Greek brutal slam death metal mob Embryectomy debut new single / video, "Chainsaw Symphysiotomy"24/9/2026  Photo credit: Dave Curtis (https://dcurtis.co.uk/) On October 23rd, beatdown guttural slam band Embryectomy will release their third full-length," "Vitriolic Baptism", via Unique Leader Records. For a preview of the record, stream the new single 'Chainsaw Symphysiotomy' here: https://orcd.co/VitriolicBaptism - where the album can also be pre-ordered in various formats. Embryectomy comments: "Today we unleash 'Chainsaw Symphysiotomy,' the new single from our third full-length abomination, 'Vitriolic Baptism.' You have already witnessed what Embry Kyle has been doing in his basement. But you have never seen where this sickness truly lives. Now you will. Deep within the woods stands the cabin where Kyle disappears from the human world—a place of torment, experimentation and unspeakable DEATH. With this video, we drag you through its doors and offer you a glimpse into the environment that feeds his depravity. Embry Kyle has been with us since DAY ONE. His presence has infected every Embryectomy full-length release, growing alongside the band until he became inseparable from what Embryectomy represents. And perhaps, somewhere beneath the civilized surface, there is a 'Kyle' hiding inside every one of you as well." "But understand this: EMBRYECTOMY IS NOT KYLE. EMBRYECTOMY IS NOT A PERSON. EMBRYECTOMY IS AN IDEA. An idea of absolute depravity. An idea stripped of pity for the human race. An idea born from nihilism, disgust and the vision of ultimate extinction. Through Kyle, we give that idea flesh. We allow you to stare into a reality where restraint has disappeared, humanity has lost all value and the darkest impulses of the human imagination are no longer imagination at all. Kyle will strike again. He always does. And when he does, EMBRYECTOMY WILL BE THERE to externalize his unfathomable resentment toward humanity."
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 Hailing from Surabaya in East Java, Gerogot have been an ever-present force on the burgeoning Indonesian brutal death metal scene for more than a decade. The limited-edition demo, Promo 2014, was followed in 2016 by their debut album, "Cruelty Vomit Of Hatred" – a release which demonstrated in emphatic fashion Gerogot’s unwavering commitment to absolute, unrelenting musical brutality. After contributing two suitably savage tracks to the grotesque and gore obsessed "Heinous Interstellar Malformations" split release with Virulent Excision, Facelift Deformation and Gravitational Distortion in 2020, Gerogot turned their attention to their second full-length album, which crawled from the body pile in 2021. "Heading To Eternal" saw Gerogot’s unstoppable march towards the farthest reaches of sonic extremity continue unabated, with Metal Purgatory describing the album as one of the year’s “sickest, most gut-wrenching and disgusting pieces of brutal death metal”. And now the journey into darkness begins again, as Gerogot prepare to unleash the ultimate expression of their flesh-dissolving, bone-breaking, soul-rending horror… "Eidoloklas"!  With ‘The Barrier Collapses’ wave after wave of pure destructive force is unleashed, grinding and crushing at furious velocities, with superb intricate guitar riffs rising up through the tumultuous onslaught. There’s barely a moment to reflect on the damage done before a second strike of formidable power and intensity hits, ‘Presage’ delivering punishing blows between blinding blasts of speed. It’s a breathless pattern that’s maintained throughout Eidoloklas, tightly controlled attacks, precise and purposeful, landing in a whirlwind of violence. The vocals are an inhuman rumble of absolute hostility, emotionless and pitiless as they roar across the immense blasts and staggering riffs like lurching monstrosities and disfigured demons. The malicious strength is uniform throughout this litany of eradication, be it ‘A New Dogma’ where shocking intensity collapses into a screaming, squirming morass of sickness before unleashing a fresh barrage of unbelievable fire power, or the wild annihilation of ‘Drowned In Fear’ where vocalist Krisna Saptian seems gripped by an uncontrollable blood rapture. Each track seems harder, faster, more skull crushing than the last as Eidoloklas charges on, until right at the end where we slam into the monolithic presence of ‘Will Come…’ The frenzy dissipates, becoming a bleak and broken crawl through the ruins of the world, heavy with portents of a new order, built upon blood and destruction. Expertly mixed and mastered by Indra Cahya at Texas Sicklab (Anthropophagus Depravity, Death Vomit, Demented Heart etc), Eidoloklas sounds unstoppable. The superb artwork of Andik Godfinger (Morgue Terror, Hydra Vein etc) provides the final touch, completing Gerogot’s most explosive album to date. When Comatose Music set this beast loose on November 20th, nothing will stand in its way. https://www.facebook.com/gerogotbrutal https://www.instagram.com/gerogot/ https://gerogot.bandcamp.com/music https://www.comatosemusic.com/ https://www.facebook.com/Comatosemusiclabel/ https://www.youtube.com/user/ComatoseMusicLabel https://comatosemusic.bandcamp.com/ https://www.instagram.com/comatose_music/  It’s been more than a decade since England’s Engorgement vomited forth their first full length album of unspeakable acts and heinous imaginings, the pulverising "Excruciating Intestinal Lacerations" – an album which Metal Kaoz succinctly summarised as being comprised of “serial killers, bowels and shitloads of blood”. Well now it is time for devotees of deviancy and slam addicts everywhere to rejoice, because Engorgement are finally set to unleash the second chapter in their tome of torture – "They Rot Beneath Our Floor"! "They Rot Beneath Our Floor" is bookended by the unsettling strangeness of ‘Prelude To Your Dismemberment’ and the simply titled ‘Outro’ – and between those skin crawling lullabies all hell is let loose. Violent, caustic, beast-like vocals tear at the skin, while colossal riffs and punishing drums hammer at the skull. ‘Sanctum Of Gore’ offers titanic swathes of filth, juxtaposed with flesh-raking bursts of machinegun fire and ‘Complete Bowel Extraction’ summons visions of drowning in the detritus of the dead – a tide of entrails and organs washing over you as you choke on blood, blood and more blood. ‘Unmerciful Redemption’ is a test of endurance, with every chord hitting like a physical blow…the attack is relentless; the tempo varying but the iron fist punches never ceasing. "They Rot Beneath Our Floor" is grim, rotten and barbarous, a shocking incision that reveals the sickening decay that lies behind the façade of humanity. Mixed and mastered by Floor Van Kuijk of Korpse, Sijjeel and Carnifloor at his infamous GLDCHN Studios, "They Rot Beneath Our Floor" possesses a formidable, festering power; every note and battering beat sounding raw, intimidating and dangerous. When Comatose Music unleash this perverse and pitiless beast upon the world on March 20th utter carnage will ensue. Engorgement are coming…and there’s room beneath their floorboards for you.  Belarus brutal death metallers Ominous Scriptures will unleash their third full-length album early next year on Willowtip Records. Rituals of Mass Self-Ignition features 8 relentless tracks of straightforward and blasphemous brutality rooted in the aural violence of early 2000s extreme death metal. The band is offering the first taste of the punishment to come with the album’s first single, "Demonic Totem I Am." Stream the song at youtu.be/Gz23Ssemepk Willowtip Records will release Rituals of Mass Self-Ignition on CD, vinyl and digital formats on January 27. Pre-order at ominousscriptures.bandcamp.com
Formed in 2013, Ominous Scriptures released their full-length debut, Incarnation of the Unheavenly, in 2015 via Permeated Records. The band later signed with Willowtip Records for the 2020 release of The Fall of the Celestial Throne. With the release of Rituals of Mass Self-Ignition, Ominous Scriptures stands at the forefront of the new wave of brutal death metal. Line-up:
South African brutal death horde Vulvodynia slam with new single / video 'Artificial Divinity'29/10/2022  Brutal death metal slammers Vulvodynia have released their blistering new single / video 'Artificial Divinity' via Unique Leader Records. One of the most groundbreaking metal bands to emerge from South Africa, Vulvodynia have returned with their first new track since the release of 2021's Praenuntius Infiniti LP. The self-proclaimed 'Kings of African Metal' have released their most earth-shaking salvo yet with 'Artificial Divinity' - the introductory offering from their yet-to-be-announced sixth studio album.
The band commented: "‘Artificial Divinity’ is about the eventual evolution of humanity by means of A.I. The idea of the extinction of all biological matter, as A.I. becomes sentient and runs afoul of all of humanity’s perversions. We decided to use A.I. generated artwork to fully round off the theme! We had been planning out what we thought the perfect single would consist of for a while. Combining elements from our old material, as well as giving the fans something they’ve never heard or experienced from us before, all while staying true to who we are as Vulvodynia. This song is a special one and we can't wait to hear what you think!” Vulvodynia are:
Vulvodynia online: Website || Facebook || Twitter || Instagram || Spotify || Bandcamp || TikTok || YouTube  Brutal death metallers Bonecarver have released their esoteric second single, 'Ancient Atrocity', ahead of their new album, Carnage Funeral, due 11th November via Unique Leader Records.
The story behind new single, 'Ancient Atrocity,' and accompanying video, has been concocted by the band and their friend SVICIDVL, who helped them to mould the ongoing chronicle. Bonecarver commented on the new single: "Alk Yabar is an ancient alchemist obsessed with an ancient prophecy. According to writings of the Demonomicon, the arrival of the herald of chaos is very close, but for completing the rite that initiates the balance of shadow and light in the world must find an ancient arcane item lost in the vastness of the desert of Yalbalah. Alk begins a journey through the ancient ruins and tunnels of the forbidden tombs of the kings of the last dynasty of Fenhkrir. This ancient and advanced civilisation disappeared overnight without leaving a trace of its glory and its mighty civilisation."
Formed from the ashes of Cannibal Grandpa, Spanish masters of ultra-modern brutality, Bonecarver, have been at the forefront of the extreme scene in their native Madrid since 2014. Combining stories about infamous serial killers with their own take on brutal death metal, the band received worldwide praise for their Unique Leader debut Evil in 2021. Returning with their highly anticipated sophomore album, Carnage Funeral, Bonecarver have spawned a skull crushing monster. The nine tracks offer an oozing, infernal masterclass in bone-splintering death metal, a true statement of intent from the start, showing this new iteration are serious about establishing their own legacy whilst taking extreme metal to a new level. Bonecarver are:
Facebook || Twitter || Instagram || Spotify || Youtube  Brutal death metal outfit Omophagia have released a blistering new single 'The Plague', taken from their album Rebirth In Black which is released today via Unique Leader Records. Meshing technical and brutal elements with meticulously crafted riffs into a violent cacophony of modern death metal, you can watch the video below.
Omophagia's name relates to the consumption of raw flesh, so it's no surprise that the death metal horde tear through skin and bone with razor sharp precision. Following on from their 2019 Unique Leader release 646965, Rebirth In Black is the latest soul crushing offering from the Swiss-Brazillian death metallers. The eleven track album was recorded, mixed and mastered by Kohlenkeller Studio (Aborted, Benighted, Cytotoxin) with accompanying album artwork created by Stefan Skjoedt. Forming in 2006, Omophagia hail from Switzerland and comprise of a world class group of Swiss and Brazilian musicians. Their first demo, Devouring Raw Flesh (2008) reaped the critical acclaim of the extreme metal underground and led to various live club shows, as well as festival spots nationwide and abroad opening for the likes of Morbid Angel, Kataklysm and Keep Of Kalessin. At the close of 2009, Omophagia recorded their Guilt By Nescience (2010) debut. Mixed and mastered at Hertz Studio in Poland, the record earned the approval of Metal Hammer Magazine who awarded the offering “Demo Of the Month” status hailing, “brutal blasting drums meets massive, buzzing riffs, framed by soulful leads, rounded off by classic deep-growled vocals. Rhythmical variability and a well-balanced sound make Guilt By Nescience a record for friends of brutal sounds on a technical high level.” Their sickeningly ferocious follow-up album In The Name of Chaos (2016) then saw the band go out on tour alongside Morgoth and Incantation. In 2019 Omophagia released 646965 to critical acclaim worldwide. Since then the international five-piece have staked a pretty brutal claim within the world of extreme metal, renowned for their breakneck speed, ruthless extremity and intensity, having toured with the likes of Nile, Hate Eternal and Vitriol. Omophagia online: Facebook || Twitter || Spotify Unique Leader Records online: Website || Facebook || Twitter || Instagram || YouTube  French brutal deathcore / death metal quartet Hurakan will release their third album, "Via Aeterna", April 15th on Lacerated Enemy Records! The band has released music videos for the album's three singles, all of which can be viewed at the following links:
Statement from the Band: "'Via Aeterna' starts a new era for Hurakan, and we couldn't be more excited to share it with all of you after two years of intensive work. We have pushed our boundaries in composition and performance, resulting in a more cohesive, organic and mature music taking the listener through different atmospheres and emotions on a blistering journey. We feel this is our biggest and most successful effort to date, 'Via Aeterna' reflects Hurakan's new state of mind, inspired by the mental problems that everyone can unfortunately endure in their lives, but also about existential issues such as death, the aftermath and the anguish it can bring."
"Via Aeterna" was written and recorded by Maxime Maréchal, Raphaël Darras, Thomas Crémier and Danny Louzon. Philippe Parickmiler composed additional arrangements to give a full orchestration experience to each song. The band's drummer, Thomas Crémier, created the sound design, recorded, re-amped, mixed and mastered the album at his studio, SoundBlast Studios. The album cover was painted by Nightjar art of Adam Burke (Fit For an Autopsy, To The Grave...). Pre-order: Line-up:
 Rising Nemesis Records is very proud to announce the signing of Helsinki, Finland-based brutal death metallers, Enragement. Active since 2006, Enragement took their time in becoming the group they are now slowly, only getting to their current stage musically upon the 2014 release of their debut album, "Omnimalevolence Of Man". Afterward, the band dropped a well-received follow-up, Burned, Barren, Bloodstained, in 2017 via Finnish label Inverse Records. After many years of slow yet steady musical evolution, the band has finally found a new home in Rising Nemesis Records where they seek to put out their best material to date. The group will be releasing their third album in the spring of 2022 via Rising Nemesis Records. Keep an eye out for new music and news tied to that effort coming soon. Enragement comment on signing with Rising Nemesis Records:- "With our third full-length, we set the bar high for ourselves. As the efforts on song writing, pre-production, and final studio production had already been enormous, we set out to find a label that could give the album the perfect final touch. With Rising Nemesis Records specialization in brutal death metal, we’re 100% sure we teamed up with one of the best possible labels for this release." Enragement is:
 Photo credit: Joël Martins A new song, music video and pre-orders are expected to be released on January 31st. “Quiescence” continues the space motif from Analepsy’s previous releases, but from a different perspective. There are no living creatures, only the deserted cosmos awaiting its own demise. The album features guest appearances from Ricky Myers (Suffocation, Disgorge), Angel Ochoa (Cephalotripsy, Disgorge, Abominable Putridity, Condemned) and Wilson Ng (Facelift Deformation, Vermicular Incubation). The band commented: "We are delighted to present our most recent work: Quiescence! This has been a tight process, and despite all the changes the band went through, everything worked like clockwork. The essence of our music lives on!" The recordings of “Quiescence” took three months (August - October, 2021), entailing the skills of guitarist / co-founder Marco Martins, guitarist/vocalist Calin Paraschiv (ex-Pestilence), bassist João Jacinto and ex-drummer Tiago Correia. The album was recorded, mixed, and mastered by Miguel Tereso at Demigod Recordings studio in Caxarias, Portugal. The cover artwork was created by Pedro Sena - Lordigan.
Analepsy's sound can be described as a crossover between old-school brutal death metal and modern melodic elements. The correct pronunciation of the name of the band is "uh-nuh-leh-psy" [ʌnʌlepsy], and it was chosen due to its (now obsolete) meaning: recovery of strength after an illness. The band was formed in late 2013 and started gaining popularity with the single "Genetic Mutations". Their short discography embraces the 2015 EP "Dehumanization by Supremacy", followed by 2017 debut album "Atrocities from Beyond" and split release "The Kraanialepsy Split", to whom the band was invited by Kraanium. The release of "Atrocities from Beyond" was met with growing interest and turned the eyes of many towards the band. In the months that followed its release, ANALEPSY won the Portuguese W:O:A Metal Battle, to later perform at Wacken Open Air 2017. Their first show outside Europe led them to Japan in 2019. Line-up: Marco Martins - guitar João Jacinto - bass Calin Paraschiv - vocals/guitars
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