American groove metallers Once Human release new single / video “Only In Death”, taken from upcoming album "Scar Weaver"
Once Human has released “Only in Death,” the second single from their upcoming new studio album "Scar Weaver", which hits streets on February 11 via EAR Music.
Watch “Scar Weaver” now at https://youtu.be/F1VbPOHMFFY. Download / stream the single at https://oncehuman.lnk.to/OnlyInDeath.
Following the first single “Deadlock,” “Only in Death” is yet another killer track from their heaviest album yet and underlines Once Human’s presence as the hottest up and coming band in the modern brutal metal world.
Lauren Hart shares her thoughts on the single:-
"This is my most personal song on the new album. It meant so much to me that I really needed to get my hands dirty with the visuals. Logan and I filmed everything to keep the song’s raw meaning. Musically, it’s very emotional and dire, and the outro is probably my favourite piece of music on the album!”
Pieced together over the last two years, Once Human’s "Scar Weaver" represents a massive step forward for the band. Blessed (or perhaps cursed) with plenty of additional time during the last year’s lockdown situation, the band has been able to refine and redefine their sound, inspired by a sudden creative surge from latest recruit Max Karon. The result is a gloriously idiosyncratic modern metal record, with Hart’s career-best vocal performance as just one of its dazzling revelations. With Once Human’s most intense and explosive music to work with, the singer has pushed herself to new heights, showcasing a vastly expanded vocal range in the process.
Scar Weaver will be available on limited edition coloured and black vinyl, Digipak-CD and digitally. Pre-order / pre-save Scar Weaver at https://oncehuman.lnk.to/scarweaver.
ONCE HUMAN online:
Maori tribal groove metallers Alien Weaponry to release new album, “Tangaroa”, on September 17th, 2021
The wait is over – international metal stars Alien Weaponry have returned with a vengeance, announcing the release of their fervid upcoming seconde release, Tangaroa, out September 17, 2021 via Napalm Records!
Since releasing their acclaimed debut Tū (2018), the New Zealanders’ kinetic presence and sound – combining elements of thrash and groove metal with lyrics in the native indigenous language, te reo Māori — has attracted throngs of fans and media supporters across the globe. As with their 2018 single “Kai Tangata” – which has amassed more than 10 million views on YouTube and claimed the number-one spot on SiriusXM Liquid Metal’s “Devil’s Dozen” for 13 consecutive weeks – much of Tangaroa is immersed in the historical stories and cultural heritage of the Māori people.
In addition, Tangaroa details stories of personal struggle and growth, as well as crucial environmentalism topics. Witness a first sample of the band’s stirring new music with the album’s colossal title track, “Tangaroa”. Accompanied by a gripping music video, the track details the pressing theme of climate change and illegal fishing practices. Through raising this awareness, Alien Weaponry hope to support the important work and efforts of the Sea Shepherd Conservation Society.
Lead vocalist and guitarist Lewis de Jong says about the track:
“We decided to write this song about how the ocean is being suffocated by humans and their waste. The ocean is an important part of my life, and it's important to protect it.”
Drummer Henry de Jong adds:
“‘Tangaroa’ is a heavy and angry message about how we are destroying the ocean with pollution and overfishing. The video ties in with this message, with us drowning in plastic conveying the struggle of ocean life.”
Watch the brand new official music video for “Tangaroa” HERE
Having achieved past and present tours and festivals with the likes of Slayer, Black Label Society and Gojira, and being hailed the “future of metal” by esteemed magazine Metal Hammer (UK) and voted by Revolver Magazine (US) fans as “one of the bands most likely to break out in 2021”, ALIEN WEAPONRY are poised to dominate with Tangaroa. The album coalesces Alien Weaponry’s growing maturation with an undisturbed songwriting process, resulting in their most inspired, honest and informed material yet.
In addition to lyrics written in te reo Māori, many tracks feature traditional instruments, called taonga puoro, providing the tracks their own warrior-like attitude. Rhythmic, dynamic album opener “Titokowaru” begins with determined rowing chants and depicts the tale of a famous war chief that challenged the colonial government in New Zealand and led a rebel army, backed by quick riffage and driving drums. Following standout “Hatupatu”, inspired by the harrowing, legendary tale of a de Jong ancestor facing off with a witch, is carried by frenzied guitars, spirited chanting and tribal-like percussion. While Alien Weaponry sourced inspiration from their culture and environmental surroundings while writing most of Tangaroa, the band also looked inward – drawing vision for other portions of the album from within. The album dives into some of their most effecting personal experiences, with English-language songs like the pensive “Unforgiving” about facing self-loathing and insecurity, and the swirling, charging “Buried Underground” detailing the aftershocks of drug abuse.
Accented by personal touches like its entrancing album art originally conceptualized from drawings by Lewis de Jong, Tangaroa is a massive next step for a band on the rise, encompassing all of the elements that make Alien Weaponry heavy metal’s most authentic rising stars.
Henry de Jong says about Tangaroa:
“The album is tied together with the message of ‘Tangaroa’ - the whole album is more a snapshot of the band’s brains during the writing process. We have also written songs that are about some of our first tūpuna (ancestors) who were here in Āotearoa (New Zealand). Hatupatu, who is very famous in Māori history, as well as Īhenga, who named a number of places in Āotearoa during his travels.”
Lewis de Jong adds about the album’s artwork and thematic details:
“The album is named after the track ‘Tangaroa’, and we went with this theme on the artwork. The album is drawn from some new experiences we've had as well as some ancient Māori tales. I think we have stepped things up from the last album.”
Bassist Tūranga Morgan-Edmonds also adds:
"This album's use of even more traditional Māori sounds and styles is a very exciting step forward for us."
Pre-Order Tangaroa NOW
Following up to their groundbreaking recent sold out performance with the New Zealand Symphony Orchestra in Kirikiriroa Hamilton at the Claudelands Arena last month, Alien Weaponry will support headliners Gojira on their fall 2021 U.S. tour!
ALIEN WEAPONRY on Tangaroa is:
ALIEN WEAPONRY online:
Finnish groove metallers Solution 13 sign with Wormholedeath & announce "Chapters From Private Hell" album
Finnish metal band Solution 13 have signed a deal with Wormholedeath for the release of their second album “Chapters From Private Hell" worldwide.
“Chapters from Private Hell is a metal album, that has quite a lot of rock influences. We tried to mix big riffs with big hooks, it’s up to listener to decide how we succeeded. Late 2020 we got in contact with Wormholedeath, and pretty soon we signed a deal with them.”
Solution 13 is a band hailing from Oulu, Finland and operating between rock and metal including the best of both worlds in their music. The band features former and recent members from bands like Poisonblack, Afterworld, Liverbox, Wengele, National Napalm Syndicate and Bleeding Utopia (Swe) etc. Originally the band was already formed back in 2000 and it released its debut album simply called Solution 13 (2003) through a small Finnish indie label Low frequency records, but split up soon after that, while all the members were busy with other musical projects. New album was recorded at Oulu during summer 2020 and it was mixed by Kari Vähäkuopus (Catamenia, Burning Point, Poisonblack etc.) and mastered at Finnvox studios by legendary Mika Jussila (Nightwish, Children of Bodom, Stratovarius, Amorphis etc.).
Solution 13 line-up:
Ukrainian ethnic groove / death metal band Arhat have released official music video for Freedom! The song was taken from the band's powerful debut full-length album Dead Life, released last year.
The band comments on Freedom:
"We are the band Arhat and we present a music video for the song 'Freedom' from our debut album "Dead Life", which was released in December 2020. We chose it not by chance, we consider this song iconic. 'Freedom' is the most valuable thing. This is what we have at the genetic level. Without freedom, any thing is worthless. But at the same time, freedom is everything. Freedom to choose, to be who you are, to live by your own rules. Many thanks to everyone who took part in the creation process! Special thanks to Sergei Subbotin for professionalism, Ruslan Seferov for sincere emotions and positivity, Dmitry Kim for drive drums!"
English extreme metallers Ghosts Of Atlantis unveil music video for "The Third Pillar" with magical take on Greek myth
English extreme metal group Ghosts Of Atlantis are pleased to debut their cinematic journey for the next track from their debut album "22.214.171.124". The bands sound is an epic journey for the listener, full of beautiful melodies, backed up by a crushing assault with emotive lyrics. Building the lore around the mythology of ancient Greece and Atlantis, GOA delivers it's own story, a story weaving both historic findings and fantasy storytelling.
The album begins with the track "The Third Pillar", this first track ties in with the band’s 'Three Pillar' logo, and sets the tone. The bands debut album entitled "126.96.36.199" will be out March 26th worldwide via Black Lion Records in CD, LP and digital formats.
"The Third Pillar" tells the tale of the great pilgrimage by the Atlantean people. The path to the Lemuiran Halls are treacherous, blinded by belief, the people embark across the lands. The ultimate goal being to reach the Three Pillars, it is said that the pillars are the sole point of contact with the Ghosts. The elders teach of the ability to unlock time travel and magic, yet, to raise the Ghosts, they must first survive the journey.
Check out the music video here:- https://www.youtube.com/watch?v=eyJ-kZqNcQk&feature=youtu.be
Buy the album in CD / LP / digital formats here: http://smarturl.it/GOA3624
"Taking the listener on a journey that spans the emotional gamut, the experience is at times ominous and optimistic, set to a soundtrack that is as rich, layered, and intricate as it is well-researched." - Knotfest
The video premiered over at Knotfest.com alongside an exclusive interview with Phil And Colin from Ghosts of Atlantis. Check it out here:
Portuguese groovy alternative metallers Vëlla have just shared the video for their 5th single “Despair”.
Portugal's purveyors of groovy alternative metal band Vëlla have just shared the video for their 5th single “Despair”. The single is taken from their long-awaited debut album “Coma”, which was released via Raising Legends Records on the 9th March 2020.
"Despair", the 5th official single from “Coma”, can be heard here: https://youtu.be/ss9C4HhuJeQ
The album was recorded at Raising Legends Studios in Lisbon and was produced, mixed and mastered by Caesar Craveiro.
The album features renowned musicians from within the Portuguese metal scene, guesting on these tracks:
Guitarist Oz Vilesov states that:
"This record is a special record for everyone involved. Despite the pandemic, we did not throw in the towel and despite being our debut album we have received fantastic reactions from all over the world."
Vocalist Pedro Lopes admits that the band:
“Expects, after the end of this pandemic, extremely great things for us, since the reactions about our debut album, are being spectacular, and we are sure that with all the hard work we are doing this will allow us to step on some big stages in a near future".
From "Coma" you can expect a dynamic, powerful metal monument, built with powerful riffs, melancholic facades, and melodic grandeur.
Sliptrick Records are pleased to announce the signing of the Israeli Thrash / Groove Metal band Sintax.
After years of performing all across Israel on their own ticket and playing alongside international acts, members from Jerusalem’s godfather of thrash, Showrchtsechaye, and from DeuSphera, decided to come together to form Sintax in late 2013.
Considered one of the best live metal acts in Israel, Sintax have also toured throughout Europe and established a solid fan base across many countries. Reviews describe them as heavy metal thunder, a strong punch of groove and unique raw energy, a vicious blow to the face, messy and terrifying and brutal, as the lead singer’s hoarse intensity leads the listeners through anarchy, politics, religion, philosophy, war, sex, and more.
The band was featured on the Israeli Headbangers Ball and released their first album, Sway For A Better Day, in 2015. The new album Nano 3000, featuring Yoav Gruper (guitar), Slava Kishka (bass), and Nir Baruch (drums) and founding members Roi Illouz (guitar) and Yehi Zaken (vocals), will get it’s worldwide release via Sliptrick Records in 2021.
Yehi Zaken – Vocals
Roi Illouz – Guitar
Slava Kishka – Bass
Yoav Gruper – Guitar
Band links: Official Website | Facebook | Youtube | Instagram | On Sliptrick
Suffolk based Ghosts Of Atlantis premiers first track Halls Of Lemuria of their debut album set for release early 2021 via Black Lion records
Hailing from deepest, darkest Suffolk, Ghosts Of Atlantis are a metal band that carry a wealth of experience and professionalism. Like both Cradle Of Filth, and Devilment before it, Ghosts Of Atlantis continues the tradition and staple of the witch county trademark sound. The sound is dark and aggressive, sinister and twisted, yet universally appealing due to big chorus lines, emotive orchestration and massive hooks Sonically, the band crosses many genres and lyrical styles, from poetic spoken word elements, full choirs, and memorable choruses to guttural destruction carried forth through the main vocals. Ghosts Of Atlantis (G.O.A) features both present and past members of Devilment, Failed Humanity, The Conflict Within and Cold Lazarus.
Founder Colin Park states : "Halls of Lemuria" The road ahead is long and the elements ruthless. The Atlantian people embark on a pilgrimage to reach the great halls of Lemuria. For it is within these sacred walls, that the power to turn the tide of battle resides. The power to summon the Ghosts of Atlantis and give hope to the people of Atlantis.
Video by Red Opera Productions - https://www.facebook.com/theredoperaproductions/
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Top-charting dark groove metal originators Devildriver recently announced the highly-anticipated release of their upcoming double album, Dealing With Demons. The first volume – entitled Dealing With Demons I – drops on October 9, 2020 via Napalm Records and marks the band’s first release of new, original material since 2016’s acclaimed Trust No One. Representing the onset of a final purging of the themes that have long possessed frontman Dez Fafara and Devildriver’s music, each track on Dealing With Demons I illustrates a different demon to be dealt with, or released.
Today, the band is following up on the release of their burgeoning latest single “Keep Away From Me” and its thought-provoking video with yet another unforgettable anthem – the menacing, mosh-ready second single "Iona". From the ominous siren at its start to its grooving verses, the track pulls no punches. The hair-raising, anthemic chorus line, “She carries a black rose…” beckons the listener again and again into a chilling ghost story! Travel the dark road into Iona's clutches via the heart-gripping music video, directed by Vicente Cordero, below.
Watch the chilling official music video for “Iona” HERE
Frontman Dez Fafara says about “Iona” and the demons that inspired the track:
"Iona is unlike any other Devildriver song we’ve put out. From the frantic verses to the haunting chorus, this song is another move forward to push our sound and the listener's ears into the fray! The chorus, “she carries a black rose, effigy from a story closed", tells the story of the long dead ghost of Iona and her obsession with death represented by the black roses in her hands – each one the soul of someone she’s taken from this life on a lonely dark road, assimilating their souls into black roses, which she carries for eternity.
This theme relates to myself and “Dealing With Demons” in that, often times, we as people have a hard time “letting go” of things. This can be applied to relationships, death, and so on. Iona carrying the black roses symbolizes her inability to move on – always seeking revenge. The past is exactly that – the past – it’s important to let go and not be stuck in a perpetual loop of living in it."
Lamb Of God has released “Routes,” the fourth single from their June 19 self-titled Epic Records release, featuring a guest appearance from Testament vocalist Chuck Billy.
A visualizer for the track is available now at http://lamb-of-god.com. Fans can pre-order Lamb of God, including a new alternate CD cover version signed by all five band members, now at the band’s official web store: http://shop.lamb-of-god.com.
“Routes” was lyrically inspired by vocalist D. Randall Blythe’s time alongside native peoples at the Standing Rock Sioux Reservation in North Dakota during the No DAPL movement. This protest, which began with just a few Native women and children camping at the site in protest of the pipeline being built so near to their water supply on unseeded treaty land, quickly grew to an encampment of thousands and received global attention.
“I went to Standing Rock because I had heard reports of violence committed on the peaceful protestors there by both state law enforcement and private security contractors, and this violence was not reported in mainstream media for the most part. I went to bring supplies and support these people, who were trying to protect their water, and thereby protect everyone, as everything in the natural world is protected. I was there a week, made some great friends, and learned a lot. It was a very profound experience in my life, and I knew one day I would write a song about it.”
Although Blythe conveys his story through the song’s vivid lyrics, he called in his friend Chuck Billy, who is of Pomo Native American heritage, to lend a deeper authenticity to his narrative.
“My experience, although my own, was tempered and shaped by the hundreds of years of brutal oppression of Native peoples in our country. So, it was imperative for me to have a Native voice represented on the song, and Chuck Billy was happy to be that voice. At the end, there is a call and response section - Chuck calls and I respond. This is intentional. Musically, it is symbolic of my experience there. A native voice leads, bringing forth positive energy and calling to the people to unite, and I reply, providing support. That was my physical experience, and it is reflected in the song.”
Chuck Billy adds:-
“It was a great honour as a proud Pomo Native American to be asked by Lamb Of God to do some guest vocals on this song. The No DAPL movement by the indigenous people of this country was a historic event. Being able to lend my voice to represent the Native American people, complementing Randy's storytelling and lyrics, is something really special to me. I’m glad this movement was put in a musical message, and I am extremely happy to have been a part of it.”
Audiences got a taste of the first new Lamb Of God music in nearly five years with “Checkmate” back in February, followed by “Memento Mori” and the most recent single, “New Colossal Hate.” All four songs will appear on Lamb Of God, the follow-up to VII: Sturm und Drang (2015). The album was once again produced by collaborator Josh Wilbur (Gojira, Korn, Megadeth, Trivium), fuelled by a mountain of riffs and looming rhythmic shadows. It is also the band’s first record with Cruz, who sat behind the kit with Lamb Of God in 2018 and became an official member the following year. In addition to Chuck Billy, the new album features a guest appearance from Jamey Jasta (Hatebreed). Blythe sounds more driven and insightful than ever on Lamb Of God, offering up the angriest and most comprehensive diatribes, addressing modern life in the current landscape, of his storied career thus far.
Lamb Of God propelled heavy metal into the new millennium two decades ago with the prophetically titled New American Gospel. They followed with 2003’s As the Palaces Burn, which made the Rolling Stone list of the Top 100 Greatest Metal Albums of All Time. Ashes of the Wake (2004) was the first Lamb Of God album to be certified gold by the RIAA, followed by Sacrament (2006), which debuted in Billboard’s Top 10. Wrath (2009) earned the No. 1 spot on Billboard’s Hard Rock, Rock, and Tastemaker charts and was No. 2 on the Billboard 200. Those No. 1 positions were repeated with Resolution (2012). VII: Sturm und Drang (2015) debuted at No. 3 in North America and in the Top 5 in several countries. The single “512” from VII: Sturm und Drang received a Grammy nod for the “Best Metal Performance,” making it Lamb Of God’s fifth Grammy nomination.
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