 Look up to the sky to see the "Burning Horizon", the next music video for the third single from Italian progressive avant-garde metal MindAheaD in support of their sophomore story album "6119 Part 1" being released via Rockshots Records on October 28th. The band adds about the track: "'Burning Horizon' is direct and catchy both melodically and structurally; it focuses on the voices that intersect and duet, sometimes harmoniously, sometimes aggressively opposing each other. The instrumental part is articulate, but always keeping an eye on melody and easy assimilation. The orchestrations also play an important role, providing a backdrop to the burned horizon that will turn into a desert very soon."
MindAhead's next full-length offering "6119 Part 1" follows their 2017 debut "Reflections" released on Roman label Revalve Records. Just like its predecessor, the band's new offering is once again a concept album with a complex, personal and unusual sound to test the limits of their songwriting. "6119 Part 1" is a continuation of the previous work on "Reflections", which will tell us the story of 6119, the main character, through a surreal, oneiric journey, always poised between physical space and the realm of the mind. Trapped in this dreamlike kaleidoscope, he proceeds heedless of the consequences, hoping to find at the end of the journey (the "Part II," currently in production) the reason why all this is happening to him.
Merging different aspects, sometimes opposite, of human feeling, bringing them together in a colourful and personal musical proposal, which has its roots in influences ranging from prog 70s to death metal, the band explains the new album in further detail: "This album is a concept realized with the aim of telling a story that straddles the line between dystopian science fiction and the psychological investigation of the human mind, so the music and lyrics were created in order to reach these goals. We would like the listening experience to be completely immersive. We would like the listener to be able to take a break from the real world and step into another dimension, one that is distant but at the same time well known, not alien, but almost familiar. The listener should passionately follow the events of '6119' in its inner and outer search for reality, in a story that began in the previous album 'Reflections' and will end in the band's next release, so as to complete a narrative trilogy." Having shared the stage with bands such as Jinjer, Vision Divine, Deathless Legacy, Domine, Pino Scotto, MindAhead is recommended for fans of Opeth, Ayreon, Haken, Katatonia and Pink Floyd. "6119 Part 1" is due out October 28th, 2022 via Rockshots Records.
https://www.rockshots.eu https://www.facebook.com/mindahead https://instagram.com/mindahead_official
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Ride the "Last Tide" of progressive avant-garde metal from Italy's MindAheaD with their second single off their forthcoming second album "6119 Part 1" being released via Rockshots Records at the end of October. The latest track to be previewed off their upcoming full-length record, "Last Tide" is an emotional ballad that tells the next chapter of the concept album's character "6119". The band explains in further detail: "Lost in a kind of frame, like an endless instant, 'Last Tide' describes where "6119" finds himself on the seashore, watching the waves and the sunset. He reflects on the natural change of things that, just like the waves of the sea, never stop changing, and thinks back with nostalgia and hope to the female figure seen in the desert. But this sudden and almost unique carefree situation is the result of an error, a power surge in the Machine's connections that allow "6119" to have an independent vision of the program, an autonomous thought, you can say. Soon (in fact, it is the shortest track on the album), as soon as the sun went down, the Machine re-establishes itself and again takes control of "6119's" consciousness." MindAhead's next full-length offering "6119 Part 1" follows their 2017 debut "Reflections" released on Roman label Revalve Records. Just like its predecessor, the band's new offering is once again a concept album with a complex, personal and unusual sound to test the limits of their song writing. "6119 Part 1" is a continuation of the previous work on "Reflections", which will tell us the story of 6119, the main character, through a surreal, oneiric journey, always poised between physical space and the realm of the mind. Trapped in this dreamlike kaleidoscope, he proceeds heedless of the consequences, hoping to find at the end of the journey (the "Part II," currently in production) the reason why all this is happening to him. Merging different aspects, sometimes opposite, of human feeling, bringing them together in a colorful and personal musical proposal, which has its roots in influences ranging from prog 70s to death metal, the band explains the new album in further detail: "This album is a concept realized with the aim of telling a story that straddles the line between dystopian science fiction and the psychological investigation of the human mind, so the music and lyrics were created in order to reach these goals. We would like the listening experience to be completely immersive. We would like the listener to be able to take a break from the real world and step into another dimension, one that is distant but at the same time well known, not alien, but almost familiar. The listener should passionately follow the events of '6119' in its inner and outer search for reality, in a story that began in the previous album 'Reflections' and will end in the band's next release, so as to complete a narrative trilogy."
Having shared sharing the stage with bands such as Jinjer, Vision Divine, Deathless Legacy, Domine, Pino Scotto, MindAhead is recommended for fans of Opeth, Ayreon, Haken, Katatonia and Pink Floyd. "6119 Part 1" is due out October 28th, 2022 via Rockshots Records.
 Photo Credit: Elisabeth Bünger Svart Records unleash a heady brew of nocturnal post-punk atmosphere and avant-garde metal from Swedish band Shaam Larein. The goth-tinged doom rockers share new single 'Murderer', taken from their upcoming album "Sticka En Kniv I Världen" due 9th December. The album's title, Sticka En Kniv I Världen, literally means to “stick a knife into the world”, and is a ravishing, cut-throat statement of Shaam Larein's heavy intent that casts a new shadow of stunning darkness. Formed in 2018, Shaam Larein released their debut album Sculpture in 2020 to raptured underground praise, earning them an instant booking to the prestigious Roskilde Festival and planting them on the radar of cult artists such as Chelsea Wolfe.  Now signed to Finland’s Svart Records, Shaam Larein is soon to be hot on the tongues of the cult grapevine. Named after their auteur-like visionary singer Shaam Lerein, who was brought up on Russian classical art and the cinema of Tarkovsky, composes and visualises their dark materials, cementing Sticka En Kniv I Världen as an utterly unique take on bat-winged heavy rock. Shaam's background in the theatrical arts and her Syrian roots shine through in the dramatic structures and middle eastern scales her melodies incorporate, all driven by a powerful female voice that commands and charms in deadly measure. Conducting her band of Swedish vamps like a montage of Siouxsie Sioux and Lisa Gerard meeting in a Murnau horror, Shaam Larein casts a spell both occult and hypnotic. Carrying a haulage of blackened heavy metal doom in it’s gothic post-punk drive, Sticka En Kniv I Världen does what it says on the tin, providing a stab of something unearthly but also hyper-real with songs like 'I Have No Face' as a stark eye-meeting stare of emotion. With a devout appreciation of the mystic powers inherent in heavy music, Shaam Larein will ignite memories of Swedish metal artists such as In Solitude, who swayed towards the eclectic and gothic atmospheres Shaam's music touches on in their later days. With artist friends from back home in Uppsala, Pelle Åhman making the album cover and his brother Gottfrid Åhman, both of In Solitude fame, making four videos for Shaam Larein, the links weave closer, but it is to artists like Chelsea Wolfe, Ruth Rundle and Marissa Nadler that you can imagine fans drawing parallels and opening their heart to the enigmatic sound of Sticka En Kniv I Världen. Shaam describes her music as “a touch of aggression mixed with passion”, and Sticka En Kniv I Världen for her is about finding the light through a sea of darkness, “accepting the melancholy and seeing the beauty of what lies underneath our mysterious sound”. For a world of heavy rock hungry for a new wave of something dark and mysterious, Shaam Larein has it all in unparalleled dosage, just waiting to be discovered. Band Members: Shaam Larein Facebook || Instagram  Two years after the release of their sensational "Palindrome" album, Timisoara, Romania based Katharos XIII announce the release of their fourth opus this Spring, a new collaboration with Loud Rage Music. The first single Neurastenia is now online below. Emilian Matlak, the band's founding member, spoke about the new single and album: "Neurastenia was filmed and directed by Alexandru Das and represents only a frame of a certain piece of emotion transmitted to us in a universal frequency by a group of dead cosmonauts from the future. They still float through the cosmos and send signals with life experiences, hopes, tragedies as a part of a chthonian collective conscience. In this case the first transmission - Neurastenia - is about seclusion, alienation, spleen feelings and the difficulty of finding a daily reason for existence. The new album will encapsulate six different dreams delivered from the times when the itinerant cosmonauts had a telluric existence. We like the words of Kurt Vonnegut and the imagery of Andrei Tarkovski, so we tried to embed this in our aesthetics and in every word or expression to resonate with our own personal philosophy." More details about the concept, recording process and the release date of the full-length will follow in the near future. https://www.facebook.com/KatharosXIII https://linktr.ee/loudragemusic  Czech avantgarde doom metal band Et Moriemur are trying to do things differently on each album and this time it's no different. Earlier it was symphonic/orchestral doom metal influenced by the Greek culture, and this time around it's completely Japanese-themed with a host of guest musicians playing various instruments including some folk ones. They've blended such influences beautifully into their sound and none of it seems forced. It's just seamlessly integrated and the album flows uninterruptedly too. While it's recommended that you listen to it from start to finish, you can get a taste of their music by checking out their music on Bandcamp and YouTube. Et Moriemur set new standards for themselves with their previous Greek-themed album 'Epigrammata' which borrowed elements of death and black metal and flawlessly integrated them in their unique brand of atmospheric doom metal. This time they're exploring Japanese themes and have frankly outdone themselves. It's rare to come across bands that are constantly reinventing themselves without losing their core sound and Et Moriemur are doing just that and taking the sound ahead in ways previously unimagined. An album to be heard from start to finish, it makes you experience various moods and sounds, having employed the services of several musicians in addition to their own, playing traditional instruments such as shakuhachi and others like cello, harp, violin and more. For the next quarter of an hour, you're transported to a different land, imagining a different era, and you remain mesmerized by the seamlessly transitioning music with plenty of variations and fascinating new elements. The blend of genres is immaculate and none of it feels even remotely forced or out of place. Truly, Et Moriemur may have created a new sound which they've only perfected over here. They remain in a league of their own, in competition with only themselves.
Et Moriemur line up:
Guest musicians:
Dutch avant-garde death metallers The Monolith Deathcult unleash new track 'Gone Sour, Doomed'5/2/2021  Dutch avant-garde death metal Kaiju's The Monolith Deathcult are releasing a brand new album entitled 'V3 - Vernedering' (“Humiliation”), on May 14th. The follow-up to 2018's 'Vergelding' represents the final instalment of the V-Trilogy. The Monolith Deathcult comment: ‘Vernedering' is a blood-chilling super-spectacle and the ominous last sorry chapter in the once-proud franchise of the V-trilogy. Despite being nominated countless times for the honourable Covid-escape. The Monolith Deathcult stays relevant (as fuck) and reinvented itself musically countless times like the most advanced shape-shifter. V3 aka Vernedering is the soundtrack of The Great Rese(n)t and what we will built back better is a new artistic empire of shocking embarrassment. Our message is as blunt and brutal as a lead pipe: We, The Monolith Deathcult, are the new invincible gods and the best is yet to come.'
The Monolith Deathcult are also releasing the official video for the track 'Gone Sour, Doomed', which can be viewed here. On 'Gone Sour, Doomed', the band comments:
"This is the fist in the face of those who thought we had become 'soft' and 'radio-friendly'. 'Gone Sour, Doomed’ is a ruthless blast beat salvo hounded by bitter gritty D-beats and an irresistible groove that will bring the juvenile arenas to a manic boiling scenery”. The album was mixed by Guido Aalbers (Giesound) and mastered by Pier Durk Hogeterp. The production was in the hands of The Monolith Deathcult and the cover artwork came courtesy of the band's own Carsten Altena.  Season of Mist are proud to announce the signing of Japanese music collective VAMPILLIA. More details about the new record will follow in due time. The band comments: “It's a great honor for us to join the Season of Mist legion with so many great other bands. We will work hard like gladiolus flowers with secret chords and inaudible lyrics to be the greatest of the corps.” Check out the discography of VAMPILLIA on Bandcamp HERE.  Extreme Belarusian Avant Garde duo Mora Prokaza are now releasing the third brand new track taken from their forthcoming album 'By Chance'. The album is scheduled for release on July 3rd, 2020. The new offering 'I'm Not Yours' can now be viewed via HERE!
Welcome to the unnerving and anger driven world of MORA PROKAZA where madness reigns! Just like MORA PROKAZA, the upcoming new opus ‘By Chance’ cannot be contained nor be put in one single musical category. A mixture between Avant Garde Black Metal meets New School Trap, integrated with the Belarusian arts roots that lay so deep within. The band with the cunning name MORA PROKAZA was formed back in 2013 by Farmakon (guitars, vocals) and Isvind (drums). Both musicians have a long-term experience of playing in many local Belarusian extreme metal bands. The material for the first release “Bringer of Plague” was quickly composed and released in early 2015 and with that, MORA PROKAZA shared Russian stages with bands such as HELL SPIRIT, SUSPERIA, DARKEND, CLAYMORDS, MORIBUND OBLIVION and many others. In the winter of 2015, the band even supported INQUISITION in St. Petersburg (RU). Shortly after the release of their debut album, Isvind leaves MORA PROKAZA and furious drummer Hatestorm joins the band commencing the recording of new material. With the addition of Hatestorm, the band opened up for new opportunities and In May 2015 the musicians present a brand-new EP "My Awakening" shorty followed by a new full-length "Dark Universe" (2016). In 2018 MORA PROKAZA completely changed their approach to composing and sound concept and with the release of the single ‘Blacker than Black’, the band reinvented themselves with great feedback from fans all around the world. The band set out for new musical horizons and started recording a brand-new full length after signing a deal with Season of Mist. Take what you will from ‘By Chance’. The underlying aggression in its purest form or perhaps the philosophical glance towards spiritual growth. In the end, WIMG? www.moraprokaza.com www.facebook.com/moraprokaza www.instagram.com/moraprokaza www.moraprokaza.bandcamp.com  After their return after nine years of silence with the EP "The Lunatic Creature" of 2018, a new EP with two new black metal tracks of powerful and deep sound with ancient mystical influences. "Balkarnin" is a new offering from North African band, Ayyur.  Hailing from Sousse, Tunisia, Ayyur (Avant-Garde/Atmospheric Black Metal) have joined forces with Dead Red Queen Records (US) and Bad Moon Rising (TW) to bring forth their latest hex of atmospheric Black Metal. In addition to their new EP, the b-side of the cassette contain 4 unreleased bonus tracks from 2013 - 2010 - 2008 that are exclusive to this limited edition tape with only 100 copies worldwide and comes on 3 separate shell variants. https://www.facebook.com/Ayyur.BM/ https://www.instagram.com/ayyurofficial/ https://ayyur.bandcamp.com/  Norwegian progressive metal act Green Carnation are now revealing the album details for 'Leaves of Yesteryear'. The new record is the first release by the band in 14 years and will be out on May 8th, via Season of Mist. The cover artwork was created by Niklas Sundin and can be found below together with the tracklist. "The cover contains elements from the lyrics on the album, affected by the music and expressed through the cover artist Niklas Sundin’s pencil. Niklas put a lot of effort into going deep into this album, and came up with a few different sketches. We immediately fell for this one. It is rich in detail, is eye catching and of course has Niklas’ signature, which we very fond of", singer Kjetil Nordhus says. The band has also launched a small interview series about the new full length, which can be viewed at the Season of Mist Youtube Channel HERE.
After almost 10 years of total silence, Norwegian Prog / Avant-garde metal act Green Carnation announced their comeback to the international metal scene for the 15th anniversary of their cult classic 'Light of Day, Day of Darkness' in 2016. After a successful comeback year with festival appearances and special shows both in Europe and North America, the Norwegians are now preparing to release their first album release in 14 years. Green Carnation from Kristiansand, Norway, was founded as early as 1990. After founding member Tchort joined legends-to-be Emperor and continued in Satyricon and Einherjer, the band was laid to rest until their debut album, 'A Journey To The End Of The Night' came out in 2000. Following a period with line-up changes, 2001 marked the release of the bands epic 'Light of Day, Day of Darkness'. With their albums 'A Blessing in Disguise' (2003) and 'The Quiet Offspring' (2005), Green Carnation shifted towards a more rock orientated style, before they surprised everyone with the stripped-down record 'Acoustic Verses' in 2006. What followed in the same year is perhaps one of the most spectacular DVD recordings metal history. The band played a show in the mountains, under a 30-meter-high dam. Only a year later, Green Carnation disbanded. After the successful return in 2016, the band continued to play shows in 2017 and 2018. In September 2019, the progressive metal act announced that they were going to record their first album in 14 years, in DUB Studio, with producer Endre Kirkesola (ABBATH, IN VAIN and SOLEFALD), who also produced their classic, 'Light of Day, Day of Darkness'. The new album is expected to be released in the first half of 2020 via Season of Mist. Line-up: Kjetil Nordhus - vocals Tchort - guitars Bjørn Harstad - guitars Stein Roger Sordal - bass Kenneth Silden - keys Jonathan Alejandro Perez - drums www.facebook.com/greencarnationnorway https://www.instagram.com/green2carnation/ |
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