Chilean death metal horde Suppression are now streaming their full-length debut, The Sorrow of Soul Through Flesh. The album is available on Friday, April 25 on Unspeakable Axe Records.
Decibel Magazine is offering an exclusive, early chance to hear one of this year's most anticipated old-school death metal releases. Stream The Sorrow of Soul Through Flesh now at this location.
Featuring two former members of thrash maniacs Ripper, Suppression offer 10 tracks of disgusting, thrash technical death metal. Unspeakable Axe Records will release The Sorrow of Soul Through Flesh on CD and digital formats April 25. Vinyl treatment coming via Dark Descent Records later this year.
Order now at:
The Sorrow of Soul Through Flesh was mixed and mastered by Colin Martson (Gorguts) with artwork by Paolo Girardi. The album follows the Repugnant Remains EP, released in 2019 on Unspeakable Axe Records.
Sensory Records presents "The Ironic Divide", the blistering third album from Chicago instrumental metal trio Aziola Cry. The album is out now and streaming in its entirety.
Aziola Cry has performed with Behold… The Arctopus, Don Caballero, Tiles, Far Corner, and many others, while appearing at progressive rock festivals including M.A.R.S. Fest. The band released their debut album, Ellipsis, in 2005, followed by Ghost Conversations in 2007, after which they went wholly dormant, until now.
With Mike Milaniak on guitar, Jason Blake on Warr guitar, and Tommy Murray on drums, Aziola Cry closes a nearly fourteen-year gap between records in 2021 with their third album, The Ironic Divide. Boasting their heaviest and most intricate work yet, the forty-eight-minute album features four songs which tell the story of one person‘s final descent. There are two types of people in this world. There are those who do good for others and make a positive contribution to society in some way. Then, there are those who do evil and hurt fellow humans. There is no rationale behind their behaviour. They are cowards. This is their story.
Aziola Cry‘s The Ironic Divide was recorded by Jim Siwek at Ultralownoise Studio and Transient Sound, mixed by Steven Gillis at Transient Sound, mastered by Ted Jansen at Sterling Sound (Alice In Chains, Lamb Of God, Gijora), and completed with artwork and design by Micka Klauck.
Stream Aziola Cry‘s entire The Ironic Divide now here: https://lasersedge.bandcamp.com/album/the-ironic-divide
Watch for additional video output and more from Aziola Cry to post over the weeks ahead and for new live announcements to come later this year once touring safely returns across the country.
Greek metal masters Nightfall are now streaming their brand new opus 'At Night We Prey' in full in advance of the release date. The new offering is set for release on March 05, 2021. The album can now be streamed via the official Season of Mist YouTube channel HERE. The link may be freely spread throughout your channels.
The album can be ordered in various formats HERE.
Vocalist Efthimis comments on the stream:
"This album is made of anger and hope. Anger about all those stereotypes built around serious subjects affecting all, like depression; and hope for things to change for the better. We sing for younger generations to break down old misconceptions about mental disorders. Music in this album is not following a linear pattern, but rather tries to catch the entire spectrum of mood swings one is experiencing, while in this state. It is a blend of fast and slow parts, heavy and heavier passages, in a natural progress from start to end. Enjoy it and let its message root in you."
It has been seven long years since the world was last blessed with new music from the melodic blackened death metal stalwarts of Nightfall. While the band has been absent from the scene since the release of 2013’s Cassiopeia, their legacy has not been forgotten. Comprising the holy trinity of Greek metal – along with Rotting Christ and Septicflesh – Nightfall was the first extreme act in the country to sign an international deal, introducing the world to the burgeoning Mediterranean scene in the early 90s. Now, the band is plotting a triumphant return with At Night We Prey, the darkest and latest chapter of Nightfall’s already storied career.
During the first decade of Nightfall’s lifespan, the band headlined stages across Europe. Thereafter, went on to dominate international festivals such as Brutal Assault, Sonisphere, and Wacken, the latter of which the band solidified their legacy as the first ever Greek band to earn an envied spot at the renowned festival. The band eventually made the decision to switch to a studio act before they went completely silent. When reflecting upon the sudden disappearance after a steady rise from the underground, vocalist and founding member Efthimis Karadimas explained that it was due to an all too familiar beast – depression:-
“It's because of depression that kicked in as early as mid-00s. I can write for hours and get into details about stuff gone wrong or mistreated situations, but the basis of all discouragement to move on has been depression and the effort required to get over it.”
Despite the dark days, Karadimas did not abandon music entirely, moving on to form The Slayerking, a gothic doom metal band that has released two agonizing full-length records between 2016-2019.
Alas, the abrupt departure of the band was not the final “goodbye” as Nightfall has been reinvigorated with a new line-up and coveted deal with Season of Mist. Karadimas has reunited with original Nightfall guitarist Mike Galiatsos, who helped define the band’s sound during the early years. With the addition of drummer and producer Fotis Benardo (ex-Septicflesh) as well as guitarist Kostas Kyriakopoulos (The Slayerking), the band is finally ready to release the tenth studio album At Night We Prey. In addition to the long-awaited new music, Season of Mist will also be re-issuing the band’s original albums that were produced by Holy Records back in the 90s. This is not the only news the band has to share as Nightfall has also vowed to finally perform again. “We are gonna play these live, including stuff never played live before,” says Karadimas.
"‘At Night We Prey' is a very dark and personal effort, tackling the topic of Karadimas’s battle with depression. “A beast I have experienced its teeth deep into my soul, I decided to come out and share that experience with metalheads. This is the least I can offer now to the big fight against depression. If we do not stop this, it will eat us all alive. Share your pain, speak openly about it. This is the only way to kill the demons in your mind.”
Efthimis Karadimas : Bass, vocals
Mike Galiatsos : Guitar
Kostas Kyriakopoulos : Guitar
Fotis Benardo : Drum
"Cleopatra", the epic second album from New Jersey symphonic metal quintet, Everdawn, is out now through progressive metal powerhouse Sensory Records.
Formerly known as Midnight Eternal, Everdawn is embodied by lead vocalist Alina Gavrilenko, guitarist / vocalist Richard Fischer, bassist Mike LePond (Symphony X), drummer Dan Prestup and keyboardist Boris Zaks. Through the course of eleven epic new songs, the band delivers forty-eight minutes of epic, progressive, symphonic metal on Cleopatra.
The vocals for "Cleopatra" were recorded at Soundmine Recording, the guitars recorded at Frightbox Recording with engineer Bobby Torres, the bass, drums, and keyboards recorded at RMF Recording Studios, and the bass engineered by Richard Fischer and additional editing by Bobby Torres. The album was mixed and mastered by Dan Swanö at Unisound (Opeth, Riverside, Katatonia) and completed with cover artwork by Gyula Havancsák of Hjules Illustration and Design and photography by Alexandra Hassan and Northern Luna. Additionally, the song "Your Majesty Sadness" features guest vocals from Therion / Candlemass vocalist Thomas Vikström.
Everdawn keyboardist Boris Zaks offers on Cleopatra:
"In times of uncertainty we all search for the little things that we can rely on - on the little moments that do offer us security, comfort and strength. Music, in its encapsulating and deeply moving way, has always been a haven for those who wish to put melody behind what they feel. And this has been a year of feeling. We at Everdawn have been relentlessly at work, crafting Cleopatra and shaping it up to perfection. Our intent was to let Cleopatra speak to the audience and blend with the world around us as well as its history, in the most fragile of times."
Stream Everdawn's entire Cleopatra album now through these digital service providers:
Laser‘s Edge division Sensory Records will release "Cleopatra" on CD and all digital platforms on February 5, 2021. Pre-order it HERE: https://www.plastichead.com/item.aspx?catno=SR3087
Connect with Everdawn
A few days after the official release of their brand new album 'The Sand Within', French melodic death metallers Sound Of Memories have shared the whole record for free streaming through the RareMetalAlbums YouTube Channel.
The Sand Within' is available right now physically on CD & digitally through Bandcamp and all legal platforms (Apple Music, Deezer, Spotify...) with the help of the Domino Media Group.
Sound of Memories is a band from the Parisian suburbs created in 2010. Their style can be described as a mix of heavy / thrash metal riffs with an old-school melodic death metal foundation.
After a few years experimenting and carving out their musical style and the arrival of Nacim on drums, the band found its own musical identity, with the recurrent theme of humanism in general, and in particular human’s evolution, philosophy and perception of the world through the ages. In 2013, the band welcomed their new member Flo as their frontman, before going to record their first EP 'Living Circles' at the ZOE-H studio.
In the wake of this project, the band joined the promotion and touring association Army of One, and performed at a number of French metal shows (such as the PHYC Fest, the Eragny’s Covent Garden, La Boule Noire and more...). Then in 2015, Julien Delsol (Deep in Hate, 91 All Stars...) lead the production of the band’s first album, a much darker, complex and ambitious opus than their previous effort.
In November 2015, the band released their first LP 'To Deliverance' through FinisterianDeadEnd / Season of Mist / Code7, and a number of subsequent gigs allowed the band to make their music and energy known.
Right now, Sound of Memories is ready to promote their new album: 'The Sand Within'.
For fans of Arch Enemy, In Flames, Children Of Bodom...
Buy the 'The Sand Within' on CD/Digital
French metalcore mob Dizorder stream new album 'SKY//LIGHT''; out now on CD & digital through all platforms
French metalcore newcomers Dizorder finally released their debut full-length album called 'SKY//LIGHT', available right now on CD & Digital through all platforms.
In addition to the official release-news, the band also shared the whole effort for free streaming on Bandcamp.
Stream 'SKY/LIGHT' on your favourite platform
...For the record...
Born from Val-d'Oise, Dizorder recently won 2 days of training at Le Forum de Vauréal to get prepared for any gig and has been elected by the audience of the open mic of La Ruche 2018.
Driven by the brutal screams of their female singer, the band offers an alternative metal at the crossroads between Flyleaf, Deftones, Northlane and frees themselves from more lyrical spheres.
For fans of Northlane, Deftones, Flyleaf...
Buy physical album + merch on the Dizzygang webstore
Indonesian brutal death metallers Sufism release debut album "Republik Rakyat Jelata via Brutal Mind
Republik Rakyat Jelata, the debut album from the Indonesian brutal death metal band Sufism, is out now via Brutal Mind.
Republik Rakyat Jelata contains 10 massive brutal songs which total just shy of a half an hour! The lyrics generally address topics concerning the nation of Indonesia, as well as Indonesian culture.
The album can be streamed and / or purchased at the links below.
Australian blackened death metal outfit Earth Rot are now streaming their entire upcoming opus 'Black Tides of Obscurity' in advance of the release date. The album drops tomorrow March 6, but can already be heard on the official Season of Mist YouTube channel HERE. The link may be freely spread throughout your channels.
Earth Rot comments:-
"Black Tides Of Obscurity is the sum total of all our efforts over the course of a year. We took an even greater hands on approach on this album to try and capture the sound in our heads and we're very pleased that we've found an even greater depth of savagery compared to anything we've released previously."
The album can be ordered in various formats HERE.
More info on the album and additional assets can be found HERE! For more Earth Rot updates, check their Facebook, Website or Instagram.
Jared Bridgeman – Lead Vocals / Bass Guitar
Tom Waterhouse – Guitar / Backing Vocals
Colin Dickie – Guitar
Daniel Maloney – Drums
Greek black metal legends Kawir stream the entirety of their highly anticipated eighth album, Adrasteia, at Decibel magazine's website. Set for international release on January 10th via Iron Bonehead Productions, hear Kawir's Adrasteia in its entirety exclusively HERE.
For over 25 years now, Kawir have been one of the unsung pillars of the classic Greek black metal sound. While the names Rotting Christ, Varathron, and Necromantia are incredibly important to that style's foundation, it was Kawir who kept the faith during the '90s and into the new millennium. In 1994, the then-young band released two pivotal 7"s, Eumenides and a split with Japan's Sigh - on the pivotal Cacophonous Records, no less - and then followed those up in 1996 with the To Cavirs MLP, which is the first truly pagan-oriented record to hail from the Greek black metal scene. With that mini-album, Kawir set about on a Hellenistic crusade to celebrate their native gods and mythology in their lyrics and sartorial presentation. From the late '90s onward, the band continued to remain prolific, perpetually committed to fine-tuning their idiosyncratic craft, culminating in underground classics Arai (2005) and Ophiolatreia (2008). Although 2012's Ισόθεος featured a cross-continental line-up, the album further solidified Kawir's status as unique icons in the black metal underground.
Come 2016, however, Kawir aligned with long-time fans Iron Bonehead and released their first album through the label, the massively acclaimed Father Sun Mother Moon. That album saw Kawir return to an all-Greek line-up and recast their classic sound in a whole new light, and continued that forward momentum the next year with the fiery Exilasmos. If the 64-minute Father Sun Mother Moon was the sound of Kawir indulging their most epic expanses - always with power and poignancy, it must be said - then the 42-minute Exilasmos was its punchier and more restless counterpart. Taken together, both these albums for Iron Bonehead formed an exciting new chapter in the ongoing Kawir saga, and suitably saw the band reach a whole new generation of fans, their fire seemingly inexhaustible and a veritable fountain of youth.
Perhaps not surprisingly, that fountain overfloweth with Kawir's eighth album, Adrasteia. Although three years separate this and its full-length predecessor, Adrasteia amazingly brims with an urgency that's simply startling for a band of such veteran status. Upon its first few resounding notes, Adrasteia is immediately and engagingly Kawir - and as the ceremonial slow-burn of opening track "Tydeus" builds, anticipation is set exceedingly high, these Greeks working a simmering spell of sumptuous splendour. The track segues into a heroic march by its latter third, with that ever-so-enticing Hellenic mysticism taking root, before the fury fully begins with the following "Atalanti." Indeed, that fury doesn't relent for the remainder of Adrasteia, but Kawir carefully keep their pacing nuanced and dynamic, with each of these six characteristically cascading tracks unveiling a breathtaking landscape of sonic peaks and valleys.
But, as ever with Kawir, the sonic portrait they paint is imbued with a deep lyricism hailing the Greek pantheon. In the case of Adrasteia, its namesake is the goddess of female revenge, and honourably does the album's lyrical concept focus on heroic women and the cruelty around them. For this unique and tasteful exploration, Kawir here have gathered together a whole host of incredible guests, including Macabre Omen main-man Alexandros on all clean vocals, the ethereal Norwegian voice of Lindy-Fay Hella on the stark 'n' haunting "Colchis," and Melechesh's Ashmedi giving a guitar solo on "Danaides."
Altogether, Adrasteia makes for Kawir's most quintessentially Greek album in many years - ever longer may their pantheon reign! Fully experience that reign exclusively HERE.
Italian Death Metallers Horrid stream new album via Friedhof-Magazine.com; special career-spanning re-recordings
Italian death metal institution Horrid stream the entirety of As We Forget Our Past, a special collection of re-recordings, via Friedhof-Magazine.com. Set for international release on December 31st via Dunkelheit Produktionen for the CD version - the vinyl LP version shall be released on February 18th, 2020 - stream Horrid 's As We Forget Our Past in its entirety exclusively HERE.
Italy's longest-running death metal band, Horrid have built an enviously dependable, unyielding body of work since 1989. Starting with more primitive influences but soon moving on to those of early Entombed and Dismember, the band spent the 1990s solidifying their sound over a clutch of demos and EPs. Eventually, come 2002, their debut album manifested itself as Reborn in Sin. From there, the name Horrid has continued to stand for the timeless upholding of classic death metal values.
Now, after two brand-new albums for Dunkelheit - 2014's Sacrilegious Fornication and 2017's Beyond the Dark Border, each one as critically acclaimed as the last - once again do Horrid align with Dunkelheit for a special anniversary record. Fittingly titled As We Forget Our Past, the 10-song/53-minute album features a slew of "greatest hits" re-recorded with Horrid's line-up that's been firm since 2015. As such, these ten tracks together form a sort of symbiosis with the preceding Beyond the Dark Border, given the massive crunch & crush of that career highpoint.
With the original songs stretching back to 1997's Blasphemic Creatures and ranging 2002's Reborn in Sin, 2006's Rising From the Hidden Spheres, 2011's The Final Massacre, and even Sacrilegious Fornication, here do Horrid put on a masterclass of pure 'n' proud DEATH METAL: melodic yet dark, dynamic yet devastating, the power-trio bring the past into the present with seemingly effortless aplomb. Despite the usually tawdry proposition of most re-recordings, truly does As We Forget Our Past both re-acclimate and re-animate, this line-up of Horrid's executing these old creations with a palpitating breathlessness and goosebump-inducing poignancy, especially where the lead-guitar work is concerned. Suitably, the band round out the record with a brand-new song, the title track "As We Forget Our Past," bringing that past into the present and setting their sights on the future.
Timeless yet fresh, and perfectly complemented by moody, awe-inspiring cover art courtesy of Matteo Autunno Di Domenico, Horrid breathe new, rotten life into the undead with As We Forget Our Past! Rise with undead and stream As We Forget Our Past in its entirety exclusively HERE, courtesy of Friedhof-Magazine.com. Preo-rder info for both formats can be found HERE at Dunkelheit's Bandcamp.
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