Industrial Metal veteran Rob Zombie announces his seventh studio album The Lunar Injection Kool Aid Eclipse Conspiracy, to be released March 12th, 2021 via Nuclear Blast. The LP marks his first new album in nearly five years. The Lunar Injection Kool Aid Eclipse Conspiracy is a classic Zombie album to its core with high-energy rages like “The Eternal Struggles of the Howling Man” and “Get Loose” to heavy-groove thumpers like “Shadow Of The Cemetery Man” and “Shake Your Ass-Smoke Your Grass.” The new album is produced by ZEUSS.
Listen to the new first single “The Triumph of King Freak (A Crypt of Preservation and Superstition)” HERE.
Rob Zombie releases an exclusive 7” available immediately, featuring the new single and B-side, “The Serenity of Witches.” Order the new single and pre-order The Lunar Injection Kool Aid Eclipse Conspiracy HERE.
As a rock icon and film maker with a unique vision, Rob Zombie has continuously challenged audiences as he stretches the boundaries of both music and film. Rob Zombie is a 7-time Grammy nominee, has sold fifteen million albums worldwide to date, and is the only artist to experience unprecedented success in both music and film as the writer / director of eight feature films with a worldwide gross totalling more than $150 million. His re-imagining of John Carpenter’s Halloween in 2007 debuted at #1 and still holds a Box Office record for Labor Day Weekend.
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Periphery have announced their first live album, releasing the 10-song Periphery: Live in London (pre-orders: smarturl.it/LIL_it) on Nov. 13.
Guitarist Jake Bowen explains the decision behind this:-
“For years Periphery has wanted to do a live record. We’d always talk about it, what show would we capture? When would we do it? What would we want it to sound like? On November 15, 2019 we figured out the answers to those questions by capturing our entire show in London and we couldn’t be more excited to show it to everyone. London has consistently been one of our favourite places to play and this show was certainly one we’ll never forget, so we present to you our first live album...Periphery: Live in London!”
The varied track list includes music from throughout the D.C.-born band’s discography. Periphery IV: HAIL STAN (https://store.3dotrecordings.com/) arrived in the Spring of 2019, debuting at #1 on Billboard’s Independent Albums, Rock Albums and Hard Rock Album charts, as well as entering the trade magazine’s Top Album Sales and Digital Albums charts at #9. The nine-song release is the follow up to their 2017 GRAMMY® Award nominated Periphery III: Select Difficulty. The 2016 album has tallied 35 million cumulative streams. Periphery band members have graced the covers of Guitar World, Revolver, Modern Drummer, Bass Player and more.
Jake Bowen (guitar, programming)
Matt Halpern (drums)
Mark Holcomb (guitar)
Misha Mansoor (guitar, programming)
Spencer Sotelo (vocals).
Riley Gale, the dynamic vocalist and frontman of Texas thrash metal luminaries Power Trip, has passed away leaving a void in the worldwide metal community. Riley was an extraordinarily charismatic, outspoken, and kind-hearted person who has touched lives around the globe both onstage and off. Our condolences go out to Riley's family, bandmates, friends, and fans. Rest in peace...
Please read the official statement issued yesterday evening:
"Dear Power Trip fans worldwide,
It is with the greatest of sadness we must announce that our lead singer and brother Riley Gale passed away last night.
Riley was a friend, a brother, a son. Riley was both a larger than life rock star and a humble and giving friend. He touched so many lives through his lyrics and through his huge heart. He treated everyone he met as a friend and he always took care of his friends. We will celebrate Riley's life and never forget the great works of music, charity, and love that he left behind.
You, the fans, meant so much to him, please know how special you are. If you have a memory of Riley please share it, no matter how small, as we remember him.
Please respect our wishes for privacy during this time. In lieu of flowers please send donations to Dallas Hope Charities, the link to donate directly is here: https://www.dallashopecharities.org
Riley's Loving Family
P.S. Funeral and visitation arrangements are pending.
Top-charting dark groove metal originators Devildriver recently announced the highly-anticipated release of their upcoming double album, Dealing With Demons. The first volume – entitled Dealing With Demons I – drops on October 9, 2020 via Napalm Records and marks the band’s first release of new, original material since 2016’s acclaimed Trust No One. Representing the onset of a final purging of the themes that have long possessed frontman Dez Fafara and Devildriver’s music, each track on Dealing With Demons I illustrates a different demon to be dealt with, or released.
Today, the band is following up on the release of their burgeoning latest single “Keep Away From Me” and its thought-provoking video with yet another unforgettable anthem – the menacing, mosh-ready second single "Iona". From the ominous siren at its start to its grooving verses, the track pulls no punches. The hair-raising, anthemic chorus line, “She carries a black rose…” beckons the listener again and again into a chilling ghost story! Travel the dark road into Iona's clutches via the heart-gripping music video, directed by Vicente Cordero, below.
Watch the chilling official music video for “Iona” HERE
Frontman Dez Fafara says about “Iona” and the demons that inspired the track:
"Iona is unlike any other Devildriver song we’ve put out. From the frantic verses to the haunting chorus, this song is another move forward to push our sound and the listener's ears into the fray! The chorus, “she carries a black rose, effigy from a story closed", tells the story of the long dead ghost of Iona and her obsession with death represented by the black roses in her hands – each one the soul of someone she’s taken from this life on a lonely dark road, assimilating their souls into black roses, which she carries for eternity.
This theme relates to myself and “Dealing With Demons” in that, often times, we as people have a hard time “letting go” of things. This can be applied to relationships, death, and so on. Iona carrying the black roses symbolizes her inability to move on – always seeking revenge. The past is exactly that – the past – it’s important to let go and not be stuck in a perpetual loop of living in it."
Evanescence release “The Game is Over” the second song to be taken from The Bitter Truth (RCA), their first album of new original music in nine years. The Bitter Truth will be released incrementally throughout 2020.
The iPhone-shot, neon-nightmare of a video for “The Game is Over” will go live Friday 3rd July at 12 pm ET / 5 pm UK during a live YouTube premiere featuring a fan Q&A with Amy Lee – link HERE.
A guitar-driven anthem, “The Game is Over” is a protest against the facades we are pressurized to put on by society. In the face of depression and anxiety - and especially in a world that seems to crumble further each day - it’s a cry to end the charade that everything’s fine.
The accompanying video is a nightmarish, effects-laden look at the emotional havoc that the current situation has wrought. Despite being restricted to shooting themselves on iPhones, the band, in collaboration with director P.R. Brown, managed to achieve a highly stylized production literalizing the metaphorical monsters within us. The video is astonishing proof of the creative spark of working with limited resources and a testament to the band’s commitment to its craft. Spotlighting the mental darkness behind the false smiles, it’s a disturbing, technicolour tribute to the light at the end of the tunnel - if you’re willing to face the terrors that line its walls.
Singer Amy Lee says of “The Game is Over” -
“This song is about being sick of the facade. The disguises we wear for others to make them feel comfortable, the inside feelings being so different than what we show on the outside to fit within the boundaries of what’s socially acceptable, or what’s not going to make you unpleasant or too ‘weird’ to be around.
‘The Game is Over’ is a promise to myself and out loud that I’m going to be more of my real, inner self on the outside--not lock her up because she can’t be contained any more. It’s also a prayer to become better, to not feel so messed up, locked up, and hurt inside.”
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Alternative metal vocalist Jen Janet has announced the upcoming release of her new single "Possession," out on all digital platforms July 8th.
Self-described as a ‘multimedia musical project,’ Jen Janet has long-term industry experience as both a solo artist and front woman, as well as in fashion, makeup, photography, and videography. Built upon darker imagery, her new music highlights a noticeable shift in genres - her last solo EP, released in 2017, was a focused pop record. "Possession" finds Jen back in her rock roots and ready to embrace the darkness. Jen Janet is a classically trained vocalist and songwriter. Her songs have been licensed for media placements in mobile apps in both Korea and Turkey.
Jen is the vocalist for Mimesis, a progressive art rock project featuring members of Scale the Summit, the Beast of Nod, and Abiotic. The band’s debut music video, Ctrl Alt Del, was released November 11, 2019 and is influenced by bands such as Polyphia, Periphery, Animals as Leaders, and Plini. With her former band Blind Revision, Jen Janet shared the stage with internationally touring acts: Saving Abel, Red Jumpsuit Apparatus, Motionless in White, Puddle of Mudd, Buckcherry, The Amity Affliction, Devildriver, Amorphis, and many more.
In 2018, the band was nominated for best hard rock/metal act of the year in the New England music awards. Blind Revision was also nominated for best rock/metal and hardcore act in 2017 for the Worcester music awards, and in 2018 for Rhode Island’s Motif Magazine music awards. Motif Magazine also nominated Jen Janet for best female vocalist the same year.
Canadian Death Metal / Grindcore outfit Ashed have signed a 2 year deal with Vargheist Records
The band released their fourth album "Chronic Rot" on the 1st June 2020. They had this to say about the new album:-
"Chronic Rot has hints of Gorguts and Demilich all while keeping the brutality found in previous album and releases. If there is interest in physical copies for this album, then they will be pressed. Please let us know via social media if it is something that is worth pursuing."
The album was recorded, mixed, and mastered by R. @DNKBWLS Studio between April and May of 2020.
American Black / Doom Metal crew Overwhelmed have signed a 3 year deal with Vargheist Records.
Their latest release "By Virtue of Persistence, In Certainty of Death" was released on the 6th of April 2019 and is their second demo.
The band spoke of the release:-
"'By Virtue of Persistence, In Certainty of Death', is the first, fully mixed and mastered recording in nearly four years of our arduous journey. Three all new tracks triumphing the unconquerable nature of sorrow and the beauty of loss."
Mixed & Mastered courtesy of Joshua Freemon & James Barlie.
The symphonic/gothic metal band Graveshadow have released a new single, “Gwynnbleidd,” the Sacramento, California-based act’s first new music in two years. The track – which is now available for streaming on Spotify, Apple Music, Bandcamp and other digital platforms – marks the recording debut of the group’s new vocalist, Rachl Quinn, as well as new bassist Luci Rae. You can view a streaming audio player on YouTube - https://youtu.be/XrorDG70g3Q or find direct links at www.smarturl.com/Graveshadow
According to guitarist Aaron Robitsch,
“’Gwynnbleidd” was inspired by the popular Netflix fantasy drama ‘The Witcher.’ I initially wrote the music for the project that Will (Walker, guitars) and I were going to form when Graveshadow seemed like it was over,” he explains. “When Rachl was recruited, we felt that the song had the potential to showcase her vocals perfectly and show a strong comeback for the band. Lyrically, Rachl took inspiration from ‘The Witcher,’ continuing our trend of songs being influenced from a variety of fandoms, including ‘Game of Thrones,’ ‘World of Warcraft,’ ‘The Legend of Zelda’ and ‘Doctor Who.’”
“I’m really excited about this track. I feel it showcases the next natural evolution of Graveshadow’s sound, and Aaron did a fantastic job composing it. It was also the first chance we got to work with Rachl in a writing capacity, and I’m thrilled with how it turned out. I was on a huge ‘Witcher’ kick, so when Rachl wanted the lyrics to centre on Geralt and Ciri’s relationship, I was on board immediately. We’ve always enjoyed weaving lyrics about our favourite stories into our music, and I think this is one that our fans are really going to enjoy. It showcases a leap forward in the guitar work, and the orchestrations are bombastic and uplifting at the same time. This is just a taste of what we’ll be releasing later this year, and I feel it’s a damn fine first sip!”
“Gwynnbleidd” is expected to appear on Graveshadow's forthcoming EP, which will further showcase the potential displayed on their 2015 debut “Nocturnal Resurrection” and “Ambition's Price,” both of which saw the group deftly mix symphonic and gothic metal with elements of doom, thrash and epic progressive power metal. Additional details on the new release will follow in the coming months.
Since forming in 2013, Graveshadow have earned extensive praise for mixing fantasy-based lyrics with crushing guitars, beautiful keyboard melodies, thundering bass, earth-shattering drums and powerful vocals that range from operatic highs to unearthly growls, creating a rich and dynamic musical atmosphere that is ripe for storytelling. The group has built a steady following in the Western United States in recent years through regional tours and performances alongside the likes of Sirenia, Tarja, Angra, Arkona, Children of Bodom, Apocalyptica, Marty Friedman, Death Angel, Flotsam and Jetsam and Anvil.
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Lamb Of God has released “Routes,” the fourth single from their June 19 self-titled Epic Records release, featuring a guest appearance from Testament vocalist Chuck Billy.
A visualizer for the track is available now at http://lamb-of-god.com. Fans can pre-order Lamb of God, including a new alternate CD cover version signed by all five band members, now at the band’s official web store: http://shop.lamb-of-god.com.
“Routes” was lyrically inspired by vocalist D. Randall Blythe’s time alongside native peoples at the Standing Rock Sioux Reservation in North Dakota during the No DAPL movement. This protest, which began with just a few Native women and children camping at the site in protest of the pipeline being built so near to their water supply on unseeded treaty land, quickly grew to an encampment of thousands and received global attention.
“I went to Standing Rock because I had heard reports of violence committed on the peaceful protestors there by both state law enforcement and private security contractors, and this violence was not reported in mainstream media for the most part. I went to bring supplies and support these people, who were trying to protect their water, and thereby protect everyone, as everything in the natural world is protected. I was there a week, made some great friends, and learned a lot. It was a very profound experience in my life, and I knew one day I would write a song about it.”
Although Blythe conveys his story through the song’s vivid lyrics, he called in his friend Chuck Billy, who is of Pomo Native American heritage, to lend a deeper authenticity to his narrative.
“My experience, although my own, was tempered and shaped by the hundreds of years of brutal oppression of Native peoples in our country. So, it was imperative for me to have a Native voice represented on the song, and Chuck Billy was happy to be that voice. At the end, there is a call and response section - Chuck calls and I respond. This is intentional. Musically, it is symbolic of my experience there. A native voice leads, bringing forth positive energy and calling to the people to unite, and I reply, providing support. That was my physical experience, and it is reflected in the song.”
Chuck Billy adds:-
“It was a great honour as a proud Pomo Native American to be asked by Lamb Of God to do some guest vocals on this song. The No DAPL movement by the indigenous people of this country was a historic event. Being able to lend my voice to represent the Native American people, complementing Randy's storytelling and lyrics, is something really special to me. I’m glad this movement was put in a musical message, and I am extremely happy to have been a part of it.”
Audiences got a taste of the first new Lamb Of God music in nearly five years with “Checkmate” back in February, followed by “Memento Mori” and the most recent single, “New Colossal Hate.” All four songs will appear on Lamb Of God, the follow-up to VII: Sturm und Drang (2015). The album was once again produced by collaborator Josh Wilbur (Gojira, Korn, Megadeth, Trivium), fuelled by a mountain of riffs and looming rhythmic shadows. It is also the band’s first record with Cruz, who sat behind the kit with Lamb Of God in 2018 and became an official member the following year. In addition to Chuck Billy, the new album features a guest appearance from Jamey Jasta (Hatebreed). Blythe sounds more driven and insightful than ever on Lamb Of God, offering up the angriest and most comprehensive diatribes, addressing modern life in the current landscape, of his storied career thus far.
Lamb Of God propelled heavy metal into the new millennium two decades ago with the prophetically titled New American Gospel. They followed with 2003’s As the Palaces Burn, which made the Rolling Stone list of the Top 100 Greatest Metal Albums of All Time. Ashes of the Wake (2004) was the first Lamb Of God album to be certified gold by the RIAA, followed by Sacrament (2006), which debuted in Billboard’s Top 10. Wrath (2009) earned the No. 1 spot on Billboard’s Hard Rock, Rock, and Tastemaker charts and was No. 2 on the Billboard 200. Those No. 1 positions were repeated with Resolution (2012). VII: Sturm und Drang (2015) debuted at No. 3 in North America and in the Top 5 in several countries. The single “512” from VII: Sturm und Drang received a Grammy nod for the “Best Metal Performance,” making it Lamb Of God’s fifth Grammy nomination.
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