Spanish melodic death metal architects Synlakross have unveiled their latest music video "Death/Hate" and it's safe to say, they are upping the ante once again. Dragging in cyber industrial metal influences, the quintet have reinvented their sound and have proven they are capable of challenging convention.
The band have issued the following statement:-
"Hi Curly Wolf!
Our new music video "Death/Hate" is now available on YouTube! Press play now! And don't forget to hit the like button, comment and share it with the world! That helps us a lot.
This song is about the desire to kill another person. It's a fantasy full of blood, madness and desire for vengeance, but it's only a fantasy. We hope you like it!
We haven't shipped your orders yet. We are waiting to receive the material. You will receive an email with your tracking number when we make the shipments, don't worry. sorry for the inconvenience
Thank you very much for your love and support!
Take care and stay strong.
A big hug!
The 'Releases Of The Year' series are albums chosen by myself as the best release from each country / dependency known to have an official release in the year 2017. These are alphabetized in country order so are easy to navigate. Each award has national flag featured alongside the band name, Release Of The Year' and Facebook link (where provided)
Timezapped neuropunks Expander stream the entirety of their highly anticipated debut album, Endless Computer, at Decibel magazine's website. Now set for international release on October 15th via Nuclear War Now! Productions, hear Expander's Endless Computer in its entirety exclusively HERE.
Although black and death varieties of metal have largely thrived in the modern era, it has been conspicuously more difficult over the past decade or more to find a thrash band that both follows in the strong traditions of its forefathers and at the same time pushes beyond established boundaries to develop a sound that is unique unto itself, rather than being a stale form of mimicry of the subgenre’s heyday. Hailing from Austin, Texas, and to this point having released two EPs, Expander has broken the mould and developed its own niche through a novel concoction and recombination of musical and thematic elements that broadly span the genres of metal and punk. Expander’s music, lyrical themes, and chosen artwork are decidedly futuristic without being gratuitously experimental. The most appropriate point of reference that one might choose in drawing a direct comparison would be to Killing Technology-era Voivod. Expander, however, is noticeably more aggressive than its Canadian predecessor in its approach and delivery, which is clearly demonstrated on Endless Computer.
The concept behind the album is that of a shapeless cosmic entity which represents the pinnacle of technological advancement and seeks autonomous control over all atomic matter in the universe. This vision is musically reflected in the myriad of often times unconventional riffs and progressions that manage to tunnel their way into the inner-consciousness of the listener and subvert independent cognition, much in the same way that a digital virus infects and takes control first of a single machine and then progressively engulfs entire networks of them. Not to be underestimated with respect to its overall impact on this album is the level of mindfulness to all aspects of production on this recording.
Whereas a great deal of metal, particularly that of the black/death variety, runs a high risk of overproduction, thrash metal with a futuristic focus, such as this, benefits immensely from a healthy degree of attention to clarity and precision, which is proven in this case. Also a product of the band’s diligence in capturing the best-possible recording was its decision to faithfully reproduce its live sound to the greatest extent possible. To this end, the band transported its entire backline from its home base in the heart of Texas to faraway GodCity Studio in Salem, Massachusetts, rather than rely on the house equipment to only approximate the desired outcome. The final nod to detail is the perfectly representative cover artwork by Luca Carey, with whom the band worked very closely to ensure that the artwork reflected the lyrical themes of the music as accurately as possible.
Given the blistering pace at which humankind increasingly finds itself entangled in the web of its own creations, Endless Computer may indeed serve as a harbinger of the fate that we have sealed for ourselves. Face that fate in its entirety exclusively HERE, as well as read an outer communique with the band, all courtesy of Decibel, North America's only monthly metal magazine.
Ember Falls announce the release of a lethal cyber metal virus called ‘COE’ on December 2nd 2016.
Listen to the euphoria-inducing ‘COE’ single/lyric video at:
· Spotify: http://spoti.fi/2fIFQeC
· Smart video link: http://vevo.ly/xCaZ7V
A distorted digital dance, ‘COE’ precedes the Ember Falls' debut album ‘Welcome To Ember Falls’, - due out on February 17th 2017 via Spinefarm Records - and produced by label-mate Jake E. (Amaranthe).
www.emberfalls.com | www.facebook.com/emberfallsofficial
Global Metal Apocalypse