 The Crawling are a doom/death metal act from the concrete maze of Northern Ireland. The closure of 2018 saw the release of their sophomore album, "Wolves and the Hideous White" - an exploration of the human desire to belong. Their latest single 'Rancid Harmony' focuses on formation and breakdown of relationships, and why we crave such like in a modern age. Check out the music video here:- https://www.youtube.com/watch?v=ljqcfj0nRb4 Andy commented; “Is experiencing a connection with someone on any level better than none at all? Rancid Harmony reflects the facade of enjoyment, the dance we sell to the world, when inside it’s nothing but rot, and everyone sees it.” The album is available now from all major outlets and streaming services:
Website: http://thecrawlingband.co.uk/ Facebook: http://facebook.com/thecrawlingband Instagram: http://instagram.com/thecrawlingband YouTube: http://youtube.com/thecrawlingband
0 Comments
 After five years of roaming city streets like a pack of rabid dogs, Vircolac is set to release its debut full length album titled Masque on Sepulchral Voice Records in Europe and Dark Descent Records in the US. Following on from 2016's The Cursed Travails of the Demeter EP, Masque celebrates a bolder edge mixing more visceral and vicious aural assaults with a foreboding and obtrusive atmosphere throughout the 36 minutes of the recording. The album title reflects the myriad masks we as human beings hide behind and the cover represents what is ultimately left once the mask of flesh is finally removed. Whether pauper or opulently venal, the end is the same for us all. Thematically, the album reflects two different strands of storytelling, with Side-A adopting a starkly defiant tone throughout. Side-B then takes a moodier assessment of the obsequious venality that governs the world we inhabit and inherit. The conclusion of this being the mass industrialized slaughter of much of Europe's young in the great war.
Masque is a direct statement of purpose by Vircolac and is the culmination of half a decade of steadfast belief in the continual relevance and importance of Death Metal. www.facebook.com/vircolacdeathmetal darkdescentrecords.com facebook.com/DarkDescentRecords sepulchralvoice.de  Irish death metal upstarts Zealot Cult premiere the new track "Sea of Suffering" at heavily trafficked web-portal NoCleanSinging.com. The track hails from the band's highly anticipated debut album, Spiritual Sickness, set for international release on November 9th via Blood Harvest Records and Helter Skelter Productions. Hear Zealot Cult's "Sea of Suffering" in its entirety exclusively HERE. In early 2016, Zealot Cult self-released their debut EP, Karmenian Crypt. Duly impressed by this young quartet's power and poise, Blood Harvest stepped in and released Karmenian Crypt on 12" vinyl later that autumn. Quickly, Karmenian Crypt reaped critical acclaim, and for good reason: here was a band mature beyond their years, seemingly effortlessly crafting pure and total DEATH METAL that was simultaneously timeless and modern. Alas, those three songs were just a teaser for more mastery to come, and it's now arrived in the full-length Spiritual Sickness.
Instantly upon pressing "play" on Spiritual Sickness, this is the same whirlwinding Zealot Cult of before, only taken to bolder and more bellicose ends. Here exist those same strong, expertly integrated influences from classic Floridian death metal and especially the early Roadrunner/RC catalog which fostered same. And yet, Zealot Cult further manage to make epic, multi-dimensional majesty from that firm foundation, their compositions constantly rising and falling and taking dark 'n' doomed directions, all while remaining immediately memorable. So, while various strains of Pestilence, Death, Morbid Angel, and especially Obituary can be heard loud 'n' clear across Spiritual Sickness, its eight songs build upon said foundation and contribute to this rich legacy, underlining the unyielding ties to tradition whilst making majesty in modern times. Completed by clear-yet-crushing production and a fully satisfying 42 minutes, Spiritual Sickness is indeed aptly titled. The time is NOW to join the Zealot Cult! Continue initiation exclusively HERE, courtesy of NoCleanSinging.com. Begin initiation with the previously revealed "Blades of Jihad" HERE at Blood Harvest's Bandcamp. Pre-order info can be found HERE. www.facebook.com/zealotcultDM www.bloodharvest.se www.bloodharvestrecords.bandcamp.com www.twitter.com/BloodHarvestRec www.facebook.com/pages/Blood-Harvest-Records/300012152033  Irish death metal mavericks Malthusian stream the entirety of their highly anticipated debut album, Across Deaths, at Decibel magazine's website. Set for international release on September 28th - Dark Descent will handle the album's North American release, while Invictus Productions will handle the rest of the world - hear Malthusian's Across Deaths in its entirety exclusively HERE. Since their fateful first demo, MMXIII, in 2013, Malthusian have been a study in strident refinement and maverick poise. No move is ever out of place, nor any possibility unexplored; chaos may be waiting in the wings, but it is resisted and never fully/remotely sought. The hydra-headed quartet started on enviably firm footing from the very beginning - trace elements of bestial black metal, morbid death metal, and languorous doom, all mangled and minced with poetic ease - but what sprouted from that first demo and especially the subsequent Below the Hengiform EP two years later was something extraordinary indeed. This was black/death/doom ART taken to hallucinatory extremes...and Malthusian were only just beginning. True, Across Deaths will be a "beginning" for many listeners otherwise new to Malthusian, but for those already well versed in the band's vortextural musings, the album-length format opens their world even wider. Peer inside and the visions of bottomless doom are writ large; obscene forms writhe and resist, each psychological tendril twisting to ever-beckoning infinity. That Malthusian can harness these sensations should be no surprise - both short-length predecessors seemed massive at the time (and still are) - but the sheer fact (not to mention the sheer audacity) that a band can so effortlessly take angular, largely atonal DEATH METAL and make it a seemingly cinematic experience should compel naysayers to finally investigate this malodorous of artforms. Naturally, for however adventurous their visions continue to be, Malthusian above all believe in the alternately damning/redemptive powers of heavy metal: diversity of expression comes from within, not without.
Further verbiage is simply wasted - the experience is all. No time like the present, then, to travel Across Deaths with Malthusian. Take the full, perilous journey exclusively HERE, courtesy of Decibel, North America's only monthly metal magazine. www.facebook.com/malthusianDM www.invictusproductions.net www.facebook.com/invictusproductions  Irish death metal mavericks Malthusian premiere the new track "Across the Expanse of Nothing" at esteemed cultural journal BardoMethodology.com. The track hails from the band's highly anticipated debut album, Across Deaths, which is now set for international release on September 28th: Dark Descent will handle the album's North American release, while Invictus Productions will handle the rest of the world. Hear Malthusian's "Across the Expanse of Nothing" in its entirety exclusively HERE. Since their fateful first demo, MMXIII, in 2013, Malthusian have been a study in strident refinement and maverick poise. No move is ever out of place, nor any possibility unexplored; chaos may be waiting in the wings, but it is resisted and never fully/remotely sought. The hydra-headed quartet started on enviably firm footing from the very beginning - trace elements of bestial black metal, morbid death metal, and languorous doom, all mangled and minced with poetic ease - but what sprouted from that first demo and especially the subsequent Below the Hengiform EP two years later was something extraordinary indeed. This was black/death/doom ART taken to hallucinatory extremes...and Malthusian were only just beginning. True, Across Deaths will be a "beginning" for many listeners otherwise new to Malthusian, but for those already well versed in the band's vortextural musings, the album-length format opens their world even wider. Peer inside and the visions of bottomless doom are writ large; obscene forms writhe and resist, each psychological tendril twisting to ever-beckoning infinity. That Malthusian can harness these sensations should be no surprise - both short-length predecessors seemed massive at the time (and still are) - but the sheer fact (not to mention the sheer audacity) that a band can so effortlessly take angular, largely atonal DEATH METAL and make it a seemingly cinematic experience should compel naysayers to finally investigate this malodorous of artforms. Naturally, for however adventurous their visions continue to be, Malthusian above all believe in the alternately damning/redemptive powers of heavy metal: diversity of expression comes from within, not without.
Further verbiage is simply wasted - the experience is all. No time like the present, then, to travel Across Deaths with Malthusian. Continue the perilous journey with the new track "Across the Expanse of Nothing" exclusively HERE, courtesy of Bardo Methodology. Begin the perilous journey with the previously revealed "Remnant Fauna" HERE at Invictus' Bandcamp. www.facebook.com/malthusianDM www.invictusproductions.net www.facebook.com/invictusproductions  Joining the ranks at Sliptrick Records this week: Swallowing The Weak (IRL) Deathcore Deathcore dissident Swallowing The Weak is a one man army taking shape within an online project. It was initially started in 2014 as an experimental project, working to achieve a more mature form as the project progressed and took on it’s own life. The music from Swallowing The Weak is a blend of modern breakdowns and heavy riffs with a death metal twist. The first EP, Devourer Of Souls is now ready and will be released worldwide via Sliptrick Records on November 6th, 2018. It’s 5 brutal tracks are full of hard, uncompromising twists and turns. Devourer Of Souls | Released on November 6th, 2018 on Sliptrick Records Swallowing The Weak is: Tomek Czajkowski – All instruments Band links: Facebook | Youtube | On Sliptrick  Irish Modern Metal act Words That Burn are proud to unleash their new single and official video "When We're Forgotten". "When We're Forgotten" single has been produced by Josh Robinson in JSR Studios, Belfast and mastered by Alan Douches in West West Side Studios, New York. The band stated: "WTB are super excited to share our video for When We’re Forgotten with you. It is our first time working with Carl Quinn and the rest of the guys in Empty Horoscope Media. He is by far one of the most professional, dedicated and easy to work with people we have dealt with. Even though this was his baby he kept us in the loop throughout the entire process. From initial concept, we knew that this video a big task - The production was huge, there was a lot of people involved, multiple locations, pyro & special effects - so we are absolutely stoked with the end result. This song is a snap shot of the new direction that we are taking as a band so we wanted to come out guns blazing. We wanted something visually striking to compliment the song. I think we got that!" Check it here:- https://www.youtube.com/watch?v=9n8VjsJIB6s&feature=youtu.be Credits: Visuals : Empty Horoscope Media Director : Gareth Stewart Producer : Andy McCormick DOP : Carl Quinn  iTunes: https://tinyurl.com/yaubwoz6 Spotify: https://tinyurl.com/y8exxyby Amazon: https://tinyurl.com/y9rddkwh Taking musical & sonic influence from bands such as Deftones, Bring me the Horizon, Slipknot, Northlane, Killswitch Engage, Architects and The Defiled, Words That Burn compiled an album of hook laden tracks which saw the album chart at Number 1 in the Irish Metal, Irish Rock and Irish mainstream iTunes download charts. Over the course of 2016/2017, Words That Burn completed an Irish tour with a plethora of shows the length and breadth of the Republic of Ireland and Northern Ireland, followed by the video release of ‘Mirror Perfect Mannequin’, which led to a slew of European dates in Hungary, Romania, Slovenia, Poland and the Czech Republic, including a main-stage performance at the Exit Festival in Serbia alongside Destruction, Discharge and Black Dahlia Murder. Currently in the studio writing the follow-up to "Regret is for the Dead”. www.facebook.com/wordsthatburn twitter.com/words_that_burn wordsthatburn.bandcamp.com  From the ashes of Dublin veterans Coldwar, Seznar have emerged, even more enraged and potent as before delving far into philosophies and marrying it with the raw energy of extreme metal. Vocalist Trevor McLave explains that:- "Inspiration behind the name derives out of numerous relating sources. The argument put forward in Ernst Cassirer’s essay on man, where he argues man is a symbolic animal being one. Senzar, as the mystery of the mystery language, whether this be mythological or not, is in my opinion, in itself a measurelessly potent idea for a name. With regards to Coldwar. That was a project with which the line-up varied over the years. It was consistently transforming. The later Coldwar was by all rights something other than what it had started as. Due to dynamics and politics from within the band it transpired the time was right to allow what was manifesting to become something within its own right. Which is exactly what it now is." The band will release their untitled debut record, an EP on 20th July 2018 via Hostile Media, and today have released the first taste of what's the come. Listen To 'CII' - https://youtu.be/3eTIu4LiEl8 McLave adds:- "Not to be pedantic but, it’s not a self-titled release, it’s non-titled. We wanted to take our musical ideas a lot further than we were able to with Coldwar, elements of which were hinted at on Pantheist. Creating atmosphere and soundscapes which hold measureless potency, correlating with the lyrics and retaining raw energy and heaviness was our goal. Regarding the lyrics, I guess there are rudiments of consideration regarding mankind’s position in the greater scheme of the cosmos. Beyond that, it really is something purposely devised as being unfixed, thus open to beholders interpretation."  Characteristically esoteric, Senzar are inspired by the relation of the human condition to the complexity and mystery of the cosmos. Motivated by the obscure yet intelligible patterns of order from chaos and our natural creative impulse, and being influenced by the darker, more challenging cultural output of modernity, they articulate a metaphysical engagement between the self and the natural world. "The music is an endeavour to explore the unity and multiplicity of Being," states vocalist Trevor McLave. "Both interpretive and descriptive, it explores beyond the scope of the rational gaze to disclose the world, which, understood as a totality of all things, we are embedded in, and fundamentally related to in ways which are mystical." Pre-Order 'Seznar' Here: www.facebook.com/hostilemedia/shop www.facebook.com/senzarband www.facebook.com/hostilemedia www.hostilemedia.net The 'Releases Of The Year' series are albums chosen by myself as the best release from each country / dependency known to have an official release in the year 2017. These are alphabetized in country order so are easy to navigate. Each award has national flag featured alongside the band name, Release Of The Year' and Facebook link (where provided)
 Black / Death mavericks Coscradh stream the entirety of their highly anticipated new EP, Of Death and Delirium, at Decibel magazine's website. Set for international release on November 24th via Invictus Productions, hear Coscradh's Of Death and Delirium in its entirety exclusively HERE. Just last year, Invictus unfurled Coscradh's self-titled debut demo, which subsequently went on to reap international acclaim. Here, Coscradh presented a new revelation in the Irish black/death metal underground, and yet another extremely promising newcomer fostered by Invictus. An auspicious start, with its ever-swarming sensation of hideousness and eldritch dread, but along comes Of Death and Delirium to eclipse that. Every element of Of Death and Delirium takes its predecessor to more extreme lengths. Playing, production, songwriting, atmosphere: verily, this is the severest Metal of Death given fuller flight and more far flung into the great abyss. Gnarled and gnawing, possessive of a molten muscularity that always threatens to explode into chaos, Coscradh now finesse their towering creations with a keen attention to nuance; underneath, the primordial waters of time eternal swirl ever more dangerously and direly. Spewing forth three despair-ridden odes to suffering, violence, and madness, Of Death and Delirium confesses a cacophony of death metal majesty that soundtracks horrors seen and unseen - and within, Coscradh stand intrepid, in control but fatefully locked into a state of primal psychosis. Titled truly, as both manifesto and momentum, Of Death and Delirium is Coscradh's first grand strike upon the world stage. Feel its entire wrath exclusively HERE, courtesy of Decibel, North America's only monthly metal magazine.
|
If you enjoy reading this content, please consider a donation Donate© 2011-2022
Global Metal Apocalypse Archives
March 2022
Categories
All
|
RSS Feed