 "Cleopatra", the epic second album from New Jersey symphonic metal quintet, Everdawn, is out now through progressive metal powerhouse Sensory Records. Formerly known as Midnight Eternal, Everdawn is embodied by lead vocalist Alina Gavrilenko, guitarist / vocalist Richard Fischer, bassist Mike LePond (Symphony X), drummer Dan Prestup and keyboardist Boris Zaks. Through the course of eleven epic new songs, the band delivers forty-eight minutes of epic, progressive, symphonic metal on Cleopatra. The vocals for "Cleopatra" were recorded at Soundmine Recording, the guitars recorded at Frightbox Recording with engineer Bobby Torres, the bass, drums, and keyboards recorded at RMF Recording Studios, and the bass engineered by Richard Fischer and additional editing by Bobby Torres. The album was mixed and mastered by Dan Swanö at Unisound (Opeth, Riverside, Katatonia) and completed with cover artwork by Gyula Havancsák of Hjules Illustration and Design and photography by Alexandra Hassan and Northern Luna. Additionally, the song "Your Majesty Sadness" features guest vocals from Therion / Candlemass vocalist Thomas Vikström. Everdawn keyboardist Boris Zaks offers on Cleopatra: "In times of uncertainty we all search for the little things that we can rely on - on the little moments that do offer us security, comfort and strength. Music, in its encapsulating and deeply moving way, has always been a haven for those who wish to put melody behind what they feel. And this has been a year of feeling. We at Everdawn have been relentlessly at work, crafting Cleopatra and shaping it up to perfection. Our intent was to let Cleopatra speak to the audience and blend with the world around us as well as its history, in the most fragile of times."  Stream Everdawn's entire Cleopatra album now through these digital service providers:
Laser‘s Edge division Sensory Records will release "Cleopatra" on CD and all digital platforms on February 5, 2021. Pre-order it HERE: https://www.plastichead.com/item.aspx?catno=SR3087 Connect with Everdawn
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French melodic death metallers Sound Of Memories stream new album 'The Sand Within' via YouTube13/1/2021  A few days after the official release of their brand new album 'The Sand Within', French melodic death metallers Sound Of Memories have shared the whole record for free streaming through the RareMetalAlbums YouTube Channel. The Sand Within' is available right now physically on CD & digitally through Bandcamp and all legal platforms (Apple Music, Deezer, Spotify...) with the help of the Domino Media Group.  Sound of Memories is a band from the Parisian suburbs created in 2010. Their style can be described as a mix of heavy / thrash metal riffs with an old-school melodic death metal foundation. After a few years experimenting and carving out their musical style and the arrival of Nacim on drums, the band found its own musical identity, with the recurrent theme of humanism in general, and in particular human’s evolution, philosophy and perception of the world through the ages. In 2013, the band welcomed their new member Flo as their frontman, before going to record their first EP 'Living Circles' at the ZOE-H studio. In the wake of this project, the band joined the promotion and touring association Army of One, and performed at a number of French metal shows (such as the PHYC Fest, the Eragny’s Covent Garden, La Boule Noire and more...). Then in 2015, Julien Delsol (Deep in Hate, 91 All Stars...) lead the production of the band’s first album, a much darker, complex and ambitious opus than their previous effort. In November 2015, the band released their first LP 'To Deliverance' through FinisterianDeadEnd / Season of Mist / Code7, and a number of subsequent gigs allowed the band to make their music and energy known. Right now, Sound of Memories is ready to promote their new album: 'The Sand Within'. For fans of Arch Enemy, In Flames, Children Of Bodom... Buy the 'The Sand Within' on CD/Digital  French metalcore newcomers Dizorder finally released their debut full-length album called 'SKY//LIGHT', available right now on CD & Digital through all platforms. In addition to the official release-news, the band also shared the whole effort for free streaming on Bandcamp. Stream 'SKY/LIGHT' on your favourite platform ...For the record... Born from Val-d'Oise, Dizorder recently won 2 days of training at Le Forum de Vauréal to get prepared for any gig and has been elected by the audience of the open mic of La Ruche 2018. Driven by the brutal screams of their female singer, the band offers an alternative metal at the crossroads between Flyleaf, Deftones, Northlane and frees themselves from more lyrical spheres. For fans of Northlane, Deftones, Flyleaf... Buy physical album + merch on the Dizzygang webstore Indonesian brutal death metallers Sufism release debut album "Republik Rakyat Jelata via Brutal Mind16/12/2020  Republik Rakyat Jelata, the debut album from the Indonesian brutal death metal band Sufism, is out now via Brutal Mind. Republik Rakyat Jelata contains 10 massive brutal songs which total just shy of a half an hour! The lyrics generally address topics concerning the nation of Indonesia, as well as Indonesian culture. The album can be streamed and / or purchased at the links below.
Line-up Iman - Bass Ari - Drums Nanang - Vocals Sandi - Guitar facebook.com/sufism666 instagram.com/sufism_official Brutal-Mind.com BrutalMind.Bandcamp.com facebook.com/brutalmindjakarta instagram.com/brutalmind.idn  Australian blackened death metal outfit Earth Rot are now streaming their entire upcoming opus 'Black Tides of Obscurity' in advance of the release date. The album drops tomorrow March 6, but can already be heard on the official Season of Mist YouTube channel HERE. The link may be freely spread throughout your channels. Earth Rot comments:- "Black Tides Of Obscurity is the sum total of all our efforts over the course of a year. We took an even greater hands on approach on this album to try and capture the sound in our heads and we're very pleased that we've found an even greater depth of savagery compared to anything we've released previously." The album can be ordered in various formats HERE.
More info on the album and additional assets can be found HERE! For more Earth Rot updates, check their Facebook, Website or Instagram. Line-up Jared Bridgeman – Lead Vocals / Bass Guitar Tom Waterhouse – Guitar / Backing Vocals Colin Dickie – Guitar Daniel Maloney – Drums www.earthrotaus.bandcamp.com www.facebook.com/earthrotband www.instagram.com/earthrot www.twitter.com/earthrotaus  Greek black metal legends Kawir stream the entirety of their highly anticipated eighth album, Adrasteia, at Decibel magazine's website. Set for international release on January 10th via Iron Bonehead Productions, hear Kawir's Adrasteia in its entirety exclusively HERE. For over 25 years now, Kawir have been one of the unsung pillars of the classic Greek black metal sound. While the names Rotting Christ, Varathron, and Necromantia are incredibly important to that style's foundation, it was Kawir who kept the faith during the '90s and into the new millennium. In 1994, the then-young band released two pivotal 7"s, Eumenides and a split with Japan's Sigh - on the pivotal Cacophonous Records, no less - and then followed those up in 1996 with the To Cavirs MLP, which is the first truly pagan-oriented record to hail from the Greek black metal scene. With that mini-album, Kawir set about on a Hellenistic crusade to celebrate their native gods and mythology in their lyrics and sartorial presentation. From the late '90s onward, the band continued to remain prolific, perpetually committed to fine-tuning their idiosyncratic craft, culminating in underground classics Arai (2005) and Ophiolatreia (2008). Although 2012's Ισόθεος featured a cross-continental line-up, the album further solidified Kawir's status as unique icons in the black metal underground. Come 2016, however, Kawir aligned with long-time fans Iron Bonehead and released their first album through the label, the massively acclaimed Father Sun Mother Moon. That album saw Kawir return to an all-Greek line-up and recast their classic sound in a whole new light, and continued that forward momentum the next year with the fiery Exilasmos. If the 64-minute Father Sun Mother Moon was the sound of Kawir indulging their most epic expanses - always with power and poignancy, it must be said - then the 42-minute Exilasmos was its punchier and more restless counterpart. Taken together, both these albums for Iron Bonehead formed an exciting new chapter in the ongoing Kawir saga, and suitably saw the band reach a whole new generation of fans, their fire seemingly inexhaustible and a veritable fountain of youth.
Perhaps not surprisingly, that fountain overfloweth with Kawir's eighth album, Adrasteia. Although three years separate this and its full-length predecessor, Adrasteia amazingly brims with an urgency that's simply startling for a band of such veteran status. Upon its first few resounding notes, Adrasteia is immediately and engagingly Kawir - and as the ceremonial slow-burn of opening track "Tydeus" builds, anticipation is set exceedingly high, these Greeks working a simmering spell of sumptuous splendour. The track segues into a heroic march by its latter third, with that ever-so-enticing Hellenic mysticism taking root, before the fury fully begins with the following "Atalanti." Indeed, that fury doesn't relent for the remainder of Adrasteia, but Kawir carefully keep their pacing nuanced and dynamic, with each of these six characteristically cascading tracks unveiling a breathtaking landscape of sonic peaks and valleys. But, as ever with Kawir, the sonic portrait they paint is imbued with a deep lyricism hailing the Greek pantheon. In the case of Adrasteia, its namesake is the goddess of female revenge, and honourably does the album's lyrical concept focus on heroic women and the cruelty around them. For this unique and tasteful exploration, Kawir here have gathered together a whole host of incredible guests, including Macabre Omen main-man Alexandros on all clean vocals, the ethereal Norwegian voice of Lindy-Fay Hella on the stark 'n' haunting "Colchis," and Melechesh's Ashmedi giving a guitar solo on "Danaides." Altogether, Adrasteia makes for Kawir's most quintessentially Greek album in many years - ever longer may their pantheon reign! Fully experience that reign exclusively HERE. www.facebook.com/kawirblackmetal www.facebook.com/IronBoneheadProductions  Italian death metal institution Horrid stream the entirety of As We Forget Our Past, a special collection of re-recordings, via Friedhof-Magazine.com. Set for international release on December 31st via Dunkelheit Produktionen for the CD version - the vinyl LP version shall be released on February 18th, 2020 - stream Horrid 's As We Forget Our Past in its entirety exclusively HERE. Italy's longest-running death metal band, Horrid have built an enviously dependable, unyielding body of work since 1989. Starting with more primitive influences but soon moving on to those of early Entombed and Dismember, the band spent the 1990s solidifying their sound over a clutch of demos and EPs. Eventually, come 2002, their debut album manifested itself as Reborn in Sin. From there, the name Horrid has continued to stand for the timeless upholding of classic death metal values. Now, after two brand-new albums for Dunkelheit - 2014's Sacrilegious Fornication and 2017's Beyond the Dark Border, each one as critically acclaimed as the last - once again do Horrid align with Dunkelheit for a special anniversary record. Fittingly titled As We Forget Our Past, the 10-song/53-minute album features a slew of "greatest hits" re-recorded with Horrid's line-up that's been firm since 2015. As such, these ten tracks together form a sort of symbiosis with the preceding Beyond the Dark Border, given the massive crunch & crush of that career highpoint. With the original songs stretching back to 1997's Blasphemic Creatures and ranging 2002's Reborn in Sin, 2006's Rising From the Hidden Spheres, 2011's The Final Massacre, and even Sacrilegious Fornication, here do Horrid put on a masterclass of pure 'n' proud DEATH METAL: melodic yet dark, dynamic yet devastating, the power-trio bring the past into the present with seemingly effortless aplomb. Despite the usually tawdry proposition of most re-recordings, truly does As We Forget Our Past both re-acclimate and re-animate, this line-up of Horrid's executing these old creations with a palpitating breathlessness and goosebump-inducing poignancy, especially where the lead-guitar work is concerned. Suitably, the band round out the record with a brand-new song, the title track "As We Forget Our Past," bringing that past into the present and setting their sights on the future.
Timeless yet fresh, and perfectly complemented by moody, awe-inspiring cover art courtesy of Matteo Autunno Di Domenico, Horrid breathe new, rotten life into the undead with As We Forget Our Past! Rise with undead and stream As We Forget Our Past in its entirety exclusively HERE, courtesy of Friedhof-Magazine.com. Preo-rder info for both formats can be found HERE at Dunkelheit's Bandcamp. www.facebook.com/horrid1989 www.dunkelheit.cc www.facebook.com/dunkelheitprod  Belgian black metal enigmas Cult of Erinyes stream their highly anticipated fourth album, Æstivation, via InvisibleOranges.com. Set for international release on December 21st via Amor Fati Productions, hear Cult of Erinyes' Æstivation in its entirety exclusively HERE. Drawing its energy from the darkest thoughts of its creators, this extreme and punitive outfit intends to evolve in the realms of black metal while pushing its limits ever further. Spawned with the intention to distill artistic audacity into respected traditions, Cult of Erinyes belong to the forbidden experience, where music is merely a symptom of a higher truth. Ritualistic hymns, vicious and twisted vocals, furious rhythmics, and ambient digressions are only a few weapons which have made Cult of Erinyes a band to be reckoned with. Formed late 2009, Cult of Erinyes released their debut EP, Golgotha, early 2011 through Kunsthauch & Dunkelkunst, as well as a limited-edition tape through Caverna Abismal Records. Quickly after, their first full-length, A Place to Call My Unknown, was released by a very young Les Acteurs de l'Ombre Productions, gathering attention from all over the world. This got them signed to Code666 Records, who would end up releasing two more full-lengths (2013's Blessed Extinction and 2017's Tiberius), while the band kept self-financing smaller-scale releases like a split with Zifir and two EPs respectively titled Transcendence (2016) and Veneer (2018).
It was Veneer, however, that truly changed everything for Cult of Erinyes. After a drastic lineup change, including new drummer Ahephaïm (Sabathan, ex-Enthroned) and new vocalist/producer Déhà (Slow, Maladie), it was clear that the band needed something more. The answer was to be found in Amor Fati Productions, with whom the band have joined forces to unleash their fourth full-length, Æstivation. More tumultuous than ever, the band unveils its true potential to lift their music to the highest of spheres, delivering raw fury and haunting melodies. With this new lineup, including members of esteemed acts like Wolvennest, LVTHN, Imber Luminis, and many more, Cult of Erinyes are ready to bring their enticing yet challenging music to the stage once more. Æstivation is thus both strident development and grand rebirth: bottomless immersion awaits! Full immersion can be found exclusively HERE, courtesy of InvisibleOranges.com. www.facebook.com/cult.erinyes www.amor-fati-productions.de www.amorfatiproductions.bandcamp.com www.facebook.com/amorfatiprod  Toronto symphonic black metal band Astaroth Incarnate have teamed up with Metal Injection to stream the entirety of Ascendance via Metal Injection. The EP will be released tomorrow. Listen to the entire EP here: https://metalinjection.net/av/extreme-of-the-extreme/extreme-of-the-extreme-astaroth-incarnate-rise-from-the-ashes-with-ascendance  Astaroth Incarnate are back and bolder than ever. The Canadian symphonic extreme metal band started down the left-hand path with their first official EP in 2017 titled Omnipotence – The Infinite Darkness which was the successor to an unreleased self-titled one back in 2015. Their first EP picked up a vast majority of music critics’ ears to their unique style. Now the quintet are back with a new EP entitled Ascendance, which raises the bar even higher. Across the 11 minute epic split-tracked I am Fire / I am Death (alpha / omega), the band weave a tapestry of extremity, flirting with black metal at its core while seamlessly transitioning over to melodic, gothic, doom, symphonic & death metal with ease. Dynamic orchestral motifs soar over speedy riffs, while the titular Astaroth lays down a genre-defying vocal performance. His growls, shrieks, grunts and cleans easily rival those of the scene’s compadres, imbued with theatrical malice. The guitar work is also similarly stunning, such as at the close of “Omega” when Pablo Sagastume shreds over the thundering rhythm section. The record closes out paying homage to one of their diverse influences - the classic Cradle of Filth number “Her Ghost In The Fog” - though naturally with the band’s own unique twist. A fitting ending to a short dive into the twisted world of Astaroth Incarnate. The band aptly name their style of music ‘Apocalyptic Metal’, and state that “we strived for years to create something we hadn’t heard or seen before. Our Avant-Garde approach to song writing eventually led us to perceive each new song with a completely different mindset. Welcome the beginning of the end and thrust towards your ensuing demise with true purpose.” FFO: Emperor, Behemoth, Dimmu Borgir Facebook - http://www.facebook.com/astarothincarnate Bandcamp - https://Astarothincarnate.bandcamp.com/ Instagram - https://www.Instagram.com/astarothincarnate Twitter - https://www.twitter.com/astarothincarn8 YouTube - https://www.youtube.com/channel/UCgSkH4zJ8My8CNuHr-wMK-Q Mexican Death Metallers CRS stream entirety of "The Collector of Truths" via Metal Injection5/12/2019  Mexican death metal band CRS have teamed up with Metal Injection to stream the entirety of their new album The Collector of Truths. The album is set to be released This Friday via Concreto Records Listen to the album in full here: https://metalinjection.net/av/full-album-stream/crs-bring-deathly-grooves-with-the-collector-of-truths  Mexican death metallers CRS prepare to release their second album, The Collector of Truths, this December. The Sonora-based band, formerly known as Cirrosis, originated in 1991 and released their debut LP Reciclando Desesperación in 1999. Now, twenty years after that first album and almost thirty years since the band's inception, CRS are back with a thirst for blood.
In the vein of Morbid Angel, Carcass, Fear Factory, and Cynic, CRS prides themselves on playing music that's both brutal and nuanced, with melodies that rise above the underlying chaos. Vocalist Sir Oz, guitarist/bassist Francisco “Chucky” Oroz, guitarist/bassist Joseph Lev, and drummer Tavo Ramirez were joined by two international guest musicians for this album: Kevin Talley (Dying Fetus, Suffocation, Chimaira) plays drums on “A Better Place to Hate,” “Tan Lejos de Dios (Nowhere.. But Here),” and “I’m the Universe," while Linus Klausenitzer of Obscura and Alkaloid lends his bass work to “The Art of Breathing. ” The Collector of Truths will be available on December 6 2019 through Concreto Records. Album Credits
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Global Metal Apocalypse Archives
February 2021
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