Indian metal artist Demonstealer collaborates with jazz / fusion drummer Gino Banks and bass prodigy Mohini Dey for new single 'Sic Semper Tyrannis'
After dropping a well received EP 'And This Too Shall Pass' in December 2020 Indian metal veteran, Demonstealer is back with a new single. The song titled 'Sic Semper Tyrannis' which means 'And thus always to tyrants' sees an unusual collaboration with jazz / fusion drummer Gino Banks and bass prodigy Mohini Dey. The track itself is an old school death metal song and both guest musicians given it a unique twist bringing in their own flair and style.
The artwork for the song has been done by well known artist and drummer of Indian metal band Gutslit, Aaron Pinto aka The Art of Kidsquidy. While ex-Demonic Resurrection guitar player Daniel Kenneth Rego has mixed and mastered the song.
An official play-through style video has been released for the song as well here: https://youtu.be/49nsECqqbOQ
'I've known Gino for years through my old day job as artist relations manager for Furtados Music and I've always wanted to jam or work with him so when he posted a tweet saying he was accepting songs to drum to I knew I had to send him something, I asked if he was up to play on a metal song and he said yes. He really smashed it on the track and I knew I wanted Mohini to play on it because they do a lot of gigs together but I didn't know how to ask her, thankfully Gino played her the song and she agreed to play on it. I couldn't be happier with the end result it's been a blast working with these stellar musicians'.
The song is out now on all digital platforms and can be purchased and streamed at:- https://demonstealer.bandcamp.com/track/sic-semper-tyrannis
Polish pagan alchemists Varmia – who pay tribute to their Baltic roots by combining black metal with traditional instruments such as the goat horn and the tagelharpa – will release their third album (and M-Theory Audio debut), “Bal Lada,” on March 12th. The artwork, which was designed by percussionist and multi-instrumentalist Piotr, can be viewed below. The album can be pre-ordered on CD and limited-edition 2LP coloured vinyl at www.smarturl.com/varmia.
Band founder Lasota speaks of the new release:
“The album title 'Bal Lada' is a wordplay. It's most obvious in Polish, but should translate well in other languages as well. It means both 'ballad' and 'Lada's ball'. The term 'ballad' could refer to a literary form, but is also understood as a sad song. 'Lada' or 'Lado' is an ancient deity associated with both Baltic and Slavic cult heritage. She and/or he was most likely responsible for harmony, fertility and well-being. The title represents our take on the medieval dance of death concept and its depiction in the danse macabre allegory - the 'bal' of life forces, circle of cycles, primal lusts, desires and thus deprivations and metamorphoses of flesh and spirit. This is a ritual dance in the oldest forest on one hand, but it's also a whole universe's life and death cycle on the other. The lyrics are mainly in Polish, but with some elements of ancient Prussian language. The cover art and graphic design is made by our band member Piotr, who plays all the ethnic instruments on the album. Follow the Moon and walk into the silent woods of Warmia.”
Varmia recorded their previous albums – 2017's “Z Mar Twych” and 2018's “W Ciele Nie” – in culturally significant remote locations throughout their native Poland. “Bal Lada” continues that practice, as the 10 tracks of ominous and atmospheric pagan black metal contained within were tracked in a makeshift studio set up by the band in an old 19th-century manor in Northern Poland, where they performed while playing together as a live unit with no sound editing. A video documenting the album's recording can be seen at this location: https://youtu.be/o9DnynINIo8.
Varmia recently unveiled a taste of the sounds to be found on “Bal Lada” with the premiere of the music video for the first single from the record, “Bielmo”. The visually stunning tribute to the band's home region can be viewed at https://youtu.be/ujzPY7NmeXQ. Additional previews of “Bal Lada” will be unveiled in the coming weeks.
Varmia was formed in 2016 by vocalist / guitarist / composer Lasota with a mission of fusing black metal with musical influences that pay tribute to the ancient Baltic tribes of the historical Warmia region of northern Poland. Vocally, harsh growls shroud the band's music and native Polish lyrics in a visceral aura, the only breaks occurring when using the traditional, ancient technique of “whitevoice” clean singing as utilized during ancient East-Central European rituals, rites of passage and festivals. Meanwhile, the power of the band's metal influences are enhanced on “Bal Lada” by traditional ethnic instrumentation of the Baltic Rites via sounds of tagelharpa, goat horn, wood tuba and krivula. The result is a compelling mix of dark metallic sounds that channel the spirit of early Enslaved, Satyricon and Wolves in the Throne Room and folk elements that drive acts such as Wardruna.
Lasota - guitars, vocals
Alle - bass, backing vocals
Svarrge - drums
Piotr - percussion, tagelharpa, goat horn, wood tuba, krivula, backing vocals
Cuban black metal pioneers, Mephisto, are about to release their newest album Pentafixion via Wormholedeath Records. Mephisto have been active since 1997 and left their mark on the Cuban metal scene with their unique sound and style. The band will unleash their first single soon.
Mephisto states about signing with Wormholedeath Records:-
"On behalf of all members of Mephisto we wish to announce that we have been offered a contract with the long established and well respected Italian label WormHoleDeath Records.It is our pleasure to announce that after some discussion, Mephisto have accepted the offer and now enthusiastically join the label. We can’t wait to start working with the team at WormHoleDeath after following their label and their artists for many years. To now be considered part of this family is a long awaited dream come true. We are excited to be bringing our style of Cuban Black Metal to the world thanks to the relationships WormHoleDeath has with its partners including Warner / Chappell Music Holland BV and The Orchard Inc. (Sony Music Ent).
We look forward to our first release with Worm Hole Death which is our full length album “Pentafixion”, an album that we have been working on for the best part of 2 years. Who knows, maybe the back catalogue will be released sometime on WHD too! We’d like to officially thank Carlo from WHD for being so passionate about securing us to the label. The work and dedication shown by him is incredible! From finding us in Subtle Death Magazine, to reaching out to its editor (Omar Vega) to contact us, to the late night calls to our management (in Australia), all the way through to walking us through the deal. We couldn’t be happier knowing that our music and our career are in great hands with WHD.
So what can you expect from us now?
Well just because you can see the mountain doesn’t mean the climb has finished. Now the hard work begins to reward our fans for their patience waiting on our new album and to show WHD that the new kids on the block came to kick heads and take names."
Look out world…. Mephisto, the pioneers of Black Metal in Cuba have just been unleashed on the world and it’s all thanks to WormHoleDeath Records!
The band Mephisto was founded in September 1997 in the city of Holguín, Cuba. Mephisto was the first Cuban metal group to combine a multitude of organic and orchestral sounds to emerge as the pioneers of the Black Metal genre in Cuba. Building on their unique sound, the band continued to push contemporary boundaries by appearing on stage in full make-up and costumes, another pioneering first, which caused a great movement within the national scene.
With momentum building, 2018/2019 saw Mephisto welcome international representation with a view of developing a larger global following. Immediately Mephisto rebranded their image, logo and on stage style whilst simultaneously moving towards a more digital platform to facilitate the advancements in technology being felt throughout the music industry. With a grittier live performance harkening back to a more traditional hard edged Mephisto appearance, old fans and new ones alike, resonate with the Pioneers of Cuban Black Metal.
Accepting invitations to appear at "The Beast in the Undercity”, Pinar del Rio, Bayamo Musicfest and Romerias de Mayo festivals, Mephisto quickly expanded these shows to encompass the entire nation; kicking off their “Haciendo Metal Cuba” tour in mid March 2019. Completing the run of dates in early May 2019, Mephisto once again returned to the studio to continue the development of their highly anticipated 2020 album “Pentafixion”. The band’s first single from this album titled “Pentafixion” was completed with filming for the complementing video clip also undertaken.
The video was shot on location in Havana by renowned Producer and Film Maker Victor Vinuesa (Vitiko) and demonstrates perfectly Mephisto’s professionalism, dedication and passion to their craft. Following up on this single, Mephisto under took it’s first tour of Nicaragua in late 2019 selling out venues and building a new fan base in the heart of Managua. A national tour of Cuba is now slated for mid 2021 before returning to Nicaragua for a run of dates later in 2021.
Exactly two years after the release of their debut full-length album, Cern Sol, Romanian Black Metal band Genune announce the follow-up material, a second full-length album titled Inert & Unerring scheduled to be released in the Spring of 2021 in collaboration with Loud Rage Music.
Here's what the band had to say about the new album:
"Inert & Unerring contains tracks that are compositionally more akin to one another, but it otherwise follows the same stylistic choices seen in our previous album. Without going into detail, its theme revolves around identity and the past, exploring the notion of heritage through different lenses. Inert & Unerring is not a concept album, as the lyrics don’t have any plot or characters to follow along, they’re instead composed of images and perceptions put into words, to allow for personal interpretation. The title is taken from a novel written by Arthur Koestler, that is relevant to the subject matter of this album."
More details on Inert & Unerring are soon to be revealed. In the meantime Cern Sol is still available for streaming and download directly from the band: https://genune.bandcamp.com/
Belgian black metal horde Serpents Oath are releasing a haunting new video for the track 'Leviathan Speaks', taken of their recently announced debut album 'Nihil', which will be released on December 4th through Soulseller Records (GORGOROTH, ANCIENT,..).
Watch the video here: https://youtu.be/rNk_fzDiyvg
The band comments on the song:
"Leviathan Speaks refers to the path of enlightenment where you strive to be touch with your innermost Self, the ritual process that is called awakening the Dragon. The song describes the moment from the Dragon's (Leviathan) point of view, when it speaks in order to allow the Dragon to move through you and in that moment become a living God."
Vocalist Tes Re Oth adds that:-
"In the video - designed by Aimed & Framed - this is represented in the 4 elements: water (represented by blood), air (represented by smoke), earth and fire coming together. The fire element is used a lot more as it signifies lighting the internal fire. The skull in the video is a symbol of Death, however not Death as the destroyer of life but as the carrier of transformation."
The opus was mixed & mastered at the renowned Stage One Studio with Andy Classen (Belphegor, Legion Of The Damned). The amazing artwork came courtesy of Néstor Avalos, known for his work for bands like Dark Funeral & Bloodbath.
Serpents Oath is:
Daenum - Guitar
Tes Re Oth – Vocals
Draghul - Drums
Metal veteran brothers Sakis and Themis Tolis of the Greek metal band Rotting Christ have reached immortality by having a fossil named after them! Two researchers from the Natural History Museum in Luxembourg recently found a new brittle-star species and decided to name it 'Brezinacantha Tolis' honouring the Tolis brothers.
Frontman Sakis Tolis comments:-
"This is one of the greatest honoors I have received as an individual and musician and it gives me power to keep on creating and offer these wild times."
Dr. Ben Thuy and and Dr. Lea Numberger (research associates at the Natural History Museum Luxembourg) comment on the naming:
"When we first saw the fossil brittle star, we immediately knew it was something exciting. It turned out to be a species new to science, and so we had the privilege to name it. With the choice of the name, we wanted to combine our joint passions for science and music, and decided to honour one of our favourite bands. The new fossil belongs to an animal that lived in a dark, toxic environment in the depths of an ancient ocean, dwelling on the remains of their dead predecessors. This is pure black metal! Naming this species after Sakis and Themis Tolis is our way to issue an academic recognition of their talent and hard work. Now they own a small piece of immortality, because scientific species names are for eternity."
More info on the discovery and naming of 'Brezninacantha Tolis' can be found HERE.
Mexican raw black / death metal band Heretic Ritual signs with Death In Pieces Records!
The trio will be releasing their debut album “War - Desecration - Genocide / Passages Of Infinite Hatred” on the 10th November on CD, with the slipcase edition being released in a limited run of 500 copies.
"War - Desecration – Genocide - Passages Of Infinite Hatred" is the debut album of the raw black / death metal band Heretic Ritual. The band features members from Rotting Grave and ex-members from Necroccultus.
The album features nine tracks of unrelenting chaos, bestiality and darkness, with possessed vocals and profane hatred. This is an imperative release for fans of Sarcofago, Blasphemy, Bestial Warlust, Archgoat, Angelcorpse and the like.
HERETIC RITUAL is:
Bestial Profaner: Guitar and vocal abominations (Rotting Grave, ex Necroccultus)
Gothmog: Drums and hammer destroyer (ex Necroccultus)
Kulto Macabro: Bass from the abyss and howls
Mumbai-based death metal multi-instrumentalist, Sahil Makhija aka Demonstealer, is all set to release his next solo EP titled ‘And This Too Shall Pass’ on the 11th December, 2020. The 4-song EP is being self-released with the help of a crowd-funding campaign that Makhija personally set up in July earlier this year. Three years after The Last Reptilian Warrior, it was the COVID-19 pandemic and the resultant lockdown in the country that provided Makhija with a new perspective and the inspiration to write new music.
And This Too Shall Pass sees Makhija return to his absolute roots. He adds:-
“I guess this is me at my most vulnerable. It’s just me, no incredible musicians to back me up, just me putting my expression and feelings and thoughts into songs for the world to listen to”.
An extreme music old-timer Makhija has long been a crucial part of the Indian metal scene; be it founding the country’s biggest extreme metal band (Demonic Resurrection), or starting up an independent record label (with releases by Behemoth, Dimmu Borgir) or setting up a premium recording studio dedicated to extreme metal – Makhija has had an enormous role in shaping the country’s heavy music landscape. After a successful third album, which saw collaborations with Kévin Paradis (Benighted, Svart Crown), Romain Goulon (Necrophagist), Kerim Lechner (Septic Flesh, Decapitated) and David Diepold (Obscura) amongst others, Makhija has resurfaced with a brand new Demonstealer release.
The release was mixed and mastered at the esteemed Hertz Studio (Behemoth, Decapitated, Vader), a first for Makhija who is otherwise known to mix all the Demonstealer releases. The glorious artwork for the EP was provided by Indonesian artist Adi Dechristianize (Embalmer, Disgorge). All music on And This Too Shall Pass has been written, played and recorded by Makhija — making it truly a solo effort — a feat he hasn’t performed since his debut album released in 2008.
01. This Crumbling Earth (06:26)
02. A Festering Wound (04:06)
03. Systemic Failure (04:30)
04. From Flesh To Ashes (06:09)
Total runtime – 21:11
All music written, played & arranged by Demonstealer
All music recorded by Demonstealer at Demonic Studios, India
All music mixed & mastered by Hertz Studio, Poland
Album artwork & layout by Adi Dechristianize
And This Too Shall Pass releases on 11th December, 2020. Pre-orders for the digital release are now available on the band’s Bandcamp (World) and Redwolf (India). The EP will also be available on all streaming services including YouTube, Spotify and Apple Music.
Listen to and share ‘And This Too Shall Pass’ EP sampler
Romanian occult black metal quartet Ordinul Negru present their brand new video for the track 'Vodevil Isais', an extract from the band’s most recent EP, "Nebuisa".
'Voidevil Isais' is available here: https://www.youtube.com/watch?v=DPRWOj-ti7E
Here’s what the band had to say about 'Vodevil Isais':
“We spread into this world with our knowledge and will, our illumination shall guide us to encapsulate all the darkness in our hands. This is our vision and was transposed beautifully by our partner, Alexandru Das, into this video entitled Vodevil Isais.
The video was directed by Alexandru Das (https://www.facebook.com/AlexandruDas).
Ordinul Negru is:
Nebuisa is available here:
Icelandic black metal formation Auðn are now premiering the second new track of their upcoming record 'Vökudraumsins Fangi'. The track "Ljóstýra" is streaming via the official Season Of Mist Youtube channel HERE. The video was created by Aimed and Framed.
The band's third full length will be released on October 30th. Pre-orders are now live in the Season Of Mist shop HERE.
Auðn comment on the track:-
"'Ljóstýra', meaning 'Faint light' is a metaphor for loneliness and the never ending jaded grind our world is spiralling towards, we hope for brighter days that never seem to materialize. Set in a frozen waste (Auðn) a shimmer of light flickers in the distance in an old house This faint light represents the hope of change, that the seasons will return and this perpetual darkness and cold will cease. As the years go by you grow bitter and cold like the world you are forced to inhabit, the feeling that the world will get brighter ever fading into memory. When darkness falls and all hope seems gone the faint candle light brings solace and for a brief moment the world feels bright again.This is 'Ljóstýra'"
As the country's vibrant black metal scene has proven, Iceland can be a beautiful and sinister place where furious elements rage teaching fear but also inspiring human creativity. Emphasizing melodies rather than dissonance and approaching their music from a dramatic, classical black metal angle, Auðn deliver another mesmerizing piece of art with ‘Vökudraumsins Fangi’.
Hailing from the village of Hveragerði in the south of Iceland, Auðn deliver haunting melodies and beautifully frozen atmospheres – as opposed to the jarring and caustic blunt force trauma that has brought this remote place in the Northern Atlantic to the black metal forefront.
Founded in 2010, Auðn's talent was quick to be recognized. After the release of the self-titled debut, the band got invited to Iceland’s main metal event, the Eistnaflug Festival. They participated and won the local Wacken Metal Battle contest in 2016, while making it to the top three during the infamous Wacken Open Air festival itself. Shows at the prestigious Inferno and Roadburn festivals followed in 2017.
The second full-length, 'Farvegir Fyrndar' was released in November 2017, continuing the band’s fast ascent. Highly praised by the international metal press, the second record reached back to a more classic second-generation black metal approach combined with a sense of elegance and melancholy that one can feel while dwelling among the bleak, extraordinary landscapes of the island.
The Icelanders embarked on European tours with label mates Gaahl’s Wyrd in 2017 and The Great Old Ones (2017 and 2018) and captivated festival audiences at the biggest European fests, such as Copenhell, Summer Breeze Open Air, Eurosonic Noorderslag, Roskilde, Eindhoven Metal Meeting and more.
Returning with ‘Vökudraumsins fangi’, Auðn explore new soundscapes and push their music to new heights, thereby setting themselves further apart from their Icelandic contemporaries. The six piece draws inspirations from their natural surroundings, but also chart the territory of the mind. The album title literally translates to ‘prisoner of the daydream’, but rather refers to a perpetual state of delusion of a life that never took place.
Join Auðn while traversing the blurred lines between reality and the supernatural and the otherworldly sceneries of their native Iceland.
Andri Björn Birgisson - Guitars
Aðalsteinn Magnússon - Guitars and vocals
Hjalti Sveinsson - Vocals
Hjálmar Gylfason - Guitars
Matthías Hlifar Mogensen - Bass and guitars
Sigurður Kjartan Pálsson – Drums
Arnaldur Ingi Jónsson - Hammond organ on “Næðir um “and “Horfin mér”
Magnús Jóhann Ragnarsson - Grand piano & Mellotron on “Næðir um” and “Vökudraumsins fangi”
Cover artwork: Mýrmann
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