ritual Warfare’, with its Aztec themed artwork, is the complete heavy metal indulgence and is a must for any music fan of power, thrash and traditional Metal. Band Statement: "Temtris is thrilled to release “Ritual Warfare on Wormholedeath records in late April 2021! We have worked hard to bring our fans another album of 8 powerful and catchy tracks that will leave our fans hungry for the live show experience. We cannot wait to tour this album across the states of Australia and hopefully head back to NZ and if possible tour Japan to support the special Limited Edition Japanese release once the COVID restrictions on overseas travel are reduced. Temtris crew is very keen to join the festival circuit also and bring our new music to our fans from all around the world. We want to thank our Metal family for their ongoing support and hope to see you all at a show soon."
Temtris are a five piece act from the south of Sydney, Australia. They formed in 2000 and have released their albums Threshold (2003), Masquerade (2007), Shallow Grave (2014) and Enter The Asylum (2016). They have played shows all over Australia and supported Accept (GER) in 2014. In to 2018 Temtris released their 5th Studio Album Rature and toured Australia in support. 2019 saw Temtris play with bands such as Loudness, Ensiferum, Girlschool, Tank , Raven, Metal Church, Marty Friedman and a one off acoustic show with Michael Sweet. In 2020, Temtris headlined Smashfest in NZ and opened the show for Geoff Tate in Sydney. Now the powerhouse band is about to release their 6th studio 'Ritual Warfare' album in April. Temtris are:
Australian Progressive Metal Band Ironstone releases Hollow. They state: “We’re thrilled to present 'Hollow’, the third single from our debut EP, Prophecy. The song addresses one of the largest challenges facing our generation today... the state of the Earth’s ecology. This topic evokes a range of emotions, from anger and despair through to disbelief and sadness. Despite this, Hollow is about hope and the part we need to play in affecting our future for the better." Hollow’s lyrics caution against a path of ongoing greed and excess and cynically invite the listener to ‘gorge upon the bounty’ without considering anyone else or the consequences of their actions, giving a healthy dose of clarity in a reverse psychology package. Hollow has a sound that is as nuanced as the message it delivers. The guitars while conveying frustration and rage are offset by carefully placed ambient elements. The whole song fluctuates between bursts of percussive, aggressive guitar, technical drumming and beautiful melodies that overflow with emotional tension. All of this culminates in a big build-up and pay-off to help drive the message home! The video for Hollow features orange and blue lighting, giving it a jarring, dramatic theme. Individual shots are complemented by graphics, glitches, and symbols, giving the clip a frantic atmosphere that helps to convey a feeling of urgency. Hollow was mixed and mastered by Chris Themelco of Monolith Studios, Melbourne. IRONSTONE are: Dan Charlton - Lead Vocals Edward Warren - Lead Guitar, Vocals Aidan Kalms - Rhythm Guitar Oliver Hosking - Bass Guitar Jackson Whyte - Drums, Vocals Ironstone is a progressive metal band from Bendigo, Australia. With influences coming from a range of modern metal genres, their music features the duality of clean and distorted vocals, djent driven riffs and breakdowns, atmospheric layers and catchy choruses. The result is a contemporary metal sound that is sophisticated, melodic and hard-hitting.  Australian metalcore band, Alpha Wolf, unveil their latest single, “creep”. This is the second single, following “Akudama”, from the band’s forthcoming new album, a quiet place to die, due out on September 25th via SharpTone Records. Following up the band’s 2017 debut LP, Mono, and 2019 EP, Fault, a quiet place to die is an intense, 11-track collection dealing with loss, anxiety and animosity. Stream the new track here: http://shrptn.co/creep The album is available now for pre-order here: https://sharptonerecords.co/collections/alpha-wolf.
Vocalist Lochie Keogh states:- "‘Creep’ vents on frustrations and betrayals faced growing up attending and playing shows in the heavy music scene. It wasn't long after first coming to shows I realised I was still in the same popularity contest that cast me out when I was younger." An iron will is only ever hardened within the forge, and Australia’s fastest rising metalcore act Alpha Wolf have proven they are made of sterner stuff. The five-piece bared their teeth in 2019 with the release of their EP Fault in joint partnership with Greyscale Records and SharpTone Records, it became a line in the sand that set expectations for all that would follow. The band played sold out shows across Australia both headlining, and in support of acts such as Polaris and August Burns Red; as well as a slew of international tours across Asia, Europe, and even dipping their toes in to the American market. If Fault was the line in the sand however, Alpha Wolf desired to make their mark permanent, something etched in stone for all to see. The band needed to push themselves harder, the band needed to prove they were worthy of their name, the band needed a quiet place to die. 2020 sees Alpha Wolf bite harder than ever with their sophomore release a quiet place to die, the culmination of every lesson learnt, every hit taken, and every loss felt. a quiet place to die is the end result of five individuals who have faced the fire and refuse to flinch, pouring their every-thing into making something they are truly proud of. The path to this point has only made their thirst greater, and soon enough, the wolves will be out for blood. www.facebook.com/alphawolfcvlt www.twitter.com/alphawolfcvlt www.instagram.com/alphawolfcvlt 
Australian progressive metal band Ironstone is set to release their debut EP Prophecy on 29 May 2020. Today they are thrilled to present Downpour, a new single and video from Prophecy. The video was premiered at Metal.de yesterday. (Video below) The band states:- "Downpour was written quite a while ago and has developed over time. We incorporated an eastern theme to create the atmosphere of a heavy, monsoonal storm. We loved the idea of filming a music video in pouring rain, which was actually a major incentive to write the song. The lyrics deal with missing the early signs of trouble and then suddenly finding yourself immersed in a bad situation. The song is really about the beauty of hindsight! “ Downpour is both aggressive and melodic, with a djent driven guitar riff that interweaves with a Japanese koto, giving the song a distinctly oriental feel. It features heavily down-tuned guitars, a brutal breakdown, ambient synth elements, an intricate guitar solo and a strong melody. Music & Lyrics by E.Warren Mixed and Mastered by Chris Thelmeco (Monolith Studios)
The video for Downpour revolves around lots of water, slow motion and a very wet band. Even though Downpour is not about rain, the video represents the song with that very thing. Torrential rain. Downpour was mixed and mastered by Chris Themelco of Monolith Studios, Melbourne. Downpour is out now! - https://gyro.lnk.to/Downpour |
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