 Blood Spattered Axe Records in conjunction with Guts ´n´ Blood Records are proud to reveal the track-list and the artwork cover of "Ancient Grave Ascension", the debut full length Rotten Evisceration, a putrefying death metal band from Peru; with strong shades of classic death metal which will see the light of day on November 1st. 2018. It will be released on a three-panel digipak format, with exclusive artwork done by Indonesian artist Raymond Art (Stigmatuary, Decomposed, Bloodshed, Neoplassis, Swarm Of Serpents, Slaves Of Suffering…) Featuring a raw death metal sound resulting from the mix of technique, brutality and harsh guitar solos, their concept album and lyrics are focused on telling horror stories and necrophilic fantasies with the undead. It is similar to a horror movie that instead of using images we do it through our powerful and insane guitar riffs attached to crushing drums.
"Ancient Grave Ascension" was recorded, mixed and mastered at Solar Empire Studio by Aquiles "Solar Empire”, Pueblo Libre – Lima, 2018. https://risemetal666.wixsite.com/rottenevisceration https://www.facebook.com/rottenevisceration/ https://gutsandblood.bandcamp.com/ https://gutsandblood.wixsite.com/tienda https://www.facebook.com/gutsandblood
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 Peruvian death metal cult Tunjum stream the entirety of their highly anticipated debut album, Deidades del inframundo, via IndyMetalVault.com. Set for international release on July 23rd via Dunkelheit Produktionen for the CD version (the vinyl LP version shall see release on August 1st), hear Tunjum's Deidades del inframundo in its entirety exclusively HERE. Hailing from Lima, Peru, Tunjum began in 2007 as an all-female project playing pagan-themed death metal. Their first promo tape arrived in 2011, to be followed by another promo in 2014, and later that year the Sagrado tiempo de caos EP and the Muerte ancestral demo. Though the line-up changed during these years, Tunjum remained committed to their primary influences - Death, Massacre, Autopsy, Treblinka, Nocturnus, VON, Nihilist, Insulter, Grotesque, Asphyx, Expulser, and Genocidio among others - but always endeavoured to etch their own uniqueness within such exquisite rawness and darkness. And while that line-up has since ceased to be an all-female one, founding drummer (and now also vocalist) Kultarr continues to guide the band, and her vocals lend a particularly diabolic aspect to Tunjum's proudly traditional attack. Since the beginning, Tunjum's themes have largely revolved around the ancient Moche culture, which reigned over eastern Peru from about 100 AD to 800 AD. Through Tunjum's music, the listener is drawn into the Moche mythology, which is strongly based on blood: sacrificing the blood of a beheaded enemy to the gods strengthened their reign over the world. Also, there were many voluntary sacrifices, because the bloodshed was seen as a cleansing of the soul that linked the victim to the ancestors and thus made him holy. The name Tunjum itself is also rooted in the Moche language, and is taken from the combined verb for killing and dying. This hallows the ritual of blood and death, which was the only way of communicating with the gods, in times when the gods only lusted for blood and war.
Indeed, across the 42 minutes comprising Deidades del inframundo, the listener is dragged deeply down into Tunjum's deadly vortex of blood, sacrifice, and total DEATH METAL. Tunjum's attack is at once unapologetically primitive and expertly nuanced, which is not surprising considering their current line-up is completed by members of such respected cults as Grave Desecration and Putrid. The hammering surge strips everything down to its barbaric basics, but within that almost-hypnotizing rush of crude 'n' rude Metal of Death lays a keen understanding of what makes this art-form so enduring - songwriting that literally possesses the listener immediately, and proceeds to guide each listener into the darkest bowels of the imagination (and beyond...). And it's a totality that Tunjum pound and punish and pound and punish across each of these eight tracks, with Kultarr's world-eating vocals, in particular, acting like an instrument unto itself; simply, there is no escape. Completed by suitably ominous artwork courtesy of Alan Corpse, Tunjum make a grand, garish entry onto the world stage with Deidades del inframundo. The question remains, then: will you return from their thrall? Tempt fate fully exclusively HERE, courtesy of IndyMetalVault.com. Pre-order info can be found HERE at Dunkelheit's Bandcamp. www.dunkelheit.cc www.facebook.com/dunkelheitprod  Shortly after their first album "Waves of Steel" was released, Mandragora parted ways with their singer Fatima Natthammer - which was a shock for most of the band fans. Inferno Records can reveal the identity of their new singer! Make sure she's gonna push the band further, her vocal abilities are not to be proved any more, since she's known for being the singer of the Peruvian all-female band STROGENA. Please welcome Miss Maria Orithya in the ranks of Mandragora! Since Maria joined the band, Mandragora have been very busy rehearsing a lot playing a lot of new gigs/festivals but also writing new songs and is now planning the release of a new 7"EP on Inkas Noize Records (same label that released the "First Attack" EP in 2014) as soon as possible ! Stay tuned ! www.facebook.com/MandragoraSteelMetal  Peruvian death metal cult Tunjum premiere the new track "La Maldicion de la Bruja" at Decibel magazine's website. The track hails from the band's highly anticipated debut album, Deidades del inframundo, set for international release on July 23rd via Dunkelheit Produktionen for the CD version; the vinyl LP version shall see release on August 1st. Hear Tunjum's "La Maldicion de la Bruja" in its entirety exclusively HERE. Hailing from Lima, Peru, Tunjum began in 2007 as an all-female project playing pagan-themed death metal. Their first promo tape arrived in 2011, to be followed by another promo in 2014, and later that year the Sagrado tiempo de caos EP and the Muerte ancestral demo. Though the line-up changed during these years, Tunjum remained committed to their primary influences - Death, Massacre, Autopsy, Treblinka, Nocturnus, VON, Nihilist, Insulter, Grotesque, Asphyx, Expulser, and Genocidio among others - but always endeavored to etch their own uniqueness within such exquisite rawness and darkness. And while that lineup has since ceased to be an all-female one, founding drummer (and now also vocalist) Kultarr continues to guide the band, and her vocals lend a particularly diabolic aspect to Tunjum's proudly traditional attack. Since the beginning, Tunjum's themes have largely revolved around the ancient Moche culture, which reigned over eastern Peru from about 100 AD to 800 AD. Through Tunjum's music, the listener is drawn into the Moche mythology, which is strongly based on blood: sacrificing the blood of a beheaded enemy to the gods strengthened their reign over the world. Also, there were many voluntary sacrifices, because the bloodshed was seen as a cleansing of the soul that linked the victim to the ancestors and thus made him holy. The name Tunjum itself is also rooted in the Moche language, and is taken from the combined verb for killing and dying. This hallows the ritual of blood and death, which was the only way of communicating with the gods, in times when the gods only lusted for blood and war.
Indeed, across the 42 minutes comprising Deidades del inframundo, the listener is dragged deeply down into Tunjum's deadly vortex of blood, sacrifice, and total DEATH METAL. Tunjum's attack is at once unapologetically primitive and expertly nuanced, which is not surprising considering their current lineup is completed by members of such respected cults as Grave Desecration and Putrid. The hammering surge strips everything down to its barbaric basics, but within that almost-hypnotizing rush of crude 'n' rude Metal of Death lays a keen understanding of what makes this art form so enduring - songwriting that literally possesses the listener immediately, and proceeds to guide each listener into the darkest bowels of the imagination (and beyond...). And it's a totality that Tunjum pound and punish and pound and punish across each of these eight tracks, with Kultarr's world-eating vocals, in particular, acting like an instrument unto itself; simply, there is no escape. Completed by suitably ominous artwork courtesy of Alan Corpse, Tunjum make a grand, garish entry onto the world stage with Deidades del inframundo. The question remains, then: will you return from their thrall? Tempt fate again HERE, courtesy of Decibel, North America's only monthly metal magazine. Tempt fate with the previously revealed "La Venganza De La Bestia Lunar" and "Difunta Señora Soberana" HERE at Dunkelheit's Bandcamp, where the album can also be pre-ordered. www.dunkelheit.cc www.facebook.com/dunkelheitprod  Dunkelheit Produktionen has set July 23rd as the international release date for Tunjum's highly anticipated debut album, Deidades del inframundo, on CD format. The vinyl LP version shall see release on August 1st. Hailing from Lima, Peru, Tunjum began in 2007 as an all-female project playing pagan-themed death metal. Their first promo tape arrived in 2011, to be followed by another promo in 2014, and later that year the Sagrado tiempo de caos EP and the Muerte ancestral demo. Though the line-up changed during these years, Tunjum remained committed to their primary influences - Death, Massacre, Autopsy, Treblinka, Nocturnus, VON, Nihilist, Insulter, Grotesque, Asphyx, Expulser, and Genocidio among others - but always endeavoured to etch their own uniqueness within such exquisite rawness and darkness. And while that line-up has since ceased to be an all-female one, founding drummer (and now also vocalist) Kultarr continues to guide the band, and her vocals lend a particularly diabolic aspect to Tunjum's proudly traditional attack. Since the beginning, Tunjum's themes have largely revolved around the ancient Moche culture, which reigned over eastern Peru from about 100 AD to 800 AD. Through Tunjum's music, the listener is drawn into the Moche mythology, which is strongly based on blood: sacrificing the blood of a beheaded enemy to the gods strengthened their reign over the world. Also, there were many voluntary sacrifices, because the bloodshed was seen as a cleansing of the soul that linked the victim to the ancestors and thus made him holy. The name Tunjum itself is also rooted in the Moche language, and is taken from the combined verb for killing and dying. This hallows the ritual of blood and death, which was the only way of communicating with the gods, in times when the gods only lusted for blood and war.
Indeed, across the 42 minutes comprising Deidades del inframundo, the listener is dragged deeply down into Tunjum's deadly vortex of blood, sacrifice, and total DEATH METAL. Tunjum's attack is at once unapologetically primitive and expertly nuanced, which is not surprising considering their current lineup is completed by members of such respected cults as Grave Desecration and Putrid. The hammering surge strips everything down to its barbaric basics, but within that almost-hypnotizing rush of crude 'n' rude Metal of Death lays a keen understanding of what makes this artform so enduring - songwriting that literally possesses the listener immediately, and proceeds to guide each listener into the darkest bowels of the imagination (and beyond...). And it's a totality that Tunjum pound and punish and pound and punish across each of these eight tracks, with Kultarr's world-eating vocals, in particular, acting like an instrument unto itself; simply, there is no escape. Completed by suitably ominous artwork courtesy of Alan Corpse, Tunjum make a grand, garish entry onto the world stage with Deidades del inframundo. The question remains, then: will you return from their thrall? Tempt fate with the new track "Difunta Señora Soberana" HERE at Dunkelheit's Bandcamp, where the album can also be pre-ordered. www.dunkelheit.cc www.facebook.com/dunkelheitprod  Peruvian doom-death cult Antichrist stream the entirety of their highly anticipated debut album, Pax Moriendi, at heavily trafficked web-portal IndyMetalVault.com. Set for international release today via Iron Bonehead Productions, hear Antichrist's Pax Moriendi in its entirety exclusively HERE. Formed in 2004 but not really kicking into recorded gear until a decade later, Antichrist soon released a steady stream of demos between 2014 and 2016. Through this requisite underground graft, the trio studiously perfected their craft, shaping its huge 'n' haunting foundation - the doom-death trinity of Thergothon, Unholy, and Winter - into something qualitatively their own. And indeed, across the five-song/45-minute Pax Moriendi, the listener is taken down into sewers a mile deep (or more), tweaking that immortal doom-death schematic into something righteously foul and filthy but still well within the range of melancholic human experience. Crushing-yet-ethereal chords reverberate through the forlorn night, and ever deeper into one's worst corners of their subconscious; the attack is slow yet insistent early on, with the foulness and filth flung liberally, to either alienate part-timers or beckon the most intrepid of souls. Then, as the album plays on, Pax Moriendi reveals a wounded sort of slo-mo melody, a blanching vulnerability, shedding its layers of metaphysical/spiritual garbage for the laid-bare/laid-to-rest epiphany of climactic closer "You Will Never See Sun Light."
No, indeed you won't when faced with the enormity of Antichrist's Pax Moriendi. Here is your funeral: welcome the end. Walk forth fully to the commencement of that funeral exclusively HERE, courtesy of IndyMetalVault.com. www.facebook.com/pg/antichristperu www.facebook.com/IronBoneheadProductions  Peruvian doom-death cult Antichrist premiere the new track "Obscurantism" at heavily trafficked web-portal CVLTNation.com. The track hails from the band's highly anticipated debut album of Pax Moriendi, set for international release on March 9th via Iron Bonehead Productions. Hear Antichrist's "Obscurantism" in its entirety exclusively HERE. Formed in 2004 but not really kicking into recorded gear until a decade later, Antichrist soon released a steady stream of demos between 2014 and 2016. Through this requisite underground graft, the trio studiously perfected their craft, shaping its huge 'n' haunting foundation - the doom-death trinity of Thergothon, Unholy, and Winter - into something qualitatively their own. And indeed, across the five-song/45-minute Pax Moriendi, the listener is taken down into sewers a mile deep (or more), tweaking that immortal doom-death schematic into something righteously foul and filthy but still well within the range of melancholic human experience. Crushing-yet-ethereal chords reverberate through the forlorn night, and ever deeper into one's worst corners of their subconscious; the attack is slow yet insistent early on, with the foulness and filth flung liberally, to either alienate part-timers or beckon the most intrepid of souls. Then, as the album plays on, Pax Moriendi reveals a wounded sort of slo-mo melody, a blanching vulnerability, shedding its layers of metaphysical/spiritual garbage for the laid-bare/laid-to-rest epiphany of climactic closer "You Will Never See Sun Light."
No, indeed you won't when faced with the enormity of Antichrist's Pax Moriendi. Here is your funeral: welcome the end. Walk forth to the commencement of that funeral with the new track "Obscurantism" HERE, courtesy of CVLTNation.com, and the previously revealed "In the Dark and Mournful Corner of Memory" HERE at Iron Bonehead's Soundcloud.
www.facebook.com/pg/antichristperu www.facebook.com/IronBoneheadProductions The 'Releases Of The Year' series are albums chosen by myself as the best release from each country / dependency known to have an official release in the year 2017. These are alphabetized in country order so are easy to navigate. Each award has national flag featured alongside the band name, Release Of The Year' and Facebook link (where provided)
 Iron Bonehead Productions sets March 9th, 2018 as the international release date for the highly anticipated debut album of Peru's Antichrist, Pax Moriendi, on CD and vinyl LP formats. Formed in 2004 but not really kicking into recorded gear until a decade later, Antichrist soon released a steady stream of demos between 2014 and 2016. Through this requisite underground graft, the trio studiously perfected their craft, shaping its huge 'n' haunting foundation - the doom-death trinity of Thergothon, Unholy, and Winter - into something qualitatively their own. And indeed, across the five-song / 45-minute Pax Moriendi, the listener is taken down into sewers a mile deep (or more), tweaking that immortal doom-death schematic into something righteously foul and filthy but still well within the range of melancholic human experience. Crushing-yet-ethereal chords reverberate through the forlorn night, and ever deeper into one's worst corners of their subconscious; the attack is slow yet insistent early on, with the foulness and filth flung liberally, to either alienate part-timers or beckon the most intrepid of souls. Then, as the album plays on, Pax Moriendi reveals a wounded sort of slo-mo melody, a blanching vulnerability, shedding its layers of metaphysical/spiritual garbage for the laid-bare/laid-to-rest epiphany of climactic closer "You Will Never See Sun Light." No, indeed you won't when faced with the enormity of Antichrist's Pax Moriendi. Here is your funeral: welcome the end. Walk forth to the commencement of that funeral with the new track "In the Dark and Mournful Corner of Memory" HERE at Iron Bonehead's Soundcloud.
 Oh wow! Back in 2008, Alestorm were mere newcomers and beginners - and yet they created a modern metal classic and a completely new subgenre. Captain Morgan`s Revenge marks the birth of Pirate Metal as we know it today and turned a couple of young Scotsmen into the hottest band the modern metal scene has to offer! Ten years later and sold-out shows all over the world, their boozy debut gets its well-deserved anniversary treatment and will be re-released on January 26th 2018 with Napalm Records! Captain Morgan`s Revenge – 10th Anniversary Edition has received a fresh remix and remastering by original producer Lasse Lammert at his LSD studios and will be coming with a rejuvenated artwork. Alongside the 'Live At Summer Breeze' bonus disc, this re-release will be a true gem for all collectors, new fans and nostalgics alike! The pirates about their upcoming Anniversary Edition: "Oh wow! Can't believe it's been 10 years already since we made this record. We were all terrible musicians back then, and it was only thanks to the immense skill of our producer Lasse Lammert that we managed to salvage a passable bunch of songs. But anyway, it seems a bunch of you people seemed to like this album, so we decided to give it a bit of spit and polish for the 10th anniversary. NO, this is not one of those shitty 'brickwall' remasters that some bands do, and NO, this is not a re-recording by a bunch of disinterested and jaded old musicians. We've taken the original multitrack source material from 10 years ago (bad playing, cheap keyboards, awful vocals and everything), and just re-mixed the whole album to be punchier, tighter, more dynamic, and more sonically delightful than before. You probably won't even notice the difference! But it's there. And it'll sound awesome on vinyl, for the first time ever!" Captain Morgan`s Revenge – 10th Anniversary Edition, coming as CD digi pack, LP gatefold and digital download, is now available for pre-order HERE! 
After the band just returned from the US Vans Warped Tour as well as an extensive European run this year, Alestorm will continue to drop their anchor live on the following dates. Turn on your eyepatch and let the rum flow freely here: 25.11.17 MX – Mexico City / Cosa Nostra 26.11.17 CO – Bogota / Auditorio Lumiere 28.11.17 PE – Lima / Mangos 01.12.17 BR – Curitiba / John Bull 02.12.17 BR – Sao Paulo / Tropical Butanta 03.12.17 BR – Porto Alegre / El Toro Pub 04.12.17 UY – Montevideo / Montevideo Music Box 06.12.17 AR – Rosario / Animal 07.12.17 AR – Buenos Aires / Uniclub 08.12.17 AR – Cordoba / Casa Babylon 09.12.17 CL – Santiago / Nuevo Club Rock & Guitarras Piratefest UK Tour 2018: with support from Rumahoy and The Dread Crew Of Oddwood 09.02.18 UK – Liverpool / O2 Academy 10.02.18 UK – Sheffield / Corporation 11.02.18 UK – Newcastle / Northumbria Uni 13.02.18 UK – Aberdeen / Garage 14.02.18 UK – Glasgow / O2 ABC 15.02.18 IRE – Belfast / Mandela Hall 16.02.18 IRE – Dublin / Tivoli 17.02.18 UK – Birmingham / HRH Metal 18.02.18 UK – Manchester / O2 Ritz 20.02.18 UK – Leeds / Stylus 21.02.18 UK – Norwich / Waterfront 22.02.18 UK – London / O2 Forum 23.02.18 UK – Brighton / Concorde 2 24.02.18 UK – Bristol / Motion 25.02.18 UK – Southampton / Engine Rooms www.alestorm.net www.facebook.com/alestormband www.alestorm.napalmrecords.com |
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