British Lion, the ‘up close and personal’ side project band of Iron Maiden bassist & founder Steve Harris, have released a brand new video, ‘Land Of The Perfect People’. Watch here.
Taken from their 2020 album The Burning, the song’s lyrics were written by vocalist Richard Taylor who comments, “It's about abandonment and issues from being brought up in a children's home."
Although a summer European tour in support of The Burning couldn’t go ahead last year as planned, British Lion have now been confirmed for the 2022 UK Download Festival and are very much hoping to also reschedule some other European club and festival dates. All updates will be posted on www.britishlionuk.com
After one month of voting, nearly 6,000 votes cast and countless sharing across all social media platforms by us and nominees alike, the time has come to announce the winners of the GMA Awards 2019.
But before that happens, there will be a change to how the nominees are cast. For 10 months of the year we will be running a series of rounds from which the 10 finalists will be recognised for the annual event.
The system will work as thus: nominees elected in the month of January are voted for in February... February nominees voted in March, etc and finishes with nominees in October being voted for in November - the finalists will then be voted for across the month of December and into early January 2021; finishing 8th January 2021.
Now that's put out into the open, we can finally reveal the winners of the GMA Awards 2019.
Release Of The Year
Best Live Act
Breakthrough African Metal Band
Breakthrough Asian Metal Band
Breakthrough European Metal Band
Breakthrough UK Metal Band
Breakthrough North & Central American Metal Band
Breakthrough Oceanian Metal Band
Breakthrough South American Metal Band
Breakthrough International Metal Band
Festival Of The Year
Music Video Of The Year
Global Metal Ambassador 2019
* Later withdrawn by request of nominee.
UK sludge band Byzanthian Neckbeard have just released their new song "Minaton" via The Sludgelord. The song is from their upcoming album of the same name which will be released next week.
Listen to the song here: https://thesludgelord.blogspot.com/2019/10/track-premiere-byzanthian-neckbeard.html?m=1
Back with another, fuller bag of riffs, Byzanthian Neckbeard have made good on the promise of their first two releases. The promise? To break headphones with tracks that soundtrack eerie tales of devil worms and other creatures of the night.
After a spoken intro to send a chill through the bones, opening salvo “The Werespider” promptly sets said bones ablaze with heavy, thumping riffs and booming growls. This energy continues throughout the record, as the trio groove through such catchy numbers as “Evisceration Stare” and “Condemned to the Swamp”. Their formula of groovy-doom-meets-death-metal-intensity is as solid as the stone they carved it from, though they do deviate from it; for instance, dropping into almost bluesy realms on the title track, or taking an atmospheric approach on closer “Out of the Deep”.
In the end, Minaton is a marvellous record and a step above everything that came before it. Byzanthian Neckbeard may be three miscreants from the foggy island of Guernsey, but they know their way around a bone-shattering song or seven.
Byzanthian Neckbeard are now streaming the entirety of their new EP Extinction via Doomed and Stoned. The EP is set to be released this Friday.
Listen to the EP here: https://doomedandstoned.com/post/187942400263/byzanthianneckbeard
Some bands quite simply embody their name in every shape and form, and when it comes to Byzanthian Neckbeard... you get the picture quickly. Riff-laden doom is on offer on this follow-up EP, after their début From the Clutches of Oblivion took them out of their native Guernsey and straight onto the New Blood Stage at UK’s Bloodstock Festival.
Extinction takes a while to limber up, but once “Coffin Bomb” gets into the swing of things, the trio put on a no-punches-pulled performance across each of the three tracks. Phil Skyrme’s guttural vocals match up to the rough-and-fuzzy riffing, matched perfectly to Dan Robilliard’s muscular bass playing and Paul Etasse’s precise and groove-driven drumming. “Extinction” takes us out with a seven-minute stomper.
Thus the EP ends, ready to be looped again until more material emerges from the island-bound miscreants who go by the name of Byzanthian Neckbeard.
Global Metal Apocalypse