From Calgary, Alberta, metalcore is alive and rowdy thanks to Lost In Static. They have made a name for themselves locally and with the new single, “Jordan”, the band is continuing to entice listeners at home and abroad.
Watch and listen to the lyric video HERE.
This single is going to be on Lost In Static’s debut self-titled album released later this year. The heartfelt and personal song has special meaning to the band, which they explain in their own words:
“Our new single “Jordan” is our second track to be released from our upcoming debut record. 'Jordan' was a childhood friend who unfortunately lost his life from drinking and driving. This song was written in his honour. It's heavy, it's beautiful and we hope everyone is going to love it as much as we do!”.
The combination of solid riffs and juxtaposed vocals show a sombre and passionate side of Lost In Static while keeping with the heaviness that is the staple of the genre. Lost In Static takes their craft to a new level and will definitely be intriguing for heavy music lovers of all kinds. Recommended for fans of After the Burial, Veil of Maya, and Born of Osiris this is true metalcore.
“Jordan” is available on Spotify, Apple Music, Google Play HERE.
What started as a cover band called Moron Mountain many years ago has now fully blossomed into an original metal act that has been playing stages since early 2019.
Comprised of seasoned musicians Lance MacBain, Noureen Amin, Jared Boyd, Tyler Johansen the metal band has just started their musical journey fusing the djent elements of progressive metal with metalcore.
The group works together to create music that is both aggressive and fun, with MacBain generally writing the music and MacBain, Johansen and Boyd collectively writing the lyrics. Relating to their band name, the messages they send through their lyrics convey relation to the feeling of getting lost in the “static” of the world, and all the events that take place; an almost overwhelming feeling of white noise.
With an emphasis on producing a tight live show full of headbanging, energy and moshing, Lost In Static is hitting the ground running with their debut album being released soon.
Australian metalcore band, Alpha Wolf, unveil their latest single, “creep”. This is the second single, following “Akudama”, from the band’s forthcoming new album, a quiet place to die, due out on September 25th via SharpTone Records. Following up the band’s 2017 debut LP, Mono, and 2019 EP, Fault, a quiet place to die is an intense, 11-track collection dealing with loss, anxiety and animosity.
Stream the new track here: http://shrptn.co/creep
The album is available now for pre-order here: https://sharptonerecords.co/collections/alpha-wolf.
Vocalist Lochie Keogh states:-
"‘Creep’ vents on frustrations and betrayals faced growing up attending and playing shows in the heavy music scene. It wasn't long after first coming to shows I realised I was still in the same popularity contest that cast me out when I was younger."
An iron will is only ever hardened within the forge, and Australia’s fastest rising metalcore act Alpha Wolf have proven they are made of sterner stuff. The five-piece bared their teeth in 2019 with the release of their EP Fault in joint partnership with Greyscale Records and SharpTone Records, it became a line in the sand that set expectations for all that would follow.
The band played sold out shows across Australia both headlining, and in support of acts such as Polaris and August Burns Red; as well as a slew of international tours across Asia, Europe, and even dipping their toes in to the American market.
If Fault was the line in the sand however, Alpha Wolf desired to make their mark permanent, something etched in stone for all to see. The band needed to push themselves harder, the band needed to prove they were worthy of their name, the band needed a quiet place to die.
2020 sees Alpha Wolf bite harder than ever with their sophomore release a quiet place to die, the culmination of every lesson learnt, every hit taken, and every loss felt. a quiet place to die is the end result of five individuals who have faced the fire and refuse to flinch, pouring their every-thing into making something they are truly proud of. The path to this point has only made their thirst greater, and soon enough, the wolves will be out for blood.
Lamb Of God has released “Routes,” the fourth single from their June 19 self-titled Epic Records release, featuring a guest appearance from Testament vocalist Chuck Billy.
A visualizer for the track is available now at http://lamb-of-god.com. Fans can pre-order Lamb of God, including a new alternate CD cover version signed by all five band members, now at the band’s official web store: http://shop.lamb-of-god.com.
“Routes” was lyrically inspired by vocalist D. Randall Blythe’s time alongside native peoples at the Standing Rock Sioux Reservation in North Dakota during the No DAPL movement. This protest, which began with just a few Native women and children camping at the site in protest of the pipeline being built so near to their water supply on unseeded treaty land, quickly grew to an encampment of thousands and received global attention.
“I went to Standing Rock because I had heard reports of violence committed on the peaceful protestors there by both state law enforcement and private security contractors, and this violence was not reported in mainstream media for the most part. I went to bring supplies and support these people, who were trying to protect their water, and thereby protect everyone, as everything in the natural world is protected. I was there a week, made some great friends, and learned a lot. It was a very profound experience in my life, and I knew one day I would write a song about it.”
Although Blythe conveys his story through the song’s vivid lyrics, he called in his friend Chuck Billy, who is of Pomo Native American heritage, to lend a deeper authenticity to his narrative.
“My experience, although my own, was tempered and shaped by the hundreds of years of brutal oppression of Native peoples in our country. So, it was imperative for me to have a Native voice represented on the song, and Chuck Billy was happy to be that voice. At the end, there is a call and response section - Chuck calls and I respond. This is intentional. Musically, it is symbolic of my experience there. A native voice leads, bringing forth positive energy and calling to the people to unite, and I reply, providing support. That was my physical experience, and it is reflected in the song.”
Chuck Billy adds:-
“It was a great honour as a proud Pomo Native American to be asked by Lamb Of God to do some guest vocals on this song. The No DAPL movement by the indigenous people of this country was a historic event. Being able to lend my voice to represent the Native American people, complementing Randy's storytelling and lyrics, is something really special to me. I’m glad this movement was put in a musical message, and I am extremely happy to have been a part of it.”
Audiences got a taste of the first new Lamb Of God music in nearly five years with “Checkmate” back in February, followed by “Memento Mori” and the most recent single, “New Colossal Hate.” All four songs will appear on Lamb Of God, the follow-up to VII: Sturm und Drang (2015). The album was once again produced by collaborator Josh Wilbur (Gojira, Korn, Megadeth, Trivium), fuelled by a mountain of riffs and looming rhythmic shadows. It is also the band’s first record with Cruz, who sat behind the kit with Lamb Of God in 2018 and became an official member the following year. In addition to Chuck Billy, the new album features a guest appearance from Jamey Jasta (Hatebreed). Blythe sounds more driven and insightful than ever on Lamb Of God, offering up the angriest and most comprehensive diatribes, addressing modern life in the current landscape, of his storied career thus far.
Lamb Of God propelled heavy metal into the new millennium two decades ago with the prophetically titled New American Gospel. They followed with 2003’s As the Palaces Burn, which made the Rolling Stone list of the Top 100 Greatest Metal Albums of All Time. Ashes of the Wake (2004) was the first Lamb Of God album to be certified gold by the RIAA, followed by Sacrament (2006), which debuted in Billboard’s Top 10. Wrath (2009) earned the No. 1 spot on Billboard’s Hard Rock, Rock, and Tastemaker charts and was No. 2 on the Billboard 200. Those No. 1 positions were repeated with Resolution (2012). VII: Sturm und Drang (2015) debuted at No. 3 in North America and in the Top 5 in several countries. The single “512” from VII: Sturm und Drang received a Grammy nod for the “Best Metal Performance,” making it Lamb Of God’s fifth Grammy nomination.
Italian Metalcore horde The End At The Beginning unveil new single "Water" taken from the new EP "Elements"
Italian metalcore warriors The End At The Beginning revealed "Water", the second single taken from the new EP "Elements" out on June 1st 2020. The song was produced by Federico Ascari at Wavemotion Recordings. Listen "Water" HERE.
Speaking about the new track, the band says:
"'Water' is the second single taken from the EP called “Elements”. The song talks about the feeling of loss of a loved one. Through moments of denial and desperation, the song explores the path to deal with this feeling. This drives to the epiphany: we can’t erase the pain but the love we felt will remain as a guiding light above our choices. In order to represent this setting, a melancholy and melodic sound pervades the entire song supported by a leading orchestral section".
The End At The Beginning is a Metalcore band born in Bologna (Italy) in 2011. The band released its first EP in 2012 while In 2014 released its first unsigned LP: "Appearances". In 2016 the band signed with Famined Records the release of "Revelations", the second LP. They have also started to gain international attention winning the "Unsigned Artist Of The Month" competition by Artery Recordings in April 2015 and starting to play European shows. After a long break started in 2018 that saw the leaving of the singer and guitarist, the band announces the return in 2019 with a new line-up with Nicolò Bazzani as the singer and Massimo Bontempi as the guitarist. The band has been writing new material, pushing the boundaries of the modern metal sound and incorporating strong melodic elements thanks to a particular attention in the arrangements and vocal production.
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Sheffield’s While She Sleeps have released an extended cut of their ‘SO WHAT?’ documentary.
Originally released alongside the band’s 2019 album ‘SO WHAT?’, the new version pulls no punches and goes deeper into the life of While She Sleeps. It was premiered digitally live on YouTube on Saturday night to help foster a feeling of togetherness, as was experienced by those who attended its in-real-life premiere at the end of last year.
Guitarist / Vocalist Mat Welsh states:-
“We wanted to make this documentary to shed some light on the real world of Sleeps. We didn't want to make something that made things look better or more glamorous than they really are. We just wanted a fly on the wall capturing the rollercoaster that is making an album. It’s a process that never comes easy for us and SO WHAT? was no exception. We filmed for 7 months and, like with everything, it got condensed down into something that was digestible within a mere hour. So we thought it could be fun to make an extended version and show it to our fans at some kind of DIY movie night, hosted at our warehouse last December. The night was really special, there's something beautiful about everyone watching something at the same time, experiencing the emotions together. But those times of events and group gatherings seem like a world away, so we thought it could be cool to do this in a digital way, giving our fans something fun to look forward to. A means of being together while we're all apart.”
While She Sleeps recently had to wrap up their first full headline tour of North America early due to the at-the-time impending Covid-19 crisis, but not before enthusing crowds across the country at the shows they did manage to play. Never a band to rest on their laurels, even in these tour-dry times, While She Sleeps have been dropping quick-selling, new self-designed merch lines and recently released an evocative, kaleidoscopic lyric video for ‘GATES OF PARADISE’.
Recorded with producer Carl Bown, ‘SO WHAT?’ marked another defiant step forwards for the Sheffield band of brothers. It’s the sound of While She Sleeps reborn. Guitarist Sean Long explains:-
“You get a taste of this new area that we’re flowing into. Even though it’s still really heavy, you get this twinge of what’s to come.”
And, if you are aware of While She Sleeps’ work ethic, “what’s to come” will be here sooner rather than later.
WHILE SHE SLEEPS ARE:
Lawrence Taylor – Vocals
Sean Long – Guitar
Mat Welsh - Guitar / Vocals
Aaran Mckenzie – Bass
Adam Savage – Drums
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Announced as Sweden’s best and finest Metalcore band, Writing The Future gives you a show that is something spectacular and are experts on giving the audience a live show that is just as intense as the records.
With 5 music videos, 2 EP 's, 1 album and countless executed live shows with bands such as Smash Into Pieces, Lillasyster, The Unguided, Dead By April, Dregen and many more, Writing The Future is stronger than they ever have been before.
The upcoming EP, “A World Of Disaster”, is recorded by Philip Strand and mixed / mastered by Dino Medanhodzic. It is a high quality and powerful piece that brings out a lot of emotions. The sound is modern and somewhat different and new from what they usually do. The band was searching for someone to cooperate with, someone that believes in their music and their product as much as they do. So, the cooperation with GAIN/Fifth Island Music was initiated.
“We are thrilled to announce the signing with Writing The Future. They have been on our radar for a while and finally we can have our go in taking this band to the levels they deserve.” – Team GAIN.
Lamb Of God has issued a statement regarding the release of their upcoming self-titled album and the album’s third single:
“Regrettably, we have to announce that the release date for our upcoming self-titled album is being moved five weeks, to June 19th. We're in extraordinary times due to the current global reality and the delay of shipments of all-but essential goods needed in the fight against COVID-19. After talks with our labels, there is no other option than to delay the release so that fans who pre-ordered the album can receive the record they paid for.
We appreciate your patience during these times – a global pandemic is not something people in the music industry usually take into account when scheduling album releases, but as you know, this thing has affected everyone across the board, and we are no exception.
We will, however, be releasing a new song, "New Colossal Hate", this Thursday, April 23rd and plan to release a 4th song from the album before the full album is released in June.
Thank you for your understanding.
Wash your damn hands, let us know what you think of the new tunes, and see you on the road sometime!”
– LAMB OF GOD
A true collaboration between all members of the band, Lamb Of God’s eighth studio album is an amalgam of each individual’s contributions, blended to create a singular style. Guitarists Mark Morton and Willie Adler fuel the album with a mountain of riffs, taking what Lamb of God are known for, and unbelievably, upping the ante to new levels. The rhythm section of John Campbell, looming large as a rhythmic shadow, and drummer Art Cruz, who makes his studio debut with Lamb Of God here on this record, underpin the proceedings with passion, sweat and expansive dynamics. Vocalist D. Randall Blythe is as angry, insightful, and informed as ever. Never one to shrink from facing the darker aspects of our nature head-on, Blythe delivers with no punches pulled, and as only he and Lamb of God can in 2020.
Lamb Of God track listing:
1. Memento Mori
4. Reality Bath
5. New Colossal Hate
6. Resurrection Man
7. Poison Dream (feat. Jamey Jasta)
8. Routes (feat. Chuck Billy)
9. Bloodshot Eyes
10. On The Hook
Lamb Of God’s self-titled, 8th studio album is now set to be released June 19, 2020 on Epic Records.
Lamb Of God pre-orders are available at http://lambofgod.lnk.to/LOG.
Australian metal band Make Them Suffer have shared new song "Drown With Me." The song will appear on the quintet's forthcoming album How To Survive A Funeral, which arrives this summer via Rise Records.
Listen to the song here
"'Drown With Me' is just a really fucked up love song," the band bluntly explains. "Love can be beautiful, but also dark and terrifying. The lyrics 'Take my hand, don't be scared, drown with me if you can' beckons the listener to take the plunge into the unknown."
Make Them Suffer previously shared video for the first single Erase Me watch and listen here.
How To Survive A Funeral is the Make Them Suffer's fourth full-length and sees inspiration from their past and present sounds twisted together into a package that will define their place amongst their contemporaries as a truly creative act. The band enlisted Drew Fulk A.K.A. WZRDBLD, who has worked with everyone from Motionless In White and Bullet For My Valentine to Yelawolf and Lil' Wayne. The band travelled to L.A. to hole up at Fulk's studio. It marked the first time in the band's career that it worked this closely with a producer and the result is truly something unique.
English Melodic Metalcore outfit Bury Tomorrow announce new album 'Cannibal' - out July 3rd on Music For Nations / Sony Music
Bury Tomorrow will release their sixth album, Cannibal, on July 3rd via Music For Nations / Sony
Bury Tomorrow‘s 2018 album Black Flame catapulted them into metal’s upper echelons. It was the band’s third consecutive UK Top 40 album - quite the feat for a heavy band - and took them on a tour which culminated with a huge show at London’s iconic Roundhouse. But with follow-up Cannibal, the band have taken another leap forward.
Watch the music video for the title-track here: https://smarturl.it/BTCannibal/youtube
Already, the South Coast quintet are responsible for some of metalcore’s most rousing anthems, and Cannibal is stacked with more glorious vocal hooks, razor-sharp riffs and sublime melodies that will solidify their seat at UK metal’s top table.
To record it, the band reunited with SikTh guitarist and Black Flame producer Dan Weller (Enter Shikari, Young Guns), while mixing and mastering was completed by Adam "Nolly" Getgood and Ermin Hamidovic, the dream team behind Architects’ Holy Hell.
The result is Bury Tomorrow’s most technical, anthemic album yet. And while vocalist Dani Winter Bates has long been one of metal’s loudest advocates for the importance of discussing mental health, this time he’s delved explicitly into his own experiences, writing his most brutally personal lyrics to date.
Dani says that:-
“This album is for me as well as for the fans. It was a cathartic process to address some of the darkest moments I’ve had in my life. For some people it’ll be a hard listen. But I thought I have to do this, if I’m going to go in, I’m going to go in. I’m not doing something half arsed. There is nothing lyrically I would change on this entire album.”
When Dani began writing the concepts for Cannibal, while he had penned tracks about his mental health before, this time things were different. Dropping all metaphors and opaque sentiments, he’s addressed things head on, hoping the album’s unapologetically frank approach will help people who are struggling to understand that they aren’t alone.
“I wanted to live by my words. I talk to people about normalising mental health (Dani has facilitated Safe Space Sessions up and down the country during tours, alongside mental health professionals), so how can I write an album where I’m not talking about mental health? The normalisation of mental health is what saves lives. I want people to see the light in the dark. If they delve into that they can find solace in the discussion, the normalisation, the positive action by discussing this.”
Lyrically, there’s an apocalyptic feel to Cannibal. While tracks like Quake and Better Below go deep into Dani’s lowest moments, the album also explores the impact of social media on Gods And Machines as well as what he refers to as “society’s oppressive, horrific nature”.
“The term Cannibal refers to being eaten away by your own thoughts but also eaten away by other humans,” he explains. “We’re not kind to ourselves, let alone kind to each other.”
While Cannibal is very much Dani’s story lyrically and thematically, the rest of the band are also on the form of their lives. The title track is a clear nod back to the anthem of Black Flame’s standout title-track and tracks like powerhouse opener Choke, The Grey (VIXI) and Imposter are classic Bury Tomorrow, metallic maelstroms of churning riffs and expansive choruses. Elsewhere though, the band have taken more risks than ever before, adding depth and shade to their ever-evolving sound. Quake ebbs and flows, swelling and simmering like a seething volcano and a techy edge cuts through the icy melody of Cold Sleep. And for all the album’s dark ruminations, atmospheric closer Dark Infinite ends on a melodic high, a surging soundscape which sounds like the band are ready to take on the world.
Work on Cannibal started almost immediately after the band released the deluxe version of Black Flame in June 2019 and was completed partly on the road. Soon after, the band headed to the studio, recording drums and rhythm guitars at Middle Farm studios, in South Devon, with the remainder of the album recorded at Vale studios in Worcestershire. Putting into practice the lessons they had learnt when making Black Flame, the band tore into, rewrote and scrapped any tracks that weren’t up to scratch.
While the process was far from easy and pushed the band musically and emotionally to their limit, there’s no doubt that this is their best and bravest album to date. Now 14 years into their career, Cannibal will be the album that takes Bury Tomorrow to even greater heights. 2020 will be their year.
“I want it to grow our fan base and capitalise what we did with Black Flame,” says Dani. “Black Flame connected with a lot of people. I want Cannibal to take us to a new part of our career. It’s a great starting point for a discussion, I’m excited for people to hear it.”
Crossfaith are thrilled to announce their brand new EP SPECIES, out on May 22nd through UNFD. The five-track offering features recent single, "Endorphin," as well as today's new track "Digital Parasite."
The opening track "Digital Parasite" sees the band getting "dirty and heavy. I felt an explosion from the song and I knew the lyrics should be aggressive and offensive," starts vocalist Kenta Koie as the band look at "people selling their soul to get fame. We need to be honest to the music, to ourselves and to our audience but some people are happy to start cheating and I don't care for it."
"Playing heavy music is how I feel alive. We want Crossfaith to be the band making music that no one has ever heard before." And from the opening battle cry of "Digital Parasite" through the unifying anthem of "Truth of Insanity" to "Your Song"'s glitching sorrow, their SPECIES EP sees them breaking new ground.
The industrial rave of "Endorphin"is about finding yourself in a world that makes you doubt everything and champions the idea of facing those questions head on while "Truth of Insanity" is a call to arms. "In Japan, there are so many contradictions from the government. There will always be a minority of people who only think about themselves but we can fight. We can think. This song is a trigger to start a war against the world of contradiction."
Crossfaith have a history of working with their peers, Enter Shikari, Beartooth and Ho99o9 have all appeared on previous releases, but there are more new adventures to be had on SPECIES EP'. "None of Your Business"sees them team up with Jin Dogg, a rapper from their home town of Osaka for an explosive meeting of minds. "That song's about straight up anger. So many people are fuelled by jealousy and I know the most important thing is to push forward but those people bother me, so this song is about telling them to shut their fucking mouth. It's very straight forward," he grins. "Plus you can learn Japanese from Jin Dogg's verse."
The closing track on the EP is "Your Song." No, not an Elton John cover but "the most emotional Crossfaith song of all time. It's about the emptiness and sorrow of a time that will not return," whether that's death or the loss of a friendship or a lover. "It's about farewell. I feel sadness but those emotions make me strong and teach me to not take things for granted. It's not a ballad but it is a very beautiful song. I think people will be surprised by it."
And surprising people is exactly what Crossfaith want to do, even after eleven years of making music. "That's the main role of the band," promises Ken. "I hope," he continues before deciding on a more forceful word, "Actually, I believe this EP will set the course for the band for the next ten years. We've already started making more new music. We're not going to stop."
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